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Best Famous Vibration Poems

Here is a collection of the all-time best famous Vibration poems. This is a select list of the best famous Vibration poetry. Reading, writing, and enjoying famous Vibration poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of vibration poems.

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Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with your presence, I roar your Lion Roar with mortal mouth.
One microgram inspired to one lung, ten pounds of heavy metal dust adrift slow motion over grey Alps the breadth of the planet, how long before your radiance speeds blight and death to sentient beings? Enter my body or not I carol my spirit inside you, Unnaproachable Weight, O heavy heavy Element awakened I vocalize your con- sciousness to six worlds I chant your absolute Vanity.
Yeah monster of Anger birthed in fear O most Ignorant matter ever created unnatural to Earth! Delusion of metal empires! Destroyer of lying Scientists! Devourer of covetous Generals, Incinerator of Armies & Melter of Wars! Judgement of judgements, Divine Wind over vengeful nations, Molester of Presidents, Death-Scandal of Capital politics! Ah civilizations stupidly indus- trious! Canker-Hex on multitudes learned or illiterate! Manu- factured Spectre of human reason! O solidified imago of practicioner in Black Arts I dare your reality, I challenge your very being! I publish your cause and effect! I turn the wheel of Mind on your three hundred tons! Your name enters mankind's ear! I embody your ultimate powers! My oratory advances on your vaunted Mystery! This breath dispels your braggart fears! I sing your form at last behind your concrete & iron walls inside your fortress of rubber & translucent silicon shields in filtered cabinets and baths of lathe oil, My voice resounds through robot glove boxes & ignot cans and echoes in electric vaults inert of atmo- sphere, I enter with spirit out loud into your fuel rod drums underground on soundless thrones and beds of lead O density! This weightless anthem trumpets transcendent through hidden chambers and breaks through iron doors into the Infernal Room! Over your dreadful vibration this measured harmony floats audible, these jubilant tones are honey and milk and wine-sweet water Poured on the stone black floor, these syllables are barley groats I scatter on the Reactor's core, I call your name with hollow vowels, I psalm your Fate close by, my breath near deathless ever at your side to Spell your destiny, I set this verse prophetic on your mausoleum walls to seal you up Eternally with Diamond Truth! O doomed Plutonium.
II The Bar surveys Plutonian history from midnight lit with Mercury Vapor streetlamps till in dawn's early light he contemplates a tranquil politic spaced out between Nations' thought-forms proliferating bureaucratic & horrific arm'd, Satanic industries projected sudden with Five Hundred Billion Dollar Strength around the world same time this text is set in Boulder, Colorado before front range of Rocky Mountains twelve miles north of Rocky Flats Nuclear Facility in United States of North America, Western Hemi- sphere of planet Earth six months and fourteen days around our Solar System in a Spiral Galaxy the local year after Dominion of the last God nineteen hundred seventy eight Completed as yellow hazed dawn clouds brighten East, Denver city white below Blue sky transparent rising empty deep & spacious to a morning star high over the balcony above some autos sat with wheels to curb downhill from Flatiron's jagged pine ridge, sunlit mountain meadows sloped to rust-red sandstone cliffs above brick townhouse roofs as sparrows waked whistling through Marine Street's summer green leafed trees.
III This ode to you O Poets and Orators to come, you father Whitman as I join your side, you Congress and American people, you present meditators, spiritual friends & teachers, you O Master of the Diamond Arts, Take this wheel of syllables in hand, these vowels and consonants to breath's end take this inhalation of black poison to your heart, breath out this blessing from your breast on our creation forests cities oceans deserts rocky flats and mountains in the Ten Directions pacify with exhalation, enrich this Plutonian Ode to explode its empty thunder through earthen thought-worlds Magnetize this howl with heartless compassion, destroy this mountain of Plutonium with ordinary mind and body speech, thus empower this Mind-guard spirit gone out, gone out, gone beyond, gone beyond me, Wake space, so Ah! July 14, 1978


