Written by
Du Fu |
Jade dew wither wound maple forest Wu mountain wu gorge air desolate and dreary River on wave meet sky surge Pass on wind cloud join earth dark Shrub chrysanthemum two open it day tear Single boat one link hometown heart Cold clothes place place urge knife measure Baidicheng high urgent evening flat stone Jade dew withers and wounds the groves of maple trees, On Wu mountain, in Wu gorge, the air is dull and drear. On the river surging waves rise to meet the sky, Above the pass wind and cloud join the earth with darkness. Chrysanthemum bushes open twice, weeping for their days, A lonely boat, a single line, my heart is full of home. Winter clothes everywhere are urgently cut and measured, Baidicheng above, the evening's driven by beating on stones.
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Written by
Barry Tebb |
It was Karl Shapiro who wrote in his ‘Defence of Ignorance’ how many poets
Go mad or seem to be so and the majority think we should all be in jail
Or mental hospital and you have ended up in both places - fragile as bone china,
Your pale skin taut, your fingers clasped tight round a cup, sitting in a pool
Of midnight light, your cats stretched flat on your desk top’s scatter
Under the laughing eyes of Sexton and Lowell beneath Rollie McKenna’s seamless shutter.
Other nights you hunch in your rocking chair, spilling rhythms
Silently as a bat weaves through midnight’s jade waves
Your sibylline tongue tapping every twist or the syllable count
Deftly as Whistler mixed tints for Nocturnes’ nuances or shade
Or Hokusai tipped every wave crest.
You pause when down the hall a cat snatches at a forbidden plant,
“Schubert, Schubert”, you whisper urgently for it is night and there are neighbours.
The whistle of the forgotten kettle shrills: you turn down the gas
And scurry back to your poem as you would to a sick child
And ease the pain of disordered lines.
The face of your mother smiles like a Madonna bereft
And the faces of our children are always somewhere
As you focus your midnight eyes soft with tears.
You create to survive, a Balzac writing against the clock
A Baudelaire writing against the bailiff’s knock
A Val?ry in the throes of ‘Narcisse Parle’.
When a far clock chimes you sigh and set aside the page:
There is no telephone to ring or call: I am distant and sick,
Frail as an old stick
Our spirits rise and fall like the barometer’s needle
Jerk at a finger tapping on glass
Flashbacks or inspiration cry out at memory loss.
You peer through a magnifying glass at the typeface
Your knuckles white with pain as the sonnet starts to strain
Like a child coming to birth, the third you never bore.
All births, all babies, all poems are the same in coming
The spark of inspiration or spurt of semen,
The silent months of gestation, the waiting and worrying
Until the final agony of creation: for our first son’s
Birth at Oakes we had only a drawer for a crib.
Memories blur: all I know is that it was night
And at home as you always insisted, against all advice
But mine. I remember feebly holding the mask in place
As the Indian woman doctor brutally stitched you without an anaesthetic
And the silence like no other when even the midwives
Had left: the child slept and we crept round his make-shift cradle.
At Brudenell Road again it was night in the cold house
With bare walls and plug-in fires: Bob, the real father
Paced the front, deep in symphonic thought:
Isaiah slept: I waited and watched - an undiagnosed breech
The doctor’s last minute discovery - made us rush
And scatter to have you admitted.
I fell asleep in the silent house and woke to a chaos
Of blood and towels and discarded dressings and a bemused five year old.
We brought you armsful of daffodils, Easter’s remainders.
“Happy Easter, are the father?” Staff beamed
As we sat by the bedside, Bob, myself and John MacKendrick,
Brecht and Rilke’s best translator
Soon to die by his own hand.
Poetry is born in the breech position
Poems beget poems.
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Written by
Howard Nemerov |
Two universes mosey down the street
Connected by love and a leash and nothing else.
Mostly I look at lamplight through the leaves
While he mooches along with tail up and snout down,
Getting a secret knowledge through the nose
Almost entirely hidden from my sight.
We stand while he's enraptured by a bush
Till I can't stand our standing any more
And haul him off; for our relationship
Is patience balancing to this side tug
And that side drag; a pair of symbionts
Contented not to think each other's thoughts.
What else we have in common's what he taught,
Our interest in ****. We know its every state
From steaming fresh through stink to nature's way
Of sluicing it downstreet dissolved in rain
Or drying it to dust that blows away.
We move along the street inspecting ****.
His sense of it is keener far than mine,
And only when he finds the place precise
He signifies by sniffing urgently
And circles thrice about, and squats, and shits,
Whereon we both with dignity walk home
And just to show who's master I write the poem.
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Written by
Rg Gregory |
the horses have bolted
the one door's been locked
the flood can't get out
the greasy bilge swills
up the walls to the roof
hercules is hopeless
the manger is mangy
fresh myths and sayings
are urgently wanted
mythmakers get busy
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Written by
Charles Simic |
O crows circling over my head and cawing!
I admit to being, at times,
Suddenly, and without the slightest warning,
Exceedingly happy.
On a morning otherwise sunless,
Strolling arm in arm
Past some gallows-shaped trees
With my dear Helen,
Who is also a strange bird,
With a feeling of being summoned
Urgently, but by a most gracious invitation
To breakfast on slices of watermelon
In the company of naked gods and goddesses
On a patch of last night's snow.
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Written by
Rg Gregory |
(a) orihuela-time
the sun in orihuela calms the dust
and people glide about the streets at ease
(problems left indoors to cool themselves)
time has grown fat and no one cares
to pin each minute to its proper place
the day is long tomorrow's not yet real
doves and old men occupy the squares
nattering to each other in such tongues
that take the clock away from what is time
i could be moorish strolling in this heat
past tiled seats paved stones and dusty plants
a town that knows the desert's not far off
only the traffic fusses about like now
fuming and farting worse than any horse
desperate to catch up centuries of drift
and get the people moving like machines
a modern bustle seeps up through the drains
where buildings fall to caterpillar tracks
that night we're in a garden roofed in glass
a hothouse cafe where candles play at stars
sipping iced drinks and talking casually
a silence green and golden threads our bones
and tapestries contain us - time's come unstuck
each gesture shall be / was - the present glows
(b) spanish day
all i hear at first are sparrows
i come to the window - they are foraging
across the grassless ground their chirps
are business voices grunts of satisfaction
a comment on the nature of their find
the morning's cool - some fifteen trees
in rows with broad-splayed leaves are caught
by breeze and flutter like the hands
of pale young ladies gathered half-undressed
a car glides past the hedge with muted sound
a lorry chugs uphill - the sky is trembling
out of grey with that first flat blue that says
the sun is indirectly on its way
the breeze is cool but being spain i stand
in short shirt-sleeves - my forearmed hairs
accept the ruffling breeze and wait for warmth
i follow a car's noise down the hill
it fades - a silence stands with arms outspread
catching all breath - i listen more intently
from my cell-like room where cubby holes
of dark have not yet given into morning
a sharper breeze now roughs it through the trees
and every leaf would run away but can't
so stays and rattles off complaints metallically
the sparrows beat their beaks more urgently
and i am thrust at by a stab of sun
the rooftop opposite has a golden cowl
rays slide down and leap into the trees
the breeze desists the leaves play mute
in no time sun has occupied the square
my room's invaded - dark stains are blanched
coolness abandoned for the next few hours
the heat-to-come has come - the spanish day
has no fancy way to sell its onions
you take it or you leave it – sweatingly
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