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Written by Kahlil Gibran | Create an image from this poem

A Poets Voice XV

 Part One


The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry. 

My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty. 

Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark. 

I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire. For I am a poet, and if I cannot give, I shall refuse to receive. 

Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God. 

Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart. 

Substantial things deaden a man without suffering; love awakens him with enlivening pains. 

Humans are divided into different clans and tribes, and belong to countries and towns. But I find myself a stranger to all communities and belong to no settlement. The universe is my country and the human family is my tribe. 

Men are weak, and it is sad that they divide amongst themselves. The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces. 

Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies. I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge." Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun. 



Part Two


I have a yearning for my beautiful country, and I love its people because of their misery. But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country. 

I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness. My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction." 

I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God. 

Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice. But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers. 

Humanity appeals to its people but they listen not. Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment." 

Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will. But the people ridicule such teachings. The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body. The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing." 

Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally. Ridicule cannot triumph over the followers of Deity. They live and grow forever. 



Part Three


Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth. 

You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth. You are a human, and, that fact sufficing, I love you as a brother. You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice. 

You may deprive me of whatever I possess, for my greed instigated the amassing of wealth and you are entitled to my lot if it will satisfy you. 

You may do unto me whatever you wish, but you shall not be able to touch my Truth. 

You may shed my blood and burn my body, but you cannot kill or hurt my spirit. 

You may tie my hands with chains and my feet with shackles, and put me in the dark prison, but who shall not enslave my thinking, for it is free, like the breeze in the spacious sky. 

You are my brother and I love you. I love you worshipping in your church, kneeling in your temple, and praying in your mosque. You and I and all are children of one religion, for the varied paths of religion are but the fingers of the loving hand of the Supreme Being, extended to all, offering completeness of spirit to all, anxious to receive all. 

I love you for your Truth, derived from your knowledge; that Truth which I cannot see because of my ignorance. But I respect it as a divine thing, for it is the deed of the spirit. Your Truth shall meet my Truth in the coming world and blend together like the fragrance of flowers and becoming one whole and eternal Truth, perpetuating and living in the eternity of Love and Beauty. 

I love you because you are weak before the strong oppressor, and poor before the greedy rich. For these reasons I shed tears and comfort you; and from behind my tears I see you embraced in the arms of Justice, smiling and forgiving your persecutors. You are my brother and I love you. 



Part Four


You are my brother, but why are you quarreling with me? Why do you invade my country and try to subjugate me for the sake of pleasing those who are seeking glory and authority? 

Why do you leave your wife and children and follow Death to the distant land for the sake of those who buy glory with your blood, and high honor with your mother's tears? 

Is it an honor for a man to kill his brother man? If you deem it an honor, let it be an act of worship, and erect a temple to Cain who slew his brother Abel. 

Is self-preservation the first law of Nature? Why, then, does Greed urge you to self-sacrifice in order only to achieve his aim in hurting your brothers? Beware, my brother, of the leader who says, "Love of existence obliges us to deprive the people of their rights!" I say unto you but this: protecting others' rights is the noblest and most beautiful human act; if my existence requires that I kill others, then death is more honorable to me, and if I cannot find someone to kill me for the protection of my honor, I will not hesitate to take my life by my own hands for the sake of Eternity before Eternity comes. 

Selfishness, my brother, is the cause of blind superiority, and superiority creates clanship, and clanship creates authority which leads to discord and subjugation. 

The soul believes in the power of knowledge and justice over dark ignorance; it denies the authority that supplies the swords to defend and strengthen ignorance and oppression - that authority which destroyed Babylon and shook the foundation of Jerusalem and left Rome in ruins. It is that which made people call criminals great mean; made writers respect their names; made historians relate the stories of their inhumanity in manner of praise. 

The only authority I obey is the knowledge of guarding and acquiescing in the Natural Law of Justice. 

What justice does authority display when it kills the killer? When it imprisons the robber? When it descends on a neighborhood country and slays its people? What does justice think of the authority under which a killer punishes the one who kills, and a thief sentences the one who steals? 

You are my brother, and I love you; and Love is justice with its full intensity and dignity. If justice did not support my love for you, regardless of your tribe and community, I would be a deceiver concealing the ugliness of selfishness behind the outer garment of pure love. 



Conclusion


My soul is my friend who consoles me in misery and distress of life. He who does not befriend his soul is an enemy of humanity, and he who does not find human guidance within himself will perish desperately. Life emerges from within, and derives not from environs. 

I came to say a word and I shall say it now. But if death prevents its uttering, it will be said tomorrow, for tomorrow never leaves a secret in the book of eternity.

I came to live in the glory of love and the light of beauty, which are the reflections of God. I am here living, and the people are unable to exile me from the domain of life for they know I will live in death. If they pluck my eyes I will hearken to the murmers of love and the songs of beauty.

If they close my ears I will enjoy the touch of the breeze mixed with the incebse of love and the fragrance of beauty.

If they place me in a vacuum, I will live together with my soul, the child of love and beauty.

I came here to be for all and with all, and what I do today in my solitude will be echoed by tomorrow to the people.

