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Best Famous Vineyards Poems

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Written by Anonymous | Create an image from this poem

Ode To Joy

Wild and fearful in his cavern
Hid the naked troglodyte,
And the homeless nomad wandered
Laying waste the fertile plain.
Menacing with spear and arrow
In the woods the hunter strayed ...
Woe to all poor wreteches stranded
On those cruel and hostile shores!

From the peak of high Olympus
Came the mother Ceres down,
Seeeking in those savage regions
Her lost daughter Prosperine.
But the Goddess found no refuge,
Found no kindly welcome there,
And no temple bearing witness
To the worship of the gods.

From the fields and from the vineyards
Came no fruit to deck the feasts,
Only flesh of blood-stained victims
Smouldered on the alter-fires,
And where'er the grieving goddess
Turns her melancholy gaze,
Sunk in vilest degradation
Man his loathsomeness displays.

Would he purge his soul from vileness
And attain to light and worth,
He must turn and cling forever
To his ancient Mother Earth.

Joy everlasting fostereth
The soul of all creation,
It is her secret ferment fires
The cup of life with flame.
'Tis at her beck the grass hath turned
Each blade toward the light
and solar systems have evolved
From chaos and dark night,
Filling the realms of boundless space
Beyond the sage's sight.

At bounteous nature's kindly breast,
All things that breath drink Joy,
And bird and beasts and creaping things
All follow where she leads.
Her gifts to man are friends in need,
The wreath, the foaming must,
To angels -- visions of God's throne,
To insects -- sensual lust. 


Written by Henry Wadsworth Longfellow | Create an image from this poem

The Poets Calendar

 January

Janus am I; oldest of potentates; 
Forward I look, and backward, and below 
I count, as god of avenues and gates, 
The years that through my portals come and go. 
I block the roads, and drift the fields with snow; 
I chase the wild-fowl from the frozen fen; 
My frosts congeal the rivers in their flow, 
My fires light up the hearths and hearts of men. 

February

I am lustration, and the sea is mine! 
I wash the sands and headlands with my tide; 
My brow is crowned with branches of the pine; 
Before my chariot-wheels the fishes glide. 
By me all things unclean are purified, 
By me the souls of men washed white again; 
E'en the unlovely tombs of those who died 
Without a dirge, I cleanse from every stain. 

March

I Martius am! Once first, and now the third! 
To lead the Year was my appointed place; 
A mortal dispossessed me by a word, 
And set there Janus with the double face. 
Hence I make war on all the human race; 
I shake the cities with my hurricanes; 
I flood the rivers and their banks efface, 
And drown the farms and hamlets with my rains. 

April 

I open wide the portals of the Spring 
To welcome the procession of the flowers, 
With their gay banners, and the birds that sing 
Their song of songs from their aerial towers. 
I soften with my sunshine and my showers 
The heart of earth; with thoughts of love I glide 
Into the hearts of men; and with the Hours 
Upon the Bull with wreathed horns I ride. 

May 

Hark! The sea-faring wild-fowl loud proclaim 
My coming, and the swarming of the bees. 
These are my heralds, and behold! my name 
Is written in blossoms on the hawthorn-trees. 
I tell the mariner when to sail the seas; 
I waft o'er all the land from far away 
The breath and bloom of the Hesperides, 
My birthplace. I am Maia. I am May. 

June 

Mine is the Month of Roses; yes, and mine 
The Month of Marriages! All pleasant sights 
And scents, the fragrance of the blossoming vine, 
The foliage of the valleys and the heights. 
Mine are the longest days, the loveliest nights; 
The mower's scythe makes music to my ear; 
I am the mother of all dear delights; 
I am the fairest daughter of the year. 

July

My emblem is the Lion, and I breathe 
The breath of Libyan deserts o'er the land; 
My sickle as a sabre I unsheathe, 
And bent before me the pale harvests stand. 
The lakes and rivers shrink at my command, 
And there is thirst and fever in the air; 
The sky is changed to brass, the earth to sand; 
I am the Emperor whose name I bear. 

August

The Emperor Octavian, called the August, 
I being his favorite, bestowed his name 
Upon me, and I hold it still in trust, 
In memory of him and of his fame. 
I am the Virgin, and my vestal flame 
Burns less intensely than the Lion's rage; 
Sheaves are my only garlands, and I claim 
The golden Harvests as my heritage. 

