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Best Famous Vendor Poems

Here is a collection of the all-time best famous Vendor poems. This is a select list of the best famous Vendor poetry. Reading, writing, and enjoying famous Vendor poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of vendor poems.

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Written by Elizabeth Bishop | Create an image from this poem

The Burglar Of Babylon

 On the fair green hills of Rio
 There grows a fearful stain:
The poor who come to Rio
 And can't go home again.

On the hills a million people,
 A million sparrows, nest,
Like a confused migration
 That's had to light and rest,

Building its nests, or houses,
 Out of nothing at all, or air.
You'd think a breath would end them,
 They perch so lightly there.

But they cling and spread like lichen,
 And people come and come.
There's one hill called the Chicken,
 And one called Catacomb;

There's the hill of Kerosene,
 And the hill of Skeleton,
The hill of Astonishment,
 And the hill of Babylon.

Micuçú was a burglar and killer,
 An enemy of society.
He had escaped three times
 From the worst penitentiary.

They don't know how many he murdered
 (Though they say he never raped),
And he wounded two policemen
 This last time he escaped.

They said, "He'll go to his auntie,
 Who raised him like a son.
She has a little drink shop
 On the hill of Babylon."

He did go straight to his auntie,
 And he drank a final beer.
He told her, "The soldiers are coming,
 And I've got to disappear."

"Ninety years they gave me.
 Who wants to live that long?
I'll settle for ninety hours,
 On the hill of Babylon.

"Don't tell anyone you saw me.
 I'll run as long as I can.
You were good to me, and I love you,
 But I'm a doomed man."

Going out, he met a mulata
 Carrying water on her head.
"If you say you saw me, daughter,
 You're as good as dead."

There are caves up there, and hideouts,
 And an old fort, falling down.
They used to watch for Frenchmen
 From the hill of Babylon.

Below him was the ocean.
 It reached far up the sky,
Flat as a wall, and on it
 Were freighters passing by,

Or climbing the wall, and climbing
 Till each looked like a fly,
And then fell over and vanished;
 And he knew he was going to die.

He could hear the goats baa-baa-ing.
 He could hear the babies cry;
Fluttering kites strained upward;
 And he knew he was going to die.

A buzzard flapped so near him
 He could see its naked neck.
He waved his arms and shouted,
 "Not yet, my son, not yet!"

An Army helicopter
 Came nosing around and in.
He could see two men inside it,
 but they never spotted him.

The soldiers were all over,
 On all sides of the hill,
And right against the skyline
 A row of them, small and still.

Children peeked out of windows,
 And men in the drink shop swore,
And spat a little cachaça
 At the light cracks in the floor.

But the soldiers were nervous, even
 with tommy guns in hand,
And one of them, in a panic,
 Shot the officer in command.

He hit him in three places;
 The other shots went wild.
The soldier had hysterics
 And sobbed like a little child.

The dying man said, "Finish
 The job we came here for."
he committed his soul to God
 And his sons to the Governor.

They ran and got a priest,
 And he died in hope of Heaven
--A man from Pernambuco,
 The youngest of eleven.

They wanted to stop the search,
 but the Army said, "No, go on,"
So the soldiers swarmed again
 Up the hill of Babylon.

Rich people in apartments
 Watched through binoculars
As long as the daylight lasted.
 And all night, under the stars,

Micuçú hid in the grasses
 Or sat in a little tree,
Listening for sounds, and staring
 At the lighthouse out at sea.

And the lighthouse stared back at him,
 til finally it was dawn.
He was soaked with dew, and hungry,
 On the hill of Babylon.

The yellow sun was ugly,
 Like a raw egg on a plate--
Slick from the sea. He cursed it,
 For he knew it sealed his fate.

He saw the long white beaches
 And people going to swim,
With towels and beach umbrellas,
 But the soldiers were after him.

Far, far below, the people
 Were little colored spots,
And the heads of those in swimming
 Were floating coconuts.

He heard the peanut vendor
 Go peep-peep on his whistle,
And the man that sells umbrellas
 Swinging his watchman's rattle.

Women with market baskets
 Stood on the corners and talked,
Then went on their way to market,
 Gazing up as they walked.

The rich with their binoculars
 Were back again, and many
Were standing on the rooftops,
 Among TV antennae.

It was early, eight or eight-thirty.
 He saw a soldier climb,
Looking right at him. He fired,
 And missed for the last time.

He could hear the soldier panting,
 Though he never got very near.
Micuçú dashed for shelter.
 But he got it, behind the ear.

