Written by
Andrew Barton Paterson |
'Tis strange that in a land so strong
So strong and bold in mighty youth,
We have no poet's voice of truth
To sing for us a wondrous song.
Our chiefest singer yet has sung
In wild, sweet notes a passing strain,
All carelessly and sadly flung
To that dull world he thought so vain.
"I care for nothing, good nor bad,
My hopes are gone, my pleasures fled,
I am but sifting sand," he said:
What wonder Gordon's songs were sad!
And yet, not always sad and hard;
In cheerful mood and light of heart
He told the tale of Britomarte,
And wrote the Rhyme of Joyous Garde.
And some have said that Nature's face
To us is always sad; but these
Have never felt the smiling grace
Of waving grass and forest trees
On sunlit plains as wide as seas.
"A land where dull Despair is king
O'er scentless flowers and songless bird!"
But we have heard the bell-birds ring
Their silver bells at eventide,
Like fairies on the mountain side,
The sweetest note man ever heard.
The wild thrush lifts a note of mirth;
The bronzewing pigeons call and coo
Beside their nests the long day through;
The magpie warbles clear and strong
A joyous, glad, thanksgiving song,
For all God's mercies upon earth.
And many voices such as these
Are joyful sounds for those to tell,
Who know the Bush and love it well,
With all its hidden mysteries.
We cannot love the restless sea,
That rolls and tosses to and fro
Like some fierce creature in its glee;
For human weal or human woe
It has no touch of sympathy.
For us the bush is never sad:
Its myriad voices whisper low,
In tones the bushmen only know,
Its sympathy and welcome glad.
For us the roving breezes bring
From many a blossum-tufted tree --
Where wild bees murmur dreamily --
The honey-laden breath of Spring.
* * * *
We have our tales of other days,
Good tales the northern wanderers tell
When bushmen meet and camp-fires blaze,
And round the ring of dancing light
The great, dark bush with arms of night
Folds every hearer in its spell.
We have our songs -- not songs of strife
And hot blood spilt on sea and land;
But lilts that link achievement grand
To honest toil and valiant life.
Lift ye your faces to the sky
Ye barrier mountains in the west
Who lie so peacefully at rest
Enshrouded in a haze of blue;
'Tis hard to feel that years went by
Before the pioneers broke through
Your rocky heights and walls of stone,
And made your secrets all their own.
For years the fertile Western plains
Were hid behind your sullen walls,
Your cliffs and crags and waterfalls
All weatherworn with tropic rains.
Between the mountains and the sea
Like Israelites with staff in hand,
The people waited restlessly:
They looked towards the mountains old
And saw the sunsets come and go
With gorgeous golden afterglow,
That made the West a fairyland,
And marvelled what that West might be
Of which such wondrous tales were told.
For tales were told of inland seas
Like sullen oceans, salt and dead,
And sandy deserts, white and wan,
Where never trod the foot of man,
Nor bird went winging overhead,
Nor ever stirred a gracious breeze
To wake the silence with its breath --
A land of loneliness and death.
At length the hardy pioneers
By rock and crag found out the way,
And woke with voices of today
A silence kept for years and tears.
Upon the Western slope they stood
And saw -- a wide expanse of plain
As far as eye could stretch or see
Go rolling westward endlessly.
The native grasses, tall as grain,
Bowed, waved and rippled in the breeze;
From boughs of blossom-laden trees
The parrots answered back again.
They saw the land that it was good,
A land of fatness all untrod,
And gave their silent thanks to God.
The way is won! The way is won!
And straightway from the barren coast
There came a westward-marching host,
That aye and ever onward prest
With eager faces to the West,
Along the pathway of the sun.
The mountains saw them marching by:
They faced the all-consuming drought,
They would not rest in settled land:
But, taking each his life in hand,
Their faces ever westward bent
Beyond the farthest settlement,
Responding to the challenge cry
of "better country farther out".
And lo, a miracle! the land
But yesterday was all unknown,
The wild man's boomerang was thrown
Where now great busy cities stand.
It was not much, you say, that these
Should win their way where none withstood;
In sooth there was not much of blood --
No war was fought between the seas.
