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Best Famous Vendor Poems

Here is a collection of the all-time best famous Vendor poems. This is a select list of the best famous Vendor poetry. Reading, writing, and enjoying famous Vendor poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of vendor poems.

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Written by Elizabeth Bishop | Create an image from this poem

The Burglar Of Babylon

 On the fair green hills of Rio
 There grows a fearful stain:
The poor who come to Rio
 And can't go home again.
On the hills a million people, A million sparrows, nest, Like a confused migration That's had to light and rest, Building its nests, or houses, Out of nothing at all, or air.
You'd think a breath would end them, They perch so lightly there.
But they cling and spread like lichen, And people come and come.
There's one hill called the Chicken, And one called Catacomb; There's the hill of Kerosene, And the hill of Skeleton, The hill of Astonishment, And the hill of Babylon.
Micuçú was a burglar and killer, An enemy of society.
He had escaped three times From the worst penitentiary.
They don't know how many he murdered (Though they say he never raped), And he wounded two policemen This last time he escaped.
They said, "He'll go to his auntie, Who raised him like a son.
She has a little drink shop On the hill of Babylon.
" He did go straight to his auntie, And he drank a final beer.
He told her, "The soldiers are coming, And I've got to disappear.
" "Ninety years they gave me.
Who wants to live that long? I'll settle for ninety hours, On the hill of Babylon.
"Don't tell anyone you saw me.
I'll run as long as I can.
You were good to me, and I love you, But I'm a doomed man.
" Going out, he met a mulata Carrying water on her head.
"If you say you saw me, daughter, You're as good as dead.
" There are caves up there, and hideouts, And an old fort, falling down.
They used to watch for Frenchmen From the hill of Babylon.
Below him was the ocean.
It reached far up the sky, Flat as a wall, and on it Were freighters passing by, Or climbing the wall, and climbing Till each looked like a fly, And then fell over and vanished; And he knew he was going to die.
He could hear the goats baa-baa-ing.
He could hear the babies cry; Fluttering kites strained upward; And he knew he was going to die.
A buzzard flapped so near him He could see its naked neck.
He waved his arms and shouted, "Not yet, my son, not yet!" An Army helicopter Came nosing around and in.
He could see two men inside it, but they never spotted him.
The soldiers were all over, On all sides of the hill, And right against the skyline A row of them, small and still.
Children peeked out of windows, And men in the drink shop swore, And spat a little cachaça At the light cracks in the floor.
But the soldiers were nervous, even with tommy guns in hand, And one of them, in a panic, Shot the officer in command.
He hit him in three places; The other shots went wild.
The soldier had hysterics And sobbed like a little child.
The dying man said, "Finish The job we came here for.
" he committed his soul to God And his sons to the Governor.
They ran and got a priest, And he died in hope of Heaven --A man from Pernambuco, The youngest of eleven.
They wanted to stop the search, but the Army said, "No, go on," So the soldiers swarmed again Up the hill of Babylon.
Rich people in apartments Watched through binoculars As long as the daylight lasted.
And all night, under the stars, Micuçú hid in the grasses Or sat in a little tree, Listening for sounds, and staring At the lighthouse out at sea.
And the lighthouse stared back at him, til finally it was dawn.
He was soaked with dew, and hungry, On the hill of Babylon.
The yellow sun was ugly, Like a raw egg on a plate-- Slick from the sea.
He cursed it, For he knew it sealed his fate.
He saw the long white beaches And people going to swim, With towels and beach umbrellas, But the soldiers were after him.
Far, far below, the people Were little colored spots, And the heads of those in swimming Were floating coconuts.
He heard the peanut vendor Go peep-peep on his whistle, And the man that sells umbrellas Swinging his watchman's rattle.
Women with market baskets Stood on the corners and talked, Then went on their way to market, Gazing up as they walked.
The rich with their binoculars Were back again, and many Were standing on the rooftops, Among TV antennae.
It was early, eight or eight-thirty.
He saw a soldier climb, Looking right at him.
He fired, And missed for the last time.
He could hear the soldier panting, Though he never got very near.
Micuçú dashed for shelter.
But he got it, behind the ear.
He heard the babies crying Far, far away in his head, And the mongrels barking and barking.
Then Micuçú was dead.
He had a Taurus revolver, And just the clothes he had on, With two contos in the pockets, On the hill of Babylon.
The police and the populace Heaved a sigh of relief, But behind the counter his auntie Wiped her eyes in grief.
"We have always been respected.
My shop is honest and clean.
I loved him, but from a baby Micuçú was mean.
"We have always been respected.
His sister has a job.
Both of us gave him money.
Why did he have to rob? "I raised him to be honest, Even here, in Babylon slum.
" The customers had another, Looking serious and glum.
But one of them said to another, When he got outside the door, "He wasn't much of a burglar, He got caught six times--or more.
" This morning the little soldiers are on Babylon hill again; Their gun barrels and helmets Shine in a gentle rain.
Micuçú is buried already.
They're after another two, But they say they aren't as dangerous As the poor Micuçú.
On the green hills of Rio There grows a fearful stain: The poor who come to Rio And can't go home again.
There's the hill of Kerosene, And the hill of the Skeleton, The hill of Astonishment, And the hill of Babylon.