He heard the babies crying
 Far, far away in his head,
And the mongrels barking and barking.
 Then Micuçú was dead.

He had a Taurus revolver,
 And just the clothes he had on,
With two contos in the pockets,
 On the hill of Babylon.

The police and the populace
 Heaved a sigh of relief,
But behind the counter his auntie
 Wiped her eyes in grief.

"We have always been respected.
 My shop is honest and clean.
I loved him, but from a baby
 Micuçú was mean.

"We have always been respected.
 His sister has a job.
Both of us gave him money.
 Why did he have to rob?

"I raised him to be honest,
 Even here, in Babylon slum."
The customers had another,
 Looking serious and glum.

But one of them said to another,
 When he got outside the door,
"He wasn't much of a burglar,
 He got caught six times--or more."

This morning the little soldiers
 are on Babylon hill again;
Their gun barrels and helmets
 Shine in a gentle rain.

Micuçú is buried already.
 They're after another two,
But they say they aren't as dangerous
 As the poor Micuçú.


On the green hills of Rio
 There grows a fearful stain:
The poor who come to Rio
 And can't go home again.

There's the hill of Kerosene,
 And the hill of the Skeleton,
The hill of Astonishment,
 And the hill of Babylon.


Written by Fenny Sterenborg | Create an image from this poem

Noises

 I woke up this morning
with the city's noises
fusing into my dream
A pride of lions
roaring in anger
The traffic, it must have been

A hunter shouting something
but I probably heard a street vendor
For a moment, total silence
then a shot rings out in the wild
Perhaps a car's broken exhaust
or the toy pistol from a child

The noises slowly become familiar
as I slip out of my dream
I hear the neighbours coming in
through the walls
and I yawn in the dawn's early gleam

The old man from below
like every morning
is listening to the radio
The children from upstairs
screaming their lungs out
and there are people stumbling in the hallway
as they go about

But from the young couple next door
usually fighting, not a sound
Did they finally reconcile
or at long last break up
like they were bound

Suddenly the people in the hallway scream and run
I hear the panic in their voices
and hurry out of bed
As I look through the peephole
I see the guy from next door
his shirt, bloodshed red
and in his hand a gun

June 15, 2006

©2006 Fenny
Written by Amy Lowell | Create an image from this poem

The Paper Windmill

 The little boy pressed his face against the window-pane 
and looked out
at the bright sunshiny morning. The cobble-stones of 
the square
glistened like mica. In the trees, a breeze danced and 
pranced,
and shook drops of sunlight like falling golden coins into the brown 
water
of the canal. Down stream slowly drifted a long string 
of galliots
piled with crimson cheeses. The little boy thought they 
looked as if
they were roc's eggs, blocks of big ruby eggs. He said, 
"Oh!" with delight,
and pressed against the window with all his might.

The golden cock on the top of the `Stadhuis' gleamed. His 
beak was open
like a pair of scissors and a narrow piece of blue sky was wedged 
in it.
"Cock-a-doodle-do," cried the little boy. "Can't you 
hear me
through the window, Gold Cocky? Cock-a-doodle-do! You 
should crow
when you see the eggs of your cousin, the great roc." But 
the golden cock
stood stock still, with his fine tail blowing in the wind.
He could not understand the little boy, for he said "Cocorico"
when he said anything. But he was hung in the air to 
swing, not to sing.
His eyes glittered to the bright West wind, and the crimson cheeses
drifted away down the canal.

It was very dull there in the big room. Outside in the 
square, the wind
was playing tag with some fallen leaves. A man passed, 
with a dogcart
beside him full of smart, new milkcans. They rattled 
out a gay tune:
"Tiddity-tum-ti-ti. Have some milk for your tea. Cream 
for your coffee
to drink to-night, thick, and smooth, and sweet, and white,"
and the man's sabots beat an accompaniment: "Plop! trop! 
milk for your tea.
Plop! trop! drink it to-night." It was very pleasant 
out there,
but it was lonely here in the big room. The little boy 
gulped at a tear.

It was ***** how dull all his toys were. They were so 
still.
Nothing was still in the square. If he took his eyes 
away a moment
it had changed. The milkman had disappeared round the 
corner,
there was only an old woman with a basket of green stuff on her 
head,
picking her way over the shiny stones. But the wind pulled 
the leaves
in the basket this way and that, and displayed them to beautiful 
advantage.
The sun patted them condescendingly on their flat surfaces, and 
they seemed
sprinkled with silver. The little boy sighed as he looked 
at his disordered
toys on the floor. They were motionless, and their colours 
were dull.
The dark wainscoting absorbed the sun. There was none 
left for toys.

