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Best Famous Ward Poems

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Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
.
the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
.
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
.
.
at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
.
.
.
Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
.
.
.
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"


Written by Barry Tebb | Create an image from this poem

TO THE SOUND OF VIOLINS

 Give me life at its most garish

Friday night in the Square, pink sequins dazzle

And dance on clubbers bare to the midriff

Young men in crisp shirts and pressed pants

‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’

And sing along its lyrics to the throng of which I’m one

My shorts, shoulder bag and white beard

Making me stand out in the teeming swarm

Of teens and twenties this foetid Friday night

On my way from the ward where our son paces

And fulminates I throw myself into the drowning

Tide of Friday to be rescued by sheer normality.
The mill girl with her mates asks anxiously "Are you on your own? Come and join us What’s your name?" Age has driven my shyness away As I join the crowd beneath the turning purple screens Bannered ‘****** lasts for ever’ and sip unending Halves of bitter, as I circulate among the crowd, Being complete in itself and out for a good night out, A relief from factory, shop floor and market stall Running from the reality of the ward where my son Pounds the ledge with his fist and seems out to blast My very existence with words like bullets.
The need to anaesthetise the pain resurfaces Again and again.
In Leeds City Square where Pugin’s church, the Black Prince and the Central Post Office In its Edwardian grandeur are startled by the arching spumes Or white water fountains and the steel barricades of Novotel Rise from the ruins of a sixties office block.
I hurry past and join Boar Lane’s Friday crew From Keighley and Dewsbury’s mills, hesitating At the thought of being told I’m past my Sell-by-date and turned away by the West Indian Bouncers, black-suited and city-council badged Who checked my bag but smiled at ‘The Lights of Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms- Was it guns or drugs they were after I wondered as I crossed the bare boards to the bar.
I stayed near the fruit machine which no-one played, Where the crowd was thickest, the noise drowned out the pain ‘Sex Bomb, Sex Bomb’ the chorus rang The girls joined in but the young men knew The words no more than me.
Dancing as we knew it In the sixties has gone, you do your own thing And follow the beat, hampered by my bag I just kept going, letting the music and the crowd Hold me, my camera eye moving in search, in search… What I’m searching for I don’t know Searching’s a way of life that has to grow "All of us who are patients here are searchers after truth" My son kept saying, his legs shaking from the side effects Of God-knows- what, pacing the tiny ward kitchen cum smoking room, Denouncing his ‘illegal section’ and ‘poisonous medication’ To an audience of one.
The prospect of TV, Seroxat and Diazepan fazed me: I was beyond unravelling Meltzer on differentiation Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’ Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’ So I went out with West Yorkshire on a Friday night.
Nothing dramatic happened; perhaps I’m a little too used To acute wards or worse where chairs fly across rooms, Windows disintegrate and double doors are triple locked And every nurse carries a white panic button and black pager To pinpoint the moment’s crisis.
Normality was a bit of adrenaline, A wild therapy that drew me in, sanity had won the night.
"Are you on your own, love? Come and join us" People kept asking if I was alright and why I had that damned great shoulder bag.
I was introduced To three young men about to tie the knot, a handsome lothario In his midforties winked at me constantly, Dancing with practised ease with sixteen year olds Who all seemed to know him and determined to show him.
Three hours passed in as many minutes and then the crowds Disappeared to catch the last bus home.
The young aren’t As black as they are painted, one I danced with reminded me Of how Margaret would have been at sixteen With straw gold hair Yeats would have immortalised.
People seemed to guess I was haunted by an inner demon I’d tried to leave in the raftered lofts of City Square But failed to.
Girls from sixteen to twenty six kept grabbing me And making me dance and I found my teenage inhibitions Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’ Egged on by the throng by the fruit machine and continuous Thumbs-up signs from passing men.
I had to forgo A cheerful group of Aussies were intent on taking me clubbing "I’d get killed or turned into a pumpkin If I get home after midnight" I quipped to their delight But being there had somehow put things right.
Written by Barry Tebb | Create an image from this poem

