Written by
Edwin Arlington Robinson |
Gawaine, aware again of Lancelot
In the King’s garden, coughed and followed him;
Whereat he turned and stood with folded arms
And weary-waiting eyes, cold and half-closed—
Hard eyes, where doubts at war with memories
Fanned a sad wrath. “Why frown upon a friend?
Few live that have too many,” Gawaine said,
And wished unsaid, so thinly came the light
Between the narrowing lids at which he gazed.
“And who of us are they that name their friends?”
Lancelot said. “They live that have not any.
Why do they live, Gawaine? Ask why, and answer. ”
Two men of an elected eminence,
They stood for a time silent. Then Gawaine,
Acknowledging the ghost of what was gone,
Put out his hand: “Rather, I say, why ask?
If I be not the friend of Lancelot,
May I be nailed alive along the ground
And emmets eat me dead. If I be not
The friend of Lancelot, may I be fried
With other liars in the pans of hell.
What item otherwise of immolation
Your Darkness may invent, be it mine to endure
And yours to gloat on. For the time between,
Consider this thing you see that is my hand.
If once, it has been yours a thousand times;
Why not again? Gawaine has never lied
To Lancelot; and this, of all wrong days—
This day before the day when you go south
To God knows what accomplishment of exile—
Were surely an ill day for lies to find
An issue or a cause or an occasion.
King Ban your father and King Lot my father,
Were they alive, would shake their heads in sorrow
To see us as we are, and I shake mine
In wonder. Will you take my hand, or no?
Strong as I am, I do not hold it out
For ever and on air. You see—my hand. ”
Lancelot gave his hand there to Gawaine,
Who took it, held it, and then let it go,
Chagrined with its indifference.
“Yes, Gawaine,
I go tomorrow, and I wish you well;
You and your brothers, Gareth, Gaheris,—
And Agravaine; yes, even Agravaine,
Whose tongue has told all Camelot and all Britain
More lies than yet have hatched of Modred’s envy.
You say that you have never lied to me,
And I believe it so. Let it be so.
For now and always. Gawaine, I wish you well.
Tomorrow I go south, as Merlin went,
But not for Merlin’s end. I go, Gawaine,
And leave you to your ways. There are ways left. ”
“There are three ways I know, three famous ways,
And all in Holy Writ,” Gawaine said, smiling:
“The snake’s way and the eagle’s way are two,
And then we have a man’s way with a maid—
Or with a woman who is not a maid.
Your late way is to send all women scudding,
To the last flash of the last cramoisy,
While you go south to find the fires of God.
Since we came back again to Camelot
From our immortal Quest—I came back first—
No man has known you for the man you were
Before you saw whatever ’t was you saw,
To make so little of kings and queens and friends
Thereafter. Modred? Agravaine? My brothers?
And what if they be brothers? What are brothers,
If they be not our friends, your friends and mine?
You turn away, and my words are no mark
On you affection or your memory?
So be it then, if so it is to be.
God save you, Lancelot; for by Saint Stephen,
You are no more than man to save yourself. ”
“Gawaine, I do not say that you are wrong,
Or that you are ill-seasoned in your lightness;
You say that all you know is what you saw,
And on your own averment you saw nothing.
Your spoken word, Gawaine, I have not weighed
In those unhappy scales of inference
That have no beam but one made out of hates
And fears, and venomous conjecturings;
Your tongue is not the sword that urges me
Now out of Camelot. Two other swords
There are that are awake, and in their scabbards
Are parching for the blood of Lancelot.
Yet I go not away for fear of them,
But for a sharper care. You say the truth,
But not when you contend the fires of God
Are my one fear,—for there is one fear more.
Therefore I go. Gawaine, I wish you well. ”
“Well-wishing in a way is well enough;
So, in a way, is caution; so, in a way,
Are leeches, neatherds, and astrologers.
Lancelot, listen. Sit you down and listen:
You talk of swords and fears and banishment.
Two swords, you say; Modred and Agravaine,
You mean. Had you meant Gaheris and Gareth,
Or willed an evil on them, I should welcome
And hasten your farewell. But Agravaine
Hears little what I say; his ears are Modred’s.
The King is Modred’s father, and the Queen
A prepossession of Modred’s lunacy.
So much for my two brothers whom you fear,
Not fearing for yourself. I say to you,
Fear not for anything—and so be wise
And amiable again as heretofore;
Let Modred have his humor, and Agravaine
His tongue. The two of them have done their worst,
And having done their worst, what have they done?
