Written by
Rg Gregory |
(to where the ashes of both
my parents are strewn)
i)
ok the pair of you lie still
what's disturbing me need pass
no fretful hand over your peace
this world's vicissitudes are stale
fodder for you who feed the grass
some particles of your two dusts
by moon's wish accident or wind
may have leapt that late-life wound
refound in you the rhapsodists
first-married days had twinned
i've come today in heavy rain
a storm barging through the trees
to be a part of this fresh truce
to dream myself to that serene
death's eye-view no living sees
a roaring motorway derides
machine's exclusion from this place
cozens what the gale implies
while overhead a plane corrodes
all feel of sanctuary and solace
i cut the edges off the sound
and let the storm absorb my skin
my drift unravelling as a skein
through paths no brain's designed
i want the consciousness you're in
too much a strain - my mind can't click
to earthen voices (whispers signs)
my eyes alert to this life's scenes
my ears are ticked to autumn's clock
my shoes crunch upon chestnut spines
(ii)
not a bird singing or flying
i seize upon such absence (here
the death-sense dares to split its hair)
why with such a strong wind flowing
inside the noises do calms appear
today the weather is supreme
it does away with frontiers - sweeps
breath into piles as it swaps
ashes for thoughts conjuring prime
life-death from the bones it reaps
abruptly flocks of leaves-made-birds
quit shaken branches (glide in grace)
first soar then hover - sucked to grass
flatten about me as soft-soaked boards
matting me to this parent place
and then i'm easeful - a hand scoops
dissent away (leaves me as tree)
settles the self down to its true
abasement where nothing escapes
its wanting (earth flesh being free)
i'm taken by your touching
there's no skin between us now
as tree i am death's avenue
you are its fruits attaching
distilled ripeness to the bough
i possess the step i came for
my senses burst into still speech
your potent ashes give dispatch
to life's tensions - i travel far
rooted at this two-worlds' breach
october 6th 1990
(seventh anniversary of my mother's cremation)
|
Written by
Thomas Chatterton |
Recite the loves of Narva and Mored
The priest of Chalma's triple idol said.
High from the ground the youthful warriors sprung,
Loud on the concave shell the lances rung:
In all the mystic mazes of the dance,
The youths of Banny's burning sands advance,
Whilst the soft virgin panting looks behind,
And rides upon the pinions of the wind;
Ascends the mountain's brow, and measures round
The steepy cliffs of Chalma's sacred ground,
Chalma, the god whose noisy thunders fly
Thro' the dark covering of the midnight sky,
Whose arm directs the close-embattled host,
And sinks the labouring vessels on the coast;
Chalma, whose excellence is known from far;
From Lupa's rocky hill to Calabar.
The guardian god of Afric and the isles,
Where nature in her strongest vigour smiles;
Where the blue blossom of the forky thorn,
Bends with the nectar of the op'ning morn:
Where ginger's aromatic, matted root,
Creep through the mead, and up the mountains shoot.
Three times the virgin, swimming on the breeze,
Danc'd in the shadow of the mystic trees:
When, like a dark cloud spreading to the view,
The first-born sons of war and blood pursue;
Swift as the elk they pour along the plain;
Swift as the flying clouds distilling rain.
Swift as the boundings of the youthful row,
They course around, and lengthen as they go.
Like the long chain of rocks, whose summits rise,
Far in the sacred regions of the skies;
Upon whose top the black'ning tempest lours,
Whilst down its side the gushing torrent pours,
Like the long cliffy mountains which extend
From Lorbar's cave, to where the nations end,
Which sink in darkness, thick'ning and obscure,
Impenetrable, mystic, and impure;
The flying terrors of the war advance,
And round the sacred oak, repeat the dance.
Furious they twist around the gloomy trees,
Like leaves in autumn, twirling with the breeze.
So when the splendor of the dying day
Darts the red lustre of the watery way;
Sudden beneath Toddida's whistling brink,
The circling billows in wild eddies sink,
Whirl furious round, and the loud bursting wave
Sinks down to Chalma's sacerdotal cave,
Explores the palaces on Zira's coast,
Where howls the war-song of the chieftain's ghost;
Where the artificer in realms below,
Gilds the rich lance, or beautifies the bow;
From the young palm tree spins the useful twine,
Or makes the teeth of elephants divine.
Where the pale children of the feeble sun,
In search of gold, thro' every climate run:
From burning heat to freezing torments go,
And live in all vicissitudes of woe.
Like the loud eddies of Toddida's sea,
The warriors circle the mysterious tree:
'Till spent with exercise they spread around
Upon the op'ning blossoms of the ground.
The priestess rising, sings the sacred tale,
And the loud chorus echoes thro' the dale.
Priestess
Far from the burning sands of Calabar;
Far from the lustre of the morning star;
Far from the pleasure of the holy morn;
Far from the blessedness of Chalma's horn:
Now rests the souls of Narva and Mored,
Laid in the dust, and number'd with the dead.
Dear are their memories to us, and long,
Long shall their attributes be known in song.
Their lives were transient as the meadow flow'r.
Ripen'd in ages, wither'd in an hour.
Chalma, reward them in his gloomy cave,
And open all the prisons of the grave.
Bred to the service of the godhead's throne,
And living but to serve his God alone,
Narva was beauteous as the opening day
When on the spangling waves the sunbeams play,
When the mackaw, ascending to the sky,
Views the bright splendour with a steady eye.
Tall, as the house of Chalma's dark retreat;
Compact and firm, as Rhadal Ynca's fleet,
Completely beauteous as a summer's sun,
Was Narva, by his excellence undone.