Written by Elizabeth Barrett Browning | Create an image from this poem

A Sea-Side Walk

 We walked beside the sea,
After a day which perished silently
Of its own glory---like the Princess weird
Who, combating the Genius, scorched and seared,
Uttered with burning breath, 'Ho! victory!'
And sank adown, an heap of ashes pale;
So runs the Arab tale.
The sky above us showed An universal and unmoving cloud, On which, the cliffs permitted us to see Only the outline of their majesty, As master-minds, when gazed at by the crowd! And, shining with a gloom, the water grey Swang in its moon-taught way.
Nor moon nor stars were out.
They did not dare to tread so soon about, Though trembling, in the footsteps of the sun.
The light was neither night's nor day's, but one Which, life-like, had a beauty in its doubt; And Silence's impassioned breathings round Seemed wandering into sound.
O solemn-beating heart Of nature! I have knowledge that thou art Bound unto man's by cords he cannot sever--- And, what time they are slackened by him ever, So to attest his own supernal part, Still runneth thy vibration fast and strong, The slackened cord along.
For though we never spoke Of the grey water **** the shaded rock,--- Dark wave and stone, unconsciously, were fused Into the plaintive speaking that we used, Of absent friends and memories unforsook; And, had we seen each other's face, we had Seen haply, each was sad.
Written by Delmore Schwartz | Create an image from this poem

Spiders

 Is the spider a monster in miniature?
His web is a cruel stair, to be sure,
Designed artfully, cunningly placed,
A delicate trap, carefully spun
To bind the fly (innocent or unaware)
In a net as strong as a chain or a gun.
There are far more spiders than the man in the street supposes And the philosopher-king imagines, let alone knows! There are six hundred kinds of spiders and each one Differs in kind and in unkindness.
In variety of behavior spiders are unrivalled: The fat garden spider sits motionless, amidst or at the heart Of the orb of its web: other kinds run, Scuttling across the floor, falling into bathtubs, Trapped in the path of its own wrath, by overconfidence drowned and undone.
Other kinds - more and more kinds under the stars and the sun - Are carnivores: all are relentless, ruthless Enemies of insects.
Their methods of getting food Are unconventional, numerous, various and sometimes hilarious: Some spiders spin webs as beautiful As Japanese drawings, intricate as clocks, strong as rocks: Others construct traps which consist only Of two sticky and tricky threads.
Yet this ambush is enough To bind and chain a crawling ant for long enough: The famished spider feels the vibration Which transforms patience into sensation and satiation.
The handsome wolf spider moves suddenly freely and relies Upon lightning suddenness, stealth and surprise, Possessing accurate eyes, pouncing upon his victim with the speed of surmise.
Courtship is dangerous: there are just as many elaborate and endless techniques and varieties As characterize the wooing of more analytic, more introspective beings: Sometimes the male Arrives with the gift of a freshly caught fly.
Sometimes he ties down the female, when she is frail, With deft strokes and quick maneuvres and threads of silk: But courtship and wooing, whatever their form, are informed By extreme caution, prudence, and calculation, For the female spider, lazier and fiercer than the male suitor, May make a meal of him if she does not feel in the same mood, or if her appetite Consumes her far more than the revelation of love's consummation.
Here among spiders, as in the higher forms of nature, The male runs a terrifying risk when he goes seeking for the bounty of beautiful Alma Magna Mater: Yet clearly and truly he must seek and find his mate and match like every other living creature!
Written by Henry Wadsworth Longfellow | Create an image from this poem

THE OCCULTATION OF ORION

 I saw, as in a dream sublime,
The balance in the hand of Time.
O'er East and West its beam impended; And day, with all its hours of light, Was slowly sinking out of sight, While, opposite, the scale of night Silently with the stars ascended.
Like the astrologers of eld, In that bright vision I beheld Greater and deeper mysteries.
I saw, with its celestial keys, Its chords of air, its frets of fire, The Samian's great Aeolian lyre, Rising through all its sevenfold bars, From earth unto the fixed stars.
And through the dewy atmosphere, Not only could I see, but hear, Its wondrous and harmonious strings, In sweet vibration, sphere by sphere, From Dian's circle light and near, Onward to vaster and wider rings.
Where, chanting through his beard of snows, Majestic, mournful, Saturn goes, And down the sunless realms of space Reverberates the thunder of his bass.
Beneath the sky's triumphal arch This music sounded like a march, And with its chorus seemed to be Preluding some great tragedy.
Sirius was rising in the east; And, slow ascending one by one, The kindling constellations shone.
Begirt with many a blazing star, Stood the great giant Algebar, Orion, hunter of the beast! His sword hung gleaming by his side, And, on his arm, the lion's hide Scattered across the midnight air The golden radiance of its hair.
The moon was pallid, but not faint; And beautiful as some fair saint, Serenely moving on her way In hours of trial and dismay.
As if she heard the voice of God, Unharmed with naked feet she trod Upon the hot and burning stars, As on the glowing coals and bars, That were to prove her strength, and try Her holiness and her purity.
Thus moving on, with silent pace, And triumph in her sweet, pale face, She reached the station of Orion.
Aghast he stood in strange alarm! And suddenly from his outstretched arm Down fell the red skin of the lion Into the river at his feet.
His mighty club no longer beat The forehead of the bull; but he Reeled as of yore beside the sea, When, blinded by Oenopion, He sought the blacksmith at his forge, And, climbing up the mountain gorge, Fixed his blank eyes upon the sun.
Then, through the silence overhead, An angel with a trumpet said, "Forevermore, forevermore, The reign of violence is o'er!" And, like an instrument that flings Its music on another's strings, The trumpet of the angel cast Upon the heavenly lyre its blast, And on from sphere to sphere the words Re-echoed down the burning chords,-- "Forevermore, forevermore, The reign of violence is o'er!"
Written by Kahlil Gibran | Create an image from this poem