September 

I bear the Scales, where hang in equipoise 
The night and day; and whenunto my lips 
I put my trumpet, with its stress and noise 
Fly the white clouds like tattered sails of ships; 
The tree-tops lash the air with sounding whips; 
Southward the clamorous sea-fowl wing their flight; 
The hedges are all red with haws and hips, 
The Hunter's Moon reigns empress of the night. 

October 

My ornaments are fruits; my garments leaves, 
Woven like cloth of gold, and crimson dyed; 
I do no boast the harvesting of sheaves, 
O'er orchards and o'er vineyards I preside. 
Though on the frigid Scorpion I ride, 
The dreamy air is full, and overflows 
With tender memories of the summer-tide, 
And mingled voices of the doves and crows. 

November

The Centaur, Sagittarius, am I, 
Born of Ixion's and the cloud's embrace; 
With sounding hoofs across the earth I fly, 
A steed Thessalian with a human face. 
Sharp winds the arrows are with which I chase 
The leaves, half dead already with affright; 
I shroud myself in gloom; and to the race 
Of mortals bring nor comfort nor delight. 

December

Riding upon the Goat, with snow-white hair, 
I come, the last of all. This crown of mine 
Is of the holly; in my hand I bear 
The thyrsus, tipped with fragrant cones of pine. 
I celebrate the birth of the Divine, 
And the return of the Saturnian reign;-- 
My songs are carols sung at every shrine, 
Proclaiming "Peace on earth, good will to men."
Written by Delmira Agustini | Create an image from this poem

Plegaria (Prayer)

Spanish    –Eros: acaso no sentiste nuncaPiedad de las estatuas?Se dirían crisálidas de piedraDe yo no sé qué formidable razaEn una eterna espera inenarrable.Los cráteres dormidos de sus bocasDan la ceniza negra del Silencio,Mana de las columnas de sus hombrosLa mortaja copiosa de la CalmaY fluye de sus órbitas la noche;Victimas del Futuro o del Misterio,En capullos terribles y magníficosEsperan a la Vida o a la Muerte.Eros: acaso no sentiste nuncaPiedad de las estatuas?–    Piedad para las vidasQue no doran a fuego tus bonanzasNi riegan o desgajan tus tormentas;Piedad para los cuerpos revestidosDel armiño solemne de la Calma,Y las frentes en luz que sobrellevanGrandes lirios marmóreos de pureza,Pesados y glaciales como témpanos;Piedad para las manos enguantadasDe hielo, que no arrancanLos frutos deleitosos de la CarneNi las flores fantásticas del alma;Piedad para los ojos que aleteanEspirituales párpados:Escamas de misterio,Negros telones de visiones rosas…Nunca ven nada por mirar tan lejos!    Piedad para las pulcras cabelleras–Misticas aureolas–Peinadas como lagosQue nunca airea el abanico *****,***** y enorme de la tempestad;Piedad para los ínclitos espiritusTallados en diamante,Altos, claros, extáticosPararrayos de cúpulas morales;Piedad para los labios como engarcesCelestes donde fulgeInvisible la perla de la Hostia;–Labios que nunca fueron,Que no apresaron nuncaUn vampiro de fuegoCon más sed y más hambre que un abismo.–Piedad para los sexos sacrosantosQue acoraza de unaHoja de viña astral la Castidad;Piedad para las plantas imantadasDe eternidad que arrastranPor el eterno azurLas sandalias quemantes de sus llagas;Piedad, piedad, piedadPara todas las vidas que defiendeDe tus maravillosas intemperiesEl mirador enhiesto del Orgullo;Apuntales tus soles o tus rayos!Eros: acaso no sentiste nuncaPiedad de las estatuas?…              English    –Eros: have you never feltPiety for the statues?These chrysalides of stone,Some formidable raceIn an eternal, unutterable hope.The sleeping craters of their mouthsUtter the black ash of silence;A copious shroud of CalmFalls from the columns of their arms,And night flows from their eyesockets;Victims of Destiny or Mystery,In magnificent and terrible cocoons,They wait for Life or Death.Eros: have you never perhaps feltPiety for the statues?    Piety for the livesThat will not strew nor rend your battlesNor gild your fiery truces;Piety for the bodies clothedIn the solemn ermine of Calm,The luminous foreheads that endureTheir marble wreaths, grand and pure,Weighty and glacial as icebergs;Piety for the gloved hands of iceThat cannot uprootThe delicious fruits of the Flesh,The fantastic flowers of the soul;Piety for the eyes that flutterTheir spiritual eyelids:Mysterious fish scales,Dark curtains on rose visions…For looking so far, they never see!    Piety for the tidy heads of hair–Mystical haloes–Gently combed like lakesWhich the storm’s black fan,Black and enormous, never thrashes;Piety for the spirits, illustrious,Carved of diamonds,High, clear, ecstaticLightning rods on pious domes;Piety for the lips like celestial settingsWhere the invisible pearls of the Host gleam;–Lips that never existed,Never seized anything,A fiery vampireWith more thirst and hunger than an abyss.Piety for the sacrosanct sexesThat armor themselves with sheathsFrom the astral vineyards of Chastity;Piety for the magnetized footsolesWho eternally dragSandals burning with soresThrough the eternal azure;Piety, piety, pityFor all the lives defendedBy the lighthouse of PrideFrom your marvelous raw weathers:Aim your suns and rays at them!Eros: have you never perhaps feltPity for the statues?

