Written by
Ellis Parker Butler |
Listen, ladies, while I sing
The ballad of John Henry King.
John Henry was a bachelor,
His age was thirty-three or four.
Two maids for his affection vied,
And each desired to be his bride,
And bravely did they strive to bring
Unto their feet John Henry King.
John Henry liked them both so well,
To save his life he could not tell
Which he most wished to be his bride,
Nor was he able to decide.
Fair Kate was jolly, bright, and gay,
And sunny as a summer day;
Marie was kind, sedate, and sweet,
With gentle ways and manners neat.
Each was so dear that John confessed
He could not tell which he liked best.
He studied them for quite a year,
And still found no solution near,
And might have studied two years more
Had he not, walking on the shore,
Conceived a very simple way
Of ending his prolonged delay--
A way in which he might decide
Which of the maids should be his bride.
He said, "I'll toss into the air
A dollar, and I'll toss it fair;
If heads come up, I'll wed Marie;
If tails, fair Kate my bride shall be."
Then from his leather pocket-book
A dollar bright and new he took;
He kissed one side for fair Marie,
The other side for Kate kissed he.
Then in a manner free and fair
He tossed the dollar in the air.
"Ye fates," he cried, "pray let this be
A lucky throw indeed for me!"
The dollar rose, the dollar fell;
He watched its whirling transit well,
And off some twenty yards or more
The dollar fell upon the shore.
John Henry ran to where it struck
To see which maiden was in luck.
But, oh, the irony of fate!
Upon its edge the coin stood straight!
And there, embedded in the sand,
John Henry let the dollar stand!
And he will tempt his fate no more,
But live and die a bachelor.
Thus, ladies, you have heard me sing
The ballad of John Henry King.
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Written by
John Greenleaf Whittier |
In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.
One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.
Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.
Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.
Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.
How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---
Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.
When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,
And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.
When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.
Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,
By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.
How the souls in Purgatory
Scrambled up from fate forlorn
On St. Keven's sackcloth ladder
Slyly hitched to Satan's horn.
Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!
Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"
Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.
Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.
Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!
When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---
When each war-scarred Continental
Leaving smithy, mill,.and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---
Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.
Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.
And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---
On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.
And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land."
Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.
Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.
But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.
Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;
Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.
Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taught.
Singing, with his gray hair floating
Round a rosy ample face,---
Now a thousand Saxon craftsmen
Stitch and hammer in his place.
All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.
But, still green and tall and stately,
On the river's winding shores,
Stand the occidental plane-trees,
Stand Hugh Tallant's sycamores.
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Written by
Laurence Binyon |
O race that Cæsar knew,
That won stern Roman praise,
What land not envies you
The laurel of these days?
You build your cities rich
Around each towered hall, —
Without, the statued niche,
Within, the pictured wall.
Your ship-thronged wharves, your marts
With gorgeious Venice vied,
Peace and her famous arts
Were yours: though tide on tide
Of Europe's battle scourged
Black fields and reddened soil,
From blood and smoke emerged
Peace and her fruitful toil.
Yet when the challenge rang,
"The War-Lord comes; give room!"
Fearless to arms you sprang
Agains the odds of doom.
Like your own Damien
Who sought that leper's isle
To die a simple man
For men with tranquil smile,
So strong in faith you dared
Defy the giant, scorn
Ignobly to be spared,
Though trampled, spoiled, and torn,
And in your faith arose
And smote, and smote again,
Till those astonished foes
Reeled from their mounds of slain,
The faith that the free soul,
Untaught by force to quail,
Through fire and dirge and dole
Prevails, and shall prevail.
Still for your frontier stands
The host that knew no dread,
Your little, stubborn land's
Nameless, immortal dead.
