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Best Famous Virtuoso Poems

Here is a collection of the all-time best famous Virtuoso poems. This is a select list of the best famous Virtuoso poetry. Reading, writing, and enjoying famous Virtuoso poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of virtuoso poems.

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Written by Denise Levertov | Create an image from this poem

Celebration

 Brilliant, this day – a young virtuoso of a day.
Morning shadow cut by sharpest scissors, deft hands.
And every prodigy of green – whether it's ferns or lichens or needles or impatient points of buds on spindly bushes – greener than ever before.
And the way the conifers hold new cones to the light for the blessing, a festive right, and sing the oceanic chant the wind transcribes for them! A day that shines in the cold like a first-prize brass band swinging along the street of a coal-dusty village, wholly at odds with the claims of reasonable gloom.


Written by John Trumbull | Create an image from this poem

To Ladies Of A Certain Age

 Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.
When beauties lose their gay appearance, And lovers fall from perseverance, When eyes grow dim and charms decay, And all your roses fade away, First know yourselves; lay by those airs, Which well might suit your former years, Nor ape in vain the childish mien, And airy follies of sixteen.
We pardon faults in youth's gay flow, While beauty prompts the cheek to glow, While every glance has power to warm, And every turn displays a charm, Nor view a spot in that fair face, Which smiles inimitable grace.
But who, unmoved with scorn, can see The grey coquette's affected glee, Her ambuscading tricks of art To catch the beau's unthinking heart, To check th' assuming fopling's vows, The bridling frown of wrinkled brows; Those haughty airs of face and mind, Departed beauty leaves behind.
Nor let your sullen temper show Spleen louring on the envious brow, The jealous glance of rival rage, The sourness and the rust of age.
With graceful ease, avoid to wear The gloom of disappointed care: And oh, avoid the sland'rous tongue, By malice tuned, with venom hung, That blast of virtue and of fame, That herald to the court of shame; Less dire the croaking raven's throat, Though death's dire omens swell the note.
Contented tread the vale of years, Devoid of malice, guilt and fears; Let soft good humour, mildly gay, Gild the calm evening of your day, And virtue, cheerful and serene, In every word and act be seen.
Virtue alone with lasting grace, Embalms the beauties of the face, Instructs the speaking eye to glow, Illumes the cheek and smooths the brow, Bids every look the heart engage, Nor fears the wane of wasting age.
Nor think these charms of face and air, The eye so bright, the form so fair, This light that on the surface plays, Each coxcomb fluttering round its blaze, Whose spell enchants the wits of beaux, The only charms, that heaven bestows.
Within the mind a glory lies, O'erlook'd and dim to vulgar eyes; Immortal charms, the source of love, Which time and lengthen'd years improve, Which beam, with still increasing power, Serene to life's declining hour; Then rise, released from earthly cares, To heaven, and shine above the stars.
Thus might I still these thoughts pursue, The counsel wise, and good, and true, In rhymes well meant and serious lay, While through the verse in sad array, Grave truths in moral garb succeed: Yet who would mend, for who would read? But when the force of precept fails, A sad example oft prevails.
Beyond the rules a sage exhibits, Thieves heed the arguments of gibbets, And for a villain's quick conversion, A pillory can outpreach a parson.
To thee, Eliza, first of all, But with no friendly voice I call.
Advance with all thine airs sublime, Thou remnant left of ancient time! Poor mimic of thy former days, Vain shade of beauty, once in blaze! We view thee, must'ring forth to arms The veteran relics of thy charms; The artful leer, the rolling eye, The trip genteel, the heaving sigh, The labour'd smile, of force too weak, Low dimpling in th' autumnal cheek, The sad, funereal frown, that still Survives its power to wound or kill; Or from thy looks, with desperate rage, Chafing the sallow hue of age, And cursing dire with rueful faces, The repartees of looking-glasses.
Now at tea-table take thy station, Those shambles vile of reputation, Where butcher'd characters and stale Are day by day exposed for sale: Then raise the floodgates of thy tongue, And be the peal of scandal rung; While malice tunes thy voice to rail, And whispering demons prompt the tale-- Yet hold thy hand, restrain thy passion, Thou cankerworm of reputation; Bid slander, rage and envy cease, For one short interval of peace; Let other's faults and crimes alone, Survey thyself and view thine own; Search the dark caverns of thy mind, Or turn thine eyes and look behind: For there to meet thy trembling view, With ghastly form and grisly hue, And shrivel'd hand, that lifts sublime The wasting glass and scythe of Time, A phantom stands: his name is Age; Ill-nature following as his page.
While bitter taunts and scoffs and jeers, And vexing cares and torturing fears, Contempt that lifts the haughty eye, And unblest solitude are nigh; While conscious pride no more sustains, Nor art conceals thine inward pains, And haggard vengeance haunts thy name, And guilt consigns thee o'er to shame, Avenging furies round thee wait, And e'en thy foes bewail thy fate.
But see, with gentler looks and air, Sophia comes.
Ye youths beware! Her fancy paints her still in prime, Nor sees the moving hand of time; To all her imperfections blind, Hears lovers sigh in every wind, And thinks her fully ripen'd charms, Like Helen's, set the world in arms.
Oh, save it but from ridicule, How blest the state, to be a fool! The bedlam-king in triumph shares The bliss of crowns, without the cares; He views with pride-elated mind, His robe of tatters trail behind; With strutting mien and lofty eye, He lifts his crabtree sceptre high; Of king's prerogative he raves, And rules in realms of fancied slaves.
In her soft brain, with madness warm, Thus airy throngs of lovers swarm.
She takes her glass; before her eyes Imaginary beauties rise; Stranger till now, a vivid ray Illumes each glance and beams like day; Till furbish'd every charm anew, An angel steps abroad to view; She swells her pride, assumes her power, And bids the vassal world adore.
Indulge thy dream.
The pictured joy No ruder breath should dare destroy; No tongue should hint, the lover's mind Was ne'er of virtuoso-kind, Through all antiquity to roam For what much fairer springs at home.
No wish should blast thy proud design; The bliss of vanity be thine.
But while the subject world obey, Obsequious to thy sovereign sway, Thy foes so feeble and so few, With slander what hadst thou to do? What demon bade thine anger rise? What demon glibb'd thy tongue with lies? What demon urged thee to provoke Avenging satire's deadly stroke? Go, sink unnoticed and unseen, Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade In clouds hangs dismal o'er thy head.
Fill the short circle of thy day, Then fade from all the world away; Nor leave one fainting trace behind, Of all that flutter'd once and shined; The vapoury meteor's dancing light Deep sunk and quench'd in endless night
Written by Ellis Parker Butler | Create an image from this poem

