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Best Famous Vanities Poems

Here is a collection of the all-time best famous Vanities poems. This is a select list of the best famous Vanities poetry. Reading, writing, and enjoying famous Vanities poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of vanities poems.

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Written by Edgar Allan Poe | Create an image from this poem

Tamerlane

 Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
I would not call thee fool, old man,
But such is not a gift of thine.
Know thou the secret of a spirit Bow'd from its wild pride into shame.
O yearning heart! I did inherit Thy withering portion with the fame, The searing glory which hath shone Amid the jewels of my throne, Halo of Hell! and with a pain Not Hell shall make me fear again- O craving heart, for the lost flowers And sunshine of my summer hours! The undying voice of that dead time, With its interminable chime, Rings, in the spirit of a spell, Upon thy emptiness- a knell.
I have not always been as now: The fever'd diadem on my brow I claim'd and won usurpingly- Hath not the same fierce heirdom given Rome to the Caesar- this to me? The heritage of a kingly mind, And a proud spirit which hath striven Triumphantly with human kind.
On mountain soil I first drew life: The mists of the Taglay have shed Nightly their dews upon my head, And, I believe, the winged strife And tumult of the headlong air Have nestled in my very hair.
So late from Heaven- that dew- it fell (Mid dreams of an unholy night) Upon me with the touch of Hell, While the red flashing of the light From clouds that hung, like banners, o'er, Appeared to my half-closing eye The pageantry of monarchy, And the deep trumpet-thunder's roar Came hurriedly upon me, telling Of human battle, where my voice, My own voice, silly child!- was swelling (O! how my spirit would rejoice, And leap within me at the cry) The battle-cry of Victory! The rain came down upon my head Unshelter'd- and the heavy wind Rendered me mad and deaf and blind.
It was but man, I thought, who shed Laurels upon me: and the rush- The torrent of the chilly air Gurgled within my ear the crush Of empires- with the captive's prayer- The hum of suitors- and the tone Of flattery 'round a sovereign's throne.
My passions, from that hapless hour, Usurp'd a tyranny which men Have deem'd, since I have reach'd to power, My innate nature- be it so: But father, there liv'd one who, then, Then- in my boyhood- when their fire Burn'd with a still intenser glow, (For passion must, with youth, expire) E'en then who knew this iron heart In woman's weakness had a part.
I have no words- alas!- to tell The loveliness of loving well! Nor would I now attempt to trace The more than beauty of a face Whose lineaments, upon my mind, Are- shadows on th' unstable wind: Thus I remember having dwelt Some page of early lore upon, With loitering eye, till I have felt The letters- with their meaning- melt To fantasies- with none.
O, she was worthy of all love! Love- as in infancy was mine- 'Twas such as angel minds above Might envy; her young heart the shrine On which my every hope and thought Were incense- then a goodly gift, For they were childish and upright- Pure- as her young example taught: Why did I leave it, and, adrift, Trust to the fire within, for light? We grew in age- and love- together, Roaming the forest, and the wild; My breast her shield in wintry weather- And when the friendly sunshine smil'd, And she would mark the opening skies, I saw no Heaven- but in her eyes.
Young Love's first lesson is- the heart: For 'mid that sunshine, and those smiles, When, from our little cares apart, And laughing at her girlish wiles, I'd throw me on her throbbing breast, And pour my spirit out in tears- There was no need to speak the rest- No need to quiet any fears Of her- who ask'd no reason why, But turn'd on me her quiet eye! Yet more than worthy of the love My spirit struggled with, and strove, When, on the mountain peak, alone, Ambition lent it a new tone- I had no being- but in thee: The world, and all it did contain In the earth- the air- the sea- Its joy- its little lot of pain That was new pleasure- the ideal, Dim vanities of dreams by night- And dimmer nothings which were real- (Shadows- and a more shadowy light!) Parted upon their misty wings, And, so, confusedly, became Thine image, and- a name- a name! Two separate- yet most intimate things.