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Written by
Du Fu |
Fu (this) duke old guest Finish wine drunk sing open gold halberd Ride horse suddenly remember youth time Scatter hoof pour fall Qutang stone Baidicheng gate water cloud outside Lower body straight down eight thousand feet Whitewashed battlements lightning pass purple loose reins East gain level ridge out heaven cliff River village country hall fight enter eye Hang whip droop bridle approach purple road Always hoary head startle 10,000 people Self count on red face ability ride shoot How know burst chest chase wind foot Red sweat chariot horse black horse like spurt jade Not expect one stumble end injure Human life happy much that shame Must now sad lie quilt pillow Situation now late dusk increase bother demand Well know come ask hide my face Stick pigweed strong rise lean servant Speech end still manage open mouth smile Guide support go sweep clear stream bend Wine meat like mountain again one time Start feast sad silk move brave bamboo Together point west sun not together lend Noisy sigh then tip cup in filtered Why must hurry horse come to ask You not know Xi Kang life nourish meet kill I, Du Fu, the duke's elderly guest, Finished my wine, drunkenly sang, and waved a golden halberd. I mounted my horse and suddenly remembered the days of my youth, The flying hooves sent stones pouring down into Qutang gorge. Baidicheng's city gates are beyond the water's clouds, Bending over, I plunged straight down eight thousand feet. Whitewashed battlements passed like lightning, the purple reins were loose, Then east, I reached the level ridge, out past heaven's cliff. River villages and country halls vied to enter my eyes, The whip hung down, the bridle drooped, I reached the crimson road. All the ten thousand people amazed by my silver head, I trusted to the riding and shooting skills of my rosy-cheeked youth. How could I know that bursting its chest, hooves chasing the wind, That racing horse, red with sweat, breathing spurts of jade, Would unexpectedly take a tumble and end up injuring me? In human life, taking pleasure often leads to shame. That's why I'm feeling sad, lying on quilts and pillows, Being in the sunset of my life only adds to the bother. When I knew you'd come to visit, I wanted to hide my face, With a bramble stick I manage to rise, leaning on a servant. Then, after we've finished talking, we open our mouths and laugh, Giving me support, you help to sweep by the clear stream's bend. Wine and meat are piled up like mountains once again, The feast starts: sad strings and brave bamboo sound out. Together, we point to the western sun, not to be granted us long, Noise and exclamations, then we tip the cup of clear wine. Why did you have to hurry your horses, coming to ask after me? Don't you remember Xi Kang, who nourished life and got killed?
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Written by
Francesco Petrarch |
SONNET CCI. Real natura, angelico intelletto. ON THE KISS OF HONOUR GIVEN BY CHARLES OF LUXEMBURG TO LAURA AT A BANQUET. A kingly nature, an angelic mind,A spotless soul, prompt aspect and keen eye,Quick penetration, contemplation highAnd truly worthy of the breast which shrined:In bright assembly lovely ladies join'dTo grace that festival with gratulant joy,Amid so many and fair faces nighSoon his good judgment did the fairest find.Of riper age and higher rank the restGently he beckon'd with his hand aside,And lovingly drew near the perfect one:So courteously her eyes and brow he press'd,All at his choice in fond approval vied—Envy through my sole veins at that sweet freedom run. Macgregor. A sovereign nature,—an exalted mind,—A soul proud—sleepless—with a lynx's eye,—[Pg 212]An instant foresight,—thought as towering high,E'en as the heart in which they are enshrined:A bright assembly on that day combinedEach other in his honour to outvie,When 'mid the fair his judgment did descryThat sweet perfection all to her resign'd.Unmindful of her rival sisterhood,He motion'd silently his preference,And fondly welcomed her, that humblest one:So pure a kiss he gave, that all who stood,Though fair, rejoiced in beauty's recompense:By that strange act nay heart was quite undone!
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Written by
Robert Louis Stevenson |
I NOW, O friend, whom noiselessly the snows
Settle around, and whose small chamber grows
Dusk as the sloping window takes its load:
* * * * *
The kindly hill, as to complete our hap,
Has ta'en us in the shelter of her lap;
Well sheltered in our slender grove of trees
And ring of walls, we sit between her knees;
A disused quarry, paved with rose plots, hung
With clematis, the barren womb whence sprung
The crow-stepped house itself, that now far seen
Stands, like a bather, to the neck in green.
A disused quarry, furnished with a seat
Sacred to pipes and meditation meet
For such a sunny and retired nook.
There in the clear, warm mornings many a book
Has vied with the fair prospect of the hills
That, vale on vale, rough brae on brae, upfills
Halfway to the zenith all the vacant sky
To keep my loose attention. . . .
Horace has sat with me whole mornings through:
And Montaigne gossiped, fairly false and true;
And chattering Pepys, and a few beside
That suit the easy vein, the quiet tide,
The calm and certain stay of garden-life,
Far sunk from all the thunderous roar of strife.
There is about the small secluded place
A garnish of old times; a certain grace
Of pensive memories lays about the braes:
The old chestnuts gossip tales of bygone days.
Here, where some wandering preacher, blest Lazil,
Perhaps, or Peden, on the middle hill
Had made his secret church, in rain or snow,
He cheers the chosen residue from woe.
All night the doors stood open, come who might,
The hounded kebbock mat the mud all night.
Nor are there wanting later tales; of how
Prince Charlie's Highlanders . . .
* * * * *
I have had talents, too. In life's first hour
God crowned with benefits my childish head.
Flower after flower, I plucked them; flower by flower
Cast them behind me, ruined, withered, dead.