Written by Delmira Agustini | Create an image from this poem

Mi Musa Triste (My Sad Muse)

SpanishVagos preludios. En la noche espléndidaSu voz de perlas una fuente calla,Cuelgan las brisas sus celestes pifanosEn el follaje. Las cabezas pardasDe los búhos acechan.Las flores se abren más, como asombradas.Los cisnes de marfil tienden los cuellosEn las lagunas pálidas.Selene mira del azul. Las frondasTiemblan… y todo! hasta el silencio, calla…Es que ella pasa con su boca tristeY el gran misterio de sus ojos de ámbar,A través de la noche, hacia el olvido,Como una estrella fugitiva y blanca.Como una destronada reina exóticaDe bellos gestos y palabras raras.Horizontes violados sus ojerasDentro sus ojos–dos estrellas de ámbar–Se abren cansados y húmedos y tristesComo llagas de luz que quejaran.Es un dolor que vive y que no espera,Es una aurora gris que se levantaDel gran lecho de sombras de la noche,Cansada ya, sin esplendor, sin ansiasY sus canciones son como hadas tristesAlhajadas de lágrimas…              EnglishMurmuring preludes. On this resplendent nightHer pearled voice quiets a fountain.The breezes hang their celestial fifesIn the foliage. The gray headsOf the owls keep watch.Flowers open themselves, as if surprised.Ivory swans extend their necksIn the pallid lakes.Selene watches from the blue. FrondsTremble…and everything! Even the silence, quiets.She wanders with her sad mouthAnd the grand mystery of amber eyes,Across the night, toward forgetfulnessLike a star, fugitive and white.Like a dethroned exotic queenWith comely gestures and rare utterings.Her undereyes are violated horizonsAnd her irises–two stars of amber–Open wet and weary and sadLike ulcers of light that weep.She is a grief which thrives and does not hope,She is a gray aurora risingFrom the shadowy bed of night,Exhausted, without splendor, without anxiousness.And her songs are like dolorous fairiesJeweled in teardrops…                          The strings of lyres                          Are the souls' fibers.–The blood of bitter vineyards, noble vineyards,In goblets of regal beauty, risesTo her marble hands, to lips carvedLike the blazon of a great lineage.Strange Princes of Fantasy! TheyHave seen her languid head, once erect,And heard her laugh, for her eyesTremble with the flower of aristocracies!And her soul clean as fire, like a star,Burns in those pupils of amber.But with a mere glance, scarcely an intimacy,Perhaps the echo of a profane voice,This white and pristine soul shrinksLike a luminous flower, folding herself up!

Written by Henry Wadsworth Longfellow | Create an image from this poem

Drinking Song

 INSCRIPTION FOR AN ANTIQUE PITCHER

Come, old friend! sit down and listen!
From the pitcher, placed between us,
How the waters laugh and glisten
In the head of old Silenus!

Old Silenus, bloated, drunken,
Led by his inebriate Satyrs;
On his breast his head is sunken,
Vacantly he leers and chatters.

