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Best Famous Untutored Poems

Here is a collection of the all-time best famous Untutored poems. This is a select list of the best famous Untutored poetry. Reading, writing, and enjoying famous Untutored poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of untutored poems.

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Written by Emma Lazarus | Create an image from this poem

Chopin

 I

A dream of interlinking hands, of feet 
Tireless to spin the unseen, fairy woof 
Of the entangling waltz. Bright eyebeams meet, 
Gay laughter echoes from the vaulted roof. 
Warm perfumes rise; the soft unflickering glow 
Of branching lights sets off the changeful charms 
Of glancing gems, rich stuffs, the dazzling snow 
Of necks unkerchieft, and bare, clinging arms. 
Hark to the music! How beneath the strain 
Of reckless revelry, vibrates and sobs 
One fundamental chord of constant pain, 
The pulse-beat of the poet's heart that throbs. 
So yearns, though all the dancing waves rejoice, 
The troubled sea's disconsolate, deep voice. 


II

Who shall proclaim the golden fable false 
Of Orpheus' miracles? This subtle strain 
Above our prose-world's sordid loss and gain 
Lightly uplifts us. With the rhythmic waltz, 
The lyric prelude, the nocturnal song 
Of love and languor, varied visions rise, 
That melt and blend to our enchanted eyes. 
The Polish poet who sleeps silenced long, 
The seraph-souled musician, breathes again 
Eternal eloquence, immortal pain. 
Revived the exalted face we know so well, 
The illuminated eyes, the fragile frame, 
Slowly consuming with its inward flame, 
We stir not, speak not, lest we break the spell. 


III

A voice was needed, sweet and true and fine 
As the sad spirit of the evening breeze, 
Throbbing with human passion, yet devine 
As the wild bird's untutored melodies. 
A voice for him 'neath twilight heavens dim, 
Who mourneth for his dead, while round him fall 
The wan and noiseless leaves. A voice for him 
Who sees the first green sprout, who hears the call 
Of the first robin on the first spring day. 
A voice for all whom Fate hath set apart, 
Who, still misprized, must perish by the way, 
Longing with love, for that they lack the art 
Of their own soul's expression. For all these 
Sing the unspoken hope, the vague, sad reveries. 


IV

Then Nature shaped a poet's heart--a lyre 
From out whose chords the lightest breeze that blows 
Drew trembling music, wakening sweet desire. 
How shall she cherish him? Behold! she throws 
This precious, fragile treasure in the whirl 
Of seething passions; he is scourged and stung, 
Must dive in storm-vext seas, if but one pearl 
Of art or beauty therefrom may be wrung. 
No pure-browed pensive nymph his Muse shall be, 
An amazon of thought with sovereign eyes, 
Whose kiss was poison, man-brained, worldy-wise, 
Inspired that elfin, delicate harmony. 
Rich gain for us! But with him is it well? 
The poet who must sound earth, heaven, and hell!


Written by Friedrich von Schiller | Create an image from this poem

The Eleusinian Festival

 Wreathe in a garland the corn's golden ear!
With it, the Cyane [31] blue intertwine
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,--
She who compels lawless passions to cease,
Who to link man with his fellow has come,
And into firm habitations of peace
Changed the rude tents' ever-wandering home.

Shyly in the mountain-cleft
Was the Troglodyte concealed;
And the roving Nomad left,
Desert lying, each broad field.
With the javelin, with the bow,
Strode the hunter through the land;
To the hapless stranger woe,
Billow-cast on that wild strand!

When, in her sad wanderings lost,
Seeking traces of her child,
Ceres hailed the dreary coast,
Ah, no verdant plain then smiled!
That she here with trust may stay,
None vouchsafes a sheltering roof;
Not a temple's columns gay
Give of godlike worship proof.

Fruit of no propitious ear
Bids her to the pure feast fly;
On the ghastly altars here
Human bones alone e'er dry.
Far as she might onward rove,
Misery found she still in all,
And within her soul of love,
Sorrowed she o'er man's deep fall.

"Is it thus I find the man
To whom we our image lend,
Whose fair limbs of noble span
Upward towards the heavens ascend?
Laid we not before his feet
Earth's unbounded godlike womb?
Yet upon his kingly seat
Wanders he without a home?"

"Does no god compassion feel?
Will none of the blissful race,
With an arm of miracle,
Raise him from his deep disgrace?
In the heights where rapture reigns
Pangs of others ne'er can move;
Yet man's anguish and man's pains
My tormented heart must prove."

"So that a man a man may be,
Let him make an endless bond
With the kind earth trustingly,
Who is ever good and fond
To revere the law of time,
And the moon's melodious song
Who, with silent step sublime,
Move their sacred course along."

And she softly parts the cloud
That conceals her from the sight;
Sudden, in the savage crowd,
Stands she, as a goddess bright.
There she finds the concourse rude
In their glad feast revelling,
And the chalice filled with blood
As a sacrifice they bring.

But she turns her face away,
Horror-struck, and speaks the while
"Bloody tiger-feasts ne'er may
Of a god the lips defile,
He needs victims free from stain,
Fruits matured by autumn's sun;
With the pure gifts of the plain
Honored is the Holy One!"

And she takes the heavy shaft
From the hunter's cruel hand;
With the murderous weapon's haft
Furrowing the light-strown sand,--
Takes from out her garland's crown,
Filled with life, one single grain,
Sinks it in the furrow down,
And the germ soon swells amain.

