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Best Famous Votes Poems

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Written by John Berryman | Create an image from this poem

Dream Song 105: As a kid I believed in democracy: I

 As a kid I believed in democracy: I
'saw no alternative'—teaching at The Big Place I ah
put it in practice:
we'd time for one long novel: to a vote—
Gone with the Wind they voted: I crunched 'No'
and we sat down with War & Peace.
As a man I believed in democracy (nobody ever learns anything): only one lazy day my assistant, called James Dow, & I were chatting, in a failure of meeting of minds, and I said curious 'What are your real politics?' 'Oh, I'm a monarchist.
' Finishing his dissertation, in Political Science.
I resign.
The universal contempt for Mr Nixon, whom never I liked but who alert & gutsy served us years under a dope, since dynasty K swarmed in.
Let's have a King maybe, before a few mindless votes.


Written by Ralph Waldo Emerson | Create an image from this poem

Ode to W. H. Channing

Though loath to grieve
The evil time's sole patriot,
I cannot leave
My honied thought
For the priest's cant,
Or statesman's rant.
If I refuse My study for their politique, Which at the best is trick, The angry Muse Puts confusion in my brain.
But who is he that prates Of the culture of mankind, Of better arts and life? Go, blindworm, go, Behold the famous States Harrying Mexico With rifle and with knife! Or who, with accent bolder, Dare praise the freedom-loving mountaineer? I found by thee, O rushing Contoocook! And in thy valleys, Agiochook! The jackals of the *****-holder.
The God who made New Hampshire Taunted the lofty land With little men;-- Small bat and wren House in the oak:-- If earth-fire cleave The upheaved land, and bury the folk, The southern crocodile would grieve.
Virtue palters; Right is hence; Freedom praised, but hid; Funeral eloquence Rattles the coffin-lid.
What boots thy zeal, O glowing friend, That would indignant rend The northland from the south? Wherefore? to what good end? Boston Bay and Bunker Hill Would serve things still;-- Things are of the snake.
The horseman serves the horse, The neatherd serves the neat, The merchant serves the purse, The eater serves his meat; 'T is the day of the chattel, Web to weave, and corn to grind; Things are in the saddle, And ride mankind.
There are two laws discrete, Not reconciled,-- Law for man, and law for thing; The last builds town and fleet, But it runs wild, And doth the man unking.
'T is fit the forest fall, The steep be graded, The mountain tunnelled, The sand shaded, The orchard planted, The glebe tilled, The prairie granted, The steamer built.
Let man serve law for man; Live for friendship, live for love, For truth's and harmony's behoof; The state may follow how it can, As Olympus follows Jove.
Yet do not I implore The wrinkled shopman to my sounding woods, Nor bid the unwilling senator Ask votes of thrushes in the solitudes.
Every one to his chosen work;-- Foolish hands may mix and mar; Wise and sure the issues are.
Round they roll till dark is light, Sex to sex, and even to odd;-- The over-god Who marries Right to Might, Who peoples, unpeoples,-- He who exterminates Races by stronger races, Black by white faces,-- Knows to bring honey Out of the lion; Grafts gentlest scion On pirate and Turk.
The Cossack eats Poland, Like stolen fruit; Her last noble is ruined, Her last poet mute: Straight, into double band The victors divide; Half for freedom strike and stand;-- The astonished Muse finds thousands at her side.
Written by Ralph Waldo Emerson | Create an image from this poem