The Beauty of Death XIV

 Part One - The Calling


Let me sleep, for my soul is intoxicated with love and 
Let me rest, for my spirit has had its bounty of days and nights; 
Light the candles and burn the incense around my bed, and 
Scatter leaves of jasmine and roses over my body; 
Embalm my hair with frankincense and sprinkle my feet with perfume, 
And read what the hand of Death has written on my forehead.
Let me rest in the arms of Slumber, for my open eyes are tired; Let the silver-stringed lyre quiver and soothe my spirit; Weave from the harp and lute a veil around my withering heart.
Sing of the past as you behold the dawn of hope in my eyes, for It's magic meaning is a soft bed upon which my heart rests.
Dry your tears, my friends, and raise your heads as the flowers Raise their crowns to greet the dawn.
Look at the bride of Death standing like a column of light Between my bed and the infinite; Hold your breath and listen with me to the beckoning rustle of Her white wings.
Come close and bid me farewell; touch my eyes with smiling lips.
Let the children grasp my hands with soft and rosy fingers; Let the ages place their veined hands upon my head and bless me; Let the virgins come close and see the shadow of God in my eyes, And hear the echo of His will racing with my breath.
Part Two - The Ascending I have passed a mountain peak and my soul is soaring in the Firmament of complete and unbound freedom; I am far, far away, my companions, and the clouds are Hiding the hills from my eyes.
The valleys are becoming flooded with an ocean of silence, and the Hands of oblivion are engulfing the roads and the houses; The prairies and fields are disappearing behind a white specter That looks like the spring cloud, yellow as the candlelight And red as the twilight.
The songs of the waves and the hymns of the streams Are scattered, and the voices of the throngs reduced to silence; And I can hear naught but the music of Eternity In exact harmony with the spirit's desires.
I am cloaked in full whiteness; I am in comfort; I am in peace.
Part Three - The Remains Unwrap me from this white linen shroud and clothe me With leaves of jasmine and lilies; Take my body from the ivory casket and let it rest Upon pillows of orange blossoms.
Lament me not, but sing songs of youth and joy; Shed not tears upon me, but sing of harvest and the winepress; Utter no sigh of agony, but draw upon my face with your Finger the symbol of Love and Joy.
Disturb not the air's tranquility with chanting and requiems, But let your hearts sing with me the song of Eternal Life; Mourn me not with apparel of black, But dress in color and rejoice with me; Talk not of my departure with sighs in your hearts; close Your eyes and you will see me with you forevermore.
Place me upon clusters of leaves and Carry my upon your friendly shoulders and Walk slowly to the deserted forest.
Take me not to the crowded burying ground lest my slumber Be disrupted by the rattling of bones and skulls.
Carry me to the cypress woods and dig my grave where violets And poppies grow not in the other's shadow; Let my grave be deep so that the flood will not Carry my bones to the open valley; Let my grace be wide, so that the twilight shadows Will come and sit by me.
Take from me all earthly raiment and place me deep in my Mother Earth; and place me with care upon my mother's breast.
Cover me with soft earth, and let each handful be mixed With seeds of jasmine, lilies and myrtle; and when they Grow above me, and thrive on my body's element they will Breathe the fragrance of my heart into space; And reveal even to the sun the secret of my peace; And sail with the breeze and comfort the wayfarer.
Leave me then, friends - leave me and depart on mute feet, As the silence walks in the deserted valley; Leave me to God and disperse yourselves slowly, as the almond And apple blossoms disperse under the vibration of Nisan's breeze.
Go back to the joy of your dwellings and you will find there That which Death cannot remove from you and me.
Leave with place, for what you see here is far away in meaning From the earthly world.
Leave me.