I was ambitious- have you known The passion, father? You have not: A cottager, I mark'd a throne Of half the world as all my own, And murmur'd at such lowly lot- But, just like any other dream, Upon the vapour of the dew My own had past, did not the beam Of beauty which did while it thro' The minute- the hour- the day- oppress My mind with double loveliness.
We walk'd together on the crown Of a high mountain which look'd down Afar from its proud natural towers Of rock and forest, on the hills- The dwindled hills! begirt with bowers, And shouting with a thousand rills.
I spoke to her of power and pride, But mystically- in such guise That she might deem it nought beside The moment's converse; in her eyes I read, perhaps too carelessly- A mingled feeling with my own- The flush on her bright cheek, to me Seem'd to become a queenly throne Too well that I should let it be Light in the wilderness alone.
I wrapp'd myself in grandeur then, And donn'd a visionary crown- Yet it was not that Fantasy Had thrown her mantle over me- But that, among the rabble- men, Lion ambition is chained down- And crouches to a keeper's hand- Not so in deserts where the grand- The wild- the terrible conspire With their own breath to fan his fire.
Look 'round thee now on Samarcand! Is not she queen of Earth? her pride Above all cities? in her hand Their destinies? in all beside Of glory which the world hath known Stands she not nobly and alone? Falling- her veriest stepping-stone Shall form the pedestal of a throne- And who her sovereign? Timour- he Whom the astonished people saw Striding o'er empires haughtily A diadem'd outlaw! O, human love! thou spirit given On Earth, of all we hope in Heaven! Which fall'st into the soul like rain Upon the Siroc-wither'd plain, And, failing in thy power to bless, But leav'st the heart a wilderness! Idea! which bindest life around With music of so strange a sound, And beauty of so wild a birth- Farewell! for I have won the Earth.
When Hope, the eagle that tower'd, could see No cliff beyond him in the sky, His pinions were bent droopingly- And homeward turn'd his soften'd eye.
'Twas sunset: when the sun will part There comes a sullenness of heart To him who still would look upon The glory of the summer sun.
That soul will hate the ev'ning mist, So often lovely, and will list To the sound of the coming darkness (known To those whose spirits hearken) as one Who, in a dream of night, would fly But cannot from a danger nigh.
What tho' the moon- the white moon Shed all the splendour of her noon, Her smile is chilly, and her beam, In that time of dreariness, will seem (So like you gather in your breath) A portrait taken after death.
And boyhood is a summer sun Whose waning is the dreariest one- For all we live to know is known, And all we seek to keep hath flown- Let life, then, as the day-flower, fall With the noon-day beauty- which is all.
I reach'd my home- my home no more For all had flown who made it so.
I pass'd from out its mossy door, And, tho' my tread was soft and low, A voice came from the threshold stone Of one whom I had earlier known- O, I defy thee, Hell, to show On beds of fire that burn below, A humbler heart- a deeper woe.
Father, I firmly do believe- I know- for Death, who comes for me From regions of the blest afar, Where there is nothing to deceive, Hath left his iron gate ajar, And rays of truth you cannot see Are flashing thro' Eternity- I do believe that Eblis hath A snare in every human path- Else how, when in the holy grove I wandered of the idol, Love, Who daily scents his snowy wings With incense of burnt offerings From the most unpolluted things, Whose pleasant bowers are yet so riven Above with trellis'd rays from Heaven, No mote may shun- no tiniest fly- The lightning of his eagle eye- How was it that Ambition crept, Unseen, amid the revels there, Till growing bold, he laughed and leapt In the tangles of Love's very hair?