What I say now with one heart will be said tomorrow by many hearts


Written by Henry Wadsworth Longfellow | Create an image from this poem

A Gleam Of Sunshine

 This is the place. Stand still, my steed,
Let me review the scene,
And summon from the shadowy Past
The forms that once have been.

The Past and Present here unite
Beneath Time's flowing tide,
Like footprints hidden by a brook,
But seen on either side.

Here runs the highway to the town;
There the green lane descends,
Through which I walked to church with thee,
O gentlest of my friends!

The shadow of the linden-trees
Lay moving on the grass;
Between them and the moving boughs,
A shadow, thou didst pass.

Thy dress was like the lilies,
And thy heart as pure as they:
One of God's holy messengers
Did walk with me that day.

I saw the branches of the trees
Bend down thy touch to meet,
The clover-blossoms in the grass
Rise up to kiss thy feet,

"Sleep, sleep to-day, tormenting cares,
Of earth and folly born!"
Solemnly sang the village choir
On that sweet Sabbath morn.

Through the closed blinds the golden sun
Poured in a dusty beam,
Like the celestial ladder seen
By Jacob in his dream.

And ever and anon, the wind,
Sweet-scented with the hay,
Turned o'er the hymn-book's fluttering leaves
That on the window lay.

Long was the good man's sermon,
Yet it seemed not so to me;
For he spake of Ruth the beautiful,
And still I thought of thee.

Long was the prayer he uttered,
Yet it seemed not so to me;
For in my heart I prayed with him,
And still I thought of thee.

But now, alas! the place seems changed;
Thou art no longer here:
Part of the sunshine of the scene
With thee did disappear.

Though thoughts, deep-rooted in my heart,
Like pine-trees dark and high,
Subdue the light of noon, and breathe
A low and ceaseless sigh;

This memory brightens o'er the past,
As when the sun, concealed
Behind some cloud that near us hangs
Shines on a distant field.
Written by Friedrich von Schiller | Create an image from this poem

The Ideal And The Actual Life

 Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.

Seekest thou on earth the life of gods to share,
Safe in the realm of death?--beware
To pluck the fruits that glitter to thine eye;
Content thyself with gazing on their glow--
Short are the joys possession can bestow,
And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound
Thy daughter, Ceres, to the Stygian river--
She plucked the fruit of the unholy ground,
And so--was hell's forever!
The weavers of the web--the fates--but sway
The matter and the things of clay;
Safe from change that time to matter gives,
Nature's blest playmate, free at will to stray
With gods a god, amidst the fields of day,
The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing?
Cast from thee, earth, the bitter and the real,
High from this cramped and dungeon being, spring
Into the realm of the ideal!

Here, bathed, perfection, in thy purest ray,
Free from the clogs and taints of clay,
Hovers divine the archetypal man!
Dim as those phantom ghosts of life that gleam
And wander voiceless by the Stygian stream,--
Fair as it stands in fields Elysian,
Ere down to flesh the immortal doth descend:--
If doubtful ever in the actual life
Each contest--here a victory crowns the end
Of every nobler strife.

Not from the strife itself to set thee free,
But more to nerve--doth victory
Wave her rich garland from the ideal clime.
Whate'er thy wish, the earth has no repose--
Life still must drag thee onward as it flows,
Whirling thee down the dancing surge of time.
But when the courage sinks beneath the dull
Sense of its narrow limits--on the soul,
Bright from the hill-tops of the beautiful,
Bursts the attained goal!

If worth thy while the glory and the strife
Which fire the lists of actual life--
The ardent rush to fortune or to fame,
In the hot field where strength and valor are,
And rolls the whirling thunder of the car,
And the world, breathless, eyes the glorious game--
Then dare and strive--the prize can but belong
To him whose valor o'er his tribe prevails;
In life the victory only crowns the strong--
He who is feeble fails.

But life, whose source, by crags around it piled,
Chafed while confined, foams fierce and wild,
Glides soft and smooth when once its streams expand,
When its waves, glassing in their silver play,
Aurora blent with Hesper's milder ray,
Gain the still beautiful--that shadow-land!
Here, contest grows but interchange of love,
All curb is but the bondage of the grace;
Gone is each foe,--peace folds her wings above
Her native dwelling-place.

When, through dead stone to breathe a soul of light,
With the dull matter to unite
The kindling genius, some great sculptor glows;
Behold him straining, every nerve intent--
Behold how, o'er the subject element,
The stately thought its march laborious goes!
For never, save to toil untiring, spoke
The unwilling truth from her mysterious well--
The statue only to the chisel's stroke
Wakes from its marble cell.

But onward to the sphere of beauty--go
Onward, O child of art! and, lo!
Out of the matter which thy pains control
The statue springs!--not as with labor wrung
From the hard block, but as from nothing sprung--
Airy and light--the offspring of the soul!
The pangs, the cares, the weary toils it cost
Leave not a trace when once the work is done--
The Artist's human frailty merged and lost
In art's great victory won! [40]

If human sin confronts the rigid law
Of perfect truth and virtue [41], awe
Seizes and saddens thee to see how far
Beyond thy reach, perfection;--if we test
By the ideal of the good, the best,
How mean our efforts and our actions are!
This space between the ideal of man's soul
And man's achievement, who hath ever past?
An ocean spreads between us and that goal,
Where anchor ne'er was cast!

