Written by
Allen Ginsberg |
Please master can I touch your cheeck
please master can I kneel at your feet
please master can I loosen your blue pants
please master can I gaze at your golden haired belly
please master can I have your thighs bare to my eyes
please master can I take off my clothes below your chair
please master can I can I kiss your ankles and soul
please master can I touch lips to your hard muscle hairless thigh
please master can I lay my ear pressed to your stomach
please master can I wrap my arms around your white ass
please master can I lick your groin gurled with blond soft fur
please master can I touch my tongue to your rosy *******
please master may I pass my face to your balls,
please master order me down on the floor,
please master tell me to lick your thick shaft
please master put your rough hands on my bald hairy skull
please master press my mouth to your prick-heart
please master press my face into your belly, pull me slowly strong thumbed
till your dumb hardness fills my throat to the base
till I swallow and taste your delicate flesh-hot prick barrel veined Please
Mater push my shoulders away and stare in my eyes, & make me bend over
the table
please master grab my thighs and lift my ass to your waist
please master your hand's rough stroke on my neck your palm down to my
backside
please master push me, my feet on chairs, till my hole feels the breath of
your spit and your thumb stroke
please master make my say Please Master **** me now Please
Master grease my balls and hairmouth with sweet vaselines
please master stroke your shaft with white creams
please master touch your cock head to my wrinkled self-hole
please master push it in gently, your elbows enwrapped round my breast
your arms passing down to my belly, my ***** you touch w/ your fingers
please master shove it in me a little, a little, a little,
please master sink your droor thing down my behind
& please master make me wiggle my rear to eat up the prick trunk
till my asshalfs cuddle your thighs, my back bent over,
till I'm alone sticking out, your sword stuck throbbing in me
please master pull out and slowly roll onto the bottom
please master lunge it again, and withdraw the tip
please please master **** me again with your self, please **** me Please
Master drive down till it hurts me the softness the
Softness please master make love to my ass, give body to center, & **** me
for good like a girl,
tenderly clasp me please master I take me to thee,
& drive in my belly your selfsame sweet heat-rood
you fingered in solitude Denver or Brooklyn or fucked in a maiden in Paris
carlots
please master drive me thy vehicle, body of love drops, sweat ****
body of tenderness, Give me your dogh **** faster
please master make me go moan on the table
Go moan O please master do **** me like that
in your rhythm thrill-plunge & pull-back-bounce & push down
till I loosen my ******* a dog on the table yelping with terror delight to be
loved
Please master call me a dog, an ass beast, a wet *******,
& **** me more violent, my eyes hid with your palms round my skull
& plunge down in a brutal hard lash thru soft drip-fish
& throb thru five seconds to spurt out your semen heat
over & over, bamming it in while I cry out your name I do love you
please Master.
May 1968
|
Written by
Emily Dickinson |
A little road not made of man,
Enabled of the eye,
Accessible to thill of bee,
Or cart of butterfly.
If town it have, beyond itself,
'T is that I cannot say;
I only sigh,--no vehicle
Bears me along that way.
|
Written by
James Tate |
A motorist once said to me,
and this was in the country,
on a county lane, a motorist
slowed his vehicle as I was
walking my dear old collie,
Sithney, by the side of the road,
and the motorist came to a halt
mildly alarming both Sithney and myself,
not yet accustomed to automobiles,
and this particular motorist
sent a little spasm of fright up our spines,
which in turn panicked the driver a bit
and it seemed as if we were off to a bad start,
and that's when Sithney began to bark
and the man could not be heard, that is,
if he was speaking or trying to speak
because I was commanding Sithnewy to be silent,
though, indeed I was sympathetic
to his emotional excitement.
It was, as I recall, a day of prodigious beauty.
April 21, 1932--clouds
like the inside of your head explained.
Bluebirds, too numerous to mention.
The clover calling you by name.
And fields oozing green.
And this motorist from nowhere
moving his lips
like the wings of a butterfly
and nothing coming out,
and Sithney silent now.
He was no longer looking at us,
but straight ahead
where his election was in doubt.
"That's a fine dog," he said.