Ode To William H. Channing

 Though loth to grieve
The evil time's sole patriot,
I cannot leave
My buried thought
For the priest's cant,
Or statesman's rant.
If I refuse My study for their politique, Which at the best is trick, The angry muse Puts confusion in my brain.
But who is he that prates Of the culture of mankind, Of better arts and life? Go, blind worm, go, Behold the famous States Harrying Mexico With rifle and with knife.
Or who, with accent bolder, Dare praise the freedom-loving mountaineer, I found by thee, O rushing Contoocook! And in thy valleys, Agiochook! The jackals of the *****-holder.
The God who made New Hampshire Taunted the lofty land With little men.
Small bat and wren House in the oak.
If earth fire cleave The upheaved land, and bury the folk, The southern crocodile would grieve.
Virtue palters, right is hence, Freedom praised but hid; Funeral eloquence Rattles the coffin-lid.
What boots thy zeal, O glowing friend, That would indignant rend The northland from the south? Wherefore? To what good end? Boston Bay and Bunker Hill Would serve things still: Things are of the snake.
The horseman serves the horse, The neat-herd serves the neat, The merchant serves the purse, The eater serves his meat; 'Tis the day of the chattel, Web to weave, and corn to grind, Things are in the saddle, And ride mankind.
There are two laws discrete Not reconciled, Law for man, and law for thing; The last builds town and fleet, But it runs wild, And doth the man unking.
'Tis fit the forest fall, The steep be graded, The mountain tunnelled, The land shaded, The orchard planted, The globe tilled, The prairie planted, The steamer built.
Live for friendship, live for love, For truth's and harmony's behoof; The state may follow how it can, As Olympus follows Jove.
Yet do not I implore The wrinkled shopman to my sounding woods, Nor bid the unwilling senator Ask votes of thrushes in the solitudes.
Every one to his chosen work.
Foolish hands may mix and mar, Wise and sure the issues are.
Round they roll, till dark is light, Sex to sex, and even to odd; The over-God, Who marries Right to Might, Who peoples, unpeoples, He who exterminates Races by stronger races, Black by white faces, Knows to bring honey Out of the lion, Grafts gentlest scion On Pirate and Turk.
The Cossack eats Poland, Like stolen fruit; Her last noble is ruined, Her last poet mute; Straight into double band The victors divide, Half for freedom strike and stand, The astonished muse finds thousands at her side.
Written by Andrew Hudgins | Create an image from this poem

The Unpromised Land Montgomery Alabama

 Despite the noon sun shimmering on Court Street,
each day I leave my desk, and window-shop,
waste time, and use my whole lunch hour to stroll
the route the marchers took.
The walk is blistering-- the kind of heat that might make you recall Nat Turner skinned and rendered into grease if you share my cheap liberal guilt for sins before your time.
I hold it dear.
I know if I had lived in 1861 I would have fought in butternut, not blue and never known I'd sinned.
Nat Turner skinned for doing what I like to think I'd do if I were him.
Before the war half-naked coffles were paraded to Court Square, where Mary Chesnut gasped--"seasick"--to see a bright mulatto on the auction block, who bantered with the buyers, sang bawdy songs, and flaunted her green satin dress, smart shoes, I'm sure the poor thing knew who'd purchase her, wrote Mrs.
Chestnut, who plopped on a stool to discipline her thoughts.
Today I saw, in that same square, three black girls pick loose tar, flick it at one another's new white dresses, then squeal with laughter.
Three girls about that age of those blown up in church in Birmingham.
The legendary buses rumble past the church where Reverend King preached when he lived in town, a town somehow more his than mine, despite my memory of standing on Dexter Avenue and watching, fascinated, a black man fry six eggs on his Dodge Dart.
Because I watched he gave me one with flecks of dark blue paint stuck on the yolk.
My mother slapped my hand.
I dropped the egg.
And when I tried to say I'm sorry, Mother grabbed my wrist and marched me back to our car.
I can't hold to the present.
I've known these streets, their history, too long.
Two months before she died, my grandmother remembered when I'd sassed her as a child, and at the dinner table, in midbite, leaned over, struck the grown man on the mouth.
And if I hadn't said I'm sorry,fast, she would have gone for me again.
My aunt, from laughing, choked on a piece of lemon pie.
But I'm not sure.
I'm just Christian enough to think each sin taints every one of us, a harsh philosophy that doesn't seem to get me very far--just to the Capitol each day at noon, my wet shirt clinging to my back.
Atop its pole, the stars-and-bars, too heavy for the breeze, hangs listlessly.
Once, standing where Jeff Davis took his oath, I saw the Capitol.
He shrank into his chair, so flaccid with paralysis he looked like melting flesh, white as a maggot.
He's fatter now.
He courts black votes, and life is calmer than when Muslims shot whites on this street, and calmer than when the Klan blew up Judge Johnson's house or Martin Luther King's.
My history could be worse.
I could be Birmingham.
I could be Selma.
I could be Philadelphia, Mississippi.
Instead, I'm this small river town.
Today, as I worked at my desk, the boss called the janitor, Jerome, I hear you get some lunchtime pussy every day.
Jerome, toothless and over seventy, stuck the broom handle out between his legs: Yessir! When the Big Hog talks --he waggled his broomstick--I gots to listen.
He laughed.
And from the corner of his eye, he looked to see if we were laughing too.
Written by Robert Burns | Create an image from this poem

