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Best Famous Wending Poems

Here is a collection of the all-time best famous Wending poems. This is a select list of the best famous Wending poetry. Reading, writing, and enjoying famous Wending poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of wending poems.

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Written by Emily Dickinson | Create an image from this poem

Heart not so heavy as mine

 Heart, not so heavy as mine
Wending late home --
As it passed my window
Whistled itself a tune --
A careless snatch -- a ballad -- A ditty of the street --
Yet to my irritated Ear
An Anodyne so sweet --
It was as if a Bobolink
Sauntering this way
Carolled, and paused, and carolled --
Then bubbled slow away!
It was as if a chirping brook
Upon a dusty way --
Set bleeding feet to minuets
Without the knowing why!
Tomorrow, night will come again --
Perhaps, weary and sore --
Ah Bugle! By my window
I pray you pass once more.


Written by Johann Wolfgang von Goethe | Create an image from this poem

IDYLL

 A village Chorus is supposed to be assembled, and about to
commence its festive procession.
[Written for the birthday of the Duchess Louisa of Weimar.
] CHORUS.
THE festal day hail ye With garlands of pleasure, And dances' soft measure, With rapture commingled And sweet choral song.
DAMON.
Oh, how I yearn from out the crowd to flee! What joy a secret glade would give to me! Amid the throng, the turmoil here, Confined the plain, the breezes e'en appear.
CHORUS.
Now order it truly, That ev'ry one duly May roam and may wander, Now here, and now yonder, The meadows along.
[The Chorus retreats gradually, and the song becomes fainter and fainter, till it dies away in the distance.
] DAMON.
In vain ye call, in vain would lure me on; True my heart speaks,--but with itself alone.
And if I may view A blessing-fraught land, The heaven's clear blue, And the plain's verdant hue, Alone I'll rejoice, Undisturbed by man's voice.
And there I'll pay homage To womanly merit, Observe it in spirit, In spirit pay homage; To echo alone Shall my secret be known.
CHORUS.
[Faintly mingling with Damon's song in the distance.
] To echo--alone-- Shall my secret--be known.
-- MENALCAS.
My friend, why meet I here with thee? Thou hast'nest not to join the festal throng? No longer stay, but come with me, And mingle in the dance and song.
DAMON.
Thou'rt welcome, friend! but suffer me to roam Where these old beeches hide me from man's view: Love seeks in solitude a home, And homage may retreat there too.
MENALCAS.
Thou seekest here a spurious fame, And hast a mind to-day to grieve me.
Love as thy portion thou mayst claim But homage thou must share with all, believe me! When their voices thousands raise, And the dawn of morning praise, Rapture bringing, Blithely singing On before us, Heart and ear in pleasure vie; And when thousands join in chorus, With the feelings brightly glowing, And the wishes overflowing, Forcibly they'll bear thee high.
[The Chorus gradually approaches, from the distance.
] DAMON.
Distant strains are hither wending, And I'm gladden'd by the throng; Yes, they're coming,--yes, descending To the valley from the height, MENALCAS.
Let us haste, our footsteps blending With the rhythm of the song! Yes, they come; their course they're bending Tow'rd the wood's green sward so bright.
CHORUS.
[Gradually becoming louder.
] Yes, we hither come, attending With the harmony of song, As the hours their race are ending On this day of blest delight.
ALL.
Let none reveal The thoughts we feel, The aims we own! Let joy alone Disclose the story! She'll prove it right And her delight Includes the glory, Includes the bliss Of days like this! 1813.
Written by Victor Hugo | Create an image from this poem

EARLY LOVE REVISITED

 ("O douleur! j'ai voulu savoir.") 
 
 {XXXIV. i., October, 183-.} 


 I have wished in the grief of my heart to know 
 If the vase yet treasured that nectar so clear, 
 And to see what this beautiful valley could show 
 Of all that was once to my soul most dear. 
 In how short a span doth all Nature change, 
 How quickly she smoothes with her hand serene— 
 And how rarely she snaps, in her ceaseless range, 
 The links that bound our hearts to the scene. 
 
