Written by
Robert William Service |
Some carol of the banjo, to its measure keeping time;
Of viol or of lute some make a song.
My battered old accordion, you're worthy of a rhyme,
You've been my friend and comforter so long.
Round half the world I've trotted you, a dozen years or more;
You've given heaps of people lots of fun;
You've set a host of happy feet a-tapping on the floor . . .
Alas! your dancing days are nearly done.
I've played you from the palm-belt to the suburbs of the Pole;
From the silver-tipped sierras to the sea.
The gay and gilded cabin and the grimy glory-hole
Have echoed to your impish melody.
I've hushed you in the dug-out when the trench was stiff with dead;
I've lulled you by the coral-laced lagoon;
I've packed you on a camel from the dung-fire on the bled,
To the hell-for-breakfast Mountains of the Moon.
I've ground you to the shanty men, a-whooping heel and toe,
And the hula-hula graces in the glade.
I've swung you in the igloo to the lousy Esquimau,
And the Haussa at a hundred in the shade.
The ****** on the levee, and the Dinka by the Nile
have shuffled to your insolent appeal.
I've rocked with glee the chimpanzee, and mocked the crocodile,
And shocked the pompous penquin and the seal.
I've set the yokels singing in a little Surrey pub,
Apaches swinging in a Belville bar.
I've played an obligato to the tom-tom's rub-a-dub,
And the throb of Andalusian guitar.
From the Horn to Honolulu, from the Cape to Kalamazoo,
From Wick to Wicklow, Samarkand to Spain,
You've roughed it with my kilt-bag like a comrade tried and true. . . .
Old pal! We'll never hit the trail again.
Oh I know you're cheap and vulgar, you're an instrumental crime.
In drawing-rooms you haven't got a show.
You're a musical abortion, you're the voice of grit and grime,
You're the spokesman of the lowly and the low.
You're a democratic devil, you're the darling of the mob;
You're a wheezy, breezy blasted bit of glee.
You're the headache of the high-bow, you're the horror of the snob,
but you're worth your weight in ruddy gold to me.
For you've chided me in weakness and you've cheered me in defeat;
You've been an anodyne in hours of pain;
And when the slugging jolts of life have jarred me off my feet,
You've ragged me back into the ring again.
I'll never go to Heaven, for I know I am not fit,
The golden harps of harmony to swell;
But with asbestos bellows, if the devil will permit,
I'll swing you to the fork-tailed imps of Hell.
Yes, I'll hank you, and I'll spank you,
And I'll everlasting yank you
To the cinder-swinging satellites of Hell.
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Written by
Bliss Carman |
There is fog upon the river, there is mirk upon the town;
You can hear the groping ferries as they hoot each other down;
From the Battery to Harlem there's seven miles of slush,
Through looming granite canyons of glitter, noise, and rush.
Are you sick of phones and tickers and crazing cable gongs,
Of the theatres, the hansoms, and the breathless Broadway throngs,
Of Flouret's and the Waldorf and the chilly, drizzly Park,
When there's hardly any morning and five o'clock is dark?
I know where there's a city, whose streets are white and clean,
And sea-blue morning loiters by walls where roses lean,
And quiet dwells; that's Nassau, beside her creaming key,
The queen of the Lucayas in the blue Bahaman sea.
She's ringed with surf and coral, she's crowned with sun and palm;
She has the old-world leisure, the regal tropic calm;
The trade winds fan her forehead; in everlasting June
She reigns from deep verandas above her blue lagoon.
She has had many suitors,--Spaniard and Buccaneer,--
Who roistered for her beauty and spilt their blood for her;
But none has dared molest her, since the Loyalist Deveaux
Went down from Carolina a hundred years ago.
Unmodern, undistracted, by grassy ramp and fort,
In decency and order she holds her modest court;
She seems to have forgotten rapine and greed and strife,
In that unaging gladness and dignity of life.
Through streets as smooth as asphalt and white as bleaching shell,
Where the slip-shod heel is happy and the naked foot goes well,
In their gaudy cotton kerchiefs, with swaying hips and free,
Go her black folk in the morning to the market of the sea.
Into her bright sea-gardens the flushing tide-gates lead,
Where fins of chrome and scarlet loll in the lifting weed;
With the long sea-draft behind them, through luring coral groves
The shiny water-people go by in painted droves.
Under her old pink gateways, where Time a moment turns,
Where hang the orange lanterns and the red hibiscus burns,
Live the harmless merry lizards, quicksilver in the sun,
Or still as any image with their shadow on a stone.
Through the lemon-trees at leisure a tiny olive bird
Moves all day long and utters his wise assuring word;
While up in their blue chantry murmur the solemn palms.
At their litanies of joyance, their ancient ceaseless psalms.
There in the endless sunlight, within the surf's low sound,
Peace tarries for a lifetime at doorways unrenowned;
And a velvet air goes breathing across the sea-girt land,
Till the sense begins to waken and the soul to understand.
There's a pier in the East River, where a black Ward Liner lies,
With her wheezy donkey-engines taking cargo and supplies;
She will clear the Hook to-morrow for the Indies of the West,
For the lovely white girl city in the Islands of the Blest.
She'll front the riding winter on the gray Atlantic seas,
And thunder through the surf-heads till her funnels crust and freeze;
She'll grapple the Southeaster, the Thing without a Mind,
Till she drops him, mad and monstrous, with the light ship far behind.
Then out into a morning all summer warmth and blue!
By the breathing of her pistons, by the purring of the screw,
By the springy dip and tremor as she rises, you can tell
Her heart is light and easy as she meets the lazy swell.
