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Best Famous Unprofitable Poems

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Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.  Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone. 

                               These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.  Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 

                                           If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee! 

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.  And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.  For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.  For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.  And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 
And the blue sky, and in the mind of man:
A motion and a spirit, that impels 
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse, 
The guide, the guardian of my heart, and soul
Of all my moral being. 

                                   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.  Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.  Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.  Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!


Written by Kahlil Gibran | Create an image from this poem

Friendship IXX

 And a youth said, "Speak to us of Friendship." 

Your friend is your needs answered. 

He is your field which you sow with love and reap with thanksgiving. 

And he is your board and your fireside. 

For you come to him with your hunger, and you seek him for peace. 

When your friend speaks his mind you fear not the "nay" in your own mind, nor do you withhold the "ay." 

And when he is silent your heart ceases not to listen to his heart; 

For without words, in friendship, all thoughts, all desires, all expectations are born and shared, with joy that is unacclaimed. 

When you part from your friend, you grieve not; 

For that which you love most in him may be clearer in his absence, as the mountain to the climber is clearer from the plain. 

And let there be no purpose in friendship save the deepening of the spirit. 

For love that seeks aught but the disclosure of its own mystery is not love but a net cast forth: and only the unprofitable is caught. 

And let your best be for your friend. 

If he must know the ebb of your tide, let him know its flood also. 

For what is your friend that you should seek him with hours to kill? 

Seek him always with hours to live. 

For it is his to fill your need, but not your emptiness. 

And in the sweetness of friendship let there be laughter, and sharing of pleasures. 

For in the dew of little things the heart finds its morning and is refreshed.
Written by Algernon Charles Swinburne | Create an image from this poem

Ave atque Vale (In memory of Charles Baudelaire)

 SHALL I strew on thee rose or rue or laurel, 
 Brother, on this that was the veil of thee? 
 Or quiet sea-flower moulded by the sea, 
Or simplest growth of meadow-sweet or sorrel, 
 Such as the summer-sleepy Dryads weave, 
 Waked up by snow-soft sudden rains at eve? 
Or wilt thou rather, as on earth before, 
 Half-faded fiery blossoms, pale with heat 
 And full of bitter summer, but more sweet 
To thee than gleanings of a northern shore 
 Trod by no tropic feet? 

For always thee the fervid languid glories 
 Allured of heavier suns in mightier skies; 
 Thine ears knew all the wandering watery sighs 
Where the sea sobs round Lesbian promontories, 
 The barren kiss of piteous wave to wave 
 That knows not where is that Leucadian grave 
Which hides too deep the supreme head of song. 
 Ah, salt and sterile as her kisses were, 
 The wild sea winds her and the green gulfs bear 
Hither and thither, and vex and work her wrong, 
 Blind gods that cannot spare. 

Thou sawest, in thine old singing season, brother, 
 Secrets and sorrows unbeheld of us: 
 Fierce loves, and lovely leaf-buds poisonous, 
Bare to thy subtler eye, but for none other 
 Blowing by night in some unbreathed-in clime; 
 The hidden harvest of luxurious time, 
Sin without shape, and pleasure without speech; 
 And where strange dreams in a tumultuous sleep 
 Make the shut eyes of stricken spirits weep; 
And with each face thou sawest the shadow on each, 
 Seeing as men sow men reap. 

O sleepless heart and sombre soul unsleeping, 
 That were athirst for sleep and no more life 
 And no more love, for peace and no more strife! 
Now the dim gods of death have in their keeping 
 Spirit and body and all the springs of song, 
 Is it well now where love can do no wrong, 
Where stingless pleasure has no foam or fang 
 Behind the unopening closure of her lips? 
 Is it not well where soul from body slips 
And flesh from bone divides without a pang 
 As dew from flower-bell drips? 

It is enough; the end and the beginning 
 Are one thing to thee, who art past the end. 
 O hand unclasp'd of unbeholden friend, 
For thee no fruits to pluck, no palms for winning, 
 No triumph and no labour and no lust, 
 Only dead yew-leaves and a little dust. 
O quiet eyes wherein the light saith naught, 
 Whereto the day is dumb, nor any night 
 With obscure finger silences your sight, 
Nor in your speech the sudden soul speaks thought, 
 Sleep, and have sleep for light. 

Now all strange hours and all strange loves are over, 
 Dreams and desires and sombre songs and sweet, 
 Hast thou found place at the great knees and feet 
Of some pale Titan-woman like a lover, 
 Such as thy vision here solicited, 
 Under the shadow of her fair vast head, 
The deep division of prodigious breasts, 
 The solemn slope of mighty limbs asleep, 
 The weight of awful tresses that still keep 
The savour and shade of old-world pine-forests 
 Where the wet hill-winds weep? 

