Written by
Edwin Arlington Robinson |
(ALCAICS)
Confused, he found her lavishing feminine
Gold upon clay, and found her inscrutable;
And yet she smiled.
Why, then, should horrors
Be as they were, without end, her playthings?
And why were dead years hungrily telling her
Lies of the dead, who told them again to her?
If now she knew, there might be kindness
Clamoring yet where a faith lay stifled.
A little faith in him, and the ruinous
Past would be for time to annihilate,
And wash out, like a tide that washes
Out of the sand what a child has drawn there.
God, what a shining handful of happiness,
Made out of days and out of eternities,
Were now the pulsing end of patience—
Could he but have what a ghost had stolen!
What was a man before him, or ten of them,
While he was here alive who could answer them,
And in their teeth fling confirmations
Harder than agates against an egg-shell?
But now the man was dead, and would come again
Never, though she might honor ineffably
The flimsy wraith of him she conjured
Out of a dream with his wand of absence.
And if the truth were now but a mummery,
Meriting pride’s implacable irony,
So much the worse for pride.
Moreover,
Save her or fail, there was conscience always.
Meanwhile, a few misgivings of innocence,
Imploring to be sheltered and credited,
Were not amiss when she revealed them.
Whether she struggled or not, he saw them.
Also, he saw that while she was hearing him
Her eyes had more and more of the past in them;
And while he told what cautious honor
Told him was all he had best be sure of,
He wondered once or twice, inadvertently,
Where shifting winds were driving his argosies,
Long anchored and as long unladen,
Over the foam for the golden chances.
“If men were not for killing so carelessly,
And women were for wiser endurances,”
He said, “we might have yet a world here
Fitter for Truth to be seen abroad in;
“If Truth were not so strange in her nakedness,
And we were less forbidden to look at it,
We might not have to look.
” He stared then
Down at the sand where the tide threw forward
Its cold, unconquered lines, that unceasingly
Foamed against hope, and fell.
He was calm enough,
Although he knew he might be silenced
Out of all calm; and the night was coming.
“I climb for you the peak of his infamy
That you may choose your fall if you cling to it.
No more for me unless you say more.
All you have left of a dream defends you:
“The truth may be as evil an augury
As it was needful now for the two of us.
We cannot have the dead between us.
Tell me to go, and I go.
”—She pondered:
“What you believe is right for the two of us
Makes it as right that you are not one of us.
If this be needful truth you tell me,
Spare me, and let me have lies hereafter.
”
She gazed away where shadows were covering
The whole cold ocean’s healing indifference.
No ship was coming.
When the darkness
Fell, she was there, and alone, still gazing.
|
Written by
Carl Sandburg |
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign
all smokes
know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: “I know you.
”
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from—
You and I and our heads of smoke.
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
Smoke of a city sunset skyline,
Smoke of a country dusk horizon—
They cross on the sky and count our years.
Smoke of a brick-red dust
Winds on a spiral
Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
Stammer at the slang of this—
Let us understand half of it.
In the rolling mills and sheet mills,
In the harr and boom of the blast fires,
The smoke changes its shadow
And men change their shadow;
A ******, a wop, a bohunk changes.
A bar of steel—it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left—smoke and the blood of a man
And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone
in the blue; it is steel
a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up—
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go:
Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.
”
One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.
”
One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.
”
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is:
Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors—
Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
“Since you know all
and I know nothing,
tell me what I dreamed last night.
”
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .
.
pearl cobwebs .
.
pools of moonshine.
|
Written by
Allen Ginsberg |
Homage Kenneth Koch
If I were doing my Laundry I'd wash my dirty Iran
I'd throw in my United States, and pour on the Ivory Soap,
scrub up Africa, put all the birds and elephants back in
the jungle,
I'd wash the Amazon river and clean the oily Carib & Gulf of Mexico,
Rub that smog off the North Pole, wipe up all the pipelines in Alaska,
Rub a dub dub for Rocky Flats and Los Alamos, Flush that sparkly
Cesium out of Love Canal
Rinse down the Acid Rain over the Parthenon & Sphinx, Drain the Sludge
out of the Mediterranean basin & make it azure again,
Put some blueing back into the sky over the Rhine, bleach the little
Clouds so snow return white as snow,
Cleanse the Hudson Thames & Neckar, Drain the Suds out of Lake Erie
Then I'd throw big Asia in one giant Load & wash out the blood &
Agent Orange,
Dump the whole mess of Russia and China in the wringer, squeeze out
the tattletail Gray of U.