Written by Fenny Sterenborg | Create an image from this poem

Noises

 I woke up this morning
with the city's noises
fusing into my dream
A pride of lions
roaring in anger
The traffic, it must have been

A hunter shouting something
but I probably heard a street vendor
For a moment, total silence
then a shot rings out in the wild
Perhaps a car's broken exhaust
or the toy pistol from a child

The noises slowly become familiar
as I slip out of my dream
I hear the neighbours coming in
through the walls
and I yawn in the dawn's early gleam

The old man from below
like every morning
is listening to the radio
The children from upstairs
screaming their lungs out
and there are people stumbling in the hallway
as they go about

But from the young couple next door
usually fighting, not a sound
Did they finally reconcile
or at long last break up
like they were bound

Suddenly the people in the hallway scream and run
I hear the panic in their voices
and hurry out of bed
As I look through the peephole
I see the guy from next door
his shirt, bloodshed red
and in his hand a gun

June 15, 2006

©2006 Fenny
Written by Amy Lowell | Create an image from this poem

The Paper Windmill

 The little boy pressed his face against the window-pane 
and looked out
at the bright sunshiny morning.
The cobble-stones of the square glistened like mica.
In the trees, a breeze danced and pranced, and shook drops of sunlight like falling golden coins into the brown water of the canal.
Down stream slowly drifted a long string of galliots piled with crimson cheeses.
The little boy thought they looked as if they were roc's eggs, blocks of big ruby eggs.
He said, "Oh!" with delight, and pressed against the window with all his might.
The golden cock on the top of the `Stadhuis' gleamed.
His beak was open like a pair of scissors and a narrow piece of blue sky was wedged in it.
"Cock-a-doodle-do," cried the little boy.
"Can't you hear me through the window, Gold Cocky? Cock-a-doodle-do! You should crow when you see the eggs of your cousin, the great roc.
" But the golden cock stood stock still, with his fine tail blowing in the wind.
He could not understand the little boy, for he said "Cocorico" when he said anything.
But he was hung in the air to swing, not to sing.
His eyes glittered to the bright West wind, and the crimson cheeses drifted away down the canal.
It was very dull there in the big room.
Outside in the square, the wind was playing tag with some fallen leaves.
A man passed, with a dogcart beside him full of smart, new milkcans.
They rattled out a gay tune: "Tiddity-tum-ti-ti.
Have some milk for your tea.
Cream for your coffee to drink to-night, thick, and smooth, and sweet, and white," and the man's sabots beat an accompaniment: "Plop! trop! milk for your tea.
Plop! trop! drink it to-night.
" It was very pleasant out there, but it was lonely here in the big room.
The little boy gulped at a tear.
It was ***** how dull all his toys were.
They were so still.
Nothing was still in the square.
If he took his eyes away a moment it had changed.
The milkman had disappeared round the corner, there was only an old woman with a basket of green stuff on her head, picking her way over the shiny stones.
But the wind pulled the leaves in the basket this way and that, and displayed them to beautiful advantage.
The sun patted them condescendingly on their flat surfaces, and they seemed sprinkled with silver.
The little boy sighed as he looked at his disordered toys on the floor.
They were motionless, and their colours were dull.
The dark wainscoting absorbed the sun.
There was none left for toys.
The square was quite empty now.
Only the wind ran round and round it, spinning.
Away over in the corner where a street opened into the square, the wind had stopped.
Stopped running, that is, for it never stopped spinning.
It whirred, and whirled, and gyrated, and turned.
It burned like a great coloured sun.
It hummed, and buzzed, and sparked, and darted.
There were flashes of blue, and long smearing lines of saffron, and quick jabs of green.
And over it all was a sheen like a myriad cut diamonds.
Round and round it went, the huge wind-wheel, and the little boy's head reeled with watching it.
The whole square was filled with its rays, blazing and leaping round after one another, faster and faster.