"Collies are made in heaven.
"
Well, if I were a voting man I'd vote for you, I said.
"A bedoozling day to be lost in the country, I say.
Leastways, I am a misplaced individual.
"
We introduced ourselves
and swapped a few stories.
He was a veteran and a salesmen
who didn't believe in his product--
I've forgotten what it was--hair restorer,
parrot feed--and he enjoyed nothing more
then a a day spent meandering the back roads
in his jalopy.
I gave him directions
to the Denton farm, but I doubt
that he followed them, he didn't
seem to be listening, and it was getting late
and Sithney had an idea of his own
and I don't know why I am remembering this now,
just that he summed himself up by saying
"I've missed too many boats"
and all these years later
I keep thinking that was a man
who loved to miss boats,
but he didn't miss them that much.
|
Written by
Heather McHugh |
Too volatile, am I?too voluble?too much a word-person?
I blame the soup:I'm a primordially
stirred person.
Two pronouns and a vehicle was Icarus with wings.
The apparatus of his selves made an ab-
surd person.
The sound I make is sympathy's:sad dogs are tied afar.
But howling I become an ever more un-
heard person.
I need a hundred more of you to make a likelihood.
The mirror's not convincing-- that at-best in-
ferred person.
As time's revealing gets revolting, I start looking out.
Look in and what you see is one unholy
blurred person.
The only cure for birth one doesn't love to contemplate.
Better to be an unsung song, an unoc-
curred person.
McHugh, you'll be the death of me -- each self and second studied!
Addressing you like this, I'm halfway to the
third person.
|
Written by
Edward Taylor |
A motorist once said to me,
and this was in the country,
on a county lane, a motorist
slowed his vehicle as I was
walking my dear old collie,
Sithney, by the side of the road,
and the motorist came to a halt
mildly alarming both Sithney and myself,
not yet accustomed to automobiles,
and this particular motorist
sent a little spasm of fright up our spines,
which in turn panicked the driver a bit
and it seemed as if we were off to a bad start,
and that's when Sithney began to bark
and the man could not be heard, that is,
if he was speaking or trying to speak
because I was commanding Sithnewy to be silent,
though, indeed I was sympathetic
to his emotional excitement.
It was, as I recall, a day of prodigious beauty.
April 21, 1932--clouds
like the inside of your head explained.
Bluebirds, too numerous to mention.
The clover calling you by name.
And fields oozing green.
And this motorist from nowhere
moving his lips
like the wings of a butterfly
and nothing coming out,
and Sithney silent now.
He was no longer looking at us,
but straight ahead
where his election was in doubt.
"That's a fine dog," he said.
"Collies are made in heaven.
"
Well, if I were a voting man I'd vote for you, I said.
"A bedoozling day to be lost in the country, I say.
Leastways, I am a misplaced individual.
"
We introduced ourselves
and swapped a few stories.
He was a veteran and a salesmen
who didn't believe in his product--
I've forgotten what it was--hair restorer,
parrot feed--and he enjoyed nothing more
then a a day spent meandering the back roads
in his jalopy.
I gave him directions
to the Denton farm, but I doubt
that he followed them, he didn't
seem to be listening, and it was getting late
and Sithney had an idea of his own
and I don't know why I am remembering this now,
just that he summed himself up by saying
"I've missed too many boats"
and all these years later
I keep thinking that was a man
who loved to miss boats,
but he didn't miss them that much.
|
Written by
Bertolt Brecht |
AMONGST THE HIGHLY PLACED
It is considered low to talk about food.
The fact is: they have
Already eaten.
The lowly must leave this earth
Without having tasted
Any good meat.
For wondering where they come from and
Where they are going
The fine evenings find them
Too exhausted.
They have not yet seen
The mountains and the great sea
When their time is already up.
If the lowly do not
Think about what's low
They will never rise.
THE BREAD OF THE HUNGRY HAS
ALL BEEN EATEN
Meat has become unknown.
Useless
The pouring out of the people's sweat.
The laurel groves have been
Lopped down.
From the chimneys of the arms factories
Rises smoke.