88. The Author's Earnest Cry and Prayer

 YE Irish lords, ye knights an’ squires,
Wha represent our brughs an’ shires,
An’ doucely manage our affairs
 In parliament,
To you a simple poet’s pray’rs
 Are humbly sent.
Alas! my roupit Muse is hearse! Your Honours’ hearts wi’ grief ’twad pierce, To see her sittin on her **** Low i’ the dust, And scriechinh out prosaic verse, An like to brust! Tell them wha hae the chief direction, Scotland an’ me’s in great affliction, E’er sin’ they laid that curst restriction On aqua-vit&æ; An’ rouse them up to strong conviction, An’ move their pity.
Stand forth an’ tell yon Premier youth The honest, open, naked truth: Tell him o’ mine an’ Scotland’s drouth, His servants humble: The muckle deevil blaw you south If ye dissemble! Does ony great man glunch an’ gloom? Speak out, an’ never fash your thumb! Let posts an’ pensions sink or soom Wi’ them wha grant them; If honestly they canna come, Far better want them.
In gath’rin votes you were na slack; Now stand as tightly by your tack: Ne’er claw your lug, an’ fidge your back, An’ hum an’ haw; But raise your arm, an’ tell your crack Before them a’.
Paint Scotland greetin owre her thrissle; Her mutchkin stowp as toom’s a whissle; An’ d—mn’d excisemen in a bussle, Seizin a stell, Triumphant crushin’t like a mussel, Or limpet shell! Then, on the tither hand present her— A blackguard smuggler right behint her, An’ cheek-for-chow, a chuffie vintner Colleaguing join, Picking her pouch as bare as winter Of a’ kind coin.
Is there, that bears the name o’ Scot, But feels his heart’s bluid rising hot, To see his poor auld mither’s pot Thus dung in staves, An’ plunder’d o’ her hindmost groat By gallows knaves? Alas! I’m but a nameless wight, Trode i’ the mire out o’ sight? But could I like Montgomeries fight, Or gab like Boswell, 2 There’s some sark-necks I wad draw tight, An’ tie some hose well.
God bless your Honours! can ye see’t— The kind, auld cantie carlin greet, An’ no get warmly to your feet, An’ gar them hear it, An’ tell them wi’a patriot-heat Ye winna bear it? Some o’ you nicely ken the laws, To round the period an’ pause, An’ with rhetoric clause on clause To mak harangues; Then echo thro’ Saint Stephen’s wa’s Auld Scotland’s wrangs.
Dempster, 3 a true blue Scot I’se warran’; Thee, aith-detesting, chaste Kilkerran; 4 An’ that glib-gabbit Highland baron, The Laird o’ Graham; 5 An’ ane, a chap that’s damn’d aulfarran’, Dundas his name: 6 Erskine, a spunkie Norland billie; 7 True Campbells, Frederick and Ilay; 8 An’ Livistone, the bauld Sir Willie; 9 An’ mony ithers, Whom auld Demosthenes or Tully Might own for brithers.
See sodger Hugh, 10 my watchman stented, If poets e’er are represented; I ken if that your sword were wanted, Ye’d lend a hand; But when there’s ought to say anent it, Ye’re at a stand.
Arouse, my boys! exert your mettle, To get auld Scotland back her kettle; Or faith! I’ll wad my new pleugh-pettle, Ye’ll see’t or lang, She’ll teach you, wi’ a reekin whittle, Anither sang.
This while she’s been in crankous mood, Her lost Militia fir’d her bluid; (Deil na they never mair do guid, Play’d her that pliskie!) An’ now she’s like to rin red-wud About her whisky.
An’ Lord! if ance they pit her till’t, Her tartan petticoat she’ll kilt, An’durk an’ pistol at her belt, She’ll tak the streets, An’ rin her whittle to the hilt, I’ the first she meets! For God sake, sirs! then speak her fair, An’ straik her cannie wi’ the hair, An’ to the muckle house repair, Wi’ instant speed, An’ strive, wi’ a’ your wit an’ lear, To get remead.