INCOMPATABILITIES

 For Brenda Williams



La lune diminue; divin septembre.
Divine September the moon wanes.
Pierre Jean Jouve Themes for poems and the detritus of dreams coalesce: This is one September I shall not forget.
The grammar-school caretaker always had the boards re-blacked And the floors waxed, but I never shone.
The stripes of the red and black blazer Were prison-grey.
You could never see things that way: Your home had broken windows to the street.
You had the mortification of lice in your hair While I had the choice of Brylcreem or orange pomade.
Four children, an alcoholic father and An Irish immigrant mother.
Failure’s metaphor.
I did not make it like Alan Bennett, Who still sends funny postcards About our Leeds childhood.
Of your’s, you could never speak And found my nostalgia Wholly inappropriate.
Forgetting your glasses for the eleven plus, No money for the uniform for the pass at thirteen.
It wasn’t - as I imagined - shame that kept you from telling But fear of the consequences for your mother Had you sobbed the night’s terrors Of your father’s drunken homecomings, Your mother sat with the door open In all weathers while you, the oldest, Waited with her, perhaps Something might have been done.
He never missed a day’s work digging graves, Boasting he could do a six-footer Single-handed in two hours flat.
That hackneyed phrase ‘He drank all his wages’ Doesn’t convey his nightly rages The flow of obscenities about menstruation While the three younger ones were in bed And you waited with your mother To walk the streets of Seacroft.
“Your father murdered your mother” As Auntie Margaret said, Should a witness Need indicting.
Your mother’s growing cancer went diagnosed, but unremarked Until the final days She was too busy auxiliary nursing Or working in the Lakeside Caf?.
It was her wages that put bread and jam And baked beans into your stomachs.
Her final hospitalisation Was the arena for your father’s last rage Her fare interfering with the night’s drinking; He fought in the Burma Campaign but won no medals.
Some kind of psychiatric discharge- ‘paranoia’ Lurked in his papers.
The madness went undiagnosed Until his sixtieth birthday.
You never let me meet him Even after our divorce.
In the end you took me on a visit with the children.
A neat flat with photographs of grandchildren, Stacks of wood for the stove, washing hung precisely In the kitchen, a Sunday suit in the wardrobe.
An unwrinkling of smiles, the hard handshake Of work-roughened hands.
One night he smashed up the tidy flat.
The TV screen was powder The clock ticked on the neat lawn ‘Murder in Seacroft Hospital’ Emblazoned on the kitchen wall.
I went with you and your sister in her car to Roundhay Wing.
Your sister had to leave for work or sleep You had to back to meet the children from school.
For Ward 42 it wasn’t an especially difficult admission.
My first lesson: I shut one set of firedoors while the charge nurse Bolted the other but after five minutes his revolt Was over and he signed the paper.
The nurse on nights had a sociology degree And an interest in borderline schizophrenia.
After lightsout we chatted about Kohut and Kernberg And Melanie Klein.
Your father was occasionally truculent, Barricading himself in on one home leave.
Nothing out of the way For a case of that kind.
The old ladies on the estate sighed, Single men were very scarce.
Always a gentleman, tipping His cap to the ladies.
There seems to be objections in the family to poetry Or at least to the kind that actually speaks And fails to lie down quietly on command.
Yours seems to have set mine alight- I must get something right.
Written by Barry Tebb | Create an image from this poem

