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Best Famous Water Lily Poems

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Written by Alfred Lord Tennyson | Create an image from this poem

The Lady of Shalott

ON either side the river lie

Long fields of barley and of rye, 
That clothe the wold and meet the sky; 
And thro' the field the road runs by 
To many-tower'd Camelot; 5 
And up and down the people go, 
Gazing where the lilies blow 
Round an island there below, 
The island of Shalott. 

Willows whiten, aspens quiver, 10 
Little breezes dusk and shiver 
Thro' the wave that runs for ever 
By the island in the river 
Flowing down to Camelot. 
Four gray walls, and four gray towers, 15 
Overlook a space of flowers, 
And the silent isle imbowers 
The Lady of Shalott. 

By the margin, willow-veil'd, 
Slide the heavy barges trail'd 20 
By slow horses; and unhail'd 
The shallop flitteth silken-sail'd 
Skimming down to Camelot: 
But who hath seen her wave her hand? 
Or at the casement seen her stand? 25 
Or is she known in all the land, 
The Lady of Shalott? 

Only reapers, reaping early 
In among the bearded barley, 
Hear a song that echoes cheerly 30 
From the river winding clearly, 
Down to tower'd Camelot: 
And by the moon the reaper weary, 
Piling sheaves in uplands airy, 
Listening, whispers ''Tis the fairy 35 
Lady of Shalott.' 

PART II
There she weaves by night and day

A magic web with colours gay. 
She has heard a whisper say, 
A curse is on her if she stay 40 
To look down to Camelot. 
She knows not what the curse may be, 
And so she weaveth steadily, 
And little other care hath she, 
The Lady of Shalott. 45 

And moving thro' a mirror clear 
That hangs before her all the year, 
Shadows of the world appear. 
There she sees the highway near 
Winding down to Camelot: 50 
There the river eddy whirls, 
And there the surly village-churls, 
And the red cloaks of market girls, 
Pass onward from Shalott. 

Sometimes a troop of damsels glad, 55 
An abbot on an ambling pad, 
Sometimes a curly shepherd-lad, 
Or long-hair'd page in crimson clad, 
Goes by to tower'd Camelot; 
And sometimes thro' the mirror blue 60 
The knights come riding two and two: 
She hath no loyal knight and true, 
The Lady of Shalott. 

But in her web she still delights 
To weave the mirror's magic sights, 65 
For often thro' the silent nights 
A funeral, with plumes and lights, 
And music, went to Camelot: 
Or when the moon was overhead, 
Came two young lovers lately wed; 70 
'I am half sick of shadows,' said 
The Lady of Shalott. 

PART III
A bow-shot from her bower-eaves,

He rode between the barley-sheaves, 
The sun came dazzling thro' the leaves, 75 
And flamed upon the brazen greaves 
Of bold Sir Lancelot. 
A red-cross knight for ever kneel'd 
To a lady in his shield, 
That sparkled on the yellow field, 80 
Beside remote Shalott. 

The gemmy bridle glitter'd free, 
Like to some branch of stars we see 
Hung in the golden Galaxy. 
The bridle bells rang merrily 85 
As he rode down to Camelot: 
And from his blazon'd baldric slung 
A mighty silver bugle hung, 
And as he rode his armour rung, 
Beside remote Shalott. 90 

All in the blue unclouded weather 
Thick-jewell'd shone the saddle-leather, 
The helmet and the helmet-feather 
Burn'd like one burning flame together, 
As he rode down to Camelot. 95 
As often thro' the purple night, 
Below the starry clusters bright, 
Some bearded meteor, trailing light, 
Moves over still Shalott. 

His broad clear brow in sunlight glow'd; 100 
On burnish'd hooves his war-horse trode; 
From underneath his helmet flow'd 
His coal-black curls as on he rode, 
As he rode down to Camelot. 
From the bank and from the river 105 
He flash'd into the crystal mirror, 
'Tirra lirra,' by the river 
Sang Sir Lancelot. 

She left the web, she left the loom, 
She made three paces thro' the room, 110 
She saw the water-lily bloom, 
She saw the helmet and the plume, 
She look'd down to Camelot. 
Out flew the web and floated wide; 
The mirror crack'd from side to side; 115 
'The curse is come upon me!' cried 
The Lady of Shalott. 

PART IV
In the stormy east-wind straining,

The pale yellow woods were waning, 
The broad stream in his banks complaining, 120 
Heavily the low sky raining 
Over tower'd Camelot; 

Down she came and found a boat 
Beneath a willow left afloat, 
And round about the prow she wrote 125 
The Lady of Shalott. 