Yon ill-tongu’d tinkler, Charlie Fox, May taunt you wi’ his jeers and mocks; But gie him’t het, my hearty cocks! E’en cowe the cadie! An’ send him to his dicing box An’ sportin’ lady.
Tell you guid bluid o’ auld Boconnock’s, 11 I’ll be his debt twa mashlum bonnocks, An’ drink his health in auld Nance Tinnock’s 12 Nine times a-week, If he some scheme, like tea an’ winnocks, Was kindly seek.
Could he some commutation broach, I’ll pledge my aith in guid braid Scotch, He needna fear their foul reproach Nor erudition, Yon mixtie-maxtie, ***** hotch-potch, The Coalition.
Auld Scotland has a raucle tongue; She’s just a devil wi’ a rung; An’ if she promise auld or young To tak their part, Tho’ by the neck she should be strung, She’ll no desert.
And now, ye chosen Five-and-Forty, May still you mither’s heart support ye; Then, tho’a minister grow dorty, An’ kick your place, Ye’ll snap your gingers, poor an’ hearty, Before his face.
God bless your Honours, a’ your days, Wi’ sowps o’ kail and brats o’ claise, In spite o’ a’ the thievish kaes, That haunt St.
Jamie’s! Your humble poet sings an’ prays, While Rab his name is.
POSTSCRIPTLET half-starv’d slaves in warmer skies See future wines, rich-clust’ring, rise; Their lot auld Scotland ne’re envies, But, blythe and frisky, She eyes her freeborn, martial boys Tak aff their whisky.
What tho’ their Phoebus kinder warms, While fragrance blooms and beauty charms, When wretches range, in famish’d swarms, The scented groves; Or, hounded forth, dishonour arms In hungry droves! Their gun’s a burden on their shouther; They downa bide the stink o’ powther; Their bauldest thought’s a hank’ring swither To stan’ or rin, Till skelp—a shot—they’re aff, a’throw’ther, To save their skin.
But bring a Scotchman frae his hill, Clap in his cheek a Highland gill, Say, such is royal George’s will, An’ there’s the foe! He has nae thought but how to kill Twa at a blow.
Nae cauld, faint-hearted doubtings tease him; Death comes, wi’ fearless eye he sees him; Wi’bluidy hand a welcome gies him; An’ when he fa’s, His latest draught o’ breathin lea’es him In faint huzzas.
Sages their solemn een may steek, An’ raise a philosophic reek, An’ physically causes seek, In clime an’ season; But tell me whisky’s name in Greek I’ll tell the reason.
Scotland, my auld, respected mither! Tho’ whiles ye moistify your leather, Till, whare ye sit on craps o’ heather, Ye tine your dam; Freedom an’ whisky gang thegither! Take aff your dram! Note 1.
This was written before the Act anent the Scotch distilleries, of session 1786, for which Scotland and the author return their most grateful thanks.
—R.
B.
[back] Note 2.
James Boswell of Auchinleck, the biographer of Johnson.
[back] Note 3.
George Dempster of Dunnichen.
[back] Note 4.
Sir Adam Ferguson of Kilkerran, Bart.
[back] Note 5.
The Marquis of Graham, eldest son of the Duke of Montrose.
[back] Note 6.
Right Hon.
Henry Dundas, M.
P.
[back] Note 7.
Probably Thomas, afterward Lord Erskine.
[back] Note 8.
Lord Frederick Campbell, second brother of the Duke of Argyll, and Ilay Campbell, Lord Advocate for Scotland, afterward President of the Court of Session.
[back] Note 9.
Sir Wm.
Augustus Cunningham, Baronet, of Livingstone.
[back] Note 10.
Col.
Hugh Montgomery, afterward Earl of Eglinton.
[back] Note 11.
Pitt, whose grandfather was of Boconnock in Cornwall.
[back] Note 12.
A worthy old hostess of the author’s in Mauchline, where he sometimes studies politics over a glass of gude auld Scotch Drink.
—R.
B.
[back]


