Written by
Dylan Thomas |
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry
To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.,
No elemental form and sound
In T.S.E. and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.
First buy a hat, no Paris model
But one the Swiss wear when they yodel,
A bowler thing with one or two
Feathers to conceal the view;
And then in sandals walk the street
(All modern painters use their feet
For painting, on their canvas strips,
Their wives or mothers, minus hips).
Perhaps it would be best if you
Created something very new,
A dirty novel done in Erse
Or written backwards in Welsh verse,
Or paintings on the backs of vests,
Or Sanskrit psalms on lepers' chests.
But if this proved imposs-i-ble
Perhaps it would be just as well,
For you could then write what you please,
And modern verse is done with ease.
Do not forget that 'limpet' rhymes
With 'strumpet' in these troubled times,
And commas are the worst of crimes;
Few understand the works of Cummings,
And few James Joyce's mental slummings,
And few young Auden's coded chatter;
But then it is the few that matter.
Never be lucid, never state,
If you would be regarded great,
The simplest thought or sentiment,
(For thought, we know, is decadent);
Never omit such vital words
As belly, genitals and -----,
For these are things that play a part
(And what a part) in all good art.
Remember this: each rose is wormy,
And every lovely woman's germy;
Remember this: that love depends
On how the Gallic letter bends;
Remember, too, that life is hell
And even heaven has a smell
Of putrefying angels who
Make deadly whoopee in the blue.
These things remembered, what can stop
A poet going to the top?
A final word: before you start
The convulsions of your art,
Remove your brains, take out your heart;
Minus these curses, you can be
A genius like David G.
Take courage, aunt, and send your stuff
To Geoffrey Grigson with my luff,
And may I yet live to admire
How well your poems light the fire.
|
Written by
T S (Thomas Stearns) Eliot |
Mungojerrie and Rumpelteazer were a very notorious couple
of cats.
As knockabout clown, quick-change comedians, tight-rope
walkers and acrobats
They had extensive reputation. They made their home in
Victoria Grove--
That was merely their centre of operation, for they were
incurably given to rove.
They were very well know in Cornwall Gardens, in Launceston
Place and in Kensington Square--
They had really a little more reputation than a couple of
cats can very well bear.
If the area window was found ajar
And the basement looked like a field of war,
If a tile or two came loose on the roof,
Which presently ceased to be waterproof,
If the drawers were pulled out from the bedroom chests,
And you couldn't find one of your winter vests,
Or after supper one of the girls
Suddenly missed her Woolworth pearls:
Then the family would say: "It's that horrible cat!
It was Mungojerrie--or Rumpelteazer!"-- And most of the time
they left it at that.
Mungojerrie and Rumpelteazer had a very unusual gift of the
gab.
They were highly efficient cat-burglars as well, and
remarkably smart at smash-and-grab.
They made their home in Victoria Grove. They had no regular
occupation.
They were plausible fellows, and liked to engage a friendly
policeman in conversation.
When the family assembled for Sunday dinner,
With their minds made up that they wouldn't get thinner
On Argentine joint, potatoes and greens,
And the cook would appear from behind the scenes
And say in a voice that was broken with sorrow:
"I'm afraid you must wait and have dinner tomorrow!
For the joint has gone from the oven-like that!"
Then the family would say: "It's that horrible cat!
It was Mungojerrie--or Rumpelteazer!"-- And most of the time
they left it at that.
Mungojerrie and Rumpelteazer had a wonderful way of working
together.
And some of the time you would say it was luck, and some of
the time you would say it was weather.
They would go through the house like a hurricane, and no sober
person could take his oath
Was it Mungojerrie--or Rumpelteazer? or could you have sworn
that it mightn't be both?
And when you heard a dining-room smash
Or up from the pantry there came a loud crash
Or down from the library came a loud ping
From a vase which was commonly said to be Ming--
Then the family would say: "Now which was which cat?
It was Mungojerrie! AND Rumpelteazer!"-- And there's nothing
at all to be done about that!
|
Written by
Francis Thompson |
Thou dost to rich attire a grace,
To let it deck itself with thee,
And teachest pomp strange cunning ways
To be thought simplicity.
But lilies, stolen from grassy mold,
No more curled state unfold
Translated to a vase of gold;
In burning throne though they keep still
Serenities unthawed and chill.
Therefore, albeit thou'rt stately so,
In statelier state thou us'dst to go.
Though jewels should phosphoric burn
Through those night-waters of thine hair,
A flower from its translucid urn
Poured silver flame more lunar-fair.
These futile trappings but recall
Degenerate worshippers who fall
In purfled kirtle and brocade
To 'parel the white Mother-Maid.
For, as her image stood arrayed
In vests of its self-substance wrought
To measure of the sculptor's thought -
Slurred by those added braveries;
So for thy spirit did devise
Its Maker seemly garniture,
Of its own essence parcel pure, -
From grave simplicities a dress,
And reticent demurenesses,
And love encinctured with reserve;
Which the woven vesture should subserve.
For outward robes in their ostents
Should show the soul's habiliments.
Therefore I say,--Thou'rt fair even so,
But better Fair I use to know.
The violet would thy dusk hair deck
With graces like thine own unsought.
Ah! but such place would daze and wreck
Its simple, lowly rustic thought.
For so advanced, dear, to thee,
It would unlearn humility!
Yet do not, with an altered look,
In these weak numbers read rebuke;
Which are but jealous lest too much
God's master-piece thou shouldst retouch.
Where a sweetness is complete,
Add not sweets unto the sweet!
Or, as thou wilt, for others so
In unfamiliar richness go;
But keep for mine acquainted eyes
The fashions of thy Paradise.
|
Written by
Ellis Parker Butler |
The Sheep adorns the landscape rural
And is both singular and plural—
It gives grammarians the creeps
To hear one say, “A flock of sheeps.”
The Sheep is gentle, meek and mild,
And led in herds by man or child—
Being less savage than the rabbit,
Sheep are gregarious by habit.
The Sheep grows wool and thus promotes
The making of vests, pants and coats—
Vests, pants and coats and woolen cloths
Provide good food for hungry moths.
With vegetables added to
The Sheep, we get our mutton stew—
Experiments long since revealed
The Sheep should first be killed and peeled.
Thus, with our debt to them so deep,
All men should cry “Praise be for Sheep!”—
And, if we happen to be shepherds,
“Praise be they’re not as fierce as leopards!”
|
Written by
Emily Dickinson |
The Heaven vests for Each
In that small Deity
It craved the grace to worship
Some bashful Summer's Day --
Half shrinking from the Glory
It importuned to see
Till these faint Tabernacles drop
In full Eternity --
How imminent the Venture --
As one should sue a Star --
For His mean sake to leave the Row
And entertain Despair --
A Clemency so common --
We almost cease to fear --
Enabling the minutest --
And furthest -- to adore --
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