It was not much! but we who know
The strange capricious land they trod --
At times a stricken, parching sod,
At times with raging floods beset --
Through which they found their lonely way
Are quite content that you should say
It was not much, while we can feel
That nothing in the ages old,
In song or story written yet
On Grecian urn or Roman arch,
Though it should ring with clash of steel,
Could braver histories unfold
Than this bush story, yet untold --
The story of their westward march.
* * * *
But times are changed, and changes rung
From old to new -- the olden days,
The old bush life and all its ways,
Are passing from us all unsung.
The freedom, and the hopeful sense
Of toil that brought due recompense,
Of room for all, has passed away,
And lies forgotten with the dead.
Within our streets men cry for bread
In cities built but yesterday.
About us stretches wealth of land,
A boundless wealth of virgin soil
As yet unfruitful and untilled!
Our willing workmen, strong and skilled,
Within our cities idle stand,
And cry aloud for leave to toil.
The stunted children come and go
In squalid lanes and alleys black:
We follow but the beaten track
Of other nations, and we grow
In wealth for some -- for many, woe.
And it may be that we who live
In this new land apart, beyond
The hard old world grown fierce and fond
And bound by precedent and bond,
May read the riddle right, and give
New hope to those who dimly see
That all things yet shall be for good,
And teach the world at length to be
One vast united brotherhood.
* * * *
So may it be! and he who sings
In accents hopeful, clear, and strong,
The glories which that future brings
Shall sing, indeed, a wondrous song.
|
Written by
Louisa May Alcott |
Long ago in a poultry yard
One dull November morn,
Beneath a motherly soft wing
A little goose was born.
Who straightway peeped out of the shell
To view the world beyond,
Longing at once to sally forth
And paddle in the pond.
"Oh! be not rash," her father said,
A mild Socratic bird;
Her mother begged her not to stray
With many a warning word.
But little goosey was perverse,
And eagerly did cry,
"I've got a lovely pair of wings,
Of course I ought to fly."
In vain parental cacklings,
In vain the cold sky's frown,
Ambitious goosey tried to soar,
But always tumbled down.
The farmyard jeered at her attempts,
The peacocks screamed, "Oh fie!
You're only a domestic goose,
So don't pretend to fly."
Great cock-a-doodle from his perch
Crowed daily loud and clear,
"Stay in the puddle, foolish bird,
That is your proper sphere,"
The ducks and hens said, one and all,
In gossip by the pool,
"Our children never play such pranks;
My dear, that fowl's a fool."
The owls came out and flew about,
Hooting above the rest,
"No useful egg was ever hatched
From transcendental nest."
Good little goslings at their play
And well-conducted chicks
Were taught to think poor goosey's flights
Were naughty, ill-bred tricks.
They were content to swim and scratch,
And not at all inclined
For any wild goose chase in search
Of something undefined.
Hard times she had as one may guess,
That young aspiring bird,
Who still from every fall arose
Saddened but undeterred.
She knew she was no nightingale
Yet spite of much abuse,
She longed to help and cheer the world,
Although a plain gray goose
She could not sing, she could not fly,
Nor even walk, with grace,
And all the farmyard had declared
A puddle was her place.
But something stronger than herself
Would cry, "Go on, go on!
Remember, though an humble fowl,
You're cousin to a swan."
So up and down poor goosey went,
A busy, hopeful bird.
Searched many wide unfruitful fields,
And many waters stirred.
At length she came unto a stream
Most fertile of all Niles,
Where tuneful birds might soar and sing
Among the leafy isles.
Here did she build a little nest
Beside the waters still,
Where the parental goose could rest
Unvexed by any bill.
And here she paused to smooth her plumes,
Ruffled by many plagues;
When suddenly arose the cry,
"This goose lays golden eggs."
At once the farmyard was agog;
The ducks began to quack;
Prim Guinea fowls relenting called,
"Come back, come back, come back."
Great chanticleer was pleased to give
A patronizing crow,
And the contemptuous biddies clucked,
"I wish my chicks did so."
The peacocks spread their shining tails,
And cried in accents soft,
"We want to know you, gifted one,
Come up and sit aloft."
Wise owls awoke and gravely said,
With proudly swelling breasts,
"Rare birds have always been evoked
From transcendental nests!"