 Our beautiful bowers are all laid waste; 
 The fir is felled that our names once bore; 
 Our rows of roses, by urchins' haste, 
 Are destroyed where they leap the barrier o'er. 
 The fount is walled in where, at noonday pride, 
 She so gayly drank, from the wood descending; 
 In her fairy hand was transformed the tide, 
 And it turned to pearls through her fingers wending 
 
 The wild, rugged path is paved with spars, 
 Where erst in the sand her footsteps were traced, 
 When so small were the prints that the surface mars, 
 That they seemed to smile ere by mine effaced. 
 The bank on the side of the road, day by day, 
 Where of old she awaited my loved approach, 
 Is now become the traveller's way 
 To avoid the track of the thundering coach. 
 
 Here the forest contracts, there the mead extends, 
 Of all that was ours, there is little left— 
 Like the ashes that wildly are whisked by winds, 
 Of all souvenirs is the place bereft. 
 Do we live no more—is our hour then gone? 
 Will it give back naught to our hungry cry? 
 The breeze answers my call with a mocking tone, 
 The house that was mine makes no reply. 
 
 True! others shall pass, as we have passed, 
 As we have come, so others shall meet, 
 And the dream that our mind had sketched in haste, 
 Shall others continue, but never complete. 
 For none upon earth can achieve his scheme, 
 The best as the worst are futile here: 
 We awake at the selfsame point cf the dream— 
 All is here begun, and finished elsewhere. 
 
 Yes! others shall come in the bloom of the heart, 
 To enjoy in this pure and happy retreat, 
 All that nature to timid love can impart 
 Of solemn repose and communion sweet. 
 In our fields, in our paths, shall strangers stray, 
 In thy wood, my dearest, new lovers go lost, 
 And other fair forms in the stream shall play 
 Which of old thy delicate feet have crossed. 
 
 Author of "Critical Essays." 


 




Written by John Betjeman | Create an image from this poem

An Edwardian Sunday Broomhill Sheffield

 High dormers are rising
So sharp and surprising,
And ponticum edges
The driveways of gravel;
Stone houses from ledges
Look down on ravines.
The vision can travel From gable to gable, Italianate mansion And turretted stable, A sylvan expansion So varied and jolly Where laurel and holly Commingle their greens.
Serene on a Sunday The sun glitters hotly O'er mills that on Monday With engines will hum.
By tramway excursion To Dore and to Totley In search of diversion The millworkers come; But in our arboreta The sounds are discreeter Of shoes upon stone - The worshippers wending To welcoming chapel, Companioned or lone; And over a pew there See loveliness lean, As Eve shows her apple Through rich bombazine; What love is born new there In blushing eighteen! Your prospects will please her, The iron-king's daughter, Up here on Broomhill; Strange Hallamshire, County Of dearth and of bounty, Of brown tumbling water And furnace and mill.
Your own Ebenezer Looks down from his height On back street and alley And chemical valley Laid out in the light; On ugly and pretty Where industry thrives In this hill-shadowed city Of razors and knives.
Written by Andrew Barton Paterson | Create an image from this poem