But fly the boundary of the senses--live
The ideal life free thought can give;
And, lo, the gulf shall vanish, and the chill
Of the soul's impotent despair be gone!
And with divinity thou sharest the throne,
Let but divinity become thy will!
Scorn not the law--permit its iron band
The sense (it cannot chain the soul) to thrall.
Let man no more the will of Jove withstand [42],
And Jove the bolt lets fall!

If, in the woes of actual human life--
If thou could'st see the serpent strife
Which the Greek art has made divine in stone--
Could'st see the writhing limbs, the livid cheek,
Note every pang, and hearken every shriek,
Of some despairing lost Laocoon,
The human nature would thyself subdue
To share the human woe before thine eye--
Thy cheek would pale, and all thy soul be true
To man's great sympathy.

But in the ideal realm, aloof and far,
Where the calm art's pure dwellers are,
Lo, the Laocoon writhes, but does not groan.
Here, no sharp grief the high emotion knows--
Here, suffering's self is made divine, and shows
The brave resolve of the firm soul alone:
Here, lovely as the rainbow on the dew
Of the spent thunder-cloud, to art is given,
Gleaming through grief's dark veil, the peaceful blue
Of the sweet moral heaven.

So, in the glorious parable, behold
How, bowed to mortal bonds, of old
Life's dreary path divine Alcides trod:
The hydra and the lion were his prey,
And to restore the friend he loved to-day,
He went undaunted to the black-browed god;
And all the torments and the labors sore
Wroth Juno sent--the meek majestic one,
With patient spirit and unquailing, bore,
Until the course was run--

Until the god cast down his garb of clay,
And rent in hallowing flame away
The mortal part from the divine--to soar
To the empyreal air! Behold him spring
Blithe in the pride of the unwonted wing,
And the dull matter that confined before
Sinks downward, downward, downward as a dream!
Olympian hymns receive the escaping soul,
And smiling Hebe, from the ambrosial stream,
Fills for a god the bowl!
Written by Percy Bysshe Shelley | Create an image from this poem

Good-Night

 Good-night? ah! no; the hour is ill
Which severs those it should unite;
Let us remain together still,
Then it will be good night.

How can I call the lone night good,
Though thy sweet wishes wing its flight?
Be it not said, thought, understood --
Then it will be -- good night.

To hearts which near each other move
From evening close to morning light,
The night is good; because, my love,
They never say good-night.
Written by George (Lord) Byron | Create an image from this poem

Ode to Napoleon Bonaparte

 I 
'Tis done -- but yesterday a King! 
And arm'd with Kings to strive -- 
And now thou art a nameless thing: 
So abject -- yet alive! 
Is this the man of thousand thrones, 
Who strew'd our earth with hostile bones, 
And can he thus survive? 
Since he, miscall'd the Morning Star, 
Nor man nor fiend hath fallen so far. 

II 
Ill-minded man! why scourge thy kind 
Who bow'd so low the knee? 
By gazing on thyself grown blind, 
Thou taught'st the rest to see. 
With might unquestion'd, -- power to save, -- 
Thine only gift hath been the grave, 
To those that worshipp'd thee; 
Nor till thy fall could mortals guess 
Ambition's less than littleness! 

III 
Thanks for that lesson -- It will teach 
To after-warriors more, 
Than high Philosophy can preach, 
And vainly preach'd before. 
That spell upon the minds of men 
Breaks never to unite again, 
That led them to adore 
Those Pagod things of sabre sway 
With fronts of brass, and feet of clay. 

IV 
The triumph and the vanity, 
The rapture of the strife -- 
The earthquake voice of Victory, 
To thee the breath of life; 
The sword, the sceptre, and that sway 
Which man seem'd made but to obey, 
Wherewith renown was rife -- 
All quell'd! -- Dark Spirit! what must be 
The madness of thy memory! 

V 
The Desolator desolate! 
The Victor overthrown! 
The Arbiter of others' fate 
A Suppliant for his own! 
Is it some yet imperial hope 
That with such change can calmly cope? 
Or dread of death alone? 
To die a prince -- or live a slave -- 
Thy choice is most ignobly brave! 

VI 
He who of old would rend the oak, 
Dream'd not of the rebound: 
Chain'd by the trunk he vainly broke -- 
Alone -- how look'd he round? 
Thou, in the sternness of thy strength, 
An equal deed hast done at length, 
And darker fate hast found: 
He fell, the forest prowler's prey; 
But thou must eat thy heart away! 

VII 
The Roman, when his burning heart 
Was slaked with blood of Rome, 
Threw down the dagger -- dared depart, 
In savage grandeur, home -- 
He dared depart in utter scorn 
Of men that such a yoke had borne, 
Yet left him such a doom! 
His only glory was that hour 
Of self-upheld abandon'd power. 

VIII 
The Spaniard, when the lust of sway 
Had lost its quickening spell, 
Cast crowns for rosaries away, 
An empire for a cell; 
A strict accountant of his beads, 
A subtle disputant on creeds, 
His dotage trifled well: 
Yet better had he neither known 
A bigot's shrine, nor despot's throne. 