News-hunting turkeys from afar
Now ran with all thin legs
To gobble facts and fictions of
The goose with golden eggs.
But best of all the little fowls
Still playing on the shore,
Soft downy chicks and goslings gay,
Chirped out, "Dear Goose, lay more."
But goosey all these weary years
Had toiled like any ant,
And wearied out she now replied
"My little dears, I can't.
"When I was starving, half this corn
Had been of vital use,
Now I am surfeited with food
Like any Strasbourg goose."
So to escape too many friends,
Without uncivil strife,
She ran to the Atlantic pond
And paddled for her life.
Soon up among the grand old Alps
She found two blessed things,
The health she had so nearly lost,
And rest for weary limbs.
But still across the briny deep
Couched in most friendly words,
Came prayers for letters, tales, or verse
From literary birds.
Whereat the renovated fowl
With grateful thanks profuse,
Took from her wing a quill and wrote
This lay of a Golden Goose.
|
Written by
Hilaire Belloc |
To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!
Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head. Sing the Panther-team,
The gilded Thrysus twirling, and the gleam
Of cymbals through the darkness. Sing the drums.
He comes; the young renewer of Hellas comes!
The Seas await him. Those Aegean Seas
Roll from the dawning, ponderous, ill at ease,
In lifts of lead, whose cresting hardly breaks
To ghostly foam, when suddenly there awakes
A mountain glory inland. All the skies
Are luminous; and amid the sea bird cries
The mariner hears a morning breeze arise.
Then goes the Pageant forward. The sea-way
Silvers the feet of that august array
Trailing above the waters, through the airs;
And as they pass a wind before them bears
The quickening word, the influence magical.
The Islands have received it, marble-tall;
The long shores of the mainland. Something fills
The warm Euboean combes, the sacred hills
Of Aulis and of Argos. Still they move
Touching the City walls, the Temple grove,
Till, far upon the horizon-glint, a gleam
Of light, of trembling light, revealed they seem
Turned to a cloud, but to a cloud that shines,
And everywhere as they pass, the Vines! The Vines!
The Vines, the conquering Vines! And the Vine
breaths
Her savour through the upland, empty heaths
Of treeless wastes; the Vines have come to where
The dark Pelasgian steep defends the lair
Of the wolf's hiding; to the empty fields
By Aufidus, the dry campaign that yields
No harvest for the husbandman, but now
Shall bear a nobler foison than the plough;
To where, festooned along the tall elm trees,
Tendrils are mirrored in Tyrrhenian seas;
To where the South awaits them; even to where
Stark, African informed of burning air,
Upturned to Heaven the broad Hipponian plain
Extends luxurious and invites the main.
Guelma's a mother: barren Thaspsa breeds;
And northward in the valleys, next the meads
That sleep by misty river banks, the Vines
Have struck to spread below the solemn pines.
The Vines are on the roof-trees. All the Shrines
And Homes of men are consecrate with Vines.
And now the task of that triumphant day
Has reached to victory. In the reddening ray
With all his train, from hard Iberian lands
Fulfilled, apparent, that Creator stands
Halted on Atlas. Far Beneath him, far,
The strength of Ocean darkening and the star
Beyond all shores. There is a silence made.
It glorifies: and the gigantic shade
Of Hercules adores him from the West.
Dead Lucre: burnt Ambition: Wine is best.
But what are these that from the outer murk
Of dense mephitic vapours creeping lurk
To breathe foul airs from that corrupted well
Which oozes slime along the floor of Hell?
These are the stricken palsied brood of sin
In whose vile veins, poor, poisonous and thin,
Decoctions of embittered hatreds crawl:
These are the Water-Drinkers, cursed all!
On what gin-sodden Hags, what flaccid sires
Bred these White Slugs from what exhaust desires?
In what close prison's horror were their wiles
Watched by what tyrant power with evil smiles;
Or in what caverns, blocked from grace and air
Received they, then, the mandates of despair?
What! Must our race, our tragic race, that roam
All exiled from our first, and final, home:
That in one moment of temptation lost
Our heritage, and now wander, hunger-tost
Beyond the Gates (still speaking with our eyes
For ever of remembered Paradise),
Must we with every gift accepted, still,
With every joy, receive attendant ill?