S.
Central American police state,
& put the planet in the drier & let it sit 20 minutes or an
Aeon till it came out clean
|
Written by
Friedrich von Schiller |
Now hearken, ye who take delight
In boasting of your worth!
To many a man, to many a knight,
Beloved in peace and brave in fight,
The Swabian land gives birth.
Of Charles and Edward, Louis, Guy,
And Frederick, ye may boast;
Charles, Edward, Louis, Frederick, Guy--
None with Sir Eberhard can vie--
Himself a mighty host!
And then young Ulerick, his son,
Ha! how he loved the fray!
Young Ulerick, the Count's bold son,
When once the battle had begun,
No foot's-breadth e'er gave way.
The Reutlingers, with gnashing teeth,
Saw our bright ranks revealed
And, panting for the victor's wreath,
They drew the sword from out the sheath,
And sought the battle-field.
He charged the foe,--but fruitlessly,--
Then, mail-clad, homeward sped;
Stern anger filled his father's eye,
And made the youthful warrior fly,
And tears of anguish shed.
Now, rascals, quake!--This grieved him sore,
And rankled in his brain;
And by his father's beard he swore,
With many a craven townsman's gore
To wash out this foul stain.
Ere long the feud raged fierce and loud,--
Then hastened steed and man
To Doeffingen in thronging crowd,
While joy inspired the youngster proud,--
And soon the strife began.
Our army's signal-word that day
Was the disastrous fight;
It spurred us on like lightning's ray,
And plunged us deep in bloody fray,
And in the spears' black night.
The youthful Count his ponderous mace
With lion's rage swung round;
Destruction stalked before his face,
While groans and howlings filled the place
And hundreds bit the ground.
Woe! Woe! A heavy sabre-stroke
Upon his neck descended;
The sight each warrior's pity woke--
In vain! In vain! No word he spoke--
His course on earth was ended.
Loud wept both friend and foeman then,
Checked was the victor's glow;
The count cheered thus his knights again--
"My son is like all other men,--
March, children, 'gainst the foe!"
With greater fury whizzed each lance,
Revenge inflamed the blood;
O'er corpses moved the fearful dance
The townsmen fled in random chance
O'er mountain, vale, and flood.
Then back to camp, with trumpet's bray,
We hied in joyful haste;
And wife and child, with roundelay,
With clanging cup and waltzes gay,
Our glorious triumph graced.
And our old Count,--what now does he?
His son lies dead before him;
Within his tent all woefully
He sits alone in agony,
And drops one hot tear o'er him.
And so, with true affection warm,
The Count our lord we love;
Himself a mighty hero-swarm--
The thunders rest within his arm--
He shines like star above!
Farewell, then, ye who take delight
In boasting of your worth!
To many a man, to many a knight,
Beloved in peace, and brave in fight,
The Swabian land gives birth!
|
Written by
Robert William Service |
He wrote a play; by day and night
He strove with passion and delight;
Yet knew, long ere the curtain drop,
His drama was a sorry flop.
In Parliament he sought a seat;
Election Day brought dire defeat;
Yet he had wooed with word and pen
Prodigiously his fellow men.
And then he wrote a lighter play
That made him famous in a day.
He won a seat in Parliament,
And starry was the way he went.
Yet as he neared the door of death
They heard him say with broken breath:
'For all I've spoken, planned and penned,
I'm just a wash-out in the end.
'
So are we all; our triumphs won
Are mean by what we might have done.
Our victories that men applaud
Are sordid in the sight of God.
|
Written by
Robert Frost |
Now that they've got it settled whose I be,
I'm going to tell them something they won't like:
They've got it settled wrong, and I can prove it.
Flattered I must be to have two towns fighting
To make a present of me to each other.
They don't dispose me, either one of them,
To spare them any trouble.
Double trouble's
Always the witch's motto anyway.
I'll double theirs for both of them-you watch me.
They'll find they've got the whole thing to do over,
That is, if facts is what they want to go by.