IX 
But thou -- from thy reluctant hand 
The thunderbolt is wrung -- 
Too late thou leav'st the high command 
To which thy weakness clung; 
All Evil Spirit as thou art, 
It is enough to grieve the heart 
To see thine own unstrung; 
To think that God's fair world hath been 
The footstool of a thing so mean; 
X 
And Earth hath spilt her blood for him, 
Who thus can hoard his own! 
And Monarchs bow'd the trembling limb, 
And thank'd him for a throne! 
Fair Freedom! we may hold thee dear, 
When thus thy mightiest foes their fear 
In humblest guise have shown. 
Oh! ne'er may tyrant leave behind 
A brighter name to lure mankind! 

XI 
Thine evil deeds are writ in gore, 
Nor written thus in vain -- 
Thy triumphs tell of fame no more, 
Or deepen every stain: 
If thou hadst died as honour dies, 
Some new Napoleon might arise, 
To shame the world again -- 
But who would soar the solar height, 
To set in such a starless night? 

XII 
Weigh'd in the balance, hero dust 
Is vile as vulgar clay; 
Thy scales, Mortality! are just 
To all that pass away: 
But yet methought the living great 
Some higher sparks should animate, 
To dazzle and dismay: 
Nor deem'd Contempt could thus make mirth 
Of these, the Conquerors of the earth. 

XIII 
And she, proud Austria's mournful flower, 
Thy still imperial bride; 
How bears her breast the torturing hour? 
Still clings she to thy side? 
Must she too bend, must she too share 
Thy late repentance, long despair, 
Thou throneless Homicide? 
If still she loves thee, hoard that gem, -- 
'Tis worth thy vanish'd diadem! 

XIV 
Then haste thee to thy sullen Isle, 
And gaze upon the sea; 
That element may meet thy smile -- 
It ne'er was ruled by thee! 
Or trace with thine all idle hand 
In loitering mood upon the sand 
That Earth is now as free! 
That Corinth's pedagogue hath now 
Transferr'd his by-word to thy brow. 

XV 
Thou Timour! in his captive's cage 
What thought will there be thine, 
While brooding in thy prison'd rage? 
But one -- "The word was mine!" 
Unless, like he of Babylon, 
All sense is with thy sceptre gone, 
Life will not long confine 
That spirit pour'd so widely forth-- 
So long obey'd -- so little worth! 

XVI 
Or, like the thief of fire from heaven, 
Wilt thou withstand the shock? 
And share with him, the unforgiven, 
His vulture and his rock! 
Foredoom'd by God -- by man accurst, 
And that last act, though not thy worst, 
The very Fiend's arch mock; 
He in his fall preserved his pride, 
And, if a mortal, had as proudly died! 

XVII 
There was a day -- there was an hour, 
While earth was Gaul's -- Gaul thine -- 
When that immeasurable power 
Unsated to resign 
Had been an act of purer fame 
Than gathers round Marengo's name, 
And gilded thy decline, 
Through the long twilight of all time, 
Despite some passing clouds of crime. 

XVIII 
But thou forsooth must be a king, 
And don the purple vest, 
As if that foolish robe could wring 
Remembrance from thy breast. 
Where is that faded garment? where 
The gewgaws thou wert fond to wear, 
The star, the string, the crest? 
Vain froward child of empire! say, 
Are all thy playthings snatched away? 

XIX 
Where may the wearied eye repose 
When gazing on the Great; 
Where neither guilty glory glows, 
Nor despicable state? 
Yes --one--the first--the last--the best-- 
The Cincinnatus of the West, 
Whom envy dared not hate, 
Bequeath'd the name of Washington, 
To make man blush there was but one!


Written by George (Lord) Byron | Create an image from this poem

I Speak Not

 I speak not, I trace not, I breathe not thy name;
There is grief in the sound, there is guilt in the fame;
But the tear that now burns on my cheek may impart
The deep thoughts that dwell in that silence of heart.
Too brief for our passion, too long for our peace,
Were those hours - can their joy or their bitterness cease?
We repent, we abjure, we will break from our chain, - 
We will part, we will fly to - unite it again!
Oh! thine be the gladness, and mine be the guilt!
Forgive me, adored one! - forsake if thou wilt;
But the heart which is thine shall expire undebased,
And man shall not break it - whatever thou may'st.
And stern to the haughty, but humble to thee,
This soul in its bitterest blackness shall be;
And our days seem as swift, and our moments more sweet,
With thee at my side, than with worlds at our feet.
One sigh of thy sorrow, one look of thy love,
Shall turn me or fix, shall reward or reprove.
And the heartless may wonder at all I resign - 
Thy lips shall reply, not to them, but to mine.
Written by Robert Burns | Create an image from this poem