THE HOUSE-PAINTER SPEAKS OF
GREAT TIMES TO COME
The forests still grow.
The fields still bear
The cities still stand.
The people still breathe.
ON THE CALENDAR THE DAY IS NOT
YET SHOWN
Every month, every day
Lies open still.
One of those days
Is going to be marked with a cross.
THE WORKERS CRY OUT FOR BREAD
The merchants cry out for markets.
The unemployed were hungry.
The employed
Are hungry now.
The hands that lay folded are busy again.
They are making shells.
THOSE WHO TAKE THE MEAT FROM THE TABLE
Teach contentment.
Those for whom the contribution is destined
Demand sacrifice.
Those who eat their fill speak to the hungry
Of wonderful times to come.
Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.
WHEN THE LEADERS SPEAK OF PEACE
The common folk know
That war is coming.
When the leaders curse war
The mobilization order is already written out.
THOSE AT THE TOP SAY: PEACE
AND WAR
Are of different substance.
But their peace and their war
Are like wind and storm.
War grows from their peace
Like son from his mother
He bears
Her frightful features.
Their war kills
Whatever their peace
Has left over.
ON THE WALL WAS CHALKED:
They want war.
The man who wrote it
Has already fallen.
THOSE AT THE TOP SAY:
This way to glory.
Those down below say:
This way to the grave.
THE WAR WHICH IS COMING
Is not the first one.
There were
Other wars before it.
When the last one came to an end
There were conquerors and conquered.
Among the conquered the common people
Starved.
Among the conquerors
The common people starved too.
THOSE AT THE TOP SAY COMRADESHIP
Reigns in the army.
The truth of this is seen
In the cookhouse.
In their hearts should be
The selfsame courage.
But
On their plates
Are two kinds of rations.
WHEN IT COMES TO MARCHING MANY DO NOT
KNOW
That their enemy is marching at their head.
The voice which gives them their orders
Is their enemy's voice and
The man who speaks of the enemy
Is the enemy himself.
IT IS NIGHT
The married couples
Lie in their beds.
The young women
Will bear orphans.
GENERAL, YOUR TANK IS A POWERFUL VEHICLE
It smashes down forests and crushes a hundred men.
But it has one defect:
It needs a driver.
General, your bomber is powerful.
It flies faster than a storm and carries more than an elephant.
But it has one defect:
It needs a mechanic.
General, man is very useful.
He can fly and he can kill.
But he has one defect:
He can think.
|
Written by
Ellis Parker Butler |
You have heard of the wonderful one-hoss shay
That was built in such a logical way
It ran a hundred years to a day.
And then, of a sudden, it up and bust,
And all that was left was a mound of dust?
Holmes—O.
W.
—told it well
In a rhyme of his—what there was to tell—
But the one-hoss shay wasn’t “one, two, three”
With a vehicle once belonged to me.
One hoss? No, sir! Not six nor nine—
Twenty there were in this rig of mine!
Twenty hosses as tough as rocks,
All caged up in a sort of box
That stood jist back of the forward wheels!
Right! She was one of those automobiles
With twenty hosses bottled inside—
Hosses that not only pull but ride!
Wonder what Holmes would have had to say
If the mare had rode in his one-hoss shay!
I reckon the shay would have logicked out
Before the century rolled about.
Well, this big touring car, I say,
Was built just like the one-hoss shay—
Some dependable, logical way—
Flipflaps, dujabs, wheels and things,
Levers, thing-gum-bobs and springs,
Hub, and felloe, and hoss-power chest—
One part just as strong as the rest;
So “logic is logic,” as Holmes would say,
And no one part could first give way.
Wonderful vehicle, you’ll admit,
With not one flaw in the whole of it;
As long as I had it, I declare
I hadn’t one cent to pay for repair,
It couldn’t break down because, you see,
It was such a logical symphony.
Now for my tale.
We’re not so slow
These days as a hundred years ago,
And it’s like enough that the one-hoss shay,
Ambling along in its sleepy way,
Should creep a century ‘thout a break,
But nowadays we aim to make
A pace that is something like a pace,
And if that old shay got in our race
It would stand the pressure twenty days
And go to the home of played-out shays.