A Study In Feeling

 To be a great musician you must be a man of moods,
You have to be, to understand sonatas and etudes.
To execute pianos and to fiddle with success, With sympathy and feeling you must fairly effervesce; It was so with Paganini, Remenzi and Cho-pang, And so it was with Peterkin Von Gabriel O’Lang.
Monsieur O’Lang had sympathy to such a great degree.
No virtuoso ever lived was quite so great as he; He was either very happy or very, very sad; He was always feeling heavenly or oppositely bad; In fact, so sympathetic that he either must enthuse Or have the dumps; feel ecstacy or flounder in the blues.
So all agreed that Peterkin Von Gabriel O’Lang Was the greatest violinist in the virtuoso gang.
The ladies bought his photographs and put them on the shelves In the place of greatest honor, right beside those of themselves; They gladly gave ten dollars for a stiff backed parquette chair.
And sat in mouth-wide happiness a-looking at his hair.
I say “a looking at his hair,” I mean just what I say, For no one ever had a chance to hear P.
O’Lang play; So subtle was his sympathy, so highly strung was he, His moods were barometric to the very last degree; The slightest change of weather would react upon his brain, And fill his soul with joyousness or murder it with pain.
And when his soul was troubled he had not the heart to play.
But let his head droop sadly down in such a soulful way, That every one that saw him declared it was worth twice (And some there were said three times) the large admission price; And all were quite unanimous and said it would be crude For such a man to fiddle when he wasn’t in the mood.
But when his soul was filled with joy he tossed his flowing hair And waved his violin-bow in great circles in the air; Ecstaticly he flourished it, for so his spirit thrilled, Thus only could he show the joy with which his heart was filled; And so he waved it up and down and ’round and out and in,— But he never, never, NEVER touched it to his violin!
Written by Robert William Service | Create an image from this poem