And down the river's dim expanse¡ª 
Like some bold seer in a trance, 
Seeing all his own mischance¡ª 
With a glassy countenance 130 
Did she look to Camelot. 
And at the closing of the day 
She loosed the chain, and down she lay; 
The broad stream bore her far away, 
The Lady of Shalott. 135 

Lying, robed in snowy white 
That loosely flew to left and right¡ª 
The leaves upon her falling light¡ª 
Thro' the noises of the night 
She floated down to Camelot: 140 
And as the boat-head wound along 
The willowy hills and fields among, 
They heard her singing her last song, 
The Lady of Shalott. 

Heard a carol, mournful, holy, 145 
Chanted loudly, chanted lowly, 
Till her blood was frozen slowly, 
And her eyes were darken'd wholly, 
Turn'd to tower'd Camelot; 
For ere she reach'd upon the tide 150 
The first house by the water-side, 
Singing in her song she died, 
The Lady of Shalott. 

Under tower and balcony, 
By garden-wall and gallery, 155 
A gleaming shape she floated by, 
Dead-pale between the houses high, 
Silent into Camelot. 
Out upon the wharfs they came, 
Knight and burgher, lord and dame, 160 
And round the prow they read her name, 
The Lady of Shalott. 

Who is this? and what is here? 
And in the lighted palace near 
Died the sound of royal cheer; 165 
And they cross'd themselves for fear, 
All the knights at Camelot: 
But Lancelot mused a little space; 
He said, 'She has a lovely face; 
God in His mercy lend her grace, 170 
The Lady of Shalott.' 


Written by John Keats | Create an image from this poem

Song of the Indian Maid

Song of the Indian Maid 

O SORROW! 
Why dost borrow 
The natural hue of health, from vermeil lips?¡ª 
To give maiden blushes 
To the white rose bushes? 5 
Or is it thy dewy hand the daisy tips? 

O Sorrow! 
Why dost borrow 
The lustrous passion from a falcon-eye?¡ª 
To give the glow-worm light? 10 
Or, on a moonless night, 
To tinge, on siren shores, the salt sea-spry? 

O Sorrow! 
Why dost borrow 
The mellow ditties from a mourning tongue?¡ª 15 
To give at evening pale 
Unto the nightingale, 
That thou mayst listen the cold dews among? 

O Sorrow! 
Why dost borrow 20 
Heart's lightness from the merriment of May?¡ª 
A lover would not tread 
A cowslip on the head, 
Though he should dance from eve till peep of day¡ª 
Nor any drooping flower 25 
Held sacred for thy bower, 
Wherever he may sport himself and play. 

To Sorrow 
I bade good morrow, 
And thought to leave her far away behind; 30 
But cheerly, cheerly, 
She loves me dearly; 
She is so constant to me, and so kind: 
I would deceive her 
And so leave her, 35 
But ah! she is so constant and so kind. 

Beneath my palm-trees, by the river side, 
I sat a-weeping: in the whole world wide 
There was no one to ask me why I wept,¡ª 
And so I kept 40 
Brimming the water-lily cups with tears 
Cold as my fears. 

Beneath my palm-trees, by the river side, 
I sat a-weeping: what enamour'd bride, 
Cheated by shadowy wooer from the clouds, 45 
But hides and shrouds 
Beneath dark palm-trees by a river side? 

And as I sat, over the light blue hills 
There came a noise of revellers: the rills 
Into the wide stream came of purple hue¡ª 50 
'Twas Bacchus and his crew! 
The earnest trumpet spake, and silver thrills 
From kissing cymbals made a merry din¡ª 
'Twas Bacchus and his kin! 
Like to a moving vintage down they came, 55 
Crown'd with green leaves, and faces all on flame; 
All madly dancing through the pleasant valley, 
To scare thee, Melancholy! 
O then, O then, thou wast a simple name! 
And I forgot thee, as the berried holly 60 
By shepherds is forgotten, when in June 
Tall chestnuts keep away the sun and moon:¡ª 
I rush'd into the folly! 

Within his car, aloft, young Bacchus stood, 
Trifling his ivy-dart, in dancing mood, 65 
With sidelong laughing; 
And little rills of crimson wine imbrued 
His plump white arms and shoulders, enough white 
For Venus' pearly bite; 
And near him rode Silenus on his ass, 70 
Pelted with flowers as he on did pass 
Tipsily quaffing. 

'Whence came ye, merry Damsels! whence came ye, 
So many, and so many, and such glee? 
Why have ye left your bowers desolate, 75 
Your lutes, and gentler fate?'¡ª 
'We follow Bacchus! Bacchus on the wing, 
A-conquering! 
Bacchus, young Bacchus! good or ill betide, 
We dance before him thorough kingdoms wide:¡ª 80 
Come hither, lady fair, and join¨¨d be 
To our wild minstrelsy!' 

'Whence came ye, jolly Satyrs! whence came ye, 
So many, and so many, and such glee? 
Why have ye left your forest haunts, why left 85 
Your nuts in oak-tree cleft?'¡ª 
'For wine, for wine we left our kernel tree; 
For wine we left our heath, and yellow brooms, 
And cold mushrooms; 
For wine we follow Bacchus through the earth; 90 
Great god of breathless cups and chirping mirth! 
Come hither, lady fair, and join¨¨d be 
To our mad minstrelsy!' 