Written by Billy Collins | Create an image from this poem

Shoveling Snow With Buddha

 In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
Sitting is more his speed, if that is the word for what he does, or does not do.
Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid? Is this not implied by his serene expression, that smile so wide it wraps itself around the waist of the universe? But here we are, working our way down the driveway, one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear and become lost to each other in these sudden clouds of our own making, these fountain-bursts of snow.
This is so much better than a sermon in church, I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow, and sunlight and winter geese barking in the sky, I say, but he is too busy to hear me.
He has thrown himself into shoveling snow as if it were the purpose of existence, as if the sign of a perfect life were a clear driveway you could back the car down easily and drive off into the vanities of the world with a broken heater fan and a song on the radio.
All morning long we work side by side, me with my commentary and he inside his generous pocket of silence, until the hour is nearly noon and the snow is piled high all around us; then, I hear him speak.
After this, he asks, can we go inside and play cards? Certainly, I reply, and I will heat some milk and bring cups of hot chocolate to the table while you shuffle the deck.
and our boots stand dripping by the door.
Aaah, says the Buddha, lifting his eyes and leaning for a moment on his shovel before he drives the thin blade again deep into the glittering white snow.
Written by Christina Rossetti | Create an image from this poem

The Three Enemies

 THE FLESH

"Sweet, thou art pale.
" "More pale to see, Christ hung upon the cruel tree And bore His Father's wrath for me.
" "Sweet, thou art sad.
" "Beneath a rod More heavy, Christ for my sake trod The winepress of the wrath of God.
" "Sweet, thou art weary.
" "Not so Christ: Whose mighty love of me suffic'd For Strength, Salvation, Eucharist.
" "Sweet, thou art footsore.
" "If I bleed, His feet have bled; yea in my need His Heart once bled for mine indeed.
" THE WORLD "Sweet, thou art young.
" "So He was young Who for my sake in silence hung Upon the Cross with Passion wrung.
" "Look, thou art fair.
" "He was more fair Than men, Who deign'd for me to wear A visage marr'd beyond compare.
" "And thou hast riches.
" "Daily bread: All else is His: Who, living, dead, For me lack'd where to lay His Head.
" "And life is sweet.
" "It was not so To Him, Whose Cup did overflow With mine unutterable woe.
" THE DEVIL "Thou drinkest deep.
" "When Christ would sup He drain'd the dregs from out my cup: So how should I be lifted up?" "Thou shalt win Glory.
" "In the skies, Lord Jesus, cover up mine eyes Lest they should look on vanities.
" "Thou shalt have Knowledge.
" "Helpless dust! In Thee, O Lord, I put my trust: Answer Thou for me, Wise and Just.
" "And Might.
"-- "Get thee behind me.
Lord, Who hast redeem'd and not abhorr'd My soul, oh keep it by Thy Word.
"
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Gerontion

 Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.
HERE I am, an old man in a dry month, Being read to by a boy, waiting for rain.
I was neither at the hot gates Nor fought in the warm rain Nor knee deep in the salt marsh, heaving a cutlass, Bitten by flies, fought.
My house is a decayed house, And the jew squats on the window sill, the owner, Spawned in some estaminet of Antwerp, Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead; Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea, Sneezes at evening, poking the peevish gutter.
I an old man, A dull head among windy spaces.
Signs are taken for wonders.
“We would see a sign!” The word within a word, unable to speak a word, Swaddled with darkness.
In the juvescence of the year Came Christ the tiger In depraved May, dogwood and chestnut, flowering judas, To be eaten, to be divided, to be drunk Among whispers; by Mr.
Silvero With caressing hands, at Limoges Who walked all night in the next room; By Hakagawa, bowing among the Titians; By Madame de Tornquist, in the dark room Shifting the candles; Fräulein von Kulp Who turned in the hall, one hand on the door.
Vacant shuttles Weave the wind.
I have no ghosts, An old man in a draughty house Under a windy knob.
After such knowledge, what forgiveness? Think now History has many cunning passages, contrived corridors And issues, deceives with whispering ambitions, Guides us by vanities.
Think now She gives when our attention is distracted And what she gives, gives with such supple confusions That the giving famishes the craving.
Gives too late What’s not believed in, or if still believed, In memory only, reconsidered passion.
Gives too soon Into weak hands, what’s thought can be dispensed with Till the refusal propagates a fear.
Think Neither fear nor courage saves us.
Unnatural vices Are fathered by our heroism.
Virtues Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.
The tiger springs in the new year.
Us he devours.
Think at last We have not reached conclusion, when I Stiffen in a rented house.
Think at last I have not made this show purposelessly And it is not by any concitation Of the backward devils I would meet you upon this honestly.
I that was near your heart was removed therefrom To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it Since what is kept must be adulterated? I have lost my sight, smell, hearing, taste and touch: How should I use them for your closer contact? These with a thousand small deliberations Protract the profit of their chilled delirium, Excite the membrane, when the sense has cooled, With pungent sauces, multiply variety In a wilderness of mirrors.
What will the spider do, Suspend its operations, will the weevil Delay? De Bailhache, Fresca, Mrs.
Cammel, whirled Beyond the circuit of the shuddering Bear In fractured atoms.
Gull against the wind, in the windy straits Of Belle Isle, or running on the Horn, White feathers in the snow, the Gulf claims, And an old man driven by the Trades To a sleepy corner.
Tenants of the house, Thoughts of a dry brain in a dry season.
Written by Rupert Brooke | Create an image from this poem