Must some lewd evil follow all our good
And muttering dog our brief beatitude?
A primal doom, inexorable, wise,
Permitted, ordered, even these to rise.
Even in the shadow of so bright a Lord
Must swarm and propagate the filthy horde
Debased, accursed I say, abhorrent and abhorred.
Accursed and curse-bestowing. For whosoe'er
Shall suffer their contagion, everywhere
Falls from the estate of man and finds his end
To the mere beverage of the beast condemned.
For such as these in vain the Rhine has rolled
Imperial centuries by hills of gold;
For such as these the flashing Rhone shall rage
In vain its lightning through the Hermitage
Or level-browed divine Touraine receive
The tribute of her vintages at eve.
For such as these Burgundian heats in vain
Swell the rich slope or load the empurpled plain.
Bootless for such as these the mighty task
Of bottling God the Father in a flask
And leading all Creation down distilled
To one small ardent sphere immensely filled.
With memories empty, with experience null,
With vapid eye-balls meaningless and dull
They pass unblest through the unfruitful light;
And when we open the bronze doors of Night,
When we in high carousal, we reclined,
Spur up to Heaven the still ascending mind,
Pass with the all inspiring, to and fro,
The torch of genius and the Muse's glow,
They, lifeless, stare at vacancy alone
Or plan mean traffic, or repeat their moan.
We, when repose demands us, welcomed are
In young white arms, like our great Exemplar
Who, wearied with creation, takes his rest
And sinks to sleep on Ariadne's breast.
They through the darkness into darkness press
Despised, abandoned and companionless.
And when the course of either's sleep has run
We leap to life like heralds of the sun;
We from the couch in roseate mornings gay
Salute as equals the exultant day
While they, the unworthy, unrewarded, they
The dank despisers of the Vine, arise
To watch grey dawns and mourn indifferent skies.
Forget them! Form the Dionysian ring
And pulse the ground, and Io, Io, sing.
Father Lenaean, to whom our strength belongs,
Our loves, our wars, our laughter and our songs,
Remember our inheritance, who praise
Your glory in these last unhappy days
When beauty sickens and a muddied robe
Of baseness fouls the universal globe.
Though all the Gods indignant and their train
Abandon ruined man, do thou remain!
By thee the vesture of our life was made,
The Embattled Gate, the lordly Colonnade,
The woven fabric's gracious hues, the sound
Of trumpets, and the quivering fountain-round,
And, indestructible, the Arch, and, high,
The Shaft of Stone that stands against the sky,
And, last, the guardian-genius of them, Rhyme,
Come from beyond the world to conquer time:
All these are thine, Lenaean.
By thee do seers the inward light discern;
By thee the statue lives, the Gods return;
By thee the thunder and the falling foam
Of loud Acquoria's torrent call to Rome;
Alba rejoices in a thousand springs,
Gensano laughs, and Orvieto sings...
But, Ah! With Orvieto, with that name
Of dark, Eturian, subterranean flame
The years dissolve. I am standing in that hour
Of majesty Septembral, and the power
Which swells the clusters when the nights are still
With autumn stars on Orvieto hill.
Had these been mine, Ausonian Muse, to know
The large contented oxen heaving slow;
To count my sheaves at harvest; so to spend
Perfected days in peace until the end;
With every evening's dust of gold to hear
The bells upon the pasture height, the clear
Full horn of herdsmen gathering in the kine
To ancient byres in hamlets Appenine,
And crown abundant age with generous ease:
Had these, Ausonian Muse, had these, had these.....
But since I would not, since I could not stay,
Let me remember even in this my day
How, when the ephemeral vision's lure is past
All, all, must face their Passion at the last
Was there not one that did to Heaven complain
How, driving through the midnight and the rain,
He struck, the Atlantic seethe and surge before,
Wrecked in the North along a lonely shore
To make the lights of home and hear his name no
more.
Was there not one that from a desperate field
Rode with no guerdon but a rifted shield;
A name disherited; a broken sword;
Wounds unrenowned; battle beneath no Lord;
Strong blows, but on the void, and toil without
reward.