Over wide streams and mountains great we went, 
And, save when Bacchus kept his ivy tent, 95 
Onward the tiger and the leopard pants, 
With Asian elephants: 
Onward these myriads¡ªwith song and dance, 
With zebras striped, and sleek Arabians' prance, 
Web-footed alligators, crocodiles, 100 
Bearing upon their scaly backs, in files, 
Plump infant laughers mimicking the coil 
Of seamen, and stout galley-rowers' toil: 
With toying oars and silken sails they glide, 
Nor care for wind and tide. 105 

Mounted on panthers' furs and lions' manes, 
From rear to van they scour about the plains; 
A three days' journey in a moment done; 
And always, at the rising of the sun, 
About the wilds they hunt with spear and horn, 110 
On spleenful unicorn. 

I saw Osirian Egypt kneel adown 
Before the vine-wreath crown! 
I saw parch'd Abyssinia rouse and sing 
To the silver cymbals' ring! 115 
I saw the whelming vintage hotly pierce 
Old Tartary the fierce! 
The kings of Ind their jewel-sceptres vail, 
And from their treasures scatter pearl¨¨d hail; 
Great Brahma from his mystic heaven groans, 120 
And all his priesthood moans, 
Before young Bacchus' eye-wink turning pale. 
Into these regions came I, following him, 
Sick-hearted, weary¡ªso I took a whim 
To stray away into these forests drear, 125 
Alone, without a peer: 
And I have told thee all thou mayest hear. 

Young Stranger! 
I've been a ranger 
In search of pleasure throughout every clime; 130 
Alas! 'tis not for me! 
Bewitch'd I sure must be, 
To lose in grieving all my maiden prime. 

Come then, Sorrow, 
Sweetest Sorrow! 135 
Like an own babe I nurse thee on my breast: 
I thought to leave thee, 
And deceive thee, 
But now of all the world I love thee best. 

There is not one, 140 
No, no, not one 
But thee to comfort a poor lonely maid; 
Thou art her mother, 
And her brother, 
Her playmate, and her wooer in the shade. 145 
Written by John Keats | Create an image from this poem

Song of the Indian Maid from Endymion

 O SORROW! 
 Why dost borrow 
 The natural hue of health, from vermeil lips?-- 
 To give maiden blushes 
 To the white rose bushes? 
 Or is it thy dewy hand the daisy tips? 

 O Sorrow! 
 Why dost borrow 
 The lustrous passion from a falcon-eye?-- 
 To give the glow-worm light? 
 Or, on a moonless night, 
 To tinge, on siren shores, the salt sea-spry? 

 O Sorrow! 
 Why dost borrow 
 The mellow ditties from a mourning tongue?-- 
 To give at evening pale 
 Unto the nightingale, 
 That thou mayst listen the cold dews among? 

 O Sorrow! 
 Why dost borrow 
 Heart's lightness from the merriment of May?-- 
 A lover would not tread 
 A cowslip on the head, 
 Though he should dance from eve till peep of day-- 
 Nor any drooping flower 
 Held sacred for thy bower, 
 Wherever he may sport himself and play. 

 To Sorrow 
 I bade good morrow, 
 And thought to leave her far away behind; 
 But cheerly, cheerly, 
 She loves me dearly; 
 She is so constant to me, and so kind: 
 I would deceive her 
 And so leave her, 
 But ah! she is so constant and so kind. 

Beneath my palm-trees, by the river side, 
I sat a-weeping: in the whole world wide 
There was no one to ask me why I wept,-- 
 And so I kept 
Brimming the water-lily cups with tears 
 Cold as my fears. 

Beneath my palm-trees, by the river side, 
I sat a-weeping: what enamour'd bride, 
Cheated by shadowy wooer from the clouds, 
 But hides and shrouds 
Beneath dark palm-trees by a river side? 

And as I sat, over the light blue hills 
There came a noise of revellers: the rills 
Into the wide stream came of purple hue-- 
 'Twas Bacchus and his crew! 
The earnest trumpet spake, and silver thrills 
From kissing cymbals made a merry din-- 
 'Twas Bacchus and his kin! 
Like to a moving vintage down they came, 
Crown'd with green leaves, and faces all on flame; 
All madly dancing through the pleasant valley, 
 To scare thee, Melancholy! 
O then, O then, thou wast a simple name! 
And I forgot thee, as the berried holly 
By shepherds is forgotten, when in June 
Tall chestnuts keep away the sun and moon:-- 
 I rush'd into the folly! 

Within his car, aloft, young Bacchus stood, 
Trifling his ivy-dart, in dancing mood, 
 With sidelong laughing; 
And little rills of crimson wine imbrued 
His plump white arms and shoulders, enough white 
 For Venus' pearly bite; 
And near him rode Silenus on his ass, 
Pelted with flowers as he on did pass 
 Tipsily quaffing. 