87. The Twa Dogs

 ’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
 The first I’ll name, they ca’d him Caesar,
Was keepit for His Honor’s pleasure:
His hair, his size, his mouth, his lugs,
Shew’d he was nane o’ Scotland’s dogs;
But whalpit some place far abroad,
Whare sailors gang to fish for cod.
 His locked, letter’d, braw brass collar
Shew’d him the gentleman an’ scholar;
But though he was o’ high degree,
The fient a pride, nae pride had he;
But wad hae spent an hour caressin,
Ev’n wi’ al tinkler-gipsy’s messin:
At kirk or market, mill or smiddie,
Nae tawted tyke, tho’ e’er sae duddie,
But he wad stan’t, as glad to see him,
An’ stroan’t on stanes an’ hillocks wi’ him.
 The tither was a ploughman’s collie—
A rhyming, ranting, raving billie,
Wha for his friend an’ comrade had him,
And in freak had Luath ca’d him,
After some dog in Highland Sang, 2
Was made lang syne,—Lord knows how lang.
 He was a gash an’ faithfu’ tyke,
As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face
Aye gat him friends in ilka place;
His breast was white, his touzie back
Weel clad wi’ coat o’ glossy black;
His gawsie tail, wi’ upward curl,
Hung owre his hurdie’s wi’ a swirl.
 Nae doubt but they were fain o’ ither,
And unco pack an’ thick thegither;
Wi’ social nose whiles snuff’d an’ snowkit;
Whiles mice an’ moudieworts they howkit;
Whiles scour’d awa’ in lang excursion,
An’ worry’d ither in diversion;
Until wi’ daffin’ weary grown
Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.”


CÆSAR I’ve aften wonder’d, honest Luath,
What sort o’ life poor dogs like you have;
An’ when the gentry’s life I saw,
What way poor bodies liv’d ava.
 Our laird gets in his racked rents,
His coals, his kane, an’ a’ his stents:
He rises when he likes himsel’;
His flunkies answer at the bell;
He ca’s his coach; he ca’s his horse;
He draws a bonie silken purse,
As lang’s my tail, where, thro’ the steeks,
The yellow letter’d Geordie keeks.
 Frae morn to e’en, it’s nought but toiling
At baking, roasting, frying, boiling;
An’ tho’ the gentry first are stechin,
Yet ev’n the ha’ folk fill their pechan
Wi’ sauce, ragouts, an’ sic like trashtrie,
That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner,
Poor, worthless elf, it eats a dinner,
Better than ony tenant-man
His Honour has in a’ the lan’:
An’ what poor cot-folk pit their painch in,
I own it’s past my comprehension.


LUATH Trowth, C&æsar, whiles they’re fash’t eneugh:
A cottar howkin in a sheugh,
Wi’ dirty stanes biggin a dyke,
Baring a quarry, an’ sic like;
Himsel’, a wife, he thus sustains,
A smytrie o’ wee duddie weans,
An’ nought but his han’-daurk, to keep
Them right an’ tight in thack an’ rape.
 An’ when they meet wi’ sair disasters,
Like loss o’ health or want o’ masters,
Ye maist wad think, a wee touch langer,
An’ they maun starve o’ cauld an’ hunger:
But how it comes, I never kent yet,
They’re maistly wonderfu’ contented;
An’ buirdly chiels, an’ clever hizzies,
Are bred in sic a way as this is.


CÆSAR But then to see how ye’re negleckit,
How huff’d, an’ cuff’d, an’ disrespeckit!
Lord man, our gentry care as little
For delvers, ditchers, an’ sic cattle;
They gang as saucy by poor folk,
As I wad by a stinkin brock.
 I’ve notic’d, on our laird’s court-day,—
An’ mony a time my heart’s been wae,—
Poor tenant bodies, scant o’cash,
How they maun thole a factor’s snash;
He’ll stamp an’ threaten, curse an’ swear
He’ll apprehend them, poind their gear;
While they maun stan’, wi’ aspect humble,
An’ hear it a’, an’ fear an’ tremble!
 I see how folk live that hae riches;
But surely poor-folk maun be wretches!


LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink,
They’re sae accustom’d wi’ the sight,
The view o’t gives them little fright.
 Then chance and fortune are sae guided,
They’re aye in less or mair provided:
An’ tho’ fatigued wi’ close employment,
A blink o’ rest’s a sweet enjoyment.
 The dearest comfort o’ their lives,
Their grushie weans an’ faithfu’ wives;
The prattling things are just their pride,
That sweetens a’ their fire-side.
 An’ whiles twalpennie worth o’ nappy
Can mak the bodies unco happy:
They lay aside their private cares,
To mind the Kirk and State affairs;
They’ll talk o’ patronage an’ priests,
Wi’ kindling fury i’ their breasts,
Or tell what new taxation’s comin,
An’ ferlie at the folk in Lon’on.
 As bleak-fac’d Hallowmass returns,
They get the jovial, rantin kirns,
When rural life, of ev’ry station,
Unite in common recreation;
Love blinks, Wit slaps, an’ social Mirth
Forgets there’s Care upo’ the earth.
 That merry day the year begins,
They bar the door on frosty win’s;
The nappy reeks wi’ mantling ream,
An’ sheds a heart-inspiring steam;
The luntin pipe, an’ sneeshin mill,
Are handed round wi’ right guid will;
The cantie auld folks crackin crouse,
The young anes rantin thro’ the house—
My heart has been sae fain to see them,
That I for joy hae barkit wi’ them.
 Still it’s owre true that ye hae said,
Sic game is now owre aften play’d;
There’s mony a creditable stock
O’ decent, honest, fawsont folk,
Are riven out baith root an’ branch,
Some rascal’s pridefu’ greed to quench,
Wha thinks to knit himsel the faster
In favour wi’ some gentle master,
Wha, aiblins, thrang a parliamentin,
For Britain’s guid his saul indentin—