A whisper now and then, a chirrup or so
In corners,—and what else? Ask what, and answer. ”
Still with a frown that had no faith in it,
Lancelot, pitying Gawaine’s lost endeavour
To make an evil jest of evidence,
Sat fronting him with a remote forbearance—
Whether for Gawaine blind or Gawaine false,
Or both, or neither, he could not say yet,
If ever; and to himself he said no more
Than he said now aloud: “What else, Gawaine?
What else, am I to say? Then ruin, I say;
Destruction, dissolution, desolation,
I say,—should I compound with jeopardy now.
For there are more than whispers here, Gawaine:
The way that we have gone so long together
Has underneath our feet, without our will,
Become a twofold faring. Yours, I trust,
May lead you always on, as it has led you,
To praise and to much joy. Mine, I believe,
Leads off to battles that are not yet fought,
And to the Light that once had blinded me.
When I came back from seeing what I saw,
I saw no place for me in Camelot.
There is no place for me in Camelot.
There is no place for me save where the Light
May lead me; and to that place I shall go.
Meanwhile I lay upon your soul no load
Of counsel or of empty admonition;
Only I ask of you, should strife arise
In Camelot, to remember, if you may,
That you’ve an ardor that outruns your reason,
Also a glamour that outshines your guile;
And you are a strange hater. I know that;
And I’m in fortune that you hate not me.
Yet while we have our sins to dream about,
Time has done worse for time than in our making;
Albeit there may be sundry falterings
And falls against us in the Book of Man. ”
“Praise Adam, you are mellowing at last!
I’ve always liked this world, and would so still;
And if it is your new Light leads you on
To such an admirable gait, for God’s sake,
Follow it, follow it, follow it, Lancelot;
Follow it as you never followed glory.
Once I believed that I was on the way
That you call yours, but I came home again
To Camelot—and Camelot was right,
For the world knows its own that knows not you;
You are a thing too vaporous to be sharing
The carnal feast of life. You mow down men
Like elder-stems, and you leave women sighing
For one more sight of you; but they do wrong.
You are a man of mist, and have no shadow.
God save you, Lancelot. If I laugh at you,
I laugh in envy and in admiration. ”
The joyless evanescence of a smile,
Discovered on the face of Lancelot
By Gawaine’s unrelenting vigilance,
Wavered, and with a sullen change went out;
And then there was the music of a woman
Laughing behind them, and a woman spoke:
“Gawaine, you said ‘God save you, Lancelot. ’
Why should He save him any more to-day
Than on another day? What has he done,
Gawaine, that God should save him?” Guinevere,
With many questions in her dark blue eyes
And one gay jewel in her golden hair,
Had come upon the two of them unseen,
Till now she was a russet apparition
At which the two arose—one with a dash
Of easy leisure in his courtliness,
One with a stately calm that might have pleased
The Queen of a strange land indifferently.
The firm incisive languor of her speech,
Heard once, was heard through battles: “Lancelot,
What have you done to-day that God should save you?
What has he done, Gawaine, that God should save him?
I grieve that you two pinks of chivalry
Should be so near me in my desolation,
And I, poor soul alone, know nothing of it.
What has he done, Gawaine?”
With all her poise,
To Gawaine’s undeceived urbanity
She was less queen than woman for the nonce,
And in her eyes there was a flickering
Of a still fear that would not be veiled wholly
With any mask of mannered nonchalance.
“What has he done? Madam, attend your nephew;
And learn from him, in your incertitude,
That this inordinate man Lancelot,
This engine of renown, this hewer down daily
Of potent men by scores in our late warfare,
Has now inside his head a foreign fever
That urges him away to the last edge
Of everything, there to efface himself
In ecstasy, and so be done with us.
Hereafter, peradventure certain birds
Will perch in meditation on his bones,
Quite as if they were some poor sailor’s bones,
Or felon’s jettisoned, or fisherman’s,
Or fowler’s bones, or Mark of Cornwall’s bones.
In fine, this flower of men that was our comrade
Shall be for us no more, from this day on,
Than a much remembered Frenchman far away.
Magnanimously I leave you now to prize
Your final sight of him; and leaving you,
I leave the sun to shine for him alone,
Whiles I grope on to gloom. Madam, farewell;
And you, contrarious Lancelot, farewell. ”
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Written by
Randall Jarrell |
A bird that I don't know,
Hunched on his light-pole like a scarecrow,
Looks sideways out into the wheat
The wind waves under the waves of heat.