The little boy could not speak, he could only gaze, staring in amaze.
The wind-wheel was coming down the square.
Nearer and nearer it came, a great disk of spinning flame.
It was opposite the window now, and the little boy could see it plainly, but it was something more than the wind which he saw.
A man was carrying a huge fan-shaped frame on his shoulder, and stuck in it were many little painted paper windmills, each one scurrying round in the breeze.
They were bright and beautiful, and the sight was one to please anybody, and how much more a little boy who had only stupid, motionless toys to enjoy.
The little boy clapped his hands, and his eyes danced and whizzed, for the circling windmills made him dizzy.
Closer and closer came the windmill man, and held up his big fan to the little boy in the window of the Ambassador's house.
Only a pane of glass between the boy and the windmills.
They slid round before his eyes in rapidly revolving splendour.
There were wheels and wheels of colours -- big, little, thick, thin -- all one clear, perfect spin.
The windmill vendor dipped and raised them again, and the little boy's face was glued to the window-pane.
Oh! What a glorious, wonderful plaything! Rings and rings of windy colour always moving! How had any one ever preferred those other toys which never stirred.
"Nursie, come quickly.
Look! I want a windmill.
See! It is never still.
You will buy me one, won't you? I want that silver one, with the big ring of blue.
" So a servant was sent to buy that one: silver, ringed with blue, and smartly it twirled about in the servant's hands as he stood a moment to pay the vendor.
Then he entered the house, and in another minute he was standing in the nursery door, with some crumpled paper on the end of a stick which he held out to the little boy.
"But I wanted a windmill which went round," cried the little boy.
"That is the one you asked for, Master Charles," Nursie was a bit impatient, she had mending to do.
"See, it is silver, and here is the blue.
" "But it is only a blue streak," sobbed the little boy.
"I wanted a blue ring, and this silver doesn't sparkle.
" "Well, Master Charles, that is what you wanted, now run away and play with it, for I am very busy.
" The little boy hid his tears against the friendly window-pane.
On the floor lay the motionless, crumpled bit of paper on the end of its stick.
But far away across the square was the windmill vendor, with his big wheel of whirring splendour.
It spun round in a blaze like a whirling rainbow, and the sun gleamed upon it, and the wind whipped it, until it seemed a maze of spattering diamonds.
"Cocorico!" crowed the golden cock on the top of the `Stadhuis'.
"That is something worth crowing for.
" But the little boy did not hear him, he was sobbing over the crumpled bit of paper on the floor.
Written by Denise Levertov | Create an image from this poem

From the Roof

 This wild night, gathering the washing as if it were flowers animal vines twisting over the line and
slapping my face lightly, soundless merriment
in the gesticulations of shirtsleeves,
I recall out of my joy a night of misery

walking in the dark and the wind over broken earth,
halfmade foundations and unfinished drainage trenches and the spaced-out circles of glaring light marking streets that were to be walking with you but so far from you, 

and now alone in October's first decision towards winter, so close to you-- my arms full of playful rebellious linen, a freighter going down-river two blocks away, outward bound, the green wolf-eyes of the Harborside Terminal glittering on the Jersey shore,
and a train somewhere under ground bringing you towards me to our new living-place from which we can see a river and its traffic (the Hudson and the hidden river, who can say which it is we see, we see something of both.
Or who can say the crippled broom-vendor yesterday, who passed just as we needed a new broom, was not one of the Hidden Ones?) Crates of fruit are unloading across the street on the cobbles, and a brazier flaring to warm the men and burn trash.
He wished us luck when we bought the broom.
But not luck brought us here.
By design clean air and cold wind polish the river lights, by design we are to live now in a new place.

Book: Reflection on the Important Things