The square was quite empty now. Only the wind ran round 
and round it,
spinning. Away over in the corner where a street opened 
into the square,
the wind had stopped. Stopped running, that is, for it 
never
stopped spinning. It whirred, and whirled, and gyrated, 
and turned.
It burned like a great coloured sun. It hummed, and buzzed, 
and sparked,
and darted. There were flashes of blue, and long smearing 
lines of saffron,
and quick jabs of green. And over it all was a sheen 
like a myriad
cut diamonds. Round and round it went, the huge wind-wheel,
and the little boy's head reeled with watching it. The 
whole square
was filled with its rays, blazing and leaping round after one another,
faster and faster. The little boy could not speak, he 
could only gaze,
staring in amaze.

The wind-wheel was coming down the square. Nearer and 
nearer it came,
a great disk of spinning flame. It was opposite the window 
now,
and the little boy could see it plainly, but it was something more
than the wind which he saw. A man was carrying a huge 
fan-shaped frame
on his shoulder, and stuck in it were many little painted paper 
windmills,
each one scurrying round in the breeze. They were bright 
and beautiful,
and the sight was one to please anybody, and how much more a little 
boy
who had only stupid, motionless toys to enjoy.

The little boy clapped his hands, and his eyes danced and whizzed,
for the circling windmills made him dizzy. Closer and 
closer
came the windmill man, and held up his big fan to the little boy
in the window of the Ambassador's house. Only a pane 
of glass
between the boy and the windmills. They slid round before 
his eyes
in rapidly revolving splendour. There were wheels and 
wheels of colours --
big, little, thick, thin -- all one clear, perfect spin. The 
windmill vendor
dipped and raised them again, and the little boy's face was glued
to the window-pane. Oh! What a glorious, wonderful 
plaything!
Rings and rings of windy colour always moving! How had 
any one ever preferred
those other toys which never stirred. "Nursie, come quickly. Look!
I want a windmill. See! It is never still. You 
will buy me one, won't you?
I want that silver one, with the big ring of blue."

So a servant was sent to buy that one: silver, ringed 
with blue,
and smartly it twirled about in the servant's hands as he stood 
a moment
to pay the vendor. Then he entered the house, and in 
another minute
he was standing in the nursery door, with some crumpled paper on 
the end
of a stick which he held out to the little boy. "But 
I wanted a windmill
which went round," cried the little boy. "That is the 
one you asked for,
Master Charles," Nursie was a bit impatient, she had mending to 
do.
"See, it is silver, and here is the blue." "But it is 
only a blue streak,"
sobbed the little boy. "I wanted a blue ring, and this 
silver
doesn't sparkle." "Well, Master Charles, that is what 
you wanted,
now run away and play with it, for I am very busy."

The little boy hid his tears against the friendly window-pane. On 
the floor
lay the motionless, crumpled bit of paper on the end of its stick.
But far away across the square was the windmill vendor, with his 
big wheel
of whirring splendour. It spun round in a blaze like 
a whirling rainbow,
and the sun gleamed upon it, and the wind whipped it, until it seemed
a maze of spattering diamonds. "Cocorico!" crowed the 
golden cock
on the top of the `Stadhuis'. "That is something worth 
crowing for."
But the little boy did not hear him, he was sobbing over the crumpled
bit of paper on the floor.
Written by Denise Levertov | Create an image from this poem

From the Roof

 This wild night, gathering the washing as if it were flowers animal vines twisting over the line and
slapping my face lightly, soundless merriment
in the gesticulations of shirtsleeves,
I recall out of my joy a night of misery

walking in the dark and the wind over broken earth,
halfmade foundations and unfinished drainage trenches and the spaced-out circles of glaring light marking streets that were to be walking with you but so far from you, 

and now alone in October's first decision towards winter, so close to you-- my arms full of playful rebellious linen, a freighter going down-river two blocks away, outward bound, the green wolf-eyes of the Harborside Terminal glittering on the Jersey shore,
and a train somewhere under ground bringing you towards me to our new living-place from which we can see a river and its traffic (the Hudson and the hidden river, who can say which it is we see, we see something of both. Or who can say the crippled broom-vendor yesterday, who passed
just as we needed a new broom, was not one of the Hidden Ones?)
Crates of fruit are unloading
across the street on the cobbles,
and a brazier flaring
to warm the men and burn trash. He wished us
luck when we bought the broom. But not luck 
brought us here. By design

clean air and cold wind polish 
the river lights, by design
we are to live now in a new place.

Book: Radiant Verses: A Journey Through Inspiring Poetry