Ante Aram

 Before thy shrine I kneel, an unknown worshipper,
Chanting strange hymns to thee and sorrowful litanies,
Incense of dirges, prayers that are as holy myrrh.
Ah, goddess, on thy throne of tears and faint low sighs, Weary at last to theeward come the feet that err, And empty hearts grown tired of the world's vanities.
How fair this cool deep silence to a wanderer Deaf with the roar of winds along the open skies! Sweet, after sting and bitter kiss of sea-water, The pale Lethean wine within thy chalices! I come before thee, I, too tired wanderer, To heed the horror of the shrine, the distant cries, And evil whispers in the gloom, or the swift whirr Of terrible wings -- I, least of all thy votaries, With a faint hope to see the scented darkness stir, And, parting, frame within its quiet mysteries One face, with lips than autumn-lilies tenderer, And voice more sweet than the far plaint of viols is, Or the soft moan of any grey-eyed lute-player.


Written by Francesco Petrarch | Create an image from this poem

SONNET XII

SONNET XII.

Quando fra l' altre donne ad ora ad ora.

THE BEAUTY OF LAURA LEADS HIM TO THE CONTEMPLATION OF THE SUPREME GOOD.

Throned on her angel brow, when Love displays
His radiant form among all other fair,
Far as eclipsed their choicest charms appear,
I feel beyond its wont my passion blaze.
And still I bless the day, the hour, the place,
When first so high mine eyes I dared to rear;
And say, "Fond heart, thy gratitude declare,
That then thou had'st the privilege to gaze.
'Twas she inspired the tender thought of love,
Which points to heaven, and teaches to despise
The earthly vanities that others prize:
She gave the soul's light grace, which to the skies
Bids thee straight onward in the right path move;
Whence buoy'd by hope e'en, now I soar to worlds above.
"
Wrangham.
[Pg 12] When Love, whose proper throne is that sweet face,
At times escorts her 'mid the sisters fair,
As their each beauty is than hers less rare,
So swells in me the fond desire apace.
I bless the hour, the season and the place,
So high and heavenward when my eyes could dare;
And say: "My heart! in grateful memory bear
This lofty honour and surpassing grace:
From her descends the tender truthful thought,
Which follow'd, bliss supreme shall thee repay,
Who spurn'st the vanities that win the crowd:
From her that gentle graceful love is caught,
To heaven which leads thee by the right-hand way,
And crowns e'en here with hopes both pure and proud.
"
Macgregor.
Written by G K Chesterton | Create an image from this poem

Ecclesiastes

 There is one sin: to call a green leaf gray,
Whereat the sun in heaven shuddereth.
There is one blasphemy: for death to pray, For God alone knoweth the praise of death.
There is one creed: ’’neath no world-terror’s wing Apples forget to grow on apple-trees.
There is one thing is needful everything The rest is vanity of vanities.
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 1