Saltbush Bills Second Flight

 The news came down on the Castlereagh, and went to the world at large, 
That twenty thousand travelling sheep, with Saltbush Bill in charge, 
Were drifting down from a dried-out run to ravage the Castlereagh; 
And the squatters swore when they heard the news, and wished they were well away: 
For the name and the fame of Saltbush Bill were over the country-side 
For the wonderful way that he fed his sheep, and the dodges and tricks he tried.
He would lose his way on a Main Stock Route, and stray to the squatters' grass; He would come to a run with the boss away, and swear he had leave to pass; And back of all and behind it all, as well the squatters knew, If he had to fight, he would fight all day, so long as his sheep got through: But this is the story of Stingy Smith, the owner of Hard Times Hill, And the way that he chanced on a fighting man to reckon with Saltbush Bill.
'Twas Stingy Smith on his stockyard sat, and prayed for an early Spring, When he started at sight of a clean-shaved tramp, who walked with a jaunty swing; For a clean-shaved tramp with a jaunty walk a-swinging along the track Is as rare a thing as a feathered frog on the desolate roads out back.
So the tramp he made for the travellers' hut, to ask could he camp the night; But Stingy Smith had a bright idea, and called to him, "Can you fight?" "Why, what's the game?" said the clean-shaved tramp, as he looked at him up and down; "If you want a battle, get off that fence, and I'll kill you for half-a-crown! But, Boss, you'd better not fight with me -- it wouldn't be fair nor right; I'm Stiffener Joe, from the Rocks Brigade, and I killed a man in a fight: I served two years for it, fair and square, and now I'm trampin' back, To look for a peaceful quiet life away on the outside track.
" "Oh, it's not myself, but a drover chap," said Stingy Smith with glee, "A bullying fellow called Saltbush Bill, and you are the man for me.
He's on the road with his hungry sheep, and he's certain to raise a row, For he's bullied the whole of the Castlereagh till he's got them under cow -- Just pick a quarrel and raise a fight, and leather him good and hard, And I'll take good care that his wretched sheep don't wander a half a yard.
It's a five-pound job if you belt him well -- do anything short of kill, For there isn't a beak on the Castlereagh will fine you for Saltbush Bill.
" "I'll take the job," said the fighting man; "and, hot as this cove appears, He'll stand no chance with a bloke like me, what's lived on the game for years; For he's maybe learnt in a boxing school, and sparred for a round or so, But I've fought all hands in a ten-foot ring each night in a travelling show; They earned a pound if they stayed three rounds, and they tried for it every night.
In a ten-foot ring! Oh, that's the game that teaches a bloke to fight, For they'd rush and clinch -- it was Dublin Rules, and we drew no colour line; And they all tried hard for to earn the pound, but they got no pound of mine.
If I saw no chance in the opening round I'd slog at their wind, and wait Till an opening came -- and it always came -- and I settled 'em, sure as fate; Left on the ribs and right on the jaw -- and, when the chance comes, make sure! And it's there a professional bloke like me gets home on an amateur: For it's my experience every day, and I make no doubt it's yours, That a third-class pro is an over-match for the best of the amateurs --" "Oh, take your swag to the travellers' hut," said Smith, "for you waste your breath; You've a first-class chance, if you lose the fight, of talking your man to death.
I'll tell the cook you're to have your grub, and see that you eat your fill, And come to the scratch all fit and well to leather this Saltbush Bill.
" 'Twas Saltbush Bill, and his travelling sheep were wending their weary way On the Main Stock Route, through the Hard Times Run, on their six-mile stage a day; And he strayed a mile from the Main Stock Route, and started to feed along, And when Stingy Smith came up Bill said that the Route was surveyed wrong; And he tried to prove that the sheep had rushed and strayed from their camp at night, But the fighting man he kicked Bill's dog, and of course that meant a fight.
So they sparred and fought, and they shifted ground, and never a sound was heard But the thudding fists on their brawny ribs, and the seconds' muttered word, Till the fighting man shot home his left on the ribs with a mighty clout, And his right flashed up with a half-arm blow -- and Saltbush Bill "went out".
He fell face down, and towards the blow; and their hearts with fear were filled, For he lay as still as a fallen tree, and they thought that he must be killed.
So Stingy Smith and the fighting man, they lifted him from the ground, And sent back home for a brandy-flask, and they slowly fetched him round; But his head was bad, and his jaw was hurt -- in fact, he could scarcely speak -- So they let him spell till he got his wits; and he camped on the run a week, While the travelling sheep went here and there, wherever they liked to stray, Till Saltbush Bill was fit once more for the track to the Castlereagh.
Then Stingy Smith he wrote a note, and gave to the fighting man: 'Twas writ to the boss of the neighbouring run, and thus the missive ran: "The man with this is a fighting man, one Stiffener Joe by name; He came near murdering Saltbush Bill, and I found it a costly game: But it's worth your while to employ the chap, for there isn't the slightest doubt You'll have no trouble from Saltbush Bill while this man hangs about.
" But an answer came by the next week's mail, with news that might well appal: "The man you sent with a note is not a fighting man at all! He has shaved his beard, and has cut his hair, but I spotted him at a look; He is Tom Devine, who has worked for years for Saltbush Bill as cook.
Bill coached him up in the fighting yard, and taught him the tale by rote, And they shammed to fight, and they got your grass, and divided your five-pound note.
'Twas a clean take-in; and you'll find it wise -- 'twill save you a lot of pelf -- When next you're hiring a fighting man, just fight him a round yourself.
" And the teamsters out on the Castlereagh, when they meet with a week of rain, And the waggon sinks to its axle-tree, deep down in the black-soil plain, When the bullocks wade in a sea of mud, and strain at the load of wool, And the cattle-dogs at the bullocks' heels are biting to make them pull, When the off-side driver flays the team, and curses tham while he flogs, And the air is thick with the language used, and the clamour of men and dogs -- The teamsters say, as they pause to rest and moisten each hairy throat, They wish they could swear like Stingy Smith when he read that neighbour's note.