Fauns with youthful Bacchus follow;
Ivy crowns that brow supernal
As the forehead of Apollo,
And possessing youth eternal.

Round about him, fair Bacchantes,
Bearing cymbals, flutes, and thyrses,
Wild from Naxian groves, or Zante's
Vineyards, sing delirious verses.

Thus he won, through all the nations,
Bloodless victories, and the farmer
Bore, as trophies and oblations,
Vines for banners, ploughs for armor.

Judged by no o'erzealous rigor,
Much this mystic throng expresses:
Bacchus was the type of vigor,
And Silenus of excesses.

These are ancient ethnic revels,
Of a faith long since forsaken;
Now the Satyrs, changed to devils,
Frighten mortals wine-o'ertaken.

Now to rivulets from the mountains
Point the rods of fortune-tellers;
Youth perpetual dwells in fountains,--
Not in flasks, and casks, and cellars.

Claudius, though he sang of flagons
And huge tankards filled with Rhenish,
From that fiery blood of dragons
Never would his own replenish.

Even Redi, though he chaunted
Bacchus in the Tuscan valleys,
Never drank the wine he vaunted
In his dithyrambic sallies.

Then with water fill the pitcher
Wreathed about with classic fables;
Ne'er Falernian threw a richer
Light upon Lucullus' tables.

Come, old friend, sit down and listen
As it passes thus between us,
How its wavelets laugh and glisten
In the head of old Silenus!


Written by Pablo Neruda | Create an image from this poem

Ode To an Artichoke

 The artichoke
of delicate heart
erect
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it,
demoniac vegetables
bristle their thicknesses,
devise
tendrils and belfries,
the bulb's agitations;
while under the subsoil
the carrot
sleeps sound in its
rusty mustaches.
Runner and filaments
bleach in the vineyards,
whereon rise the vines.
The sedulous cabbage
arranges its petticoats;
oregano
sweetens a world;
and the artichoke
dulcetly there in a gardenplot,
armed for a skirmish,
goes proud
in its pomegranate
burnishes.
Till, on a day,
each by the other,
the artichoke moves
to its dream
of a market place
in the big willow
hoppers:
a battle formation.
Most warlike
of defilades-
with men
in the market stalls,
white shirts
in the soup-greens,
artichoke field marshals,
close-order conclaves,
commands, detonations,
and voices,
a crashing of crate staves.

And
Maria
come
down
with her hamper
to
make trial
of an artichoke:
she reflects, she examines,
she candles them up to the light like an egg,
never flinching;
she bargains,
she tumbles her prize
in a market bag
among shoes and a
cabbage head,
a bottle
of vinegar; is back
in her kitchen.
The artichoke drowns in a pot.

So you have it:
a vegetable, armed,
a profession
(call it an artichoke)
whose end
is millennial.
We taste of that
sweetness,
dismembering scale after scale.
We eat of a halcyon paste:
it is green at the artichoke heart.
Written by Percy Bysshe Shelley | Create an image from this poem

Julian and Maddalo (excerpt)