Written by Delmore Schwartz | Create an image from this poem

The First Night Of Fall And Falling Rain

 The common rain had come again
Slanting and colorless, pale and anonymous,
Fainting falling in the first evening
Of the first perception of the actual fall,
The long and late light had slowly gathered up
A sooty wood of clouded sky, dim and distant more and
 more
Until, at dusk, the very sense of selfhood waned, 
A weakening nothing halted, diminished or denied or set
 aside,
Neither tea, nor, after an hour, whiskey,
Ice and then a pleasant glow, a burning,
And the first leaping wood fire
Since a cold night in May, too long ago to be more than
Merely a cold and vivid memory.
Staring, empty, and without thought Beyond the rising mists of the emotion of causeless sadness, How suddenly all consciousness leaped in spontaneous gladness, Knowing without thinking how the falling rain (outside, all over) In slow sustained consistent vibration all over outside Tapping window, streaking roof, running down runnel and drain Waking a sense, once more, of all that lived outside of us, Beyond emotion, for beyond the swollen distorted shadows and lights Of the toy town and the vanity fair of waking consciousness!
Written by Amy Lowell | Create an image from this poem

The Bombardment

 Slowly, without force, the rain drops into the 
city.
It stops a moment on the carved head of Saint John, then slides on again, slipping and trickling over his stone cloak.
It splashes from the lead conduit of a gargoyle, and falls from it in turmoil on the stones in the Cathedral square.
Where are the people, and why does the fretted steeple sweep about in the sky? Boom! The sound swings against the rain.
Boom, again! After it, only water rushing in the gutters, and the turmoil from the spout of the gargoyle.
Silence.
Ripples and mutters.
Boom! The room is damp, but warm.
Little flashes swarm about from the firelight.
The lustres of the chandelier are bright, and clusters of rubies leap in the bohemian glasses on the `etagere'.
Her hands are restless, but the white masses of her hair are quite still.
Boom! Will it never cease to torture, this iteration! Boom! The vibration shatters a glass on the `etagere'.
It lies there, formless and glowing, with all its crimson gleams shot out of pattern, spilled, flowing red, blood-red.
A thin bell-note pricks through the silence.
A door creaks.
The old lady speaks: "Victor, clear away that broken glass.
" "Alas! Madame, the bohemian glass!" "Yes, Victor, one hundred years ago my father brought it --" Boom! The room shakes, the servitor quakes.
Another goblet shivers and breaks.
Boom! It rustles at the window-pane, the smooth, streaming rain, and he is shut within its clash and murmur.
Inside is his candle, his table, his ink, his pen, and his dreams.
He is thinking, and the walls are pierced with beams of sunshine, slipping through young green.
A fountain tosses itself up at the blue sky, and through the spattered water in the basin he can see copper carp, lazily floating among cold leaves.
A wind-harp in a cedar-tree grieves and whispers, and words blow into his brain, bubbled, iridescent, shooting up like flowers of fire, higher and higher.
Boom! The flame-flowers snap on their slender stems.
The fountain rears up in long broken spears of dishevelled water and flattens into the earth.
Boom! And there is only the room, the table, the candle, and the sliding rain.
Again, Boom! -- Boom! -- Boom! He stuffs his fingers into his ears.
He sees corpses, and cries out in fright.
Boom! It is night, and they are shelling the city! Boom! Boom! A child wakes and is afraid, and weeps in the darkness.
What has made the bed shake? "Mother, where are you? I am awake.
" "Hush, my Darling, I am here.
" "But, Mother, something so ***** happened, the room shook.
" Boom! "Oh! What is it? What is the matter?" Boom! "Where is Father? I am so afraid.
" Boom! The child sobs and shrieks.
The house trembles and creaks.
Boom! Retorts, globes, tubes, and phials lie shattered.
All his trials oozing across the floor.
The life that was his choosing, lonely, urgent, goaded by a hope, all gone.
A weary man in a ruined laboratory, that is his story.
Boom! Gloom and ignorance, and the jig of drunken brutes.
Diseases like snakes crawling over the earth, leaving trails of slime.
Wails from people burying their dead.
Through the window, he can see the rocking steeple.
A ball of fire falls on the lead of the roof, and the sky tears apart on a spike of flame.
Up the spire, behind the lacings of stone, zigzagging in and out of the carved tracings, squirms the fire.
It spouts like yellow wheat from the gargoyles, coils round the head of Saint John, and aureoles him in light.
It leaps into the night and hisses against the rain.
The Cathedral is a burning stain on the white, wet night.
Boom! The Cathedral is a torch, and the houses next to it begin to scorch.
Boom! The bohemian glass on the `etagere' is no longer there.
Boom! A stalk of flame sways against the red damask curtains.
The old lady cannot walk.
She watches the creeping stalk and counts.
Boom! -- Boom! -- Boom! The poet rushes into the street, and the rain wraps him in a sheet of silver.
But it is threaded with gold and powdered with scarlet beads.
The city burns.
Quivering, spearing, thrusting, lapping, streaming, run the flames.
Over roofs, and walls, and shops, and stalls.
Smearing its gold on the sky, the fire dances, lances itself through the doors, and lisps and chuckles along the floors.
The child wakes again and screams at the yellow petalled flower flickering at the window.
The little red lips of flame creep along the ceiling beams.
The old man sits among his broken experiments and looks at the burning Cathedral.
Now the streets are swarming with people.
They seek shelter and crowd into the cellars.
They shout and call, and over all, slowly and without force, the rain drops into the city.
Boom! And the steeple crashes down among the people.
Boom! Boom, again! The water rushes along the gutters.
The fire roars and mutters.
Boom!
Written by Allen Ginsberg | Create an image from this poem

