Written by
G K Chesterton |
One in thy thousand statues we salute thee
On all thy thousand thrones acclaim and claim
Who walk in forest of thy forms and faces
Walk in a forest calling on one name
And, most of all, how this thing may be so
Who know thee not are mystified to know
That one cries "Here she stands" and one cries "Yonder"
And thou wert home in heaven long ago.
Burn deep in Bethlehem in the golden shadows,
Ride above Rome upon the horns of stone,
From low Lancastrian or South Saxon shelters
Watch through dark years the dower that was shine own:
Ghost of our land, White Lady of Walsinghame,
Shall they not live that call upon thy name
If an old song on a wild wind be blowing
Crying of the holy country whence they came?
Root deep in Chartres the roses blown of glass
Burning above thee in the high vitrailles,
On Cornish crags take for salute of swords
O'er peacock seas the far salute of sails,
Glooming in bronze or gay in painted wood,
A great doll given when the child is good,
Save that She gave the Child who gave the doll,
In whom all dolls are dreams of motherhood.
I have found thee like a little shepherdess
Gay with green ribbons; and passed on to find
Michael called Angel hew the Mother of God
Like one who fills a mountain with a mind:
Molten in silver or gold or garbed in blue,
Or garbed in red where the inner robe burns through,
Of the King's daughter glorious within:
Change shine unchanging light with every hue.
Clothed with the sun or standing on the moon
Crowned with the stars or single, a morning star,
Sunlight and moonlight are thy luminous shadows,
Starlight and twilight thy refractions are,
Lights and half-lights and all lights turn about thee,
But though we dazed can neither see nor doubt thee,
Something remains. Nor can man live without it
Nor can man find it bearable without thee.
There runs a dark thread through the tapestries
That time has woven with all the tints of time
Something not evil but grotesque and groping,
Something not clear; not final; not sublime;
Quaint as dim pattern of primal plant or tree
Or fish, the legless elfins of the sea,
Yet rare as this shine image in ebony
Being most strange in its simplicity.
Rare as the rushing of the wild black swans
The Romans saw; or rocks remote and grim
Where through black clouds the black sheep runs accursed
And through black clouds the Shepherd follows him.
By the black oak of the aeon-buried grove
By the black gems of the miner's treasure-trove
Monsters and freaks and fallen stars and sunken-
Most holy dark, cover our uncouth love.
From shine high rock look down on Africa
The living darkness of devouring green
The loathsome smell of life unquenchable,
Look on low brows and blinking eyes between,
On the dark heart where white folk find no place,
On the dark bodies of an antic race,
On all that fear thy light and love thy shadow,
Turn thou the mercy of thy midnight face.
This also is in thy spectrum; this dark ray;
Beyond the deepening purples of thy Lent
Darker than violet vestment; dark and secret
Clot of old night yet cloud of heaven sent:
As the black moon of some divine eclipse,
As the black sun of the Apocalypse,
As the black flower that blessed Odysseus back
From witchcraft; and he saw again the ships.
In all thy thousand images we salute thee,
Claim and acclaim on all thy thousand thrones
Hewn out of multi-colored rocks and risen
Stained with the stored-up sunsets in all tones-
If in all tones and shades this shade I feel,
Come from the black cathedrals of Castille
Climbing these flat black stones of Catalonia,
To thy most merciful face of night I kneel.
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Written by
John Betjeman |
Bells are booming down the bohreens,
White the mist along the grass,
Now the Julias, Maeves and Maureens
Move between the fields to Mass.
Twisted trees of small green apple
Guard the decent whitewashed chapel,
Gilded gates and doorway grained,
Pointed windows richly stained
With many-coloured Munich glass.
See the black-shawled congregations
On the broidered vestment gaze
Murmer past the painted stations
As Thy Sacred Heart displays
Lush Kildare of scented meadows,
Roscommon, thin in ash-tree shadows,
And Westmeath the lake-reflected,
Spreading Leix the hill-protected,
Kneeling all in silver haze?
In yews and woodbine, walls and guelder,
Nettle-deep the faithful rest,
Winding leagues of flowering elder,
Sycamore with ivy dressed,
Ruins in demesnes deserted,
Bog-surrounded bramble-skirted -
Townlands rich or townlands mean as
These, oh, counties of them screen us
In the Kingdom of the West.
Stony seaboard, far and foreign,
Stony hills poured over space,
Stony outcrop of the Burren,
Stones in every fertile place,
Little fields with boulders dotted,
Grey-stone shoulders saffron-spotted,
Stone-walled cabins thatched with reeds,
Where a Stone Age people breeds
The last of Europe's stone age race.
Has it held, the warm June weather?
Draining shallow sea-pools dry,
When we bicycled together
Down the bohreens fuchsia-high.