'Whence came ye, merry Damsels! whence came ye, 
So many, and so many, and such glee? 
Why have ye left your bowers desolate, 
 Your lutes, and gentler fate?'-- 
'We follow Bacchus! Bacchus on the wing, 
 A-conquering! 
Bacchus, young Bacchus! good or ill betide, 
We dance before him thorough kingdoms wide:-- 
Come hither, lady fair, and joined be 
 To our wild minstrelsy!' 

'Whence came ye, jolly Satyrs! whence came ye, 
So many, and so many, and such glee? 
Why have ye left your forest haunts, why left 
 Your nuts in oak-tree cleft?'-- 
'For wine, for wine we left our kernel tree; 
For wine we left our heath, and yellow brooms, 
 And cold mushrooms; 
For wine we follow Bacchus through the earth; 
Great god of breathless cups and chirping mirth! 
Come hither, lady fair, and joined be 
 To our mad minstrelsy!' 

Over wide streams and mountains great we went, 
And, save when Bacchus kept his ivy tent, 
Onward the tiger and the leopard pants, 
 With Asian elephants: 
Onward these myriads--with song and dance, 
With zebras striped, and sleek Arabians' prance, 
Web-footed alligators, crocodiles, 
Bearing upon their scaly backs, in files, 
Plump infant laughers mimicking the coil 
Of seamen, and stout galley-rowers' toil: 
With toying oars and silken sails they glide, 
 Nor care for wind and tide. 

Mounted on panthers' furs and lions' manes, 
From rear to van they scour about the plains; 
A three days' journey in a moment done; 
And always, at the rising of the sun, 
About the wilds they hunt with spear and horn, 
 On spleenful unicorn. 

I saw Osirian Egypt kneel adown 
 Before the vine-wreath crown! 
I saw parch'd Abyssinia rouse and sing 
 To the silver cymbals' ring! 
I saw the whelming vintage hotly pierce 
 Old Tartary the fierce! 
The kings of Ind their jewel-sceptres vail, 
And from their treasures scatter pearled hail; 
Great Brahma from his mystic heaven groans, 
 And all his priesthood moans, 
Before young Bacchus' eye-wink turning pale. 
Into these regions came I, following him, 
Sick-hearted, weary--so I took a whim 
To stray away into these forests drear, 
 Alone, without a peer: 
And I have told thee all thou mayest hear. 

 Young Stranger! 
 I've been a ranger 
In search of pleasure throughout every clime; 
 Alas! 'tis not for me! 
 Bewitch'd I sure must be, 
To lose in grieving all my maiden prime. 

 Come then, Sorrow, 
 Sweetest Sorrow! 
Like an own babe I nurse thee on my breast: 
 I thought to leave thee, 
 And deceive thee, 
But now of all the world I love thee best. 

 There is not one, 
 No, no, not one 
But thee to comfort a poor lonely maid; 
 Thou art her mother, 
 And her brother, 
Her playmate, and her wooer in the shade.
Written by Ted Hughes | Create an image from this poem

How To Paint A Water Lily

 To Paint a Water Lily

A green level of lily leaves
Roofs the pond's chamber and paves

The flies' furious arena: study
These, the two minds of this lady.

First observe the air's dragonfly
That eats meat, that bullets by

Or stands in space to take aim;
Others as dangerous comb the hum

Under the trees. There are battle-shouts
And death-cries everywhere hereabouts

But inaudible, so the eyes praise
To see the colours of these flies

Rainbow their arcs, spark, or settle
Cooling like beads of molten metal

Through the spectrum. Think what worse
is the pond-bed's matter of course;

Prehistoric bedragoned times
Crawl that darkness with Latin names,

Have evolved no improvements there,
Jaws for heads, the set stare,

Ignorant of age as of hour—
Now paint the long-necked lily-flower

Which, deep in both worlds, can be still
As a painting, trembling hardly at all

Though the dragonfly alight,
Whatever horror nudge her root.
Written by Sidney Lanier | Create an image from this poem

Resurrection

 Sometimes in morning sunlights by the river
Where in the early fall long grasses wave,
Light winds from over the moorland sink and shiver
And sigh as if just blown across a grave.

And then I pause and listen to this sighing.
I look with strange eyes on the well-known stream.
I hear wild birth-cries uttered by the dying.
I know men waking who appear to dream.

Then from the water-lilies slow uprises
The still vast face of all the life I know,
Changed now, and full of wonders and surprises,
With fire in eyes that once were glazed with snow.

Fair now the brows old Pain had erewhile wrinkled,
And peace and strength about the calm mouth dwell.
Clean of the ashes that Repentance sprinkled,
The meek head poises like a flower-bell.