LETTERS TO FRIENDS

 I


Eddie Linden

Dear Eddie we’ve not met

Except upon the written page 

And at your age the wonder 

Is that you write at all

When so many have gone under 

Or been split asunder by narcissistic humours

Blunder following blunder

Barker and Graham, godfathering my verse

Bearing me cloud-handed to Haworth moor

From my chained metropolitan moorings,

O hyaline March morning with Leeds

At its thrusting best, the thirsty beasts

Of night quenched as the furnaces

Of Hunslet where Hudswell Clarke’s locos

Rust in their skeletal sheds, rails skewed

To graveyards platforms and now instead

Skyscrapers circle the city, cranes, aeroplanes,

Electric trains but even they cannot hinder

Branches bursting with semen

Seraphic cloud sanctuaries shunting

Us homeward to the beckoning moors.
II Brenda Williams Leeds voices soothe the turbulence ‘Ey’ ‘sithee’ and ‘love’, lastingly lilt From cradle to grave, from backstreet On the social, our son, beat his way To Eton, Balliol, to Calcatta’s Shantiniketan And all the way back to a locked ward.
While I in the meantime fondly fiddled With rhyme and unreason, publishing pamphlets And Leeds Poetry Weekly while under the bane Of his tragic illness, poet and mother, You were driven from pillar to post By the taunting yobbery of your family And the crass insensitivity of wild therapy To the smoking dark of despair, Locked in your flat in the Abbey Road With seven cats and poetry.
O stop and strop your bladed darkness On the rock of ages while plangent tollings Mock your cradled rockings, knock by knock.
III Debjani Chatterjee In these doom-laden days You are steady as a pilot nursing tired ships homeward Through churning seas Where grey gulls scream Forlornly and for ever.
I am the red-neck, Bear-headed blaster Shifting sheer rock To rape the ore of poetry’s plunder Or bulldozing trees to glean mines of silver While you sail serenely onward Ever the diplomat’s daughter Toujours de la politesse.
IV Daisy Abey Daisy, dearest of all, safest And kindest, watcher and warner Of chaotic corners looming Round poetry’s boomerang bends I owe you most a letter While you are here beside me Patient as a miller waiting on wind To drive the great sails Through summer.
When the muse takes over I am snatched from order and duty Blowing routine into a riot of going And coming, blind, backwards, tip Over ****, sea waves crashing in suburbia, Saturnalia in Sutton, headlines of mad poet Striding naked over moors, roaring "I am here I am waiting".
V Jeremy Reed Niagaras of letters on pink sheets In sheaths of silver envelopes Mutually exchanged.
I open your missives Like undressing a girl in my teens Undoing the flap like a recalcitrant Bra strap, the letters stiff as nipples While I stroke the creviced folds Of amber and mauve and lick As I stick stamps like the ******** Of a reluctant virgin, urgent for Defloration and the pulse of ******.
Written by Ralph Waldo Emerson | Create an image from this poem