 Nolueram, Belinda, tuos violare capillos;
Sedjuvat, hoc precibus me tribuisse tuis.
(Martial, Epigrams 12.
84) What dire offence from am'rous causes springs, What mighty contests rise from trivial things, I sing--This verse to Caryl, Muse! is due: This, ev'n Belinda may vouchsafe to view: Slight is the subject, but not so the praise, If she inspire, and he approve my lays.
Say what strange motive, Goddess! could compel A well-bred lord t' assault a gentle belle? O say what stranger cause, yet unexplor'd, Could make a gentle belle reject a lord? In tasks so bold, can little men engage, And in soft bosoms dwells such mighty rage? Sol thro' white curtains shot a tim'rous ray, And op'd those eyes that must eclipse the day; Now lap-dogs give themselves the rousing shake, And sleepless lovers, just at twelve, awake: Thrice rung the bell, the slipper knock'd the ground, And the press'd watch return'd a silver sound.
Belinda still her downy pillow press'd, Her guardian sylph prolong'd the balmy rest: 'Twas he had summon'd to her silent bed The morning dream that hover'd o'er her head; A youth more glitt'ring than a birthnight beau, (That ev'n in slumber caus'd her cheek to glow) Seem'd to her ear his winning lips to lay, And thus in whispers said, or seem'd to say.
"Fairest of mortals, thou distinguish'd care Of thousand bright inhabitants of air! If e'er one vision touch'd thy infant thought, Of all the nurse and all the priest have taught, Of airy elves by moonlight shadows seen, The silver token, and the circled green, Or virgins visited by angel pow'rs, With golden crowns and wreaths of heav'nly flow'rs, Hear and believe! thy own importance know, Nor bound thy narrow views to things below.
Some secret truths from learned pride conceal'd, To maids alone and children are reveal'd: What tho' no credit doubting wits may give? The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly, The light militia of the lower sky; These, though unseen, are ever on theg, Hang o'er the box, and hover round the Ring.
Think what an equipage thou hast in air, And view with scorn two pages and a chair.
As now your own, our beings were of old, And once inclos'd in woman's beauteous mould; Thence, by a soft transition, we repair From earthly vehicles to these of air.
Think not, when woman's transient breath is fled, That all her vanities at once are dead; Succeeding vanities she still regards, And tho' she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive, And love of ombre, after death survive.
For when the fair in all their pride expire, To their first elements their souls retire: The sprites of fiery termagants in flame Mount up, and take a Salamander's name.
Soft yielding minds to water glide away, And sip with Nymphs, their elemental tea.
The graver prude sinks downward to a Gnome, In search of mischief still on earth to roam.
The light coquettes in Sylphs aloft repair, And sport and flutter in the fields of air.
Know further yet; whoever fair and chaste Rejects mankind, is by some sylph embrac'd: For spirits, freed from mortal laws, with ease Assume what sexes and what shapes they please.
What guards the purity of melting maids, In courtly balls, and midnight masquerades, Safe from the treach'rous friend, the daring spark, The glance by day, the whisper in the dark, When kind occasion prompts their warm desires, When music softens, and when dancing fires? 'Tis but their sylph, the wise celestials know, Though honour is the word with men below.
Some nymphs there are, too conscious of their face, For life predestin'd to the gnomes' embrace.
These swell their prospects and exalt their pride, When offers are disdain'd, and love denied: Then gay ideas crowd the vacant brain, While peers, and dukes, and all their sweeping train, And garters, stars, and coronets appear, And in soft sounds 'Your Grace' salutes their ear.
'Tis these that early taint the female soul, Instruct the eyes of young coquettes to roll, Teach infant cheeks a bidden blush to know, And little hearts to flutter at a beau.
Oft, when the world imagine women stray, The Sylphs through mystic mazes guide their way, Thro' all the giddy circle they pursue, And old impertinence expel by new.
What tender maid but must a victim fall To one man's treat, but for another's ball? When Florio speaks, what virgin could withstand, If gentle Damon did not squeeze her hand? With varying vanities, from ev'ry part, They shift the moving toyshop of their heart; Where wigs with wigs, with sword-knots sword-knots strive, Beaux banish beaux, and coaches coaches drive.
This erring mortals levity may call, Oh blind to truth! the Sylphs contrive it all.
Of these am I, who thy protection claim, A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air, In the clear mirror of thy ruling star I saw, alas! some dread event impend, Ere to the main this morning sun descend, But Heav'n reveals not what, or how, or where: Warn'd by the Sylph, oh pious maid, beware! This to disclose is all thy guardian can.
Beware of all, but most beware of man!" He said; when Shock, who thought she slept too long, Leap'd up, and wak'd his mistress with his tongue.
'Twas then, Belinda, if report say true, Thy eyes first open'd on a billet-doux; Wounds, charms, and ardors were no sooner read, But all the vision vanish'd from thy head.
And now, unveil'd, the toilet stands display'd, Each silver vase in mystic order laid.
First, rob'd in white, the nymph intent adores With head uncover'd, the cosmetic pow'rs.
A heav'nly image in the glass appears, To that she bends, to that her eyes she rears; Th' inferior priestess, at her altar's side, Trembling, begins the sacred rites of pride.
Unnumber'd treasures ope at once, and here The various off'rings of the world appear; From each she nicely culls with curious toil, And decks the goddess with the glitt'ring spoil.
This casket India's glowing gems unlocks, And all Arabia breathes from yonder box.
The tortoise here and elephant unite, Transform'd to combs, the speckled and the white.
Here files of pins extend their shining rows, Puffs, powders, patches, bibles, billet-doux.
Now awful beauty puts on all its arms; The fair each moment rises in her charms, Repairs her smiles, awakens ev'ry grace, And calls forth all the wonders of her face; Sees by degrees a purer blush arise, And keener lightnings quicken in her eyes.
The busy Sylphs surround their darling care; These set the head, and those divide the hair, Some fold the sleeve, whilst others plait the gown; And Betty's prais'd for labours not her own.
Written by William Ernest Henley | Create an image from this poem

