Written by
Dejan Stojanovic |
There is a moonlight note
In the Moonlight Sonata;
There is a thunder note
In an angry sky.
Sound unbound by nature
Becomes bounded by art.
There is no competition of sounds
Between a nightingale and a violin.
Nature rewards and punishes
By offering unpredictable ways;
Art is apotheosis;
Often, the complaint of beauty.
Nature is an outcry,
Unpolished truth;
The art—a euphemism—
Tamed wilderness.
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Written by
Richard Brautigan |
My clumsiest dear, whose hands shipwreck vases,
At whose quick touch all glasses chip and ring,
Whose palms are bulls in china, burs in linen,
And have no cunning with any soft thing
Except all ill-at-ease fidgeting people:
The refugee uncertain at the door
You make at home; deftly you steady
The drunk clambering on his undulant floor.
Unpredictable dear, the taxi drivers' terror,
Shrinking from far headlights pale as a dime
Yet leaping before apopleptic streetcars—
Misfit in any space. And never on time.
A wrench in clocks and the solar system. Only
With words and people and love you move at ease;
In traffic of wit expertly maneuver
And keep us, all devotion, at your knees.
Forgetting your coffee spreading on our flannel,
Your lipstick grinning on our coat,
So gaily in love's unbreakable heaven
Our souls on glory of spilt bourbon float.
Be with me, darling, early and late. Smash glasses—
I will study wry music for your sake.
For should your hands drop white and empty
All the toys of the world would break.
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Written by
Russell Edson |
A man is bringing a cup of coffee to his face,
tilting it to his mouth. It's historical, he thinks.
He scratches his head: another historical event.
He really ought to rest, he's making an awful lot of
history this morning.
Oh my, now he's buttering toast, another piece of
history is being made.
He wonders why it should have fallen on him to be
so historical. Others probably just don't have it,
he thinks, it is, after all, a talent.
He thinks one of his shoelaces needs tying. Oh well,
another important historical event is about to take
place. He just can't help it. Perhaps he's taking up
too large an area of history? But he has to live, hasn't
he? Toast needs buttering and he can't go around with
one of his shoelaces needing to be tied, can he?
Certainly it's true, when the 20th century gets written
in full it will be mainly about him. That's the way the
cookie crumbles--ah, there's a phrase that'll be quoted
for centuries to come.
Self-conscious? A little; how can one help it with all
those yet-to-be-born eyes of the future watching him?
Uh oh, he feels another historical event coming . . .
Ah, there it is, a cup of coffee approaching his face at
the end of his arm. If only they could catch it on film,
how much it would mean to the future. Oops, spilled it all
over his lap. One of those historical accidents that will
influence the next thousand years; unpredictable, and
really rather uncomfortable . . . But history is never easy,
he thinks . . .
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Written by
John Lindley |
Wheeling them in,
the yard gate at half-mast
with its ticking hinge,
the tin bucket with a hairnet of webs,
the privy door ajar,
the path gloved with moss
ploughed by metal
through a scalped tyre -
in the shadows of the hood,
in the ripped silk
of the rocking, buckled pram,
none of the dead clocks moving.
And carrying them in
to a kitchen table,
a near-lifetime’s Woodies
coating each cough,
he will tickle them awake;
will hold like primitive headphones
the tinkling shells to each ear,
select and apply unfailingly
the right tool to the right cog
and with movements
as unpredictable as the pram’s
will wind and counter-wind
the scrap to metronomic life.
And at the pub,
at the Grey Horse or Houldsworth,
furtive as unpaid tax,
Rolex and Timex
and brands beneath naming
will change hands for the price of a bevy,
a fish supper
or a down payment
on early retirement
on a horse called Clockwork
running in the three-thirty at Aintree.
John Lindley
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