They set a lot (now don't they?) by a record
Of Arthur Amy's having once been up
For Hog Reeve in March Meeting here in Warren.
I could have told them any time this twelvemonth
The Arthur Amy I was married to
Couldn't have been the one they say was up
In Warren at March Meeting, for the reason
He wa'n't but fifteen at the time they say.
The Arthur Amy I was married to
Voted the only times he ever voted,
Which wasn't many, in the town of Wentworth.
One of the times was when 'twas in the warrant
To see if the town wanted to take over
The tote road to our clearing where we lived.
I'll tell you who'd remember-Heman Lapish.
Their Arthur Amy was the father of mine.
So now they've dragged it through the law courts once
I guess they'd better drag it through again.
Wentworth and Warren's both good towns to live in,
Only I happen to prefer to live
In Wentworth from now on; and when all's said,
Right's right, and the temptation to do right
When I can hurt someone by doing it
Has always been too much for me, it has.
I know of some folks that'd be set up
At having in their town a noted witch:
But most would have to think of the expense
That even I would be.
They ought to know
That as a witch I'd often milk a bat
And that'd be enough to last for days.
It'd make my position stronger, think,
If I was to consent to give some sign
To make it surer that I was a witch?
It wa'n't no sign, I s'pose, when Mallice Huse
Said that I took him out in his old age
And rode all over everything on him
Until I'd bad him worn to skin and bones
And if I'd left him bitched unblanketed
In front of one Town Hall, I'd left him hitched
front of every one in Grafton County.
Some cried shame on me not to blanket him,
The poor old man.
It would have been all right
If someone hadn't said to gnaw the posts
He stood beside and leave his trademark on them,
So they could recognize them.
Not a post
That they could hear tell of was scarified.
They made him keep on gnawing till he whined.
Then that same smarty someone said to look
He'd bet Huse was a cribber and bad gnawed
The crib he slept in-and as sure's you're born
They found he'd gnawed the four posts of his bed,
All four of them to splinters.
What did that prove?
Not that he hadn't gnawed the hitching posts
He said he had, besides.
Because a horse
Gnaws in the stable ain't no proof to me
He don't gnaw trees and posts and fences too.
But everybody took it for a proof.
I was a strapping girl of twenty then.
The smarty someone who spoiled everything
Was Arthur Amy.
You know who he was.
That was the way he started courting me.
He never said much after we were married,
But I mistrusted be was none too proud
Of having interfered in the Huse business.
I guess be found he got more out of me
By having me a witch.
Or something happened
To turn him round.
He got to saying things
To undo what he'd done and make it right,
Like, "No, she ain't come back from kiting yet.
Last night was one of her nights out.
She's kiting.
She thinks when the wind makes a night of it
She might as well herself.
" But he liked best
To let on he was plagued to death with me:
If anyone had seen me coming home
Over the ridgepole, ' stride of a broomstick,
As often as he had in the tail of the night,
He guessed they'd know what he had to put up with.
Well, I showed Arthur Amy signs enough
Off from the house as far as we could keep
And from barn smells you can't wash out of plowed ground
With all the rain and snow of seven years;
And I don't mean just skulls of Rogers' Rangers
On Moosilauke, but woman signs to man,
Only bewitched so I would last him longer.
Up where the trees grow short, the mosses tall,
I made him gather me wet snowberries
On slippery rocks beside a waterfall.
I made him do it for me in the dark.
And he liked everything I made him do.
I hope if he is where he sees me now
He's so far off be can't see what I've come to.
You can come down from everything to nothing.
All is, if I'd a-known when I was young
And full of it, that this would be the end,
It doesn't seem as if I'd had the courage
To make so free and kick up in folks' faces.
I might have, but it doesn't seem as if.
|
Written by
Isaac Watts |
Custom in sin.
Let the wild leopards of the wood
Put off the spots that nature gives,
Then may the wicked turn to God,
And change their tempers and their lives.
As well might Ethiopian slaves
Wash out the darkness of their skin,
The deed as well might leave their graves,
As old transgressors cease to sin.
Where vice has held its empire long,
'Twill not endure the least control;
None but a power divinely strong
Can turn the current of the soul.
Great God! I own thy power divine
That works to change this heart of mine;
I would be formed anew, and bless
The wonders of creating grace.
|