Where the soft Togla creeps along the meads,
Thro' scented Calamus and fragrant reeds;
Where the sweet Zinsa spreads its matted bed
Liv'd the still sweeter flower, the young Mored;
Black was her face, as Togla's hidden cell;
Soft as the moss where hissing adders dwell.
As to the sacred court she brought a fawn,
The sportive tenant of the spicy lawn,
She saw and loved! and Narva too forgot
His sacred vestment and his mystic lot.
Long had the mutual sigh, the mutual tear,
Burst from the breast and scorn'd confinement there.
Existence was a torment! O my breast!
Can I find accents to unfold the rest!
Lock'd in each others arms, from Hyga's cave,
They plung'd relentless to a wat'ry grave;
And falling murmured to the powers above,
"Gods! take our lives, unless we live to love."
|
Written by
Robert Louis Stevenson |
AS Love and Hope together
Walk by me for a while,
Link-armed the ways they travel
For many a pleasant mile -
Link-armed and dumb they travel,
They sing not, but they smile.
Hope leaving, Love commences
To practise on the lute;
And as he sings and travels
With lingering, laggard foot,
Despair plays obligato
The sentimental flute.
Until in singing garments
Comes royally, at call -
Comes limber-hipped Indiff'rence
Free stepping, straight and tall -
Comes singing and lamenting,
The sweetest pipe of all.
|
Written by
Thomas Hardy |
For A. W. B.
SHE sought the Studios, beckoning to her side
An arch-designer, for she planned to build.
He was of wise contrivance, deeply skilled
In every intervolve of high and wide--
Well fit to be her guide.
"Whatever it be,"
Responded he,
With cold, clear voice, and cold, clear view,
"In true accord with prudent fashionings
For such vicissitudes as living brings,
And thwarting not the law of stable things,
That will I do."
"Shape me," she said, "high walls with tracery
And open ogive-work, that scent and hue
Of buds, and travelling bees, may come in through,
The note of birds, and singings of the sea,
For these are much to me."
"An idle whim!"
Broke forth from him
Whom nought could warm to gallantries:
"Cede all these buds and birds, the zephyr's call,
And scents, and hues, and things that falter all,
And choose as best the close and surly wall,
For winter's freeze."
"Then frame," she cried, "wide fronts of crystal glass,
That I may show my laughter and my light--
Light like the sun's by day, the stars' by night--
Till rival heart-queens, envying, wail, 'Alas,
Her glory!' as they pass."
"O maid misled!"
He sternly said,
Whose facile foresight pierced her dire;
"Where shall abide the soul when, sick of glee,
It shrinks, and hides, and prays no eye may see?
Those house them best who house for secrecy,
For you will tire."
"A little chamber, then, with swan and dove
Ranged thickly, and engrailed with rare device
Of reds and purples, for a Paradise
Wherein my Love may greet me, I my Love,
When he shall know thereof?"
"This, too, is ill,"
He answered still,
The man who swayed her like a shade.
"An hour will come when sight of such sweet nook
Would bring a bitterness too sharp to brook,
When brighter eyes have won away his look;
For you will fade."
Then said she faintly: "O, contrive some way--
Some narrow winding turret, quite mine own,
To reach a loft where I may grieve alone!
It is a slight thing; hence do not, I pray,
This last dear fancy slay!"
"Such winding ways
Fit not your days,"
Said he, the man of measuring eye;
"I must even fashion as my rule declares,
To wit: Give space (since life ends unawares)
To hale a coffined corpse adown the stairs;
For you will die."
|
Written by
Omar Khayyam |
Raise no question of the vicissitudes of this world, nor
of affairs of the future. Consider what a prize we have
in the present moment, and disturb not thyself with the
past or question me about the future.
|
Written by
Omar Khayyam |
O friend! be in repose amidst human vicissitudes; disturb
not thyself in vain because of the march of time.
When the envelope of thy being shall be torn in tatters,
what matters what thou hast done, what thou hast said,
or how defiled thou mayest be?
369
|
Written by
Francesco Petrarch |
SONNET CXIX. Questa umil fera, un cor di tigre o d' orsa. HE PRAYS HER EITHER TO WELCOME OR DISMISS HIM AT ONCE. Fiercer than tiger, savager than bear,In human guise an angel form appears,Who between fear and hope, from smiles to tearsSo tortures me that doubt becomes despair.Ere long if she nor welcomes me, nor frees,But, as her wont, between the two retains,By the sweet poison circling through my veins,My life, O Love! will soon be on its lees.No longer can my virtue, worn and frailWith such severe vicissitudes, contend,At once which burn and freeze, make red and pale:By flight it hopes at length its grief to end,As one who, hourly failing, feels death nigh:Powerless he is indeed who cannot even die! Macgregor.
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Written by
Omar Khayyam |
Be not cast down by the troubles which we call vicissitudes
here below. Let us occupy ourselves only in
drinking pure wine, limpid wine, the color of a rose.
Wine, friend, is the blood of the world. The world is
our murderer; how shall we resist drinking the blood of
the heart of him who spills ours?
|
Written by
Omar Khayyam |
Not a single day do I feel myself free from the troublesome
bonds of this world; not for a single instant do I
breathe contented with my being. I have long served
an apprenticeship to human vicissitudes, and I have not
yet become master, either in that which concerns this
world, or in what has to do with the other.
|
Written by
Omar Khayyam |
Pour me, O cupbearer! some wine colored like the
flowers of the Judas-tree, pour, O cupbearer! for grief
comes to oppress my soul; pour for me the nectar, for
it is possible that in making me a stranger to myself, it
will free me one instant from the vicissitudes of this
world.
386
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