Written by John Dryden | Create an image from this poem

To My Dear Friend Mr. Congreve On His Commedy Calld The Double Dealer

 Well then; the promis'd hour is come at last;
The present age of wit obscures the past:
Strong were our sires; and as they fought they writ,
Conqu'ring with force of arms, and dint of wit;
Theirs was the giant race, before the Flood;
And thus, when Charles return'd, our empire stood.
Like Janus he the stubborn soil manur'd, With rules of husbandry the rankness cur'd: Tam'd us to manners, when the stage was rude; And boisterous English wit, with art endu'd.
Our age was cultivated thus at length; But what we gained in skill we lost in strength.
Our builders were, with want of genius, curst; The second temple was not like the first: Till you, the best Vitruvius, come at length; Our beauties equal; but excel our strength.
Firm Doric pillars found your solid base: The fair Corinthian crowns the higher space; Thus all below is strength, and all above is grace.
In easy dialogue is Fletcher's praise: He mov'd the mind, but had not power to raise.
Great Jonson did by strength of judgment please: Yet doubling Fletcher's force, he wants his ease.
In differing talents both adorn'd their age; One for the study, t'other for the stage.
But both to Congreve justly shall submit, One match'd in judgment, both o'er-match'd in wit.
In him all beauties of this age we see; Etherege's courtship, Southern's purity; The satire, wit, and strength of manly Wycherly.
All this in blooming youth you have achiev'd; Nor are your foil'd contemporaries griev'd; So much the sweetness of your manners move, We cannot envy you because we love.
Fabius might joy in Scipio, when he saw A beardless Consul made against the law, And join his suffrage to the votes of Rome; Though he with Hannibal was overcome.
Thus old Romano bow'd to Raphael's fame; And scholar to the youth he taught, became.
Oh that your brows my laurel had sustain'd, Well had I been depos'd, if you had reign'd! The father had descended for the son; For only you are lineal to the throne.
Thus when the State one Edward did depose; A greater Edward in his room arose.
But now, not I, but poetry is curs'd; For Tom the second reigns like Tom the first.
But let 'em not mistake my patron's part; Nor call his charity their own desert.
Yet this I prophesy; thou shalt be seen, (Tho' with some short parenthesis between:) High on the throne of wit; and seated there, Not mine (that's little) but thy laurel wear.
Thy first attempt an early promise made; That early promise this has more than paid.
So bold, yet so judiciously you dare, That your least praise, is to be regular.
Time, place, and action, may with pains be wrought, But genius must be born; and never can be taught.
This is your portion; this your native store; Heav'n that but once was prodigal before, To Shakespeare gave as much; she could not give him more.
Maintain your post: that's all the fame you need; For 'tis impossible you should proceed.
Already I am worn with cares and age; And just abandoning th' ungrateful stage: Unprofitably kept at Heav'n's expense, I live a rent-charge on his providence: But you, whom ev'ry muse and grace adorn, Whom I foresee to better fortune born, Be kind to my remains; and oh defend, Against your judgment your departed friend! Let not the insulting foe my fame pursue; But shade those laurels which descend to you: And take for tribute what these lines express: You merit more; nor could my love do less.
Written by Lewis Carroll | Create an image from this poem