Written by Walt Whitman | Create an image from this poem

Centenarian's Story The

 GIVE me your hand, old Revolutionary; 
The hill-top is nigh—but a few steps, (make room, gentlemen;) 
Up the path you have follow’d me well, spite of your hundred and extra years; 
You can walk, old man, though your eyes are almost done; 
Your faculties serve you, and presently I must have them serve me.
Rest, while I tell what the crowd around us means; On the plain below, recruits are drilling and exercising; There is the camp—one regiment departs to-morrow; Do you hear the officers giving the orders? Do you hear the clank of the muskets? Why, what comes over you now, old man? Why do you tremble, and clutch my hand so convulsively? The troops are but drilling—they are yet surrounded with smiles; Around them, at hand, the well-drest friends, and the women; While splendid and warm the afternoon sun shines down; Green the midsummer verdure, and fresh blows the dallying breeze, O’er proud and peaceful cities, and arm of the sea between.
But drill and parade are over—they march back to quarters; Only hear that approval of hands! hear what a clapping! As wending, the crowds now part and disperse—but we, old man, Not for nothing have I brought you hither—we must remain; You to speak in your turn, and I to listen and tell.
THE CENTENARIAN.
When I clutch’d your hand, it was not with terror; But suddenly, pouring about me here, on every side, And below there where the boys were drilling, and up the slopes they ran, And where tents are pitch’d, and wherever you see, south and south-east and south-west, Over hills, across lowlands, and in the skirts of woods, And along the shores, in mire (now fill’d over), came again, and suddenly raged, As eighty-five years agone, no mere parade receiv’d with applause of friends, But a battle, which I took part in myself—aye, long ago as it is, I took part in it, Walking then this hill-top, this same ground.
Aye, this is the ground; My blind eyes, even as I speak, behold it re-peopled from graves; The years recede, pavements and stately houses disappear; Rude forts appear again, the old hoop’d guns are mounted; I see the lines of rais’d earth stretching from river to bay; I mark the vista of waters, I mark the uplands and slopes: Here we lay encamp’d—it was this time in summer also.
As I talk, I remember all—I remember the Declaration; It was read here—the whole army paraded—it was read to us here; By his staff surrounded, the General stood in the middle—he held up his unsheath’d sword, It glitter’d in the sun in full sight of the army.
’Twas a bold act then; The English war-ships had just arrived—the king had sent them from over the sea; We could watch down the lower bay where they lay at anchor, And the transports, swarming with soldiers.
A few days more, and they landed—and then the battle.
Twenty thousand were brought against us, A veteran force, furnish’d with good artillery.
I tell not now the whole of the battle; But one brigade, early in the forenoon, order’d forward to engage the red-coats; Of that brigade I tell, and how steadily it march’d, And how long and how well it stood, confronting death.
Who do you think that was, marching steadily, sternly confronting death? It was the brigade of the youngest men, two thousand strong, Rais’d in Virginia and Maryland, and many of them known personally to the General.
Jauntily forward they went with quick step toward Gowanus’ waters; Till of a sudden, unlook’d for, by defiles through the woods, gain’d at night, The British advancing, wedging in from the east, fiercely playing their guns, That brigade of the youngest was cut off, and at the enemy’s mercy.
The General watch’d them from this hill; They made repeated desperate attempts to burst their environment; Then drew close together, very compact, their flag flying in the middle; But O from the hills how the cannon were thinning and thinning them! It sickens me yet, that slaughter! I saw the moisture gather in drops on the face of the General; I saw how he wrung his hands in anguish.
Meanwhile the British maneuver’d to draw us out for a pitch’d battle; But we dared not trust the chances of a pitch’d battle.
We fought the fight in detachments; Sallying forth, we fought at several points—but in each the luck was against us; Our foe advancing, steadily getting the best of it, push’d us back to the works on this hill; Till we turn’d, menacing, here, and then he left us.
