Written by
Linda Pastan |
After Adam Zagajewski
I am child to no one, mother to a few,
wife for the long haul.
On fall days I am happy
with my dying brethren, the leaves,
but in spring my head aches
from the flowery scents.
My husband fills a room with Mozart
which I turn off, embracing
the silence as if it were an empty page
waiting for me alone to fill it.
He digs in the black earth
with his bare hands. I scrub it
from the creases of his skin, longing
for the kind of perfection
that happens in books.
My house is my only heaven.
A red dog sleeps at my feet, dreaming
of the manic wings of flushed birds.
As the road shortens ahead of me
I look over my shoulder
to where it curves back
to childhood, its white line
bisecting the real and the imagined
the way the ridgepole of the spine
divides the two parts of the body, leaving
the soft belly in the center
vulnerable to anything.
As for my country, it blunders along
as well intentioned as Eve choosing
cider and windfalls, oblivious
to the famine soon to come.
I stir pots, bury my face in books, or hold
a telephone to my ear as if its cord
were the umbilicus of the world
whose voices still whisper to me
even after they have left their bodies.
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Written by
Ambrose Bierce |
Once I seen a human ruin
In a elevator-well.
And his members was bestrewin'
All the place where he had fell.
And I says, apostrophisin'
That uncommon woful wreck:
"Your position's so surprisin'
That I tremble for your neck!"
Then that ruin, smilin' sadly
And impressive, up and spoke:
"Well, I wouldn't tremble badly,
For it's been a fortnight broke."
Then, for further comprehension
Of his attitude, he begs
I will focus my attention
On his various arms and legs--
How they all are contumacious;
Where they each, respective, lie;
How one trotter proves ungracious,
T' other one an alibi.
These particulars is mentioned
For to show his dismal state,
Which I wasn't first intentioned
To specifical relate.
None is worser to be dreaded
That I ever have heard tell
Than the gent's who there was spreaded
In that elevator-well.
Now this tale is allegoric--
It is figurative all,
For the well is metaphoric
And the feller didn't fall.
I opine it isn't moral
For a writer-man to cheat,
And despise to wear a laurel
As was gotten by deceit.
For 'tis Politics intended
By the elevator, mind,
It will boost a person splendid
If his talent is the kind.
Col. Bryan had the talent
(For the busted man is him)
And it shot him up right gallant
Till his head began to swim.
Then the rope it broke above him
And he painful came to earth
Where there's nobody to love him
For his detrimented worth.
Though he's living' none would know him,
Or at leastwise not as such.
Moral of this woful poem:
Frequent oil your safety-clutch.
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