Written by
Walt Whitman |
THAT which eludes this verse and any verse,
Unheard by sharpest ear, unform’d in clearest eye or cunningest mind,
Nor lore nor fame, nor happiness nor wealth,
And yet the pulse of every heart and life throughout the world incessantly,
Which you and I and all pursuing ever ever miss,
Open but still a secret, the real of the real, an illusion,
Costless, vouchsafed to each, yet never man the owner,
Which poets vainly seek to put in rhyme, historians in prose,
Which sculptor never chisel’d yet, nor painter painted,
Which vocalist never sung, nor orator nor actor ever utter’d,
Invoking here and now I challenge for my song.
Indifferently, ’mid public, private haunts, in solitude,
Behind the mountain and the wood,
Companion of the city’s busiest streets, through the assemblage,
It and its radiations constantly glide.
In looks of fair unconscious babes,
Or strangely in the coffin’d dead,
Or show of breaking dawn or stars by night,
As some dissolving delicate film of dreams,
Hiding yet lingering.
Two little breaths of words comprising it.
Two words, yet all from first to last comprised in it.
How ardently for it!
How many ships have sail’d and sunk for it!
How many travelers started from their homes and ne’er return’d!
How much of genius boldly staked and lost for it!
What countless stores of beauty, love, ventur’d for it!
How all superbest deeds since Time began are traceable to it—and shall be to the end!
How all heroic martyrdoms to it!
How, justified by it, the horrors, evils, battles of the earth!
How the bright fascinating lambent flames of it, in every age and land, have drawn
men’s
eyes,
Rich as a sunset on the Norway coast, the sky, the islands, and the cliffs,
Or midnight’s silent glowing northern lights unreachable.
Haply God’s riddle it, so vague and yet so certain,
The soul for it, and all the visible universe for it,
And heaven at last for it.
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Written by
John Ashbery |
Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering,
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore)
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others,
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
|
Written by
Eugene Field |
The little French doll was a dear little doll
Tricked out in the sweetest of dresses;
Her eyes were of hue
A most delicate blue
And dark as the night were her tresses;
Her dear little mouth was fluted and red,
And this little French doll was so very well bred
That whenever accosted her little mouth said
"Mamma! mamma!"
The stockinet doll, with one arm and one leg,
Had once been a handsome young fellow;
But now he appeared
Rather frowzy and bleared
In his torn regimentals of yellow;
Yet his heart gave a curious thump as he lay
In the little toy cart near the window one day
And heard the sweet voice of that French dolly say:
"Mamma! mamma!"
He listened so long and he listened so hard
That anon he grew ever so tender,
For it's everywhere known
That the feminine tone
Gets away with all masculine gender!
He up and he wooed her with soldierly zest
But all she'd reply to the love he professed
Were these plaintive words (which perhaps you have guessed):
"Mamma! mamma!"
Her mother - a sweet little lady of five -
Vouchsafed her parental protection,
And although stockinet
Wasn't blue-blooded, yet
She really could make no objection!
So soldier and dolly were wedded one day,
And a moment ago, as I journeyed that way,
I'm sure that I heard a wee baby voice say:
"Mamma! mamma!"
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Written by
Thomas Hardy |
I MARK the months in liveries dank and dry,
The day-tides many-shaped and hued;
I see the nightfall shades subtrude,
And hear the monotonous hours clang negligently by.
I view the evening bonfires of the sun
On hills where morning rains have hissed;
The eyeless countenance of the mist
Pallidly rising when the summer droughts are done.
I have seen the lightning-blade, the leaping star,
The caldrons of the sea in storm,
Have felt the earthquake's lifting arm,
And trodden where abysmal fires and snowcones are.
I learn to prophesy the hid eclipse,
The coming of eccentric orbs;
To mete the dust the sky absorbs,
To weigh the sun, and fix the hour each planet dips.
I witness fellow earth-men surge and strive;
Assemblies meet, and throb, and part;
Death's soothing finger, sorrow's smart;
--All the vast various moils that mean a world alive.