That was the going out of the brigade of the youngest men, two thousand strong; Few return’d—nearly all remain in Brooklyn.
That, and here, my General’s first battle; No women looking on, nor sunshine to bask in—it did not conclude with applause; Nobody clapp’d hands here then.
But in darkness, in mist, on the ground, under a chill rain, Wearied that night we lay, foil’d and sullen; While scornfully laugh’d many an arrogant lord, off against us encamp’d, Quite within hearing, feasting, klinking wine-glasses together over their victory.
So, dull and damp, and another day; But the night of that, mist lifting, rain ceasing, Silent as a ghost, while they thought they were sure of him, my General retreated.
I saw him at the river-side, Down by the ferry, lit by torches, hastening the embarcation; My General waited till the soldiers and wounded were all pass’d over; And then, (it was just ere sunrise,) these eyes rested on him for the last time.
Every one else seem’d fill’d with gloom; Many no doubt thought of capitulation.
But when my General pass’d me, As he stood in his boat, and look’d toward the coming sun, I saw something different from capitulation.
TERMINUS.
Enough—the Centenarian’s story ends; The two, the past and present, have interchanged; I myself, as connecter, as chansonnier of a great future, am now speaking.
And is this the ground Washington trod? And these waters I listlessly daily cross, are these the waters he cross’d, As resolute in defeat, as other generals in their proudest triumphs? It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and westward; I must preserve that look, as it beam’d on you, rivers of Brooklyn.
See! as the annual round returns, the phantoms return; It is the 27th of August, and the British have landed; The battle begins, and goes against us—behold! through the smoke, Washington’s face; The brigade of Virginia and Maryland have march’d forth to intercept the enemy; They are cut off—murderous artillery from the hills plays upon them; Rank after rank falls, while over them silently droops the flag, Baptized that day in many a young man’s bloody wounds, In death, defeat, and sisters’, mothers’ tears.
Ah, hills and slopes of Brooklyn! I perceive you are more valuable than your owners supposed; Ah, river! henceforth you will be illumin’d to me at sunrise with something besides the sun.
Encampments new! in the midst of you stands an encampment very old; Stands forever the camp of the dead brigade.
Written by Andrew Barton Paterson | Create an image from this poem

By the Grey Gulf-water

 Far to the Northward there lies a land, 
A wonderful land that the winds blow over, 
And none may fathom or understand 
The charm it holds for the restless rover; 
A great grey chaos -- a land half made, 
Where endless space is and no life stirreth; 
There the soul of a man will recoil afraid 
From the sphinx-like visage that Nature weareth.
But old Dame Nature, though scornful, craves Her dole of death and her share of slaughter; Many indeed are the nameless graves Where her victims sleep by the Grey Gulf-water.
Slowly and slowly those grey streams glide, Drifting along with a languid motion, Lapping the reed-beds on either side, Wending their way to the North Ocean.
Grey are the plains where the emus pass Silent and slow, with their dead demeanour; Over the dead man's graves the grass Maybe is waving a trifle greener.
Down in the world where men toil and spin Dame Nature smiles as man's hand has taught her; Only the dead men her smiles can win In the great lone land by the Grey Gulf-water.
For the strength of man is an insect's strength In the face of that mighty plain and river, And the life of a man is a moment's length To the life of the stream that will run for ever.
And so it comes that they take no part In small world worries; each hardy rover Rides like a paladin, light of heart, With the plains around and the blue sky over.
And up in the heavens the brown lark sings The songs the strange wild land has taught her; Full of thanksgiving her sweet song rings -- And I wish I were back by the Grey Gulf-water.
Written by Sir Walter Scott | Create an image from this poem

Harp of the North Farewell!