Dæmonic Love

 Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright, All were foreign in their light.
It was ever the self-same tale, The old experience will not fail,— Only two in the garden walked, And with snake and seraph talked.
But God said; I will have a purer gift, There is smoke in the flame; New flowerets bring, new prayers uplift, And love without a name.
Fond children, ye desire To please each other well; Another round, a higher, Ye shall climb on the heavenly stair, And selfish preference forbear; And in right deserving, And without a swerving Each from your proper state, Weave roses for your mate.
Deep, deep are loving eyes, Flowed with naphtha fiery sweet, And the point is Paradise Where their glances meet: Their reach shall yet be more profound, And a vision without bound: The axis of those eyes sun-clear Be the axis of the sphere; Then shall the lights ye pour amain Go without check or intervals, Through from the empyrean walls, Unto the same again.
Close, close to men, Like undulating layer of air, Right above their heads, The potent plain of Dæmons spreads.
Stands to each human soul its own, For watch, and ward, and furtherance In the snares of nature's dance; And the lustre and the grace Which fascinate each human heart, Beaming from another part, Translucent through the mortal covers, Is the Dæmon's form and face.
To and fro the Genius hies, A gleam which plays and hovers Over the maiden's head, And dips sometimes as low as to her eyes.
Unknown, — albeit lying near, — To men the path to the Dæmon sphere, And they that swiftly come and go, Leave no track on the heavenly snow.
Sometimes the airy synod bends, And the mighty choir descends, And the brains of men thenceforth, In crowded and in still resorts, Teem with unwonted thoughts.
As when a shower of meteors Cross the orbit of the earth, And, lit by fringent air, Blaze near and far.
Mortals deem the planets bright Have slipped their sacred bars, And the lone seaman all the night Sails astonished amid stars.
Beauty of a richer vein, Graces of a subtler strain, Unto men these moon-men lend, And our shrinking sky extend.
So is man's narrow path By strength and terror skirted, Also (from the song the wrath Of the Genii be averted! The Muse the truth uncolored speaking), The Dæmons are self-seeking; Their fierce and limitary will Draws men to their likeness still.
The erring painter made Love blind, Highest Love who shines on all; Him radiant, sharpest-sighted god None can bewilder; Whose eyes pierce The Universe, Path-finder, road-builder, Mediator, royal giver, Rightly-seeing, rightly-seen, Of joyful and transparent mien.
'Tis a sparkle passing From each to each, from me to thee, Perpetually, Sharing all, daring all, Levelling, misplacing Each obstruction, it unites Equals remote, and seeming opposites.
And ever and forever Love Delights to build a road; Unheeded Danger near him strides, Love laughs, and on a lion rides.
But Cupid wears another face Born into Dæmons less divine, His roses bleach apace, His nectar smacks of wine.
The Dæmon ever builds a wall, Himself incloses and includes, Solitude in solitudes: In like sort his love doth fall.
He is an oligarch, He prizes wonder, fame, and mark, He loveth crowns, He scorneth drones; He doth elect The beautiful and fortunate, And the sons of intellect, And the souls of ample fate, Who the Future's gates unbar, Minions of the Morning Star.
In his prowess he exults, And the multitude insults.
His impatient looks devour Oft the humble and the poor, And, seeing his eye glare, They drop their few pale flowers Gathered with hope to please Along the mountain towers, Lose courage, and despair.
He will never be gainsaid, Pitiless, will not be stayed.
His hot tyranny Burns up every other tie; Therefore comes an hour from Jove Which his ruthless will defies, And the dogs of Fate unties.
Shiver the palaces of glass, Shrivel the rainbow-colored walls Where in bright art each god and sibyl dwelt Secure as in the Zodiack's belt; And the galleries and halls Wherein every Siren sung, Like a meteor pass.
For this fortune wanted root In the core of God's abysm, Was a weed of self and schism: And ever the Dæmonic Love Is the ancestor of wars, And the parent of remorse.


Written by W. E. B. Du Bois | Create an image from this poem

The Riddle of the Sphinx

Dark daughter of the lotus leaves that watch the Southern Sea!
Wan spirit of a prisoned soul a-panting to be free!
The muttered music of thy streams, the whisper of the deep,
Have kissed each other in God's name and kissed a world to sleep.
The will of the world is a whistling wind, sweeping a cloud-swept sky,
And not from the East and not from the West knelled that
soul-waking cry,
But out of the South,—the sad, black South—it screamed from
the top of the sky,
Crying: "Awake, O ancient race!" Wailing, "O woman, arise!"
And crying and sighing and crying again as a voice in the
midnight cries,—
But the burden of white men bore her back and the white world
stifled her sighs.
The white world's vermin and filth:
All the dirt of London,
All the scum of New York;
Valiant spoilers of women
And conquerers of unarmed men;
Shameless breeders of bastards,
Drunk with the greed of gold,
Baiting their blood-stained hooks
With cant for the souls of the simple;
Bearing the white man's burden
Of liquor and lust and lies!
Unthankful we wince in the East,
Unthankful we wail from the westward,
Unthankfully thankful, we curse,
In the unworn wastes of the wild:
I hate them, Oh!
I hate them well,
I hate them, Christ!
As I hate hell!
If I were God,
I'd sound their knell
This day!
Who raised the fools to their glory,
But black men of Egypt and Ind,
Ethiopia's sons of the evening,
Indians and yellow Chinese,
Arabian children of morning,
And mongrels of Rome and Greece?
Ah, well!
And they that raised the boasters
Shall drag them down again,—
Down with the theft of their thieving
And murder and mocking of men;
Down with their barter of women
And laying and lying of creeds;
Down with their cheating of childhood
And drunken orgies of war,—
down
down
deep down,
Till the devil's strength be shorn,
Till some dim, darker David, a-hoeing of his corn,
And married maiden, mother of God,
Bid the black Christ be born!
Then shall our burden be manhood,
Be it yellow or black or white;
And poverty and justice and sorrow,
The humble, and simple and strong
Shall sing with the sons of morning
And daughters of even-song:
Black mother of the iron hills that ward the blazing sea,
Wild spirit of a storm-swept soul, a-struggling to be free,
Where 'neath the bloody finger-marks thy riven bosom quakes,
Thicken the thunders of God's Voice and lo! a world awakes!
Written by Sylvia Plath | Create an image from this poem