CÆSAR Haith, lad, ye little ken about it:
For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him:
An’ saying ay or no’s they bid him:
At operas an’ plays parading,
Mortgaging, gambling, masquerading:
Or maybe, in a frolic daft,
To Hague or Calais takes a waft,
To mak a tour an’ tak a whirl,
To learn bon ton, an’ see the worl’.
 There, at Vienna, or Versailles,
He rives his father’s auld entails;
Or by Madrid he takes the rout,
To thrum guitars an’ fecht wi’ nowt;
Or down Italian vista startles,
 Wh-re-hunting amang groves o’ myrtles:
Then bowses drumlie German-water,
To mak himsel look fair an’ fatter,
An’ clear the consequential sorrows,
Love-gifts of Carnival signoras.
 For Britain’s guid! for her destruction!
Wi’ dissipation, feud, an’ faction.


LUATH Hech, man! dear sirs! is that the gate
They waste sae mony a braw estate!
Are we sae foughten an’ harass’d
For gear to gang that gate at last?
 O would they stay aback frae courts,
An’ please themsels wi’ country sports,
It wad for ev’ry ane be better,
The laird, the tenant, an’ the cotter!
For thae frank, rantin, ramblin billies,
Feint haet o’ them’s ill-hearted fellows;
Except for breakin o’ their timmer,
Or speakin lightly o’ their limmer,
Or shootin of a hare or moor-cock,
The ne’er-a-bit they’re ill to poor folk,
 But will ye tell me, Master C&æsar,
Sure great folk’s life’s a life o’ pleasure?
Nae cauld nor hunger e’er can steer them,
The very thought o’t need na fear them.


CÆSAR L—d, man, were ye but whiles whare I am,
The gentles, ye wad ne’er envy them!
 It’s true, they need na starve or sweat,
Thro’ winter’s cauld, or simmer’s heat:
They’ve nae sair wark to craze their banes,
An’ fill auld age wi’ grips an’ granes:
But human bodies are sic fools,
For a’ their colleges an’ schools,
That when nae real ills perplex them,
They mak enow themsel’s to vex them;
An’ aye the less they hae to sturt them,
In like proportion, less will hurt them.
 A country fellow at the pleugh,
His acre’s till’d, he’s right eneugh;
A country girl at her wheel,
Her dizzen’s dune, she’s unco weel;
But gentlemen, an’ ladies warst,
Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy;
Tho’ deil-haet ails them, yet uneasy;
Their days insipid, dull, an’ tasteless;
Their nights unquiet, lang, an’ restless.
 An’ev’n their sports, their balls an’ races,
Their galloping through public places,
There’s sic parade, sic pomp, an’ art,
The joy can scarcely reach the heart.
 The men cast out in party-matches,
Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring,
Niest day their life is past enduring.
 The ladies arm-in-arm in clusters,
As great an’ gracious a’ as sisters;
But hear their absent thoughts o’ ither,
They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie,
They sip the scandal-potion pretty;
Or lee-lang nights, wi’ crabbit leuks
Pore owre the devil’s pictur’d beuks;
Stake on a chance a farmer’s stackyard,
An’ cheat like ony unhanged blackguard.
 There’s some exceptions, man an’ woman;
But this is gentry’s life in common.
 By this, the sun was out of sight,
An’ darker gloamin brought the night;
The bum-clock humm’d wi’ lazy drone;
The kye stood rowtin i’ the loan;
When up they gat an’ shook their lugs,
Rejoic’d they werena men but dogs;
An’ each took aff his several way,
Resolv’d to meet some ither day.


 Note 1. Luath was Burns’ own dog. [back]
Note 2. Cuchullin’s dog in Ossian’s “Fingal.”—R. B. [back]
Written by John Betjeman | Create an image from this poem

Trebetherick

 We used to picnic where the thrift
Grew deep and tufted to the edge;
We saw the yellow foam flakes drift
In trembling sponges on the ledge
Below us, till the wind would lift
Them up the cliff and o’er the hedge.
Sand in the sandwiches, wasps in the tea,
Sun on our bathing dresses heavy with the wet,
Squelch of the bladder-wrack waiting for the sea,
Fleas around the tamarisk, an early cigarette.

From where the coastguard houses stood
One used to see below the hill,
The lichened branches of a wood
In summer silver cool and still;
And there the Shade of Evil could
Stretch out at us from Shilla Mill.
Thick with sloe and blackberry, uneven in the light,
Lonely round the hedge, the heavy meadow was remote,
The oldest part of Cornwall was the wood as black as night,
And the pheasant and the rabbit lay torn open at the throat.

