Written by
Elizabeth Bishop |
From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,
where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;
where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;
on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,
through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;
down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.
Goodbye to the elms,
to the farm, to the dog.
The bus starts. The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.
Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;
the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.
One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.
A pale flickering. Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.
On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.
A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night. Yes, sir,
all the way to Boston."
She regards us amicably.
Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.
The passengers lie back.
Snores. Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination. . . .
In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices
uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;
deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.
He took to drink. Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.
"Yes . . ." that peculiar
affirmative. "Yes . . ."
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death)."
Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.
Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.
A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.
Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless. . . ."
Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures."
"It's awful plain."
"Look! It's a she!"
Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?
"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you."
Then he shifts gears.
For a moment longer,
by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
|
Written by
Emile Verhaeren |
Ever since ending of the summer weather.
When last the thunder and the lightning broke,
Shatt'ring themselves upon it at one stroke,
The Silence has not stirred, there in the heather.
All round about stand steeples straight as stakes,
And each its bell between its fingers shakes;
All round about, with their three-storied loads,
The teams prowl down the roads;
All round about, where'er the pine woods end,
The wheel creaks on along its rutty bed,
But not a sound is strong enough to rend
That space intense and dead.
Since summer, thunder-laden, last was heard.
The Silence has not stirred;
And the broad heath-land, where the nights sink down
Beyond the sand-hills brown.
Beyond the endless thickets closely set,
To the far borders of the far-away.
Prolongs It yet.
Even the winds disturb not as they go
The boughs of those long larches, bending low
Where the marsh-water lies,
In which Its vacant eyes
Gaze at themselves unceasing, stubbornly.
Only sometimes, as on their way they move,
The noiseless shadows of the clouds above.
Or of some great bird's hov'ring flight on high,
Brush It in passing by.
Since the last bolt that scored the earth aslant,
Nothing has pierced the Silence dominant.
Of those who cross Its vast immensity,
Whether at twilight or at dawn it be,
There is not one but feels
The dread of the Unknown that It instils;
An ample force supreme, It holds Its sway
Uninterruptedly the same for aye.
Dark walls of blackest fir-trees bar from sight
The outlook towards the paths of hope and light;
Huge, pensive junipers
Affright from far the passing travellers;
Long, narrow paths stretch their straight lines unbent.
Till they fork off in curves malevolent;
And the sun, ever shifting, ceaseless lends
Fresh aspects to the mirage whither tends
Bewilderment
Since the last bolt was forged amid the storm,
The polar Silence at the corners four
Of the wide heather-land has stirred no more.
Old shepherds, whom their hundred years have worn
To things all dislocate and out of gear,
And their old dogs, ragged, tired-out, and torn.
Oft watch It, on the soundless lowlands near,
Or downs of gold beflecked with shadows' flight,
Sit down immensely there beside the night.
Then, at the curves and corners of the mere.
The waters creep with fear;
The heather veils itself, grows wan and white;
All the leaves listen upon all the bushes,
And the incendiary sunset hushes
Before Its face his cries of brandished light.
And in the hamlets that about It lie.
Beneath the thatches of their hovels small
The terror dwells of feeling It is nigh.
And, though It stirs not, dominating all.
Broken with dull despair and helplessness,
Beneath Its presence they crouch motionless,
As though upon the watch—and dread to see.
Through rifts of vapour, open suddenly
At evening, in the moon, the argent eyes
Of Its mute mysteries.
|
Written by
Emile Verhaeren |
Uninterruptedly falls the snow,
Like meagre, long wool-strands, scant and slow,
O'er the meagre, long plain disconsolate.
Cold with lovelessness, warm with hate.
Infinite, infinite falls the snow.
Like a moment's time.
Monotonously, in a moment's time;
On the houses it falls and drops, the snow.
Monotonous, whitening them o'er with rime;
It falls on the sheds and their palings below.
And myriad-wise, it falls and lies
In ridgèd waves
In the churchyard hollows between the graves.
The apron of all inclement weather
Is roughly unfastened, there on high;
The apron of woes and misery
Is shaken by wind-gusts violently
Down on the hamlets that crouch together
Beneath the dull horizon-sky.
The frost creeps down to the very bones,
And want creeps in through the walls and stones;
Yea, snow and want round the souls creep close,
—The heavy snow diaphanous—
Round the stone-cold hearths and the flameless souls
That wither away in their huts and holes.
The hamlets bare
White, white as Death lie yonder, where
The crookèd roadways cross and halt;
Like branching traceries of salt
The trees, all crystallized with frost,
Stretch forth their boughs, entwined and crost.
Along the ways, as on they go
In far procession o'er the snow.
Then here and there, some ancient mill,
Where light, pale mosses aggregate,
Appears on a sudden, standing straight
Like a snare upon its lonely hill.
The roofs and sheds, down there below.
Since November dawned, have been wrestling still,
In contrary blasts, with the hurricane;
While, thick and full, yet falls amain
The infinite snow, with its weary weight,
O'er the meagre, long plain disconsolate.
Thus journeys the snow afar so fleet.
Into every cranny, on every trail;
Always the snow and its winding-sheet,
The mortuary snow so pale.
The snow, unfruitful and so pale.
In wild and vagabond tatters hurled
Through the limitless winter of the world.
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