 I rode one evening with Count Maddalo 
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remember'd friend I love
To ride as then I rode; for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripp'd to their depths by the awakening north;
And, from the waves, sound like delight broke forth
Harmonizing with solitude, and sent
Into our hearts aëreal merriment.
So, as we rode, we talk'd; and the swift thought,
Winging itself with laughter, linger'd not,
But flew from brain to brain--such glee was ours,
Charg'd with light memories of remember'd hours,
None slow enough for sadness: till we came
Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now
The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be
Talk interrupted with such raillery
As mocks itself, because it cannot scorn
The thoughts it would extinguish: 'twas forlorn,
Yet pleasing, such as once, so poets tell,
The devils held within the dales of Hell
Concerning God, freewill and destiny:
Of all that earth has been or yet may be,
All that vain men imagine or believe,
Or hope can paint or suffering may achieve,
We descanted, and I (for ever still
Is it not wise to make the best of ill?)
Argu'd against despondency, but pride
Made my companion take the darker side.
The sense that he was greater than his kind
Had struck, methinks, his eagle spirit blind
By gazing on its own exceeding light.
Meanwhile the sun paus'd ere it should alight,
Over the horizon of the mountains--Oh,
How beautiful is sunset, when the glow
Of Heaven descends upon a land like thee,
Thou Paradise of exiles, Italy!
Thy mountains, seas, and vineyards, and the towers
Of cities they encircle! It was ours
To stand on thee, beholding it: and then,
Just where we had dismounted, the Count's men
Were waiting for us with the gondola.
As those who pause on some delightful way
Though bent on pleasant pilgrimage, we stood
Looking upon the evening, and the flood
Which lay between the city and the shore,
Pav'd with the image of the sky.... The hoar
And aëry Alps towards the North appear'd
Through mist, an heaven-sustaining bulwark rear'd
Between the East and West; and half the sky
Was roof'd with clouds of rich emblazonry
Dark purple at the zenith, which still grew
Down the steep West into a wondrous hue
Brighter than burning gold, even to the rent
Where the swift sun yet paus'd in his descent
Among the many-folded hills: they were
Those famous Euganean hills, which bear,
As seen from Lido thro' the harbour piles,
The likeness of a clump of peakèd isles--
And then--as if the Earth and Sea had been
Dissolv'd into one lake of fire, were seen
Those mountains towering as from waves of flame
Around the vaporous sun, from which there came
The inmost purple spirit of light, and made
Their very peaks transparent. "Ere it fade,"
Said my companion, "I will show you soon
A better station"--so, o'er the lagune
We glided; and from that funereal bark
I lean'd, and saw the city, and could mark
How from their many isles, in evening's gleam,
Its temples and its palaces did seem
Like fabrics of enchantment pil'd to Heaven.
I was about to speak, when--"We are even
Now at the point I meant," said Maddalo,
And bade the gondolieri cease to row.
"Look, Julian, on the west, and listen well
If you hear not a deep and heavy bell."
I look'd, and saw between us and the sun
A building on an island; such a one
As age to age might add, for uses vile,
A windowless, deform'd and dreary pile;
And on the top an open tower, where hung
A bell, which in the radiance sway'd and swung;
We could just hear its hoarse and iron tongue:
The broad sun sunk behind it, and it toll'd
In strong and black relief. "What we behold
Shall be the madhouse and its belfry tower,"
Said Maddalo, "and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell,
To vespers." "As much skill as need to pray
In thanks or hope for their dark lot have they
To their stern Maker," I replied. "O ho!
You talk as in years past," said Maddalo.
" 'Tis strange men change not. You were ever still
Among Christ's flock a perilous infidel,
A wolf for the meek lambs--if you can't swim
Beware of Providence." I look'd on him,
But the gay smile had faded in his eye.
"And such," he cried, "is our mortality,
And this must be the emblem and the sign
Of what should be eternal and divine!
And like that black and dreary bell, the soul,
Hung in a heaven-illumin'd tower, must toll
Our thoughts and our desires to meet below
Round the rent heart and pray--as madmen do
For what? they know not--till the night of death,
As sunset that strange vision, severeth
Our memory from itself, and us from all
We sought and yet were baffled." I recall
The sense of what he said, although I mar
The force of his expressions. The broad star
Of day meanwhile had sunk behind the hill,
And the black bell became invisible,
And the red tower look'd gray, and all between
The churches, ships and palaces were seen
Huddled in gloom;--into the purple sea
The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola
Convey'd me to my lodgings by the way.