Phantasmagoria CANTO VI ( Dyscomfyture )

 As one who strives a hill to climb,
Who never climbed before:
Who finds it, in a little time,
Grow every moment less sublime,
And votes the thing a bore: 

Yet, having once begun to try,
Dares not desert his quest,
But, climbing, ever keeps his eye
On one small hut against the sky
Wherein he hopes to rest: 

Who climbs till nerve and force are spent,
With many a puff and pant:
Who still, as rises the ascent,
In language grows more violent,
Although in breath more scant: 

Who, climbing, gains at length the place
That crowns the upward track.
And, entering with unsteady pace, Receives a buffet in the face That lands him on his back: And feels himself, like one in sleep, Glide swiftly down again, A helpless weight, from steep to steep, Till, with a headlong giddy sweep, He drops upon the plain - So I, that had resolved to bring Conviction to a ghost, And found it quite a different thing From any human arguing, Yet dared not quit my post But, keeping still the end in view To which I hoped to come, I strove to prove the matter true By putting everything I knew Into an axiom: Commencing every single phrase With 'therefore' or 'because,' I blindly reeled, a hundred ways, About the syllogistic maze, Unconscious where I was.
Quoth he "That's regular clap-trap: Don't bluster any more.
Now DO be cool and take a nap! Such a ridiculous old chap Was never seen before! "You're like a man I used to meet, Who got one day so furious In arguing, the simple heat Scorched both his slippers off his feet!" I said "THAT'S VERY CURIOUS!" "Well, it IS curious, I agree, And sounds perhaps like fibs: But still it's true as true can be - As sure as your name's Tibbs," said he.
I said "My name's NOT Tibbs.
" "NOT Tibbs!" he cried - his tone became A shade or two less hearty - "Why, no," said I.
"My proper name Is Tibbets - " "Tibbets?" "Aye, the same.
" "Why, then YOU'RE NOT THE PARTY!" With that he struck the board a blow That shivered half the glasses.
"Why couldn't you have told me so Three quarters of an hour ago, You prince of all the asses? "To walk four miles through mud and rain, To spend the night in smoking, And then to find that it's in vain - And I've to do it all again - It's really TOO provoking! "Don't talk!" he cried, as I began To mutter some excuse.
"Who can have patience with a man That's got no more discretion than An idiotic goose? "To keep me waiting here, instead Of telling me at once That this was not the house!" he said.
"There, that'll do - be off to bed! Don't gape like that, you dunce!" "It's very fine to throw the blame On ME in such a fashion! Why didn't you enquire my name The very minute that you came?" I answered in a passion.
"Of course it worries you a bit To come so far on foot - But how was I to blame for it?" "Well, well!" said he.
"I must admit That isn't badly put.
"And certainly you've given me The best of wine and victual - Excuse my violence," said he, "But accidents like this, you see, They put one out a little.
"'Twas MY fault after all, I find - Shake hands, old Turnip-top!" The name was hardly to my mind, But, as no doubt he meant it kind, I let the matter drop.
"Good-night, old Turnip-top, good-night! When I am gone, perhaps They'll send you some inferior Sprite, Who'll keep you in a constant fright And spoil your soundest naps.
"Tell him you'll stand no sort of trick; Then, if he leers and chuckles, You just be handy with a stick (Mind that it's pretty hard and thick) And rap him on the knuckles! "Then carelessly remark 'Old coon! Perhaps you're not aware That, if you don't behave, you'll soon Be chuckling to another tune - And so you'd best take care!' "That's the right way to cure a Sprite Of such like goings-on - But gracious me! It's getting light! Good-night, old Turnip-top, good-night!" A nod, and he was gone.
Written by Edgar Lee Masters | Create an image from this poem