Till there rose, abrupt and lonely,
A ruined abbey, chancel only,
Lichen-crusted, time-befriended,
Soared the arches, splayed and splendid,
Romanesque against the sky.
There in pinnacled protection,
One extinguished family waits
A Church of Ireland resurrection
By the broken, rusty gates.
Sheepswool, straw and droppings cover,
Graves of spinster, rake and lover,
Whose fantastic mausoleum,
Sings its own seablown Te Deum,
In and out the slipping slates.
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Written by
Thomas Chatterton |
Recite the loves of Narva and Mored
The priest of Chalma's triple idol said.
High from the ground the youthful warriors sprung,
Loud on the concave shell the lances rung:
In all the mystic mazes of the dance,
The youths of Banny's burning sands advance,
Whilst the soft virgin panting looks behind,
And rides upon the pinions of the wind;
Ascends the mountain's brow, and measures round
The steepy cliffs of Chalma's sacred ground,
Chalma, the god whose noisy thunders fly
Thro' the dark covering of the midnight sky,
Whose arm directs the close-embattled host,
And sinks the labouring vessels on the coast;
Chalma, whose excellence is known from far;
From Lupa's rocky hill to Calabar.
The guardian god of Afric and the isles,
Where nature in her strongest vigour smiles;
Where the blue blossom of the forky thorn,
Bends with the nectar of the op'ning morn:
Where ginger's aromatic, matted root,
Creep through the mead, and up the mountains shoot.
Three times the virgin, swimming on the breeze,
Danc'd in the shadow of the mystic trees:
When, like a dark cloud spreading to the view,
The first-born sons of war and blood pursue;
Swift as the elk they pour along the plain;
Swift as the flying clouds distilling rain.
Swift as the boundings of the youthful row,
They course around, and lengthen as they go.
Like the long chain of rocks, whose summits rise,
Far in the sacred regions of the skies;
Upon whose top the black'ning tempest lours,
Whilst down its side the gushing torrent pours,
Like the long cliffy mountains which extend
From Lorbar's cave, to where the nations end,
Which sink in darkness, thick'ning and obscure,
Impenetrable, mystic, and impure;
The flying terrors of the war advance,
And round the sacred oak, repeat the dance.
Furious they twist around the gloomy trees,
Like leaves in autumn, twirling with the breeze.
So when the splendor of the dying day
Darts the red lustre of the watery way;
Sudden beneath Toddida's whistling brink,
The circling billows in wild eddies sink,
Whirl furious round, and the loud bursting wave
Sinks down to Chalma's sacerdotal cave,
Explores the palaces on Zira's coast,
Where howls the war-song of the chieftain's ghost;
Where the artificer in realms below,
Gilds the rich lance, or beautifies the bow;
From the young palm tree spins the useful twine,
Or makes the teeth of elephants divine.
Where the pale children of the feeble sun,
In search of gold, thro' every climate run:
From burning heat to freezing torments go,
And live in all vicissitudes of woe.
Like the loud eddies of Toddida's sea,
The warriors circle the mysterious tree:
'Till spent with exercise they spread around
Upon the op'ning blossoms of the ground.
The priestess rising, sings the sacred tale,
And the loud chorus echoes thro' the dale.
Priestess
Far from the burning sands of Calabar;
Far from the lustre of the morning star;
Far from the pleasure of the holy morn;
Far from the blessedness of Chalma's horn:
Now rests the souls of Narva and Mored,
Laid in the dust, and number'd with the dead.
Dear are their memories to us, and long,
Long shall their attributes be known in song.
Their lives were transient as the meadow flow'r.
Ripen'd in ages, wither'd in an hour.
Chalma, reward them in his gloomy cave,
And open all the prisons of the grave.
Bred to the service of the godhead's throne,
And living but to serve his God alone,
Narva was beauteous as the opening day
When on the spangling waves the sunbeams play,
When the mackaw, ascending to the sky,
Views the bright splendour with a steady eye.
Tall, as the house of Chalma's dark retreat;
Compact and firm, as Rhadal Ynca's fleet,
Completely beauteous as a summer's sun,
Was Narva, by his excellence undone.
Where the soft Togla creeps along the meads,
Thro' scented Calamus and fragrant reeds;
Where the sweet Zinsa spreads its matted bed
Liv'd the still sweeter flower, the young Mored;
Black was her face, as Togla's hidden cell;
Soft as the moss where hissing adders dwell.
As to the sacred court she brought a fawn,
The sportive tenant of the spicy lawn,
She saw and loved! and Narva too forgot
His sacred vestment and his mystic lot.
Long had the mutual sigh, the mutual tear,
Burst from the breast and scorn'd confinement there.
Existence was a torment! O my breast!
Can I find accents to unfold the rest!
Lock'd in each others arms, from Hyga's cave,
They plung'd relentless to a wat'ry grave;
And falling murmured to the powers above,
"Gods! take our lives, unless we live to love."
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