First Party At Ken Keseys With Hells Angels

 Cool black night thru redwoods
cars parked outside in shade
behind the gate, stars dim above
the ravine, a fire burning by the side
porch and a few tired souls hunched over
in black leather jackets.
In the huge wooden house, a yellow chandelier at 3 A.
M.
the blast of loudspeakers hi-fi Rolling Stones Ray Charles Beatles Jumping Joe Jackson and twenty youths dancing to the vibration thru the floor, a little weed in the bathroom, girls in scarlet tights, one muscular smooth skinned man sweating dancing for hours, beer cans bent littering the yard, a hanged man sculpture dangling from a high creek branch, children sleeping softly in their bedroom bunks.
And 4 police cars parked outside the painted gate, red lights revolving in the leaves.
December 1965
Written by Stanley Kunitz | Create an image from this poem

The Dark and the Fair

 A roaring company that festive night;
The beast of dialectic dragged his chains,
Prowling from chair to chair is the smoking light,
While the snow hissed against the windowpanes.
Our politics, our science, and our faith Were whiskey on the tongue; I, being rent By the fierce divisions of our time, cried death And death again, and my own dying meant.
Out of her secret life, the griffin-land Where ivory empires build their stage she came, Putting in mine her small impulsive hand, Five-fingered gift, and the palm not tame.
The moment clanged: beauty and terror danced Tot he wild vibration of a sister-bell, Whose unremitting stroke discountenanced The marvel that the mirrors blazed to tell.
A darker image took this fairer form Who once, in the purgatory of my pride, When innocence betrayed me in a room Of mocking elders, swept handsome to my side, Until we rose together, arm in arm, And fled together back into the world.
What brought her now, in the semblance of the warm, Out of cold spaces, damned by colder blood? That furied woman did me grievous wrong, But does it matter much, given our years? We learn, as the thread plays out, that we belong Less to what flatters us than to what scars; So, freshly turning, as the turn condones, For her I killed the propitiatory bird, Kissing her down.
Peace to her bitter bones, Who taught me the serpent's word, but yet the word.
Written by Percy Bysshe Shelley | Create an image from this poem

Lines Written in the Bay of Lerici

 She left me at the silent time 
When the moon had ceas'd to climb
The azure path of Heaven's steep,
And like an albatross asleep,
Balanc'd on her wings of light,
Hover'd in the purple night,
Ere she sought her ocean nest
In the chambers of the West.
She left me, and I stay'd alone Thinking over every tone Which, though silent to the ear, The enchanted heart could hear, Like notes which die when born, but still Haunt the echoes of the hill; And feeling ever--oh, too much!-- The soft vibration of her touch, As if her gentle hand, even now, Lightly trembled on my brow; And thus, although she absent were, Memory gave me all of her That even Fancy dares to claim: Her presence had made weak and tame All passions, and I lived alone In the time which is our own; The past and future were forgot, As they had been, and would be, not.
But soon, the guardian angel gone, The daemon reassum'd his throne In my faint heart.
I dare not speak My thoughts, but thus disturb'd and weak I sat and saw the vessels glide Over the ocean bright and wide, Like spirit-winged chariots sent O'er some serenest element For ministrations strange and far, As if to some Elysian star Sailed for drink to medicine Such sweet and bitter pain as mine.
And the wind that wing'd their flight From the land came fresh and light, And the scent of winged flowers, And the coolness of the hours Of dew, and sweet warmth left by day, Were scatter'd o'er the twinkling bay.
And the fisher with his lamp And spear about the low rocks damp Crept, and struck the fish which came To worship the delusive flame.
Too happy they, whose pleasure sought Extinguishes all sense and thought Of the regret that pleasure leaves, Destroying life alone, not peace!

Book: Shattered Sighs