Plymouth Rock Joe

 Why are you running so fast hither and thither
Chasing midges or butterflies?
Some of you are standing solemnly scratching for grubs;
Some of you are waiting for corn to be scattered.
This is life, is it? Cock-a-doodle-do! Very well, Thomas Rhodes, You are cock of the walk, no doubt.
But here comes Elliott Hawkins, Gluck, Gluck, Gluck, attracting political followers.
Quah! quah! quah! why so poetical, Minerva, This gray morning? Kittie -- quah -- quah! for shame, Lucius Atherton, The raucous squawk you evoked from the throat Of Aner Clute will be taken up later By Mrs.
Benjamin Pantier as a cry Of votes for women: Ka dook -- dook! What inspiration has come to you, Margaret Fuller Slack? And why does your gooseberry eye Flit so liquidly, Tennessee Claflin Shope? Are you trying to fathom the esotericism of an egg? Your voice is very metallic this morning, Hortense Robbins -- Almost like a guinea hen's! Quah! That was a guttural sigh, Isaiah Beethoven; Did you see the shadow of the hawk, Or did you step upon the drumsticks Which the cook threw out this morning? Be chivalric, heroic, or aspiring, Metaphysical, religious, or rebellious, You shall never get out of the barnyard Except by way of over the fence Mixed with potato peelings and such into the trough!
Written by Robert Browning | Create an image from this poem