And the green stalks gracefully
Shoot, ere long, the ground above,
And, as far as eye can see,
Waves it like a golden grove.
With her smile the earth she cheers,
Binds the earliest sheaves so fair,
As her hearth the landmark rears,--
And the goddess breathes this prayer:

"Father Zeus, who reign'st o'er all
That in ether's mansions dwell,
Let a sign from thee now fall
That thou lov'st this offering well!
And from the unhappy crowd
That, as yet, has ne'er known thee,
Take away the eye's dark cloud,
Showing them their deity!"

Zeus, upon his lofty throne,
Harkens to his sister's prayer;
From the blue heights thundering down,
Hurls his forked lightning there,
Crackling, it begins to blaze,
From the altar whirling bounds,--
And his swift-winged eagle plays
High above in circling rounds.

Soon at the feet of their mistress are kneeling,
Filled with emotion, the rapturous throng;
Into humanity's earliest feeling
Melt their rude spirits, untutored and strong.
Each bloody weapon behind them they leave,
Rays on their senses beclouded soon shine,
And from the mouth of the queen they receive,
Gladly and meekly, instruction divine.

All the deities advance
Downward from their heavenly seats;
Themis' self 'tis leads the dance,
And, with staff of justice, metes
Unto every one his rights,--
Landmarks, too, 'tis hers to fix;
And in witness she invites
All the hidden powers of Styx.

And the forge-god, too, is there,
The inventive son of Zeus;
Fashioner of vessels fair
Skilled in clay and brass's use.
'Tis from him the art man knows
Tongs and bellows how to wield;
'Neath his hammer's heavy blows
Was the ploughshare first revealed.

With projecting, weighty spear,
Front of all, Minerva stands,
Lifts her voice so strong and clear,
And the godlike host commands.
Steadfast walls 'tis hers to found,
Shield and screen for every one,
That the scattered world around
Bind in loving unison.

The immortals' steps she guides
O'er the trackless plains so vast,
And where'er her foot abides
Is the boundary god held fast;
And her measuring chain is led
Round the mountain's border green,--
E'en the raging torrent's bed
In the holy ring is seen.

All the Nymphs and Oreads too
Who, the mountain pathways o'er,
Swift-foot Artemis pursue,
All to swell the concourse, pour,
Brandishing the hunting-spear,--
Set to work,--glad shouts uprise,--
'Neath their axes' blows so clear
Crashing down the pine-wood flies.

E'en the sedge-crowned God ascends
From his verdant spring to light,
And his raft's direction bends
At the goddess' word of might,--
While the hours, all gently bound,
Nimbly to their duty fly;
Rugged trunks are fashioned round
By her skilled hand gracefully.

E'en the sea-god thither fares;--
Sudden, with his trident's blow,
He the granite columns tears
From earth's entrails far below;--
In his mighty hands, on high,
Waves he them, like some light ball,
And with nimble Hermes by,
Raises up the rampart-wall.

But from out the golden strings
Lures Apollo harmony,
Measured time's sweet murmurings,
And the might of melody.
The Camoenae swell the strain
With their song of ninefold tone:
Captive bound in music's chain,
Softly stone unites to stone.

Cybele, with skilful hand,
Open throws the wide-winged door;
Locks and bolts by her are planned,
Sure to last forevermore.
Soon complete the wondrous halls
By the gods' own hands are made,
And the temple's glowing walls
Stand in festal pomp arrayed.

With a crown of myrtle twined,
Now the goddess queen comes there,
And she leads the fairest hind
To the shepherdess most fair.
Venus, with her beauteous boy,
That first pair herself attires;
All the gods bring gifts of joy,
Blessing their love's sacred fires.

Guided by the deities,
Soon the new-born townsmen pour,
Ushered in with harmonies,
Through the friendly open door.
Holding now the rites divine,
Ceres at Zeus' altar stands,--
Blessing those around the shrine,
Thus she speaks, with folded hands:--

"Freedom's love the beast inflames,
And the god rules free in air,
While the law of Nature tames
Each wild lust that lingers there.
Yet, when thus together thrown,
Man with man must fain unite;
And by his own worth alone
Can he freedom gain, and might."

Wreathe in a garland the corn's golden ear!
With it, the Cyane blue intertwine!
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,--
She who our homesteads so blissful has given,
She who has man to his fellow-man bound:
Let our glad numbers extol then to heaven,
Her who the earth's kindly mother is found!
Written by Andrew Barton Paterson | Create an image from this poem

Weary Will

 The strongest creature for his size 
But least equipped for combat 
That dwells beneath Australian skies 
Is Weary Will the Wombat. 

He digs his homestead underground, 
He's neither shrewd nor clever; 
For kangaroos can leap and bound 
But wombats dig forever. 

The boundary rider's netting fence 
Excites his irritation; 
It is to his untutored sense 
His pet abomination. 

And when to pass it he desires, 
Upon his task he'll centre 
And dig a hole beneath the wires 
Through which the dingoes enter. 

And when to block the hole they strain 
With logs and stones and rubble, 
Bill Wombat digs it out again 
Without the slightest trouble. 

The boundary rider bows to fate, 
Admits he's made a blunder 
And rigs a little swinging gate 
To let Bill Wombat under. 

So most contentedly he goes 
Between his haunt and burrow: 
He does the only thing he knows, 
And does it very thorough.
Written by William Shakespeare | Create an image from this poem

Sonnet 138: When my love swears that she is made of truth

 When my love swears that she is made of truth
I do believe her, though I know she lies,
That she might think me some untutored youth,
Unlearnèd in the world's false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false-speaking tongue;
On both sides thus is simple truth suppressed.
But wherefore says she not she is unjust?
And wherefore say not I that I am old?
O, love's best habit is in seeming trust,
And age in love, loves not to have years told.
Therefore I lie with her, and she with me,
And in our faults by lies we flattered be.

Book: Radiant Verses: A Journey Through Inspiring Poetry