With the flying fish before her, and the white wake running aft,
Her smoke-wreath hanging idle, without breeze enough for draft,
She will travel fair and steady, and in the afternoon
Run down the floating palm-tops where lift the Isles of June.
With the low boom of breakers for her only signal gun,
She will anchor off the harbor when her thousand miles are done,
And there's my love, white Nassau, girt with her foaming key,
The queen of the Lucayas in the blue Bahaman sea!
|
Written by
Robert William Service |
Fearing that she might go one day
With some fine fellow of her choice,
I called her from her childish play,
And made a record of her voice.
And now that she is truly gone,
I hear it sweet and crystal clear
From out my wheezy gramophone:
"I love you, Daddy dear."
Indeed it's true she went away,
But Oh she went all, all alone;
Into the dark she went for aye,
Poor little mite! ere girlhood grown.
Ah that I could with her have gone!
But this is all I have to show -
A ghost voice on a gramophone:
"Dear Dad, I love you so."
The saddest part of loss 'tis said,
Is that time tempers our regret;
But that is treason to the dead -
I'll not forget, I'll not forget.
Sole souvenir of golden years,
'Twas best to break this disc in two,
And spare myself a spate of tears . . .
But this I cannot do.
So I will play it every day,
And it will seem that she is near,
And once again I'll hear her say:
I love you so, Oh Daddy dear."
And then her kiss - a stab of woe.
The record ends . . . I breathe a plea:
"Oh God, speed me to where I know
Wee lass, you wait for me."
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Written by
John Keats |
Cat! who hast pass’d thy grand climacteric,
How many mice and rats hast in thy days
Destroy’d? How many tit bits stolen? Gaze
With those bright languid segments green, and prick
Those velvet ears - but pr’ythee do not stick
Thy latent talons in me - and upraise
Thy gentle mew - and tell me all thy frays,
Of fish and mice, and rats and tender chick.
Nay, look not down, nor lick thy dainty wrists -
For all thy wheezy asthma - and for all
Thy tail’s tip is nick’d off - and though the fists
Of many a maid have given thee many a maul,
Still is that fur as soft, as when the lists
In youth thou enter’dest on glass bottled wall.
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Written by
Robert William Service |
He gives me such a bold and curious look,
That young American across the way,
As if he'd like to put me in a book
(Fancies himself a poet, so they say.)
Ah well! He'll make no "document" of me.
I lock my door. Ha! ha! Now none shall see. . . .
Pictures, just pictures piled from roof to floor,
Each one a bit of me, a dream fulfilled,
A vision of the beauty I adore,
My own poor glimpse of glory, passion-thrilled . . .
But now my money's gone, I paint no more.
For three days past I have not tasted food;
The jeweled colors run . . . I reel, I faint;
They tell me that my pictures are no good,
Just crude and childish daubs, a waste of paint.
I burned to throw on canvas all I saw --
Twilight on water, tenderness of trees,
Wet sands at sunset and the smoking seas,
The peace of valleys and the mountain's awe:
Emotion swayed me at the thought of these.
I sought to paint ere I had learned to draw,
And that's the trouble. . . .
Ah well! here am I,
Facing my failure after struggle long;
And there they are, my croutes that none will buy
(And doubtless they are right and I am wrong);
Well, when one's lost one's faith it's time to die. . . .
This knife will do . . . and now to slash and slash;
Rip them to ribands, rend them every one,
My dreams and visions -- tear and stab and gash,
So that their crudeness may be known to none;
Poor, miserable daubs! Ah! there, it's done. . . .
And now to close my little window tight.
Lo! in the dusking sky, serenely set,
The evening star is like a beacon bright.
And see! to keep her tender tryst with night
How Paris veils herself in violet. . . .
Oh, why does God create such men as I? --
All pride and passion and divine desire,
Raw, quivering nerve-stuff and devouring fire,
Foredoomed to failure though they try and try;
Abortive, blindly to destruction hurled;
Unfound, unfit to grapple with the world. . . .
And now to light my wheezy jet of gas;
Chink up the window-crannies and the door,
So that no single breath of air may pass;
So that I'm sealed air-tight from roof to floor.
There, there, that's done; and now there's nothing more. . . .
Look at the city's myriad lamps a-shine;
See, the calm moon is launching into space . . .
There will be darkness in these eyes of mine
Ere it can climb to shine upon my face.
Oh, it will find such peace upon my face! . . .
City of Beauty, I have loved you well,
A laugh or two I've had, but many a sigh;
I've run with you the scale from Heav'n to Hell.
Paris, I love you still . . . good-by, good-by.
Thus it all ends -- unhappily, alas!
It's time to sleep, and now . . . blow out the gas. . . .
Now there's that little midinette
Who goes to work each morning daily;
I choose to call her Blithe Babette,
Because she's always humming gaily;
And though the Goddess "Comme-il-faut"
May look on her with prim expression,
It's Pagan Paris where, you know,
The queen of virtues is Discretion.
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Written by
Rupert Brooke |
Creeps in half wanton, half asleep,
One with a fat wide hairless face.
He likes love-music that is cheap;
Likes women in a crowded place;
And wants to hear the noise they're making.
His heavy eyelids droop half-over,
Great pouches swing beneath his eyes.
He listens, thinks himself the lover,
Heaves from his stomach wheezy sighs;
He likes to feel his heart's a-breaking.
The music swells. His gross legs quiver.
His little lips are bright with slime.
The music swells. The women shiver.
And all the while, in perfect time,
His pendulous stomach hangs a-shaking.
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