Full many a shining godhead disappeared.
From the bright rank that once adorned her brow
The old child's Olympus
* * * * *
Gone are the fair old dreams, and one by one,
As, one by one, the means to reach them went,
As, one by one, the stars in riot and disgrace,
I squandered what . . .
There shut the door, alas! on many a hope
Too many;
My face is set to the autumnal slope,
Where the loud winds shall . . .
There shut the door, alas! on many a hope,
And yet some hopes remain that shall decide
My rest of years and down the autumnal slope.
* * * * *
Gone are the quiet twilight dreams that I
Loved, as all men have loved them; gone!
I have great dreams, and still they stir my soul on high -
Dreams of the knight's stout heart and tempered will.
Not in Elysian lands they take their way;
Not as of yore across the gay champaign,
Towards some dream city, towered . . .
and my . . .
The path winds forth before me, sweet and plain,
Not now; but though beneath a stone-grey sky
November's russet woodlands toss and wail,
Still the white road goes thro' them, still may I,
Strong in new purpose, God, may still prevail.
* * * * *
I and my like, improvident sailors!
* * * * *
At whose light fall awaking, all my heart
Grew populous with gracious, favoured thought,
And all night long thereafter, hour by hour,
The pageant of dead love before my eyes
Went proudly, and old hopes with downcast head
Followed like Kings, subdued in Rome's imperial hour,
Followed the car; and I . . .
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Written by
Robert Browning |
1842
I
As I ride, as I ride,
With a full heart for my guide,
So its tide rocks my side,
As I ride, as I ride,
That, as I were double-eyed,
He, in whom our Tribes confide,
Is descried, ways untried
As I ride, as I ride.
II
As I ride, as I ride
To our Chief and his Allied,
Who dares chide my heart's pride
As I ride, as I ride?
Or are witnesses denied—
Through the desert waste and wide
Do I glide unespied
As I ride, as I ride?
III
As I ride, as I ride,
When an inner voice has cried,
The sands slide, nor abide
(As I ride, as I ride)
O'er each visioned Homicide
That came vaunting (has he lied?)
To reside—where he died,
As I ride, as I ride.
IV
As I ride, as I ride,
Ne'er has spur my swift horse plied,
Yet his hide, streaked and pied,
As I ride, as I ride,
Shows where sweat has sprung and dried,
—Zebra-footed, ostrich-thighed—
How has vied stride with stride
As I ride, as I ride!
V
As I ride, as I ride,
Could I loose what Fate has tied,
Ere I pried, she should hide
As I ride, as I ride,
All that's meant me: satisfied
When the Prophet and the Bride
Stop veins I'd have subside
As I ride, as I ride!
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Written by
Emile Verhaeren |
How readily delight is aroused in her, with her eyes of fiery ecstasy, she who is gentle and resigned before life in so simple a fashion.
This evening, how a look surprised her fervour and a word transported her to the pure garden of gladness, where she was at once both queen and servant.
Humble of herself, but aglow with our two selves, she vied with me in kneeling to gather the wondrous happiness that overflowed mutually from our hearts.
We listened to the dying down in us of the violence of the exalting love imprisoned in our arms, and to the living silence that said words we did not know.
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Written by
Francesco Petrarch |
[Pg 298] SONNET LXXI. Del cibo onde 'l signor mio sempre abbonda. HE DESCRIBES THE APPARITION OF LAURA. Food wherewithal my lord is well supplied,With tears and grief my weary heart I've fed;As fears within and paleness o'er me spread,Oft thinking on its fatal wound and wide:But in her time with whom no other vied,Equal or second, to my suffering bedComes she to look on whom I almost dread,And takes her seat in pity by my side.With that fair hand, so long desired in vain,She check'd my tears, while at her accents creptA sweetness to my soul, intense, divine."Is this thy wisdom, to parade thy pain?No longer weep! hast thou not amply wept?Would that such life were thine as death is mine!" Macgregor. With grief and tears (my soul's proud sovereign's food)I ever nourish still my aching heart;I feel my blanching cheek, and oft I startAs on Love's sharp engraven wound I brood.But she, who e'er on earth unrivall'd stood,Flits o'er my couch, when prostrate by his dartI lie; and there her presence doth impart.Whilst scarce my eyes dare meet their vision'd good,With that fair hand in life I so desired,She stays my eyes' sad tide; her voice's toneAwakes the balm earth ne'er to man can give:And thus she speaks:—"Oh! vain hath wisdom firedThe hopeless mourner's breast; no more bemoan,I am not dead—would thou like me couldst live!" Wollaston.
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