Electra On Azalea Path

 The day you died I went into the dirt,
Into the lightless hibernaculum
Where bees, striped black and gold, sleep out the blizzard
Like hieratic stones, and the ground is hard.
It was good for twenty years, that wintering -- As if you never existed, as if I came God-fathered into the world from my mother's belly: Her wide bed wore the stain of divinity.
I had nothing to do with guilt or anything When I wormed back under my mother's heart.
Small as a doll in my dress of innocence I lay dreaming your epic, image by image.
Nobody died or withered on that stage.
Everything took place in a durable whiteness.
The day I woke, I woke on Churchyard Hill.
I found your name, I found your bones and all Enlisted in a cramped necropolis your speckled stone skewed by an iron fence.
In this charity ward, this poorhouse, where the dead Crowd foot to foot, head to head, no flower Breaks the soil.
This is Azalea path.
A field of burdock opens to the south.
Six feet of yellow gravel cover you.
The artificial red sage does not stir In the basket of plastic evergreens they put At the headstone next to yours, nor does it rot, Although the rains dissolve a bloody dye: The ersatz petals drip, and they drip red.
Another kind of redness bothers me: The day your slack sail drank my sister's breath The flat sea purpled like that evil cloth My mother unrolled at your last homecoming.
I borrow the silts of an old tragedy.
The truth is, one late October, at my birth-cry A scorpion stung its head, an ill-starred thing; My mother dreamed you face down in the sea.
The stony actors poise and pause for breath.
I brought my love to bear, and then you died.
It was the gangrene ate you to the bone My mother said: you died like any man.
How shall I age into that state of mind? I am the ghost of an infamous suicide, My own blue razor rusting at my throat.
O pardon the one who knocks for pardon at Your gate, father -- your hound-*****, daughter, friend.
It was my love that did us both to death.
Written by Rudyard Kipling | Create an image from this poem

Arithmetic on the Frontier

 A great and glorious thing it is
 To learn, for seven years or so,
The Lord knows what of that and this,
 Ere reckoned fit to face the foe --
The flying bullet down the Pass,
That whistles clear: "All flesh is grass.
" Three hundred pounds per annum spent On making brain and body meeter For all the murderous intent Comprised in "villanous saltpetre!" And after -- ask the Yusufzaies What comes of all our 'ologies.
A scrimmage in a Border Station -- A canter down some dark defile -- Two thousand pounds of education Drops to a ten-rupee jezail -- The Crammer's boast, the Squadron's pride, Shot like a rabbit in a ride! No proposition Euclid wrote, No formulae the text-books know, Will turn the bullet from your coat, Or ward the tulwar's downward blow Strike hard who cares -- shoot straight who can -- The odds are on the cheaper man.
One sword-knot stolen from the camp Will pay for all the school expenses Of any Kurrum Valley scamp Who knows no word of moods and tenses, But, being blessed with perfect sight, Picks off our messmates left and right.
With home-bred hordes the hillsides teem, The troop-ships bring us one by one, At vast expense of time and steam, To slay Afridis where they run.
The "captives of our bow and spear" Are cheap -- alas! as we are dear.
Written by Philip Levine | Create an image from this poem