The following morn was rainy, cold and dim:
Ere Maddalo arose, I call'd on him,
And whilst I waited with his child I play'd;
A lovelier toy sweet Nature never made,
A serious, subtle, wild, yet gentle being,
Graceful without design and unforeseeing,
With eyes--Oh speak not of her eyes!--which seem
Twin mirrors of Italian Heaven, yet gleam
With such deep meaning, as we never see
But in the human countenance: with me
She was a special favourite: I had nurs'd
Her fine and feeble limbs when she came first
To this bleak world; and she yet seem'd to know
On second sight her ancient playfellow,
Less chang'd than she was by six months or so;
For after her first shyness was worn out
We sate there, rolling billiard balls about,
When the Count enter'd. Salutations past--
"The word you spoke last night might well have cast
A darkness on my spirit--if man be
The passive thing you say, I should not see
Much harm in the religions and old saws
(Though I may never own such leaden laws)
Which break a teachless nature to the yoke:
Mine is another faith"--thus much I spoke
And noting he replied not, added: "See
This lovely child, blithe, innocent and free;
She spends a happy time with little care,
While we to such sick thoughts subjected are
As came on you last night. It is our will
That thus enchains us to permitted ill.
We might be otherwise. We might be all
We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek
But in our mind? and if we were not weak
Should we be less in deed than in desire?"
"Ay, if we were not weak--and we aspire
How vainly to be strong!" said Maddalo:
"You talk Utopia." "It remains to know,"
I then rejoin'd, "and those who try may find
How strong the chains are which our spirit bind;
Brittle perchance as straw.... We are assur'd
Much may be conquer'd, much may be endur'd,
Of what degrades and crushes us. We know
That we have power over ourselves to do
And suffer--what, we know not till we try;
But something nobler than to live and die:
So taught those kings of old philosophy
Who reign'd, before Religion made men blind;
And those who suffer with their suffering kind
Yet feel their faith, religion." "My dear friend,"
Said Maddalo, "my judgement will not bend
To your opinion, though I think you might
Make such a system refutation-tight
As far as words go. I knew one like you
Who to this city came some months ago,
With whom I argu'd in this sort, and he
Is now gone mad--and so he answer'd me--
Poor fellow! but if you would like to go
We'll visit him, and his wild talk will show
How vain are such aspiring theories."
"I hope to prove the induction otherwise,
And that a want of that true theory, still,
Which seeks a 'soul of goodness' in things ill
Or in himself or others, has thus bow'd
His being. There are some by nature proud,
Who patient in all else demand but this--
To love and be belov'd with gentleness;
And being scorn'd, what wonder if they die
Some living death? this is not destiny
But man's own wilful ill."

As thus I spoke
Servants announc'd the gondola, and we
Through the fast-falling rain and high-wrought sea
Sail'd to the island where the madhouse stands.
Written by Robert Browning | Create an image from this poem

The Englishman In Italy

 (PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes— 
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider's back,
As I told you last night,— 
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that's known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle— 
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving,
Your girls that are older,— 
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,— 
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they've brought you,— 
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence— 
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,— 
And end with the prickly-pear's red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
...Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,— 
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,— 
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the faggots, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary, ever a-dying,
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,— 
And lentisks as staunch
To the stone where they root and bear berries,— 
And... what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves— 
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady— 
So, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you— 
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them— 
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut— 
All is silent and grave— 
'Tis a sensual and timorous beauty— 
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses— 
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life's secret,
I hear and I know!

Ah, see! The sun breaks o'er Calvano— 
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot's own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least— 
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but's dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

..."Such trifles"—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If 'tis proper, Scirocco should vanish
In black from the skies!
Written by Isaac Watts | Create an image from this poem

Hymn 76

 Christ dwells in heaven, but visits on earth.

SS 6:1-3,12. 

When strangers stand and hear me tell
What beauties in my Savior dwell,
Where he is gone they fain would know,
That they may seek and love him too.

My best Beloved keeps his throne
On hills of light, in worlds unknown;
But he descends and shows his face
In the young gardens of his grace.

[In vineyards planted by his hand,
Where fruitful trees in order stand;
He feeds among the spicy beds,
Where lilies show their spotless heads.

He has engrossed my warmest love,
No earthly charms my soul can move:
I have a mansion in his heart,
Nor death nor hell shall make us part.]

[He takes my soul ere I'm aware,
And shows me where his glories are;
No chariot of Amminadib
The heav'nly rapture can describe.

O may my spirit daily rise
On wings of faith above the skies,
Till death shall make my last remove,
To dwell for ever with my Love.]
Written by Mary Darby Robinson | Create an image from this poem