Double Ballade on the Nothingness of Things

 The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall, The weed of funeral That covers praise and blame, The -isms and the -anities, Magnificence and shame:-- "O Vanity of Vanities!" The Fates are subtle girls! They give us chaff for grain.
And Time, the Thunderer, hurls, Like bolted death, disdain At all that heart and brain Conceive, or great or small, Upon this earthly ball.
Would you be knight and dame? Or woo the sweet humanities? Or illustrate a name? O Vanity of Vanities! We sound the sea for pearls, Or drown them in a drain; We flute it with the merles, Or tug and sweat and strain; We grovel, or we reign; We saunter, or we brawl; We search the stars for Fame, Or sink her subterranities; The legend's still the same:-- "O Vanity of Vanities!" Here at the wine one birls, There some one clanks a chain.
The flag that this man furls That man to float is fain.
Pleasure gives place to pain: These in the kennel crawl, While others take the wall.
She has a glorious aim, He lives for the inanities.
What come of every claim? O Vanity of Vanities! Alike are clods and earls.
For sot, and seer, and swain, For emperors and for churls, For antidote and bane, There is but one refrain: But one for king and thrall, For David and for Saul, For fleet of foot and lame, For pieties and profanities, The picture and the frame:-- "O Vanity of Vanities!" Life is a smoke that curls-- Curls in a flickering skein, That winds and whisks and whirls, A figment thin and vain, Into the vast Inane.
One end for hut and hall! One end for cell and stall! Burned in one common flame Are wisdoms and insanities.
For this alone we came:-- "O Vanity of Vanities!" Envoy Prince, pride must have a fall.
What is the worth of all Your state's supreme urbanities? Bad at the best's the game.
Well might the Sage exclaim:-- "O Vanity of Vanities!"
Written by Walt Whitman | Create an image from this poem

O Star of France

 1
O STAR of France! 
The brightness of thy hope and strength and fame, 
Like some proud ship that led the fleet so long, 
Beseems to-day a wreck, driven by the gale—a mastless hulk; 
And ’mid its teeming, madden’d, half-drown’d crowds,
Nor helm nor helmsman.
2 Dim, smitten star! Orb not of France alone—pale symbol of my soul, its dearest hopes, The struggle and the daring—rage divine for liberty, Of aspirations toward the far ideal—enthusiast’s dreams of brotherhood, Of terror to the tyrant and the priest.
3 Star crucified! by traitors sold! Star panting o’er a land of death—heroic land! Strange, passionate, mocking, frivolous land.
Miserable! yet for thy errors, vanities, sins, I will not now rebuke thee; Thy unexampled woes and pangs have quell’d them all, And left thee sacred.
In that amid thy many faults, thou ever aimedest highly, In that thou wouldst not really sell thyself, however great the price, In that thou surely wakedst weeping from thy drugg’d sleep, In that alone, among thy sisters, thou, Giantess, didst rend the ones that shamed thee, In that thou couldst not, wouldst not, wear the usual chains, This cross, thy livid face, thy pierced hands and feet, The spear thrust in thy side.
4 O star! O ship of France, beat back and baffled long! Bear up, O smitten orb! O ship, continue on! Sure, as the ship of all, the Earth itself, Product of deathly fire and turbulent chaos, Forth from its spasms of fury and its poisons, Issuing at last in perfect power and beauty, Onward, beneath the sun, following its course, So thee, O ship of France! Finish’d the days, the clouds dispell’d, The travail o’er, the long-sought extrication, When lo! reborn, high o’er the European world, (In gladness, answering thence, as face afar to face, reflecting ours, Columbia,) Again thy star, O France—fair, lustrous star, In heavenly peace, clearer, more bright than ever, Shall beam immortal.

Book: Shattered Sighs