Among Children

 I walk among the rows of bowed heads--
the children are sleeping through fourth grade
so as to be ready for what is ahead,
the monumental boredom of junior high
and the rush forward tearing their wings
loose and turning their eyes forever inward.
These are the children of Flint, their fathers work at the spark plug factory or truck bottled water in 5 gallon sea-blue jugs to the widows of the suburbs.
You can see already how their backs have thickened, how their small hands, soiled by pig iron, leap and stutter even in dreams.
I would like to sit down among them and read slowly from The Book of Job until the windows pale and the teacher rises out of a milky sea of industrial scum, her gowns streaming with light, her foolish words transformed into song, I would like to arm each one with a quiver of arrows so that they might rush like wind there where no battle rages shouting among the trumpets, Hal Ha! How dear the gift of laughter in the face of the 8 hour day, the cold winter mornings without coffee and oranges, the long lines of mothers in old coats waiting silently where the gates have closed.
Ten years ago I went among these same children, just born, in the bright ward of the Sacred Heart and leaned down to hear their breaths delivered that day, burning with joy.
There was such wonder in their sleep, such purpose in their eyes dosed against autumn, in their damp heads blurred with the hair of ponds, and not one turned against me or the light, not one said, I am sick, I am tired, I will go home, not one complained or drifted alone, unloved, on the hardest day of their lives.
Eleven years from now they will become the men and women of Flint or Paradise, the majors of a minor town, and I will be gone into smoke or memory, so I bow to them here and whisper all I know, all I will never know.
Written by Barry Tebb | Create an image from this poem

OUR SON

 Quarter to three: I wake again at the hour of his birth

Thirty years ago and now he paces corridors of dark

In nightmares of self-condemnation where random thoughts

Besiege his fevered imagination – England’s 

Imminent destruction, his own, the world’s…

Sixty to eighty cigarettes a day, unavailing depot injections,

Failed abscondings, failed everything: Eton and Balliol

Hold no sway on ward one, nor even being

‘A six language master,’ on PICU madness is the only qualification.
There was the ‘shaving incident’ at school, which Made him ready to walk out at fifteen, the alcohol Defences at Oxford which shut us out then petered out During the six years in India, studying Bengali at Shantiniketan.
He tottered from the plane, penniless and unshaven, To hide away in the seediest bedsit Beeston could boast Where night turned to day and vaguely he applied For jobs as clerk and court usher and drank in pubs with yobs.
When the crisis came – "I feel my head coming off my body’ – I was ready and unready, making the necessary calls To get a bed, to keep him on the ward, to visit and reassure Us both that some way out could be found.
The ‘Care Home’ was the next disaster, trying to cure Schizophrenia with sticking plaster: "We don’t want Carers’ input, we call patients ‘residents’ and insist on chores Not medication", then the letters of terrible abuse, the finding of a flat, ‘The discharge into the community.
’ His ‘keyworker’ was the keyworker from hell: the more Isaiah’s care fell apart the more she encouraged Him to blame us and ‘Make his life his own’, vital signs Of decline ignored or consigned to files, ‘confidentiality’ reigned supreme.
Insidiously the way back to the ward unveiled Over painful months, the self-neglect, the inappropriate remarks In pubs, the neglected perforated eardrum, keeping Company with his feckless cousins between their bouts in prison.
The pointless team meetings he was patted through, My abrupt dismissal as carer at the keyworker’s instigation, The admission we knew nothing of, the abscondings we were told of And had to sort out, then the phone call from the ASW.
"We are about to section your son for six months, have you Any comment?" Then the final absconding to London From a fifteen minute break on PICU, to face his brother’s Drunken abuse, the police were kindness itself as they drove him to the secure unit.
Two nurses came by taxi from Leeds the next day to collect him The Newsam Centre’s like a hotel – Informality and first class treatment Behind the locked doors he freezes before and whispers "Daddy, I was damned in hell but now I am God’s friend.
" Note: PICU- Psychiatric Intensive Care Unit Beeston- An inner city area of Leeds ASW- Approved Social Worker

Book: Shattered Sighs