All the old scars of wanton wars are vanished;
And what blue bruises grappling Sense had left
And sad remains of redder stains are banished,
And the dim blotch of heart-committed theft.

O still vast vision of transfigured features
Unvisited by secret crimes or dooms,
Remain, remain amid these water-creatures,
Stand, shine among yon water-lily blooms.

For eighteen centuries ripple down the river,
And windy times the stalks of empires wave,
-- Let the winds come from the moor and sigh and shiver,
Fain, fain am I, O Christ, to pass the grave.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Sailing

 "Give me of your bark, O Birch-tree! 
Of your yellow bark, O Birch-tree! 
Growing by the rushing river, 
Tall and stately in the valley! 
I a light canoe will build me, 
Build a swift Cheemaun for sailing, 
That shall float on the river, 
Like a yellow leaf in Autumn, 
Like a yellow water-lily!
"Lay aside your cloak, O Birch-tree! 
Lay aside your white-skin wrapper, 
For the Summer-time is coming, 
And the sun is warm in heaven, 
And you need no white-skin wrapper!"
Thus aloud cried Hiawatha 
In the solitary forest, 
By the rushing Taquamenaw, 
When the birds were singing gayly, 
In the Moon of Leaves were singing, 
And the sun, from sleep awaking, 
Started up and said, "Behold me! 
Gheezis, the great Sun, behold me!"
And the tree with all its branches 
Rustled in the breeze of morning, 
Saying, with a sigh of patience, 
"Take my cloak, O Hiawatha!"
With his knife the tree he girdled; 
Just beneath its lowest branches, 
Just above the roots, he cut it, 
Till the sap came oozing outward;
Down the trunk, from top to bottom, 
Sheer he cleft the bark asunder, 
With a wooden wedge he raised it, 
Stripped it from the trunk unbroken.
"Give me of your boughs, O Cedar! 
Of your strong and pliant branches, 
My canoe to make more steady, 
Make more strong and firm beneath me!"
Through the summit of the Cedar 
Went a sound, a cry of horror, 
Went a murmur of resistance; 
But it whispered, bending downward, 
'Take my boughs, O Hiawatha!"
Down he hewed the boughs of cedar, 
Shaped them straightway to a frame-work, 
Like two bows he formed and shaped them, 
Like two bended bows together.
"Give me of your roots, O Tamarack! 
Of your fibrous roots, O Larch-tree! 
My canoe to bind together, 
So to bind the ends together 
That the water may not enter, 
That the river may not wet me!"
And the Larch, with all its fibres, 
Shivered in the air of morning, 
Touched his forehead with its tassels, 
Slid, with one long sigh of sorrow. 
"Take them all, O Hiawatha!"
From the earth he tore the fibres, 
Tore the tough roots of the Larch-tree, 
Closely sewed the hark together, 
Bound it closely to the frame-work.
"Give me of your balm, O Fir-tree! 
Of your balsam and your resin, 
So to close the seams together 
That the water may not enter, 
That the river may not wet me!"
And the Fir-tree, tall and sombre, 
Sobbed through all its robes of darkness, 
Rattled like a shore with pebbles, 
Answered wailing, answered weeping, 
"Take my balm, O Hiawatha!"
And he took the tears of balsam, 
Took the resin of the Fir-tree, 
Smeared therewith each seam and fissure, 
Made each crevice safe from water.
"Give me of your quills, O Hedgehog! 
All your quills, O Kagh, the Hedgehog! 
I will make a necklace of them, 
Make a girdle for my beauty, 
And two stars to deck her bosom!"
From a hollow tree the Hedgehog 
With his sleepy eyes looked at him, 
Shot his shining quills, like arrows, 
Saying with a drowsy murmur, 
Through the tangle of his whiskers, 
"Take my quills, O Hiawatha!"
From the ground the quills he gathered, 
All the little shining arrows, 
Stained them red and blue and yellow, 
With the juice of roots and berries; 
Into his canoe he wrought them, 
Round its waist a shining girdle, 
Round its bows a gleaming necklace, 
On its breast two stars resplendent.
Thus the Birch Canoe was builded 
In the valley, by the river,
In the bosom of the forest; 
And the forest's life was in it, 
All its mystery and its magic, 
All the lightness of the birch-tree, 
All the toughness of the cedar, 
All the larch's supple sinews; 
And it floated on the river 
Like a yellow leaf in Autumn, 
Like a yellow water-lily.
Paddles none had Hiawatha, 
Paddles none he had or needed, 
For his thoughts as paddles served him, 
And his wishes served to guide him;
Swift or slow at will he glided, 
Veered to right or left at pleasure.
Then he called aloud to Kwasind, 
To his friend, the strong man, Kwasind, 
Saying, "Help me clear this river 
Of its sunken logs and sand-bars."
Straight into the river Kwasind 
Plunged as if he were an otter, 
Dived as if he were a beaver, 
Stood up to his waist in water, 
To his arm-pits in the river, 
Swam and scouted in the river, 
Tugged at sunken logs and branches, 
With his hands he scooped the sand-bars, 
With his feet the ooze and tangle.
And thus sailed my Hiawatha 
Down the rushing Taquamenaw, 
Sailed through all its bends and windings, 
Sailed through all its deeps and shallows, 
While his friend, the strong man, Kwasind, 
Swam the deeps, the shallows waded.
Up and down the river went they, 
In and out among its islands, 
Cleared its bed of root and sand-bar, 
Dragged the dead trees from its channel, 
Made its passage safe and certain, 
Made a pathway for the people, 
From its springs among the mountains, 
To the waters of Pauwating, 
To the bay of Taquamenaw.
Written by John Keats | Create an image from this poem