 Harp of the North, farewell! The hills grow dark, 
On purple peaks a deeper shade descending; 
In twilight copse the glow-worm lights her spark, 
The deer, half-seen, are to the covert wending.
Resume thy wizard elm! the fountain lending, And the wild breeze, thy wilder minstrelsy; Thy numbers sweet with nature’s vespers blending, With distant echo from the fold and lea, And herd-boy’s evening pipe, and hum of housing bee.
Yet, once again, farewell, thou Minstrel Harp! Yet, once again, forgive my feeble sway, And little reck I of the censure sharp May idly cavil at an idle lay.
Much have I owed thy strains on life’s long way, Through secret woes the world has never known, When on the weary night dawned wearier day, And bitterer was the grief devoured alone.
— That I o’erlive such woes, Enchantress! is thine own.
Hark! as my lingering footsteps slow retire, Some spirit of the Air has waked thy string! ’Tis now a seraph bold, with touch of fire, ’Tis now the brush of Fairy’s frolic wing.
Receding now, the dying numbers ring Fainter and fainter down the rugged dell; And now the mountain breezes scarcely bring A wandering witch-note of the distant spell— And now, ’tis silent all!—Enchantress, fare thee well!
Written by Mihai Eminescu | Create an image from this poem

TIS EVE ON THE HILLSIDE


'Tis eve on the hillside, the bagpipes are distantly wailing, 
Flocks going homewards, and stars o'er the firmament sailing, 
Sound of the bubbling spring sorrow's legend narrating, 
And beneath a tall willow for me, dear one, you are waiting.
The wandering moon up the heavens her journey is wending, Big-eyed you watch through the boughs her gold lantern ascending, Now over the dome of the sky all the planets are gleaming, And heavy your breast with its longing, your brow with its dreaming.
Cornfields bright flooded with beams by the clouds steeply drifted, Old cottage gables of thatch to the moonlight uplifted, The tall wooden arm of the well in the wind softly grating, And the shepherd-boy's pipe from the sheep-pen sad "doina" relating.
The peasants, their scythes on their backs, from their labour are coming, The sound of the "toaca" its summons more loudly is drumming, While the clang of the village church bell fills the evening entire, And with longing for you like a ****** my soul is on fire.
O, soon will the village be silent and scarce a light burning, O, soon eager steps to the hillside again I'll be turning, And all the night long I will clasp you in love's hungry fashion, And in secret we'll tell to each other the tale of our passion.
Till at last we will fall fast asleep neath the shade of that willow, Your lips drawn aside in a smile and your breast for my pillow, O, to live one such beautiful night all these wonders fulfilling And barter the rest of existence, who would not be willing? English version by Corneliu M.
Popescu Transcribed by Catalina Stoica School No.
10, Focsani, Romania
Written by Emily Brontë | Create an image from this poem

High waving heather neath stormy blasts bending

 High waving heather 'neath stormy blasts bending, 
Midnight and moonlight and bright shining stars, 
Darkness and glory rejoicingly blending, 
Earth rising to heaven and heaven descending, 
Man's spirit away from its drear dungeon sending, 
Bursting the fetters and breaking the bars.
All down the mountain sides wild forests lending One mighty voice to the life-giving wind, Rivers their banks in their jubilee rending, Fast through the valleys a reckless course wending, Wider and deeper their waters extending, Leaving a desolate desert behind.
Shining and lowering and swelling and dying, Changing forever from midnight to noon; Roaring like thunder, like soft music sighing, Shadows on shadows advancing and flying, Lighning-bright flashes the deep gloom defying, Coming as swiftly and fading as soon.

Book: Reflection on the Important Things