The Hermit of Mont-Blanc

 High, on the Solitude of Alpine Hills,
O'er-topping the grand imag'ry of Nature,
Where one eternal winter seem'd to reign;
An HERMIT'S threshold, carpetted with moss,
Diversified the Scene. Above the flakes
Of silv'ry snow, full many a modest flow'r
Peep'd through its icy veil, and blushing ope'd
Its variegated hues; The ORCHIS sweet,
The bloomy CISTUS, and the fragrant branch
Of glossy MYRTLE. In his rushy cell,
The lonely ANCHORET consum'd his days,
Unnotic'd, and unblest. In early youth,
Cross'd in the fond affections of his soul
By false Ambition, from his parent home
He, solitary, wander'd; while the Maid
Whose peerless beauty won his yielding heart
Pined in monastic horrors ! Near his sill
A little cross he rear'd, where, prostrate low
At day's pale glimpse, or when the setting Sun
Tissued the western sky with streamy gold,
His Orisons he pour'd, for her, whose hours
Were wasted in oblivion. Winters pass'd,
And Summers faded, slow, unchearly all
To the lone HERMIT'S sorrows: For, still, Love
A dark, though unpolluted altar, rear'd
On the white waste of wonders!
From the peak
Which mark'd his neighb'ring Hut, his humid Eye
Oft wander'd o'er the rich expanse below;
Oft trac'd the glow of vegetating Spring,
The full-blown Summer splendours, and the hue
Of tawny scenes Autumnal: Vineyards vast,
Clothing the upland scene, and spreading wide
The promised tide nectareous; while for him
The liquid lapse of the slow brook was seen
Flashing amid the trees, its silv'ry wave!
Far distant, the blue mist of waters rose
Veiling the ridgy outline, faintly grey,
Blended with clouds, and shutting out the Sun.
The Seasons still revolv'd, and still was he
By all forgotten, save by her, whose breast
Sigh'd in responsive sadness to the gale
That swept her prison turrets. Five long years,
Had seen his graces wither ere his Spring
Of life was wasted. From the social scenes
Of human energy an alien driv'n,
He almost had forgot the face of Man.--
No voice had met his ear, save, when perchance
The Pilgrim wand'rer, or the Goatherd Swain,
Bewilder'd in the starless midnight hour
Implored the HERMIT'S aid, the HERMIT'S pray'rs;
And nothing loath by pity or by pray'r
Was he, to save the wretched. On the top
Of his low rushy Dome, a tinkling bell
Oft told the weary Trav'ller to approach
Fearless of danger. The small silver sound
In quick vibrations echo'd down the dell
To the dim valley's quiet, while the breeze
Slept on the glassy LEMAN. Thus he past
His melancholy days, an alien Man
From all the joys of social intercourse,
Alone, unpitied, by the world forgot!

His Scrip each morning bore the day's repast
Gather'd on summits, mingling with the clouds,
From whose bleak altitude the Eye look'd down
While fast the giddy brain was rock'd by fear.
Oft would he start from visionary rest
When roaming wolves their midnight chorus howl'd,
Or blasts infuriate shatter'd the white cliffs,
While the huge fragments, rifted by the storm,
Plung'd to the dell below. Oft would he sit
In silent sadness on the jutting block
Of snow-encrusted ice, and, shudd'ring mark
(Amid the wonders of the frozen world)
Dissolving pyramids, and threatening peaks,
Hang o'er his hovel, terribly Sublime.

And oft, when Summer breath'd ambrosial gales,
Soft sailing o'er the waste of printless dew
Or twilight gossamer, his pensive gaze
Trac'd the swift storm advancing, whose broad wing
Blacken'd the rushy dome of his low Hut;
While the pale lightning smote the pathless top
Of tow'ring CENIS, scatt'ring high and wide
A mist of fleecy Snow. Then would he hear,
(While MEM'RY brought to view his happier days)
The tumbling torrent, bursting wildly forth
From its thaw'd prison, sweep the shaggy cliff
Vast and Stupendous ! strength'ning as it fell,
And delving, 'mid the snow, a cavern rude!

So liv'd the HERMIT, like an hardy Tree
Plac'd on a mountain's solitary brow,
And destin'd, thro' the Seasons, to endure
Their wond'rous changes. To behold the face
Of ever-varying Nature, and to mark
In each grand lineament, the work of GOD!
And happier he, in total Solitude
Than the poor toil-worn wretch, whose ardent Soul
That GOD has nobly organiz'd, but taught,
For purposes unknown, to bear the scourge
Of sharp adversity, and vulgar pride.
Happier, O ! happier far, than those who feel,
Yet live amongst the unfeeling ! feeding still
The throbbing heart, with anguish, or with Scorn.