But that I fain would wot of shuns my sense--
Those sights of which old prophets tell,
Those signs the general word so well,
Vouchsafed to their unheed, denied my watchings tense.
In graveyard green, behind his monument
To glimpse a phantom parent, friend,
Wearing his smile, and "Not the end!"
Outbreathing softly: that were blest enlightenment;
Or, if a dead Love's lips, whom dreams reveal
When midnight imps of King Decay
Delve sly to solve me back to clay,
Should leave some print to prove her spirit-kisses real;
Or, when Earth's Frail lie bleeding of her Strong,
If some Recorder, as in Writ,
Near to the weary scene should flit
And drop one plume as pledge that Heaven inscrolls the wrong.
--There are who, rapt to heights of tranc?d trust,
These tokens claim to feel and see,
Read radiant hints of times to be--
Of heart to heart returning after dust to dust.
Such scope is granted not my powers indign...
I have lain in dead men's beds, have walked
The tombs of those with whom I'd talked,
Called many a gone and goodly one to shape a sign,
And panted for response. But none replies;
No warnings loom, nor whisperings
To open out my limitings,
And Nescience mutely muses: When a man falls he lies.
|
Written by
Walt Whitman |
A BATTER’D, wreck’d old man,
Thrown on this savage shore, far, far from home,
Pent by the sea, and dark rebellious brows, twelve dreary months,
Sore, stiff with many toils, sicken’d, and nigh to death,
I take my way along the island’s edge,
Venting a heavy heart.
I am too full of woe!
Haply, I may not live another day;
I can not rest, O God—I can not eat or drink or sleep,
Till I put forth myself, my prayer, once more to Thee,
Breathe, bathe myself once more in Thee—commune with Thee,
Report myself once more to Thee.
Thou knowest my years entire, my life,
(My long and crowded life of active work—not adoration merely;)
Thou knowest the prayers and vigils of my youth;
Thou knowest my manhood’s solemn and visionary meditations;
Thou knowest how, before I commenced, I devoted all to come to Thee;
Thou knowest I have in age ratified all those vows, and strictly kept them;
Thou knowest I have not once lost nor faith nor ecstasy in Thee;
(In shackles, prison’d, in disgrace, repining not,
Accepting all from Thee—as duly come from Thee.)
All my emprises have been fill’d with Thee,
My speculations, plans, begun and carried on in thoughts of Thee,
Sailing the deep, or journeying the land for Thee;
Intentions, purports, aspirations mine—leaving results to Thee.
O I am sure they really come from Thee!
The urge, the ardor, the unconquerable will,
The potent, felt, interior command, stronger than words,
A message from the Heavens, whispering to me even in sleep,
These sped me on.
By me, and these, the work so far accomplish’d (for what has been, has been;)
By me Earth’s elder, cloy’d and stifled lands, uncloy’d, unloos’d;
By me the hemispheres rounded and tied—the unknown to the known.
The end I know not—it is all in Thee;
Or small, or great, I know not—haply, what broad fields, what lands;
Haply, the brutish, measureless human undergrowth I know,
Transplanted there, may rise to stature, knowledge worthy Thee;
Haply the swords I know may there indeed be turn’d to reaping-tools;
Haply the lifeless cross I know—Europe’s dead cross—may bud and blossom
there.
One effort more—my altar this bleak sand:
That Thou, O God, my life hast lighted,
With ray of light, steady, ineffable, vouchsafed of Thee,
(Light rare, untellable—lighting the very light!
Beyond all signs, descriptions, languages!)
For that, O God—be it my latest word—here on my knees,
Old, poor, and paralyzed—I thank Thee.
My terminus near,
The clouds already closing in upon me,
The voyage balk’d—the course disputed, lost,
I yield my ships to Thee.
Steersman unseen! henceforth the helms are Thine;
Take Thou command—(what to my petty skill Thy navigation?)
My hands, my limbs grow nerveless;
My brain feels rack’d, bewilder’d; Let the old timbers part—I will not
part!
I will cling fast to Thee, O God, though the waves buffet me;
Thee, Thee, at least, I know.
Is it the prophet’s thought I speak, or am I raving?