Song of the Indian Maid from Endymion

 O SORROW! 
 Why dost borrow 
 The natural hue of health, from vermeil lips?-- 
 To give maiden blushes 
 To the white rose bushes? 
 Or is it thy dewy hand the daisy tips? 

 O Sorrow! 
 Why dost borrow 
 The lustrous passion from a falcon-eye?-- 
 To give the glow-worm light? 
 Or, on a moonless night, 
 To tinge, on siren shores, the salt sea-spry? 

 O Sorrow! 
 Why dost borrow 
 The mellow ditties from a mourning tongue?-- 
 To give at evening pale 
 Unto the nightingale, 
 That thou mayst listen the cold dews among? 

 O Sorrow! 
 Why dost borrow 
 Heart's lightness from the merriment of May?-- 
 A lover would not tread 
 A cowslip on the head, 
 Though he should dance from eve till peep of day-- 
 Nor any drooping flower 
 Held sacred for thy bower, 
 Wherever he may sport himself and play. 

 To Sorrow 
 I bade good morrow, 
 And thought to leave her far away behind; 
 But cheerly, cheerly, 
 She loves me dearly; 
 She is so constant to me, and so kind: 
 I would deceive her 
 And so leave her, 
 But ah! she is so constant and so kind. 

Beneath my palm-trees, by the river side, 
I sat a-weeping: in the whole world wide 
There was no one to ask me why I wept,-- 
 And so I kept 
Brimming the water-lily cups with tears 
 Cold as my fears. 

Beneath my palm-trees, by the river side, 
I sat a-weeping: what enamour'd bride, 
Cheated by shadowy wooer from the clouds, 
 But hides and shrouds 
Beneath dark palm-trees by a river side? 

And as I sat, over the light blue hills 
There came a noise of revellers: the rills 
Into the wide stream came of purple hue-- 
 'Twas Bacchus and his crew! 
The earnest trumpet spake, and silver thrills 
From kissing cymbals made a merry din-- 
 'Twas Bacchus and his kin! 
Like to a moving vintage down they came, 
Crown'd with green leaves, and faces all on flame; 
All madly dancing through the pleasant valley, 
 To scare thee, Melancholy! 
O then, O then, thou wast a simple name! 
And I forgot thee, as the berried holly 
By shepherds is forgotten, when in June 
Tall chestnuts keep away the sun and moon:-- 
 I rush'd into the folly! 

Within his car, aloft, young Bacchus stood, 
Trifling his ivy-dart, in dancing mood, 
 With sidelong laughing; 
And little rills of crimson wine imbrued 
His plump white arms and shoulders, enough white 
 For Venus' pearly bite; 
And near him rode Silenus on his ass, 
Pelted with flowers as he on did pass 
 Tipsily quaffing. 

'Whence came ye, merry Damsels! whence came ye, 
So many, and so many, and such glee? 
Why have ye left your bowers desolate, 
 Your lutes, and gentler fate?'-- 
'We follow Bacchus! Bacchus on the wing, 
 A-conquering! 
Bacchus, young Bacchus! good or ill betide, 
We dance before him thorough kingdoms wide:-- 
Come hither, lady fair, and joined be 
 To our wild minstrelsy!' 

'Whence came ye, jolly Satyrs! whence came ye, 
So many, and so many, and such glee? 
Why have ye left your forest haunts, why left 
 Your nuts in oak-tree cleft?'-- 
'For wine, for wine we left our kernel tree; 
For wine we left our heath, and yellow brooms, 
 And cold mushrooms; 
For wine we follow Bacchus through the earth; 
Great god of breathless cups and chirping mirth! 
Come hither, lady fair, and joined be 
 To our mad minstrelsy!' 

Over wide streams and mountains great we went, 
And, save when Bacchus kept his ivy tent, 
Onward the tiger and the leopard pants, 
 With Asian elephants: 
Onward these myriads--with song and dance, 
With zebras striped, and sleek Arabians' prance, 
Web-footed alligators, crocodiles, 
Bearing upon their scaly backs, in files, 
Plump infant laughers mimicking the coil 
Of seamen, and stout galley-rowers' toil: 
With toying oars and silken sails they glide, 
 Nor care for wind and tide. 