The Song Of The Mouth-Organ

 (With apologies to the singer of the "Song of the Banjo".
) I'm a homely little bit of tin and bone; I'm beloved by the Legion of the Lost; I haven't got a "vox humana" tone, And a dime or two will satisfy my cost.
I don't attempt your high-falutin' flights; I am more or less uncertain on the key; But I tell you, boys, there's lots and lots of nights When you've taken mighty comfort out of me.
I weigh an ounce or two, and I'm so small You can pack me in the pocket of your vest; And when at night so wearily you crawl Into your bunk and stretch your limbs to rest, You take me out and play me soft and low, The simple songs that trouble your heartstrings; The tunes you used to fancy long ago, Before you made a rotten mess of things.
Then a dreamy look will come into your eyes, And you break off in the middle of a note; And then, with just the dreariest of sighs, You drop me in the pocket of your coat.
But somehow I have bucked you up a bit; And, as you turn around and face the wall, You don't feel quite so spineless and unfit-- You're not so bad a fellow after all.
Do you recollect the bitter Arctic night; Your camp beside the canyon on the trail; Your tent a tiny square of orange light; The moon above consumptive-like and pale; Your supper cooked, your little stove aglow; You tired, but snug and happy as a child? Then 'twas "Turkey in the Straw" till your lips were nearly raw, And you hurled your bold defiance at the Wild.
Do you recollect the flashing, lashing pain; The gulf of humid blackness overhead; The lightning making rapiers of the rain; The cattle-horns like candles of the dead You sitting on your bronco there alone, In your slicker, saddle-sore and sick with cold? Do you think the silent herd did not hear "The Mocking Bird", Or relish "Silver Threads among the Gold"? Do you recollect the wild Magellan coast; The head-winds and the icy, roaring seas; The nights you thought that everything was lost; The days you toiled in water to your knees; The frozen ratlines shrieking in the gale; The hissing steeps and gulfs of livid foam: When you cheered your messmates nine with "Ben Bolt" and "Clementine", And "Dixie Land" and "Seeing Nellie Home"? Let the jammy banjo voice the Younger Son, Who waits for his remittance to arrive; I represent the grimy, gritty one, Who sweats his bones to keep himself alive; Who's up against the real thing from his birth; Whose heritage is hard and bitter toil; I voice the weary, smeary ones of earth, The helots of the sea and of the soil.
I'm the Steinway of strange mischief and mischance; I'm the Stradivarius of blank defeat; In the down-world, when the devil leads the dance, I am simply and symbolically meet; I'm the irrepressive spirit of mankind; I'm the small boy playing knuckle down with Death; At the end of all things known, where God's rubbish-heap is thrown, I shrill impudent triumph at a breath.
I'm a humble little bit of tin and horn; I'm a byword, I'm a plaything, I'm a jest; The virtuoso looks on me with scorn; But there's times when I am better than the best.
Ask the stoker and the sailor of the sea; Ask the mucker and the hewer of the pine; Ask the herder of the plain, ask the gleaner of the grain-- There's a lowly, loving kingdom--and it's mine.
Written by Delmore Schwartz | Create an image from this poem

For The One Who Would Not Take His Life In His Hands

 Athlete, virtuoso,
Training for happiness,
Bend arm and knee, and seek
The body's sharp distress,
For pain is pleasure's cost,
Denial is route
To speech before the millions
Or personal with the flute.
The ape and great Achilles, Heavy with their fate, Batter doors down, strike Small children at the gate, Driven by love to this, As knock-kneed Hegel said, To seek with a sword their peace, That the child may be taken away From the hurly-burly and fed.
Ladies and Gentlemen, said The curious Socrates, I have asked, What is this life But a childermass, As Abraham recognized, A working with the knife At animal, maid and stone Until we have cut down All but the soul alone: Through hate we guard our love, And its distinction's known.



Book: Reflection on the Important Things