What do I know of life? what of myself?
I know not even my own work, past or present;
Dim, ever-shifting guesses of it spread before me,
Of newer, better worlds, their mighty parturition,
Mocking, perplexing me.
And these things I see suddenly—what mean they?
As if some miracle, some hand divine unseal’d my eyes,
Shadowy, vast shapes, smile through the air and sky,
And on the distant waves sail countless ships,
And anthems in new tongues I hear saluting me.
|
Written by
Ella Wheeler Wilcox |
Love is enough. Let us not ask for gold.
Wealth breeds false aims, and pride and selfishness;
In those serene, Arcadian days of old
Men gave no thought to princely homes and dress.
The gods who dwelt on fair Olympia's height
Lived only for dear love and love's delight.
Love is enough.
Love is enough. Why should we care for fame?
Ambition is a most unpleasant guest:
It lures us with the glory of a name
Far from the happy haunts of peace and rest.
Let us stay here in this secluded place
Made beautiful by love's endearing grace!
Love is enough.
Love is enough. Why should we strive for power?
It brings men only envy and distrust.
The poor world's homage pleases but an hour,
And earthly honours vanish in the dust.
The grandest lives are ofttimes desolate;
Let me be loved, and let who will be great.
Love is enough.
Love is enough. Why should we ask for more?
What greater gift have gods vouchsafed to men?
What better boon of all their precious store
Than our fond hearts that love and love again?
Old love may die; new love is just as sweet;
And life is fair and all the world complete:
Love is enough!
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Written by
William Cowper |
(Hebrews, iv.2)
Israel in ancient days
Not only had a view
Of Sinai in a blaze,
But learn'd the Gospel too;
The types and figures were a glass,
In which thy saw a Saviour's face.
The paschal sacrifice
And blood-besprinkled door,
Seen with enlighten'd eyes,
And once applied with power,
Would teach the need of other blood,
To reconcile an angry God.
The Lamb, the Dove, set forth
His perfect innocence,
Whose blood of matchless worth
Whould be the soul's defence;
For he who can for sin atone,
Must have no failings of His own.
The scape-goat on his head
The people's trespass bore,
And to the desert led,
Was to be seen no more:
In him our surety seem'd to say,
"Behold, I bear your sins away."
Dipt in his fellow's blood,
The living bird went free;
The type, well understood,
Express'd the sinner's plea;
Described a guilty soul enlarged,
And by a Saviour's death discharged.
Jesus, I love to trace,
Throughout the sacred page,
The footsteps of Thy grace,
The same in every age!
Oh, grant that I may faithful be
To clearer light vouchsafed to me!
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Written by
Walt Whitman |
WITH all thy gifts, America,
(Standing secure, rapidly tending, overlooking the world,)
Power, wealth, extent, vouchsafed to thee—With these, and like of these, vouchsafed
to
thee,
What if one gift thou lackest? (the ultimate human problem never solving;)
The gift of Perfect Women fit for thee—What of that gift of gifts thou lackest?
The towering Feminine of thee? the beauty, health, completion, fit for thee?
The Mothers fit for thee?
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Written by
Walt Whitman |
LET us twain walk aside from the rest;
Now we are together privately, do you discard ceremony,
Come! vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story,
Tell me what you would not tell your brother, wife, husband, or physician.
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Written by
Francesco Petrarch |
SONNET CXLVI. Geri, quando talor meco s' adira. HE APPEASES HER BY HUMILITY, AND EXHORTS A FRIEND TO DO LIKEWISE. When my sweet foe, so haughty oft and high,Moved my brief ire no more my sight can thole,One comfort is vouchsafed me lest I die,Through whose sole strength survives my harass'd soul;Where'er her eyes—all light which would denyTo my sad life—in scorn or anger roll,Mine with such true humility reply,Soon their meek glances all her rage control,Were it not so, methinks I less could brookTo gaze on hers than on Medusa's mien,Which turn'd to marble all who met her look.My friend, act thus with thine, for closed I weenAll other aid, and nothing flight availsAgainst the wings on which our master sails. Macgregor.
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