“Logic is logic.
” Just figure this out—
For I know just what I’m talking about:—
If a one-hoss vehicle, genus shays,
Will stand our pressure twenty days,
Then, vice versa, a twenty-hoss shay
Should stand the pressure just one day;—
Well, mine is a logical automobile,
From rubber tire to steering wheel.
I bought it one morning at just 10.
42,
And the very next morning what did it do,
Right on the second, but up and bust!
Talk of the old shay’s pile of dust—
That’s not logical; my mobile
Vanished completely! Brass and steel,
Iron and wood and rubber tire
Went right up in a gush of fire,
And in half a minute a gassy smell
Was all I had left by which to tell
I ever owned a touring car,—
And then that vanished, and there you are!
End of my twenty hoss-power shay.
Logic is logic.
That’s all I say.
|
Written by
Bertolt Brecht |
AMONGST THE HIGHLY PLACED
It is considered low to talk about food.
The fact is: they have
Already eaten.
The lowly must leave this earth
Without having tasted
Any good meat.
For wondering where they come from and
Where they are going
The fine evenings find them
Too exhausted.
They have not yet seen
The mountains and the great sea
When their time is already up.
If the lowly do not
Think about what's low
They will never rise.
THE BREAD OF THE HUNGRY HAS
ALL BEEN EATEN
Meat has become unknown.
Useless
The pouring out of the people's sweat.
The laurel groves have been
Lopped down.
From the chimneys of the arms factories
Rises smoke.
THE HOUSE-PAINTER SPEAKS OF
GREAT TIMES TO COME
The forests still grow.
The fields still bear
The cities still stand.
The people still breathe.
ON THE CALENDAR THE DAY IS NOT
YET SHOWN
Every month, every day
Lies open still.
One of those days
Is going to be marked with a cross.
THE WORKERS CRY OUT FOR BREAD
The merchants cry out for markets.
The unemployed were hungry.
The employed
Are hungry now.
The hands that lay folded are busy again.
They are making shells.
THOSE WHO TAKE THE MEAT FROM THE TABLE
Teach contentment.
Those for whom the contribution is destined
Demand sacrifice.
Those who eat their fill speak to the hungry
Of wonderful times to come.
Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.
WHEN THE LEADERS SPEAK OF PEACE
The common folk know
That war is coming.
When the leaders curse war
The mobilization order is already written out.
THOSE AT THE TOP SAY: PEACE
AND WAR
Are of different substance.
But their peace and their war
Are like wind and storm.
War grows from their peace
Like son from his mother
He bears
Her frightful features.
Their war kills
Whatever their peace
Has left over.
ON THE WALL WAS CHALKED:
They want war.
The man who wrote it
Has already fallen.
THOSE AT THE TOP SAY:
This way to glory.
Those down below say:
This way to the grave.
THE WAR WHICH IS COMING
Is not the first one.
There were
Other wars before it.
When the last one came to an end
There were conquerors and conquered.
Among the conquered the common people
Starved.
Among the conquerors
The common people starved too.
THOSE AT THE TOP SAY COMRADESHIP
Reigns in the army.
The truth of this is seen
In the cookhouse.
In their hearts should be
The selfsame courage.
But
On their plates
Are two kinds of rations.
WHEN IT COMES TO MARCHING MANY DO NOT
KNOW
That their enemy is marching at their head.
The voice which gives them their orders
Is their enemy's voice and
The man who speaks of the enemy
Is the enemy himself.
IT IS NIGHT
The married couples
Lie in their beds.
The young women
Will bear orphans.
GENERAL, YOUR TANK IS A POWERFUL VEHICLE
It smashes down forests and crushes a hundred men.
But it has one defect:
It needs a driver.
General, your bomber is powerful.
It flies faster than a storm and carries more than an elephant.
But it has one defect:
It needs a mechanic.
General, man is very useful.
He can fly and he can kill.
But he has one defect:
He can think.
|
Written by
Les Murray |
Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts
to buy the vehicle back and repair its image.