But when a storm was at its height,
And feathery slate was black in rain,
And tamarisks were hung with light
And golden sand was brown again,
Spring tide and blizzard would unite
And sea come flooding up the lane.
Waves full of treasure then were roaring up the beach,
Ropes round our mackintoshes, waders warm and dry,
We waited for the wreckage to come swirling into reach,
Ralph, Vasey, Alistair, Biddy, John and I.

Then roller into roller curled
And thundered down the rocky bay,
And we were in a water world
Of rain and blizzard, sea and spray,
And one against the other hurled
We struggled round to Greenaway.
Bless?d be St Enodoc, bless?d be the wave,
Bless?d be the springy turf, we pray, pray to thee,
Ask for our children all happy days you gave
To Ralph, Vasey, Alistair, Biddy, John and me.
Written by John Wilmot | Create an image from this poem

An Allusion to Horace

 Well Sir, 'tis granted, I said Dryden's Rhimes, 
Were stoln, unequal, nay dull many times: 
What foolish Patron, is there found of his, 
So blindly partial, to deny me this? 
But that his Plays, Embroider'd up and downe, 
With Witt, and Learning, justly pleas'd the Towne, 
In the same paper, I as freely owne: 
Yet haveing this allow'd, the heavy Masse, 
That stuffs up his loose Volumes must not passe: 
For by that Rule, I might as well admit, 
Crownes tedious Scenes, for Poetry, and Witt. 
'Tis therefore not enough, when your false Sense 
Hits the false Judgment of an Audience 
Of Clapping-Fooles, assembling a vast Crowd 
'Till the throng'd Play-House, crack with the dull Load; 
Tho' ev'n that Tallent, merrits in some sort, 
That can divert the Rabble and the Court: 
Which blundring Settle, never cou'd attaine, 
And puzling Otway, labours at in vaine. 
But within due proportions, circumscribe 
What e're you write; that with a flowing Tyde, 
The Stile, may rise, yet in its rise forbeare, 
With uselesse Words, t'oppresse the wearyed Eare: 
Here be your Language lofty, there more light, 
Your Rethorick, with your Poetry, unite: 
For Elegance sake, sometimes alay the force 
Of Epethets; 'twill soften the discourse; 
A Jeast in Scorne, poynts out, and hits the thing, 
More home, than the Morosest Satyrs Sting. 
Shakespeare, and Johnson, did herein excell, 
And might in this be Immitated well; 
Whom refin'd Etheridge, Coppys not at all, 
But is himself a Sheere Originall: 
Nor that Slow Drudge, in swift Pindarique straines, 
Flatman, who Cowley imitates with paines, 
And rides a Jaded Muse, whipt with loose Raines. 
When Lee, makes temp'rate Scipio, fret and Rave, 
And Haniball, a whineing Am'rous Slave; 
I laugh, and wish the hot-brain'd Fustian Foole, 
In Busbys hands, to be well lasht at Schoole. 
Of all our Moderne Witts, none seemes to me, 
Once to have toucht upon true Comedy, 
But hasty Shadwell, and slow Witcherley. 
Shadwells unfinisht workes doe yet impart, 
Great proofes of force of Nature, none of Art. 
With just bold Stroakes, he dashes here and there, 
Shewing great Mastery with little care; 
And scornes to varnish his good touches o're, 
To make the Fooles, and Women, praise 'em more. 
But Witcherley, earnes hard, what e're he gaines, 
He wants noe Judgment, nor he spares noe paines; 
He frequently excells, and at the least, 
Makes fewer faults, than any of the best. 
Waller, by Nature for the Bayes design'd, 
With force, and fire, and fancy unconfin'd, 
In Panigericks does Excell Mankind: 
He best can turne, enforce, and soften things, 
To praise great Conqu'rours, or to flatter Kings. 
For poynted Satyrs, I wou'd Buckhurst choose, 
The best good Man, with the worst Natur'd Muse: 
For Songs, and Verses, Mannerly Obscene, 
That can stirr Nature up, by Springs unseene, 
And without forceing blushes, warme the Queene: 
Sidley, has that prevailing gentle Art, 
That can with a resistlesse Charme impart, 
The loosest wishes to the Chastest Heart, 
Raise such a Conflict, kindle such a ffire 
Betwixt declineing Virtue, and desire, 
Till the poor Vanquisht Maid, dissolves away, 
In Dreames all Night, in Sighs, and Teares, all Day. 
Dryden, in vaine, try'd this nice way of Witt, 
For he, to be a tearing Blade thought fit, 
But when he wou'd be sharp, he still was blunt, 
To friske his frollique fancy, hed cry ****; 
Wou'd give the Ladyes, a dry Bawdy bob, 
And thus he got the name of Poet Squab: 
But to be just, twill to his praise be found, 
His Excellencies, more than faults abound. 
Nor dare I from his Sacred Temples teare, 
That Lawrell, which he best deserves to weare. 
But does not Dryden find ev'n Johnson dull? 
Fletcher, and Beaumont, uncorrect, and full 
Of Lewd lines as he calls em? Shakespeares Stile 
Stiffe, and Affected? To his owne the while 
Allowing all the justnesse that his Pride, 
Soe Arrogantly, had to these denyd? 
And may not I, have leave Impartially 
To search, and Censure, Drydens workes, and try, 
If those grosse faults, his Choyce Pen does Commit 
Proceed from want of Judgment, or of Witt. 
Of if his lumpish fancy does refuse, 
Spirit, and grace to his loose slatterne Muse? 
Five Hundred Verses, ev'ry Morning writ, 
Proves you noe more a Poet, than a Witt. 
Such scribling Authors, have beene seene before, 
Mustapha, the English Princesse, Forty more, 
Were things perhaps compos'd in Half an Houre. 
To write what may securely stand the test 
Of being well read over Thrice oat least 
Compare each Phrase, examin ev'ry Line, 
Weigh ev'ry word, and ev'ry thought refine; 
Scorne all Applause the Vile Rout can bestow, 
And be content to please those few, who know. 
Canst thou be such a vaine mistaken thing 
To wish thy Workes might make a Play-house ring, 
With the unthinking Laughter, and poor praise 
Of Fopps, and Ladys, factious for thy Plays? 
Then send a cunning Friend to learne thy doome, 
From the shrew'd Judges in the Drawing-Roome. 
I've noe Ambition on that idle score, 
But say with Betty Morice, heretofore 
When a Court-Lady, call'd her Buckleys Whore, 
I please one Man of Witt, am proud on't too, 
Let all the Coxcombs, dance to bed to you. 
Shou'd I be troubled when the Purblind Knight 
Who squints more in his Judgment, than his sight, 
Picks silly faults, and Censures what I write? 
Or when the poor-fed Poets of the Towne 
For Scrapps, and Coach roome cry my Verses downe? 
I loath the Rabble, 'tis enough for me, 
If Sidley, Shadwell, Shepherd, Witcherley, 
Godolphin, Buttler, Buckhurst, Buckingham, 
And some few more, whom I omit to name 
Approve my Sense, I count their Censure Fame.
Written by Lewis Carroll | Create an image from this poem