Hast thou found any likeness for thy vision? 
 O gardener of strange flowers, what bud, what bloom, 
 Hast thou found sown, what gather'd in the gloom? 
What of despair, of rapture, of derision, 
 What of life is there, what of ill or good? 
 Are the fruits gray like dust or bright like blood? 
Does the dim ground grow any seed of ours, 
 The faint fields quicken any terrene root, 
 In low lands where the sun and moon are mute 
And all the stars keep silence? Are there flowers 
 At all, or any fruit? 

Alas, but though my flying song flies after, 
 O sweet strange elder singer, thy more fleet 
 Singing, and footprints of thy fleeter feet, 
Some dim derision of mysterious laughter 
 From the blind tongueless warders of the dead, 
 Some gainless glimpse of Proserpine's veil'd head, 
Some little sound of unregarded tears 
 Wept by effaced unprofitable eyes, 
 And from pale mouths some cadence of dead sighs-- 
These only, these the hearkening spirit hears, 
 Sees only such things rise. 

Thou art far too far for wings of words to follow, 
 Far too far off for thought or any prayer. 
 What ails us with thee, who art wind and air? 
What ails us gazing where all seen is hollow? 
 Yet with some fancy, yet with some desire, 
 Dreams pursue death as winds a flying fire, 
Our dreams pursue our dead and do not find. 
 Still, and more swift than they, the thin flame flies, 
 The low light fails us in elusive skies, 
Still the foil'd earnest ear is deaf, and blind 
 Are still the eluded eyes. 

Not thee, O never thee, in all time's changes, 
 Not thee, but this the sound of thy sad soul, 
 The shadow of thy swift spirit, this shut scroll 
I lay my hand on, and not death estranges 
 My spirit from communion of thy song-- 
 These memories and these melodies that throng 
Veil'd porches of a Muse funereal-- 
 These I salute, these touch, these clasp and fold 
 As though a hand were in my hand to hold, 
Or through mine ears a mourning musical 
 Of many mourners roll'd. 

I among these, I also, in such station 
 As when the pyre was charr'd, and piled the sods. 
 And offering to the dead made, and their gods, 
The old mourners had, standing to make libation, 
 I stand, and to the Gods and to the dead 
 Do reverence without prayer or praise, and shed 
Offering to these unknown, the gods of gloom, 
 And what of honey and spice my seed-lands bear, 
 And what I may of fruits in this chill'd air, 
And lay, Orestes-like, across the tomb 
 A curl of sever'd hair. 

But by no hand nor any treason stricken, 
 Not like the low-lying head of Him, the King, 
 The flame that made of Troy a ruinous thing, 
Thou liest and on this dust no tears could quicken. 
 There fall no tears like theirs that all men hear 
 Fall tear by sweet imperishable tear 
Down the opening leaves of holy poets' pages. 
 Thee not Orestes, not Electra mourns; 
 But bending us-ward with memorial urns 
The most high Muses that fulfil all ages 
 Weep, and our God's heart yearns. 

For, sparing of his sacred strength, not often 
 Among us darkling here the lord of light 
 Makes manifest his music and his might 
In hearts that open and in lips that soften 
 With the soft flame and heat of songs that shine. 
 Thy lips indeed he touch'd with bitter wine, 
And nourish'd them indeed with bitter bread; 
 Yet surely from his hand thy soul's food came, 
 The fire that scarr'd thy spirit at his flame 
Was lighted, and thine hungering heart he fed 
 Who feeds our hearts with fame. 

Therefore he too now at thy soul's sunsetting, 
 God of all suns and songs, he too bends down 
 To mix his laurel with thy cypress crown, 
And save thy dust from blame and from forgetting. 
 Therefore he too, seeing all thou wert and art, 
 Compassionate, with sad and sacred heart, 
Mourns thee of many his children the last dead, 
 And hollows with strange tears and alien sighs 
 Thine unmelodious mouth and sunless eyes, 
And over thine irrevocable head 
 Sheds light from the under skies. 

And one weeps with him in the ways Lethean, 
 And stains with tears her changing bosom chill; 
 That obscure Venus of the hollow hill, 
That thing transform'd which was the Cytherean, 
 With lips that lost their Grecian laugh divine 
 Long since, and face no more call'd Erycine-- 
A ghost, a bitter and luxurious god. 
 Thee also with fair flesh and singing spell 
 Did she, a sad and second prey, compel 
Into the footless places once more trod, 
 And shadows hot from hell. 

And now no sacred staff shall break in blossom, 
 No choral salutation lure to light 
 A spirit sick with perfume and sweet night 
And love's tired eyes and hands and barren bosom. 
 There is no help for these things; none to mend, 
 And none to mar; not all our songs, O friend, 
Will make death clear or make life durable. 
 Howbeit with rose and ivy and wild vine 
 And with wild notes about this dust of thine 
At least I fill the place where white dreams dwell 
 And wreathe an unseen shrine. 