Sprawl is doing your farm work by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten dollar notes:
that's idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million dollar deeds.
Sprawl lengthens the legs; it trains greyhounds on liver and beer.
Sprawl almost never says, Why not?, with palms comically raised
nor can it be dressed for, not even in running shoes worn
with mink and a nose ring.
That is Society.
That's Style.
Sprawl is more like the thirteenth banana in a dozen
or anyway the fourteenth.
Sprawl is Hank Stamper in Never Give an Inch
bisecting an obstructive official's desk with a chain saw.
Not harming the official.
Sprawl is never brutal,
though it's often intransigent.
Sprawl is never Simon de Montfort
at a town-storming: Kill them all! God will know His own.
Knowing the man's name this was said to might be sprawl.
Sprawl occurs in art.
The fifteenth to twenty-first
lines in a sonnet, for example.
And in certain paintings.
I have sprawl enough to have forgotten which paintings.
Turner's glorious Burning of the Houses of Parliament
comes to mind, a doubling bannered triumph of sprawl -
except he didn't fire them.
Sprawl gets up the noses of many kinds of people
(every kind that comes in kinds) whose futures don't include it.
Some decry it as criminal presumption, silken-robed Pope Alexander
dividing the new world between Spain and Portugal.
If he smiled in petto afterwards, perhaps the thing did have sprawl.
Sprawl is really classless, though.
It is John Christopher Frederick Murray
asleep in his neighbours' best bed in spurs and oilskins,
but not having thrown up:
sprawl is never Calum, who, in the loud hallway of our house
reinvented the Festoon.
Rather
it's Beatrice Miles going twelve hundred ditto in a taxi,
No Lewd Advances, no Hitting Animals, no Speeding,
on the proceeds of her two-bob-a-sonnet Shakespeare readings.
An image of my country.
And would thatit were more so.
No, sprawl is full gloss murals on a council-house wall.
Sprawl leans on things.
It is loose-limbed in its mind.
Reprimanded and dismissed,
it listens with a grin and one boot up on the rail
of possibility.
It may have to leave the Earth.
Being roughly Christian, it scratches the other cheek
And thinks it unlikely.
Though people have been shot for sprawl.
|
Written by
Aleister Crowley |
Hear me, Lord of the Stars!
For thee I have worshipped ever
With stains and sorrows and scars,
With joyful, joyful endeavour.
Hear me, O lily-white goat!
O crisp as a thicket of thorns,
With a collar of gold for Thy throat,
A scarlet bow for Thy horns!
Here, in the dusty air,
I build Thee a shrine of yew.
All green is the garland I wear,
But I feed it with blood for dew!
After the orange bars
That ribbed the green west dying
Are dead, O Lord of the Stars,
I come to Thee, come to Thee crying.
The ambrosial moon that arose
With breasts slow heaving in splendour
Drops wine from her infinite snows.
Ineffably, utterly, tender.
O moon! ambrosial moon!
Arise on my desert of sorrow
That the Magical eyes of me swoon
With lust of rain to-morrow!
Ages and ages ago
I stood on the bank of a river
Holy and Holy and holy, I know,
For ever and ever and ever!
A priest in the mystical shrine
I muttered a redeless rune,
Till the waters were redder than wine
In the blush of the harlot moon.
I and my brother priests
Worshipped a wonderful woman
With a body lithe as a beast's
Subtly, horribly human.
Deep in the pit of her eyes
I saw the image of death,
And I drew the water of sighs
From the well of her lullaby breath.
She sitteth veiled for ever
Brooding over the waste.
She hath stirred or spoken never.
She is fiercely, manly chaste!
What madness made me awake
From the silence of utmost eld
The grey cold slime of the snake
That her poisonous body held?
By night I ravished a maid
From her father's camp to the cave.
I bared the beautiful blade;
I dipped her thrice i' the wave;
I slit her throat as a lamb's,
That the fount of blood leapt high
With my clamorous dithyrambs
Like a stain on the shield of the sky.
With blood and censer and song
I rent the mysterious veil:
My eyes gaze long and long
On the deep of that blissful bale.