Mounted on panthers' furs and lions' manes, 
From rear to van they scour about the plains; 
A three days' journey in a moment done; 
And always, at the rising of the sun, 
About the wilds they hunt with spear and horn, 
 On spleenful unicorn. 

I saw Osirian Egypt kneel adown 
 Before the vine-wreath crown! 
I saw parch'd Abyssinia rouse and sing 
 To the silver cymbals' ring! 
I saw the whelming vintage hotly pierce 
 Old Tartary the fierce! 
The kings of Ind their jewel-sceptres vail, 
And from their treasures scatter pearled hail; 
Great Brahma from his mystic heaven groans, 
 And all his priesthood moans, 
Before young Bacchus' eye-wink turning pale. 
Into these regions came I, following him, 
Sick-hearted, weary--so I took a whim 
To stray away into these forests drear, 
 Alone, without a peer: 
And I have told thee all thou mayest hear. 

 Young Stranger! 
 I've been a ranger 
In search of pleasure throughout every clime; 
 Alas! 'tis not for me! 
 Bewitch'd I sure must be, 
To lose in grieving all my maiden prime. 

 Come then, Sorrow, 
 Sweetest Sorrow! 
Like an own babe I nurse thee on my breast: 
 I thought to leave thee, 
 And deceive thee, 
But now of all the world I love thee best. 

 There is not one, 
 No, no, not one 
But thee to comfort a poor lonely maid; 
 Thou art her mother, 
 And her brother, 
Her playmate, and her wooer in the shade.
Written by Henrik Ibsen | Create an image from this poem

With A Water-lily

 SEE, dear, what thy lover brings; 
'Tis the flower with the white wings. 
Buoyed upon the quiet stream 
In the spring it lay adream. 

Homelike to bestow this guest, 
Lodge it, dear one, in thy breast; 
There its leaves the secret keep 
Of a wave both still and deep. 

Child, beware the tarn-fed stream; 
Danger, danger, there to dream! 
Though the sprite pretends to sleep, 
And above the lilies peep. 

Child, thy bosom is the stream; 
Danger, danger, there to dream! 
Though above the lilies peep, 
And the sprite pretends to sleep.
Written by Rainer Maria Rilke | Create an image from this poem

Water Lily

 My whole life is mine, but whoever says so
will deprive me, for it is infinite.
The ripple of water, the shade of the sky
are mine; it is still the same, my life.

No desire opens me: I am full,
I never close myself with refusal-
in the rythm of my daily soul
I do not desire-I am moved;

by being moved I exert my empire,
making the dreams of night real:
into my body at the bottom of the water
I attract the beyonds of mirrors...
Written by William Butler Yeats | Create an image from this poem

Baile And Aillinn

 ARGUMENT. Baile and Aillinn were lovers, but Aengus, the
Master of Love, wishing them to he happy in his own land
among the dead, told to each a story of the other's death, so
that their hearts were broken and they died.

 I hardly hear the curlew cry,
 Nor thegrey rush when the wind is high,
 Before my thoughts begin to run
 On the heir of Uladh, Buan's son,
 Baile, who had the honey mouth;
 And that mild woman of the south,
 Aillinn, who was King Lugaidh's heir.
 Their love was never drowned in care
 Of this or that thing, nor grew cold
 Because their hodies had grown old.
 Being forbid to marry on earth,
 They blossomed to immortal mirth.

About the time when Christ was born,
When the long wars for the White Horn
And the Brown Bull had not yet come,
Young Baile Honey Mouth, whom some
Called rather Baile Little-Land,
Rode out of Emain with a band
Of harpers and young men; and they
Imagined, as they struck the way
To many-pastured Muirthemne,
That all things fell out happily,
And there, for all that fools had said,
Baile and Aillinn would be wed.

They found an old man running there:
He had ragged long grass-coloured hair;
He had knees that stuck out of his hose;
He had puddle-water in his shoes;
He had half a cloak to keep him dry,
Although he had a squirrel's eye.

O wandering hirds and rushy beds,
You put such folly in our heads
With all this crying in the wind,
No common love is to our mind,
And our poor kate or Nan is less
Than any whose unhappiness
Awoke the harp-strings long ago.
Yet they that know all things hut know
That all this life can give us is
A child's laughter, a woman's kiss.
Who was it put so great a scorn
In thegrey reeds that night and morn
Are trodden and broken hy the herds,
And in the light bodies of birds
The north wind tumbles to and fro
And pinches among hail and snow?