Sleep; and if life was bitter to thee, pardon, 
 If sweet, give thanks; thou hast no more to live; 
 And to give thanks is good, and to forgive. 
Out of the mystic and the mournful garden 
 Where all day through thine hands in barren braid 
 Wove the sick flowers of secrecy and shade, 
Green buds of sorrow and sin, and remnants gray, 
 Sweet-smelling, pale with poison, sanguine-hearted, 
 Passions that sprang from sleep and thoughts that started, 
Shall death not bring us all as thee one day 
 Among the days departed? 

For thee, O now a silent soul, my brother, 
 Take at my hands this garland, and farewell. 
 Thin is the leaf, and chill the wintry smell, 
And chill the solemn earth, a fatal mother, 
 With sadder than the Niobean womb, 
 And in the hollow of her breasts a tomb. 
Content thee, howsoe'er, whose days are done; 
 There lies not any troublous thing before, 
 Nor sight nor sound to war against thee more, 
For whom all winds are quiet as the sun, 
 All waters as the shore.
Written by Marianne Moore | Create an image from this poem

Peter

 Strong and slippery,
built for the midnight grass-party
confronted by four cats, he sleeps his time away--
the detached first claw on the foreleg corresponding
to the thumb, retracted to its tip; the small tuft of fronds
or katydid-legs above each eye numbering all units
in each group; the shadbones regularly set about the mouth
to droop or rise in unison like porcupine-quills.
He lets himself be flattened out by gravity,
as seaweed is tamed and weakened by the sun,
compelled when extended, to lie stationary.
Sleep is the result of his delusion that one must do as well
 as one can for oneself,
sleep--epitome of what is to him the end of life.
Demonstrate on him how the lady placed a forked stick
on the innocuous neck-sides of the dangerous southern snake.
One need not try to stir him up; his prune-shaped head
and alligator-eyes are not party to the joke.
Lifted and handled, he may be dangled like an eel
or set up on the forearm like a mouse;
his eyes bisected by pupils of a pin's width,
are flickeringly exhibited, then covered up.
May be? I should have said might have been;
when he has been got the better of in a dream--
as in a fight with nature or with cats, we all know it.
Profound sleep is not with him a fixed illusion.
Springing about with froglike accuracy, with jerky cries
when taken in hand, he is himself again;
to sit caged by the rungs of a domestic chair
would be unprofitable--human. What is the good of hypocrisy?
it is permissible to choose one's employment,
to abandon the nail, or roly-poly,
when it shows signs of being no longer a pleasure,
to score the nearby magazine with a double line of strokes.
He can talk but insolently says nothing. What of it?
When one is frank, one's very presence is a compliment.
It is clear that he can see the virtue of naturalness,
that he does not regard the published fact as a surrender.
As for the disposition invariably to affront,
an animal with claws should have an opportunity to use them.
The eel-like extension of trunk into tail is not an accident.
To leap, to lengthen out, divide the air, to purloin, to pursue.
To tell the hen: fly over the fence, go in the wrong way
in your perturbation--this is life;
to do less would be nothing but dishonesty.
Written by Edwin Arlington Robinson | Create an image from this poem

Dear Friends

 Dear Friends, reproach me not for what I do,
Nor counsel me, nor pity me; nor say
That I am wearing half my life away
For bubble-work that only fools pursue.
And if my bubbles be too small for you,
Blow bigger then your own: the games we play
To fill the frittered minutes of a day,
Good glasses are to read the spirit through.

And whoso reads may get him some shrewd skill;
And some unprofitable scorn resign,
To praise the very thing that he deplores;
So, friends (dear friends), remember, if you will,
The shame I win for singing is all mine,
The gold I miss for dreaming is all yours.


Written by Edwin Arlington Robinson | Create an image from this poem

Two Octaves

 I

Not by the grief that stuns and overwhelms 
All outward recognition of revealed 
And righteous omnipresence are the days 
Of most of us affrighted and diseased, 
But rather by the common snarls of life 
That come to test us and to strengthen us 
In this the prentice-age of discontent, 
Rebelliousness, faint-heartedness, and shame. 


II

When through hot fog the fulgid sun looks down 
Upon a stagnant earth where listless men 
Laboriously dawdle, curse, and sweat, 
Disqualified, unsatisfied, inert, -- 
It seems to me somehow that God himself 
Scans with a close reproach what I have done, 
Counts with an unphrased patience my arrears, 
And fathoms my unprofitable thoughts.

Book: Radiant Verses: A Journey Through Inspiring Poetry