My cold grey kisses awake
From the silence of utmost eld
The grey cold slime of the snake
That her beautiful body held.
But --- God! I was not content
With the blasphemous secret of years;
The veil is hardly rent
While the eyes rain stones for tears.
So I clung to the lips and laughed
As the storms of death abated,
The storms of the grevious graft
By the swing of her soul unsated.
Wherefore reborn as I am
By a stream profane and foul
In the reign of a Tortured Lamb,
In the realm of a sexless Owl,
I am set apart from the rest
By meed of the mystic rune
That reads in peril and pest
The ambrosial moon --- the moon!
For under the tawny star
That shines in the Bull above
I can rein the riotous car
Of galloping, galloping Love;
And straight to the steady ray
Of the Lion-heart Lord I career,
Pointing my flaming way
With the spasm of night for a spear!
O moon! O secret sweet!
Chalcedony clouds of caresses
About the flame of our feet,
The night of our terrible tresses!
Is it a wonder, then,
If the people are mad with blindness,
And nothing is stranger to men
Than silence, and wisdom, and kindness?
Nay! let him fashion an arrow
Whose heart is sober and stout!
Let him pierce his God to the marrow!
Let the soul of his God flow out!
Whether a snake or a sun
In his horoscope Heaven hath cast,
It is nothing; every one
Shall win to the moon at last.
The mage hath wrought by his art
A billion shapes in the sun.
Look through to the heart of his heart,
And the many are shapes of one!
An end to the art of the mage,
And the cold grey blank of the prison!
An end to the adamant age!
The ambrosial moon is arisen.
I have bought a lily-white goat
For the price of a crown of thorns,
A collar of gold for its throat,
A scarlet bow for its horns.
I have bought a lark in the lift
For the price of a butt of sherry:
With these, and God for a gift,
It needs no wine to be merry!
I have bought for a wafer of bread
A garden of poppies and clover;
For a water bitter and dead
A foam of fire flowing over.
From the Lamb and his prison fare
And the owl's blind stupor, arise
Be ye wise, and strong, and fair,
And the nectar afloat in your eyes!
Arise, O ambrosial moon
By the strong immemorial spell,
By the subtle veridical rune
That is mighty in heaven and hell!
Drip thy mystical dews
On the tongues of the tender fauns
In the shade of initiate yews
Remote from the desert dawns!
Satyrs and Fauns, I call.
Bring your beauty to man!
I am the mate for ye all'
I am the passionate Pan.
Come, O come to the dance
Leaping with wonderful whips,
Life on the stroke of a glance,
Death in the stroke of the lips!
I am hidden beyond,
Shed in a secret sinew
Smitten through by the fond
Folly of wisdom in you!
Come, while the moon (the moon!)
Sheds her ambrosial splendour,
Reels in the redeless rune
Ineffably, utterly, tender!
Hark! the appealing cry
Of deadly hurt in the hollow: ---
Hyacinth! Hyacinth! Ay!
Smitten to death by Apollo.
Swift, O maiden moon,
Send thy ray-dews after;
Turn the dolorous tune
To soft ambiguous laughter!
Mourn, O Maenads, mourn!
Surely your comfort is over:
All we laugh at you lorn.
Ours are the poppies and clover!
O that mouth and eyes,
Mischevious, male, alluring!
O that twitch of the thighs
Dorian past enduring!
Where is wisdom now?
Where the sage and his doubt?
Surely the sweat of the brow
Hath driven the demon out.
Surely the scented sleep
That crowns the equal war
Is wiser than only to weep ---
To weep for evermore!
Now, at the crown of the year,
The decadent days of October,
I come to thee, God, without fear;
Pious, chaste, and sober.
I solemnly sacrifice
This first-fruit flower of wine
For a vehicle of thy vice
As I am Thine to be mine.
For five in the year gone by
I pray Thee give to me one;
A love stronger than I,
A moon to swallow the sun!
May he be like a lily-white goat
Crisp as a thicket of thorns,
With a collar of gold for his throat,
A scarlet bow for his horns!
|