Phantasmagoria CANTO II ( Hys Fyve Rules )

 "MY First - but don't suppose," he said,
"I'm setting you a riddle -
Is - if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle, 

"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder. 

"And here you must on no pretence
Make the first observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation. 

"If he should say 'HOW CAME YOU HERE?'
(The way that YOU began, Sir,)
In such a case your course is clear -
'ON THE BAT'S BACK, MY LITTLE DEAR!'
Is the appropriate answer. 

"If after this he says no more,
You'd best perhaps curtail your
Exertions - go and shake the door,
And then, if he begins to snore,
You'll know the thing's a failure. 

"By day, if he should be alone -
At home or on a walk -
You merely give a hollow groan,
To indicate the kind of tone
In which you mean to talk. 

"But if you find him with his friends,
The thing is rather harder.
In such a case success depends
On picking up some candle-ends,
Or butter, in the larder. 

"With this you make a kind of slide
(It answers best with suet),
On which you must contrive to glide,
And swing yourself from side to side -
One soon learns how to do it. 

"The Second tells us what is right
In ceremonious calls:-
'FIRST BURN A BLUE OR CRIMSON LIGHT'
(A thing I quite forgot to-night),
'THEN SCRATCH THE DOOR OR WALLS.'" 

I said "You'll visit HERE no more,
If you attempt the Guy.
I'll have no bonfires on MY floor -
And, as for scratching at the door,
I'd like to see you try!" 

"The Third was written to protect
The interests of the Victim,
And tells us, as I recollect,
TO TREAT HIM WITH A GRAVE RESPECT,
AND NOT TO CONTRADICT HIM." 

"That's plain," said I, "as Tare and Tret,
To any comprehension:
I only wish SOME Ghosts I've met
Would not so CONSTANTLY forget
The maxim that you mention!" 

"Perhaps," he said, "YOU first transgressed
The laws of hospitality:
All Ghosts instinctively detest
The Man that fails to treat his guest
With proper cordiality. 

"If you address a Ghost as 'Thing!'
Or strike him with a hatchet,
He is permitted by the King
To drop all FORMAL parleying -
And then you're SURE to catch it! 

"The Fourth prohibits trespassing
Where other Ghosts are quartered:
And those convicted of the thing
(Unless when pardoned by the King)
Must instantly be slaughtered. 

"That simply means 'be cut up small':
Ghosts soon unite anew.
The process scarcely hurts at all -
Not more than when YOU're what you call
'Cut up' by a Review. 

"The Fifth is one you may prefer
That I should quote entire:-
THE KING MUST BE ADDRESSED AS 'SIR.'
THIS, FROM A SIMPLE COURTIER,
IS ALL THE LAWS REQUIRE: 

"BUT, SHOULD YOU WISH TO DO THE THING
WITH OUT-AND-OUT POLITENESS,
ACCOST HIM AS 'MY GOBLIN KING!
AND ALWAYS USE, IN ANSWERING,
THE PHRASE 'YOUR ROYAL WHITENESS!' 

"I'm getting rather hoarse, I fear,
After so much reciting :
So, if you don't object, my dear,
We'll try a glass of bitter beer -
I think it looks inviting."

Book: Radiant Verses: A Journey Through Inspiring Poetry