One dreary night when Winter's icy breath
Half petrified the scene, when not a star
Gleam'd o'er the black infinity of space,
Sudden, the HERMIT started from his couch
Fear-struck and trembling! Ev'ry limb was shook
With painful agitation. On his cheek
The blanch'd interpreter of horror mute
Sat terribly impressive! In his breast
The ruddy fount of life convulsive flow'd
And his broad eyes, fix'd motionless as death,
Gaz'd vacantly aghast ! His feeble lamp
Was wasting rapidly; the biting gale
Pierc'd the thin texture of his narrow cell;
And Silence, like a fearful centinel
Marking the peril which awaited near,
Conspir'd with sullen Night, to wrap the scene
In tenfold horrors. Thrice he rose; and thrice
His feet recoil'd; and still the livid flame
Lengthen'd and quiver'd as the moaning wind
Pass'd thro' the rushy crevice, while his heart
Beat, like the death-watch, in his shudd'ring breast.

Like the pale Image of Despair he sat,
The cold drops pacing down his hollow cheek,
When a deep groan assail'd his startled ear,
And rous'd him into action. To the sill
Of his low hovel he rush'd forth, (for fear
Will sometimes take the shape of fortitude,
And force men into bravery) and soon
The wicker bolt unfasten'd. The swift blast,
Now unrestrain'd, flew by; and in its course
The quiv'ring lamp extinguish'd, and again
His soul was thrill'd with terror. On he went,
E'en to the snow-fring'd margin of the cragg,
Which to his citadel a platform made
Slipp'ry and perilous! 'Twas darkness, all!
All, solitary gloom!--The concave vast
Of Heav'n frown'd chaos; for all varied things
Of air, and earth, and waters, blended, lost
Their forms, in blank oblivion ! Yet not long
Did Nature wear her sable panoply,
For, while the HERMIT listen'd, from below
A stream of light ascended, spreading round
A partial view of trackless solitudes;
And mingling voices seem'd, with busy hum,
To break the spell of horrors. Down the steep
The HERMIT hasten'd, when a shriek of death
Re-echoed to the valley. As he flew,
(The treach'rous pathway yielding to his speed,)
Half hoping, half despairing, to the scene
Of wonder-waking anguish, suddenly
The torches were extinct; and second night
Came doubly hideous, while the hollow tongues
Of cavern'd winds, with melancholy sound
Increas'd the HERMIT'S fears. Four freezing hours
He watch'd and pray'd: and now the glimm'ring dawn
Peer'd on the Eastern Summits; (the blue light
Shedding cold lustre on the colder brows
Of Alpine desarts;) while the filmy wing
Of weeping Twilight, swept the naked plains
Of the Lombardian landscape.
On his knees
The ANCHORET blest Heav'n, that he had 'scap'd
The many perilous and fearful falls
Of waters wild and foamy, tumbling fast
From the shagg'd altitude. But, ere his pray'rs
Rose to their destin'd Heav'n, another sight,
Than all preceding far more terrible,
Palsied devotion's ardour. On the Snow,
Dappled with ruby drops, a track was made
By steps precipitate; a rugged path
Down the steep frozen chasm had mark'd the fate
Of some night traveller, whose bleeding form
Had toppled from the Summit. Lower still
The ANCHORET descended, 'till arrived
At the first ridge of silv'ry battlements,
Where, lifeless, ghastly, paler than the snow
On which her cheek repos'd, his darling Maid
Slept in the dream of Death ! Frantic and wild
He clasp'd her stiff'ning form, and bath'd with tears
The lilies of her bosom,--icy cold--
Yet beautiful and spotless.
Now, afar
The wond'ring HERMIT heard the clang of arms
Re-echoing from the valley: the white cliffs
Trembled as though an Earthquake shook their base
With terrible concussion ! Thund'ring peals
From warfare's brazen throat, proclaim'd th' approach
Of conquering legions: onward they extend
Their dauntless columns ! In the foremost group
A Ruffian met the HERMIT'S startled Eyes
Like Hell's worst Demon ! For his murd'rous hands
Were smear'd with gore; and on his daring breast
A golden cross, suspended, bore the name
Of his ill-fated Victim!--ANCHORET!
Thy VESTAL Saint, by his unhallow'd hands
Torn from RELIGION'S Altar, had been made
The sport of a dark Fiend, whose recreant Soul
Had sham'd the cause of Valour ! To his cell
The Soul-struck Exile turn'd his trembling feet,
And after three lone weeks, of pain and pray'r,
Shrunk from the scene of Solitude--and DIED!

Book: Reflection on the Important Things