Master Hugues Of Saxe-Gotha

 An imaginary composer.
] I.
Hist, but a word, fair and soft! Forth and be judged, Master Hugues! Answer the question I've put you so oft: What do you mean by your mountainous fugues? See, we're alone in the loft,--- II.
I, the poor organist here, Hugues, the composer of note, Dead though, and done with, this many a year: Let's have a colloquy, something to quote, Make the world prick up its ear! III.
See, the church empties apace: Fast they extinguish the lights.
Hallo there, sacristan! Five minutes' grace! Here's a crank pedal wants setting to rights, Baulks one of holding the base.
IV.
See, our huge house of the sounds, Hushing its hundreds at once, Bids the last loiterer back to his bounds! O you may challenge them, not a response Get the church-saints on their rounds! V.
(Saints go their rounds, who shall doubt? ---March, with the moon to admire, Up nave, down chancel, turn transept about, Supervise all betwixt pavement and spire, Put rats and mice to the rout--- VI.
Aloys and Jurien and Just--- Order things back to their place, Have a sharp eye lest the candlesticks rust, Rub the church-plate, darn the sacrament-lace, Clear the desk-velvet of dust.
) VII.
Here's your book, younger folks shelve! Played I not off-hand and runningly, Just now, your masterpiece, hard number twelve? Here's what should strike, could one handle it cunningly: HeIp the axe, give it a helve! VIII.
Page after page as I played, Every bar's rest, where one wipes Sweat from one's brow, I looked up and surveyed, O'er my three claviers yon forest of pipes Whence you still peeped in the shade.
IX.
Sure you were wishful to speak? You, with brow ruled like a score, Yes, and eyes buried in pits on each cheek, Like two great breves, as they wrote them of yore, Each side that bar, your straight beak! X.
Sure you said---``Good, the mere notes! ``Still, couldst thou take my intent, ``Know what procured me our Company's votes--- ``A master were lauded and sciolists shent, ``Parted the sheep from the goats!'' XI.
Well then, speak up, never flinch! Quick, ere my candle's a snuff ---Burnt, do you see? to its uttermost inch--- _I_ believe in you, but that's not enough: Give my conviction a clinch! XII.
First you deliver your phrase ---Nothing propound, that I see, Fit in itself for much blame or much praise--- Answered no less, where no answer needs be: Off start the Two on their ways.
XIII.
Straight must a Third interpose, Volunteer needlessly help; In strikes a Fourth, a Fifth thrusts in his nose, So the cry's open, the kennel's a-yelp, Argument's hot to the close.
XIV.
One dissertates, he is candid; Two must discept,--has distinguished; Three helps the couple, if ever yet man did; Four protests; Five makes a dart at the thing wished: Back to One, goes the case bandied.
XV.
One says his say with a difference More of expounding, explaining! All now is wrangle, abuse, and vociferance; Now there's a truce, all's subdued, self-restraining: Five, though, stands out all the stiffer hence.
XVI.
One is incisive, corrosive: Two retorts, nettled, curt, crepitant; Three makes rejoinder, expansive, explosive; Four overbears them all, strident and strepitant, Five .
.
.
O Danaides, O Sieve! XVII.
Now, they ply axes and crowbars; Now, they prick pins at a tissue Fine as a skein of the casuist Escobar's Worked on the bone of a lie.
To what issue? Where is our gain at the Two-bars? XVIII.
_Est fuga, volvitur rota.
_ On we drift: where looms the dim port? One, Two, Three, Four, Five, contribute their quota; Something is gained, if one caught but the import--- Show it us, Hugues of Saxe-Gotha! XIX.
What with affirming, denying, Holding, risposting, subjoining, All's like .
.
.
it's like .
.
.
for an instance I'm trying .
.
.
There! See our roof, its gilt moulding and groining Under those spider-webs lying! XX.
So your fugue broadens and thickens, Greatens and deepens and lengthens, Till we exclaim---``But where's music, the dickens? ``Blot ye the gold, while your spider-web strengthens ``---Blacked to the stoutest of tickens?'' XXI.
I for man's effort am zealous: Prove me such censure unfounded! Seems it surprising a lover grows jealous--- Hopes 'twas for something, his organ-pipes sounded, Tiring three boys at the bellows? XXII.
Is it your moral of Life? Such a web, simple and subtle, Weave we on earth here in impotent strife, Backward and forward each throwing his shuttle, Death ending all with a knife? XXIII.
Over our heads truth and nature--- Still our life's zigzags and dodges, Ins and outs, weaving a new legislature--- God's gold just shining its last where that lodges, Palled beneath man's usurpature.
XXIV.
So we o'ershroud stars and roses, Cherub and trophy and garland; Nothings grow something which quietly closes Heaven's earnest eye: not a glimpse of the far land Gets through our comments and glozes.
XXV.
Ah but traditions, inventions, (Say we and make up a visage) So many men with such various intentions, Down the past ages, must know more than this age! Leave we the web its dimensions! XXVI.
Who thinks Hugues wrote for the deaf, Proved a mere mountain in labour? Better submit; try again; what's the clef? 'Faith, 'tis no trifle for pipe and for tabor--- Four flats, the minor in F.
XXVII.
Friend, your fugue taxes the finger Learning it once, who would lose it? Yet all the while a misgiving will linger, Truth's golden o'er us although we refuse it--- Nature, thro' cobwebs we string her.
XXVIII.
Hugues! I advise _Me Pn_ (Counterpoint glares like a Gorgon) Bid One, Two, Three, Four, Five, clear the arena! Say the word, straight I unstop the full-organ, Blare out the _mode Palestrina.
_ XXIX.
While in the roof, if I'm right there, .
.
.
Lo you, the wick in the socket! Hallo, you sacristan, show us a light there! Down it dips, gone like a rocket.
What, you want, do you, to come unawares, Sweeping the church up for first morning-prayers, And find a poor devil has ended his cares At the foot of your rotten-runged rat-riddled stairs? Do I carry the moon in my pocket? * 1 A fugue is a short melody.
* 2 Keyboard of organ.
* 3 A note in music.
* 4 The daughters of Danaus, condemned to pour water * into a sieve.
* 5 The Spanish casuist, so severely mauled by Pascal.
* 6 A quick return in fencing.
* 7 A closely woven fabric.
* 8 _Giovanni P.
da Palestrina_, celebrated musician (1524-1594).
Written by Ambrose Bierce | Create an image from this poem

Freedom

 Freedom, as every schoolboy knows,
Once shrieked as Kosciusko fell;
On every wind, indeed, that blows
I hear her yell.
She screams whenever monarchs meet, And parliaments as well, To bind the chains about her feet And toll her knell.
And when the sovereign people cast The votes they cannot spell, Upon the pestilential blast Her clamors swell.
For all to whom the power's given To sway or to compel, Among themselves apportion Heaven And give her Hell.

Book: Reflection on the Important Things