The field is yellow as egg-bread dough
Except where (just as though they'd let
It live for looks) a locust billows
In leaf-green and shade-violet,
A standing mercy.
The bird calls twice, "Red clay, red clay";
Or else he's saying, "Directly, directly. "
If someone came by I could ask,
Around here all of them must know --
And why they live so and die so --
Or why, for once, the lagging heron
Flaps from the little creek's parched cresses
Across the harsh-grassed, gullied meadow
To the black, rowed evergreens below.
They know and they don't know.
To ask, a man must be a stranger --
And asking, much more answering, is dangerous;
Asked about it, who would not repent
Of all he ever did and never meant,
And think a life and its distresses,
Its random, clutched-for, homefelt blisses,
The circumstances of an accident?
The farthest farmer in a field,
A gaunt plant grown, for seed, by farmers,
Has felt a longing, lorn urbanity
Jailed in his breast; and, just as I,
Has grunted, in his old perplexity,
A standing plea.
From the tar of the blazing square
The eyes shift, in their taciturn
And unavowing, unavailable sorrow.
Yet the intonation of a name confesses
Some secrets that they never meant
To let out to a soul; and what words would not dim
The bowed and weathered heads above the denim
Or the once-too-often washed wash dresses?
They are subdued to their own element.
One day
The red, clay face
Is lowered to the naked clay;
After some words, the body is forsaken
The shadows lengthen, and a dreaming hope
Breathes, from the vague mound, Life;
From the grove under the spire
Stars shine, and a wandering light
Is kindled for the mourner, man.
The angel kneeling with the wreath
Sees, in the moonlight, graves.
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Written by
Edwin Arlington Robinson |
In Tilbury Town did Old King Cole
A wise old age anticipate,
Desiring, with his pipe and bowl,
No Khan’s extravagant estate.
No crown annoyed his honest head,
No fiddlers three were called or needed;
For two disastrous heirs instead
Made music more than ever three did.
Bereft of her with whom his life
Was harmony without a flaw,
He took no other for a wife,
Nor sighed for any that he saw;
And if he doubted his two sons,
And heirs, Alexis and Evander,
He might have been as doubtful once
Of Robert Burns and Alexander.
Alexis, in his early youth,
Began to steal—from old and young.
Likewise Evander, and the truth
Was like a bad taste on his tongue.
Born thieves and liars, their affair
Seemed only to be tarred with evil—
The most insufferable pair
Of scamps that ever cheered the devil.
The world went on, their fame went on,
And they went on—from bad to worse;
Till, goaded hot with nothing done,
And each accoutred with a curse,
The friends of Old King Cole, by twos,
And fours, and sevens, and elevens,
Pronounced unalterable views
Of doings that were not of heaven’s.
And having learned again whereby
Their baleful zeal had come about,
King Cole met many a wrathful eye
So kindly that its wrath went out—
Or partly out. Say what they would,
He seemed the more to court their candor;
But never told what kind of good
Was in Alexis and Evander.
And Old King Cole, with many a puff
That haloed his urbanity,
Would smoke till he had smoked enough,
And listen most attentively.
He beamed as with an inward light
That had the Lord’s assurance in it;
And once a man was there all night,
Expecting something every minute.
But whether from too little thought,
Or too much fealty to the bowl,
A dim reward was all he got
For sitting up with Old King Cole.
“Though mine,” the father mused aloud,
“Are not the sons I would have chosen,
Shall I, less evilly endowed,
By their infirmity be frozen?
“They’ll have a bad end, I’ll agree,
But I was never born to groan;
For I can see what I can see,
And I’m accordingly alone.
With open heart and open door,
I love my friends, I like my neighbors;
But if I try to tell you more,
Your doubts will overmatch my labors.
“This pipe would never make me calm,
This bowl my grief would never drown.
For grief like mine there is no balm
In Gilead, or in Tilbury Town.
And if I see what I can see,
I know not any way to blind it;
Nor more if any way may be
For you to grope or fly to find it.
“There may be room for ruin yet,
And ashes for a wasted love;
Or, like One whom you may forget,
I may have meat you know not of.
And if I’d rather live than weep
Meanwhile, do you find that surprising?
Why, bless my soul, the man’s asleep!
That’s good. The sun will soon be rising. ”
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