That runner said: 'I am from the south;
I run to Baile Honey-Mouth,
To tell him how the girl Aillinn
Rode from the country of her kin,
And old and young men rode with her:
For all that country had been astir
If anybody half as fair
Had chosen a husband anywhere
But where it could see her every day.
When they had ridden a little way
An old man caught the horse's head
With: "You must home again, and wed
With somebody in your own land."
A young man cried and kissed her hand,
"O lady, wed with one of us";
And when no face grew piteous
For any gentle thing she spake,
She fell and died of the heart-break.'
Because a lover's heart s worn out,
Being tumbled and blown about
By its own blind imagining,
And will believe that anything
That is bad enough to be true, is true,
Baile's heart was broken in two;
And he, being laid upon green boughs,
Was carried to the goodly house
Where the Hound of Uladh sat before
The brazen pillars of his door,
His face bowed low to weep the end
Of the harper's daughter and her friend
For athough years had passed away
He always wept them on that day,
For on that day they had been betrayed;
And now that Honey-Mouth is laid
Under a cairn of sleepy stone
Before his eyes, he has tears for none,
Although he is carrying stone, but two
For whom the cairn's but heaped anew.

We hold, because our memory is
Sofull of that thing and of this,
That out of sight is out of mind.
But the grey rush under the wind
And the grey bird with crooked bill
rave such long memories that they still
Remember Deirdre and her man;
And when we walk with Kate or Nan
About the windy water-side,
Our hearts can Fear the voices chide.
How could we be so soon content,
Who know the way that Naoise went?
And they have news of Deirdre's eyes,
Who being lovely was so wise -
Ah! wise, my heart knows well how wise.

Now had that old gaunt crafty one,
Gathering his cloak about him, mn
Where Aillinn rode with waiting-maids,
Who amid leafy lights and shades
Dreamed of the hands that would unlace
Their bodices in some dim place
When they had come to the matriage-bed,
And harpers, pacing with high head
As though their music were enough
To make the savage heart of love
Grow gentle without sorrowing,
Imagining and pondering
Heaven knows what calamity;

'Another's hurried off,' cried he,
'From heat and cold and wind and wave;
They have heaped the stones above his grave
In Muirthemne, and over it
In changeless Ogham letters writ -
Baile, that was of Rury's seed.
But the gods long ago decreed
No waiting-maid should ever spread
Baile and Aillinn's marriage-bed,
For they should clip and clip again
Where wild bees hive on the Great Plain.
Therefore it is but little news
That put this hurry in my shoes.'

Then seeing that he scarce had spoke
Before her love-worn heart had broke.
He ran and laughed until he came
To that high hill the herdsmen name
The Hill Seat of Laighen, because
Some god or king had made the laws
That held the land together there,
In old times among the clouds of the air.

That old man climbed; the day grew dim;
Two swans came flying up to him,
Linked by a gold chain each to each,
And with low murmuring laughing speech
Alighted on the windy grass.
They knew him: his changed body was
Tall, proud and ruddy, and light wings
Were hovering over the harp-strings
That Edain, Midhir's wife, had wove
In the hid place, being crazed by love.

What shall I call them? fish that swim,
Scale rubbing scale where light is dim
By a broad water-lily leaf;
Or mice in the one wheaten sheaf
Forgotten at the threshing-place;
Or birds lost in the one clear space
Of morning light in a dim sky;
Or, it may be, the eyelids of one eye,
Or the door-pillars of one house,
Or two sweet blossoming apple-boughs
That have one shadow on the ground;
Or the two strings that made one sound
Where that wise harper's finger ran.
For this young girl and this young man
Have happiness without an end,
Because they have made so good a friend.

They know all wonders, for they pass
The towery gates of Gorias,
And Findrias and Falias,
And long-forgotten Murias,
Among the giant kings whose hoard,
Cauldron and spear and stone and sword,
Was robbed before earth gave the wheat;
Wandering from broken street to street
They come where some huge watcher is,
And tremble with their love and kiss.

They know undying things, for they
Wander where earth withers away,
Though nothing troubles the great streams
But light from the pale stars, and gleams
From the holy orchards, where there is none
But fruit that is of precious stone,
Or apples of the sun and moon.

What were our praise to them? They eat
Quiet's wild heart, like daily meat;
Who when night thickens are afloat
On dappled skins in a glass boat,
Far out under a windless sky;
While over them birds of Aengus fly,
And over the tiller and the prow,
And waving white wings to and fro
Awaken wanderings of light air
To stir their coverlet and their hair.

And poets found, old writers say,
A yew tree where his body lay;
But a wild apple hid the grass
With its sweet blossom where hers was,
And being in good heart, because
A better time had come again
After the deaths of many men,
And that long fighting at the ford,
They wrote on tablets of thin board,
Made of the apple and the yew,
All the love stories that they knew.

Let rush and hird cry out their fill
Of the harper's daughter if they will,
Beloved, I am not afraid of her.
She is not wiser nor lovelier,
And you are more high of heart than she,
For all her wanderings over-sea;
But I'd have bird and rush forget
Those other two; for never yet
Has lover lived, but longed to wive
Like them that are no more alive.

Book: Reflection on the Important Things