When from the waste of such long labour done
I too must leave the grape-ennobling sun
And like the vineyard worker take my way
Down the long shadows of declining day,
Bend on the sombre plain my clouded sight
And leave the mountain to the advancing night,
Come to the term of all that was mine own
With nothingness before me, and alone;
Then to what hope of answer shall I turn?
Comrade-Commander whom I dared not earn,
What said You then to trembling friends and
few?
"A moment, and I drink it with you new:
But in my Father's Kingdom." So, my Friend,
Let not Your cup desert me in the end.
But when the hour of mine adventure's near
Just and benignant, let my youth appear
Bearing a Chalice, open, golden, wide,
With benediction graven on its side.
So touch my dying lip: so bridge that deep:
So pledge my waking from the gift of sleep,
And, sacramental, raise me the Divine:
Strong brother in God and last companion, Wine.
|
Written by
Oliver Wendell Holmes |
"Man wants but little here below."
LITTLE I ask; my wants are few;
I only wish a hut of stone,
(A very plain brown stone will do,)
That I may call my own;
And close at hand is such a one,
In yonder street that fronts the sun.
Plain food is quite enough for me;
Three courses are as good as ten;--
If Nature can subsist on three,
Thank Heaven for three. Amen!
I always thought cold victual nice;--
My choice would be vanilla-ice.
I care not much for gold or land;--
Give me a mortgage here and there,--
Some good bank-stock, some note of hand,
Or trifling railroad share,--
I only ask that Fortune send
A little more than I shall spend.
Honors are silly toys, I know,
And titles are but empty names;
I would, perhaps, be Plenipo,--
But only near St. James;
I'm very sure I should not care
To fill our Gubernator's chair.
Jewels are baubles; 't is a sin
To care for such unfruitful things;--
One good-sized diamond in a pin,--
Some, not so large, in rings,--
A ruby, and a pearl, or so,
Will do for me;--I laugh at show.
My dame should dress in cheap attire;
(Good, heavy silks are never dear;) -
I own perhaps I might desire
Some shawls of true Cashmere,--
Some marrowy crapes of China silk,
Like wrinkled skins on scalded milk.
I would not have the horse I drive
So fast that folks must stop and stare;
An easy gait--two forty-five--
Suits me; I do not care;--
Perhaps, for just a single spurt,
Some seconds less would do no hurt.
Of pictures, I should like to own
Titians aud Raphaels three or four,--
I love so much their style and tone,
One Turner, and no more,
(A landscape,--foreground golden dirt,--
The sunshine painted with a squirt.)
Of books but few,--some fifty score
For daily use, and bound for wear;
The rest upon an upper floor;--
Some little luxury there
Of red morocco's gilded gleam
And vellum rich as country cream.
Busts, cameos, gems,--such things as these,
Which others often show for pride,
I value for their power to please,
And selfish churls deride;--
One Stradivarius, I confess,
Two Meerschaums, I would fain possess.
Wealth's wasteful tricks I will not learn,
Nor ape the glittering upstart fool;--
Shall not carved tables serve my turn,
But all must be of buhl?
Give grasping pomp its double share,--
I ask but one recumbent chair.
Thus humble let me live and die,
Nor long for Midas' golden touch;
If Heaven more generous gifts deny,
I shall not miss them much,--
Too grateful for the blessing lent
Of simple tastes and mind content!
|
Written by
Philip Larkin |
Legend
I saw three ships go sailing by,
Over the sea, the lifting sea,
And the wind rose in the morning sky,
And one was rigged for a long journey.
The first ship turned towards the west,
Over the sea, the running sea,
And by the wind was all possessed
And carried to a rich country.
The second ship turned towards the east,
Over the sea, the quaking sea,
And the wind hunted it like a beast
To anchor in captivity.
The third ship drove towards the north,
Over the sea, the darkening sea,
But no breath of wind came forth,
And the decks shone frostily.
The northern sky rose high and black
Over the proud unfruitful sea,
East and west the ships came back
Happily or unhappily:
But the third went wide and far
Into an unforgiving sea
Under a fire-spilling star,
And it was rigged for a long journey.
|
Written by
D. H. Lawrence |
I wonder, can the night go by;
Can this shot arrow of travel fly
Shaft-golden with light, sheer into the sky
Of a dawned to-morrow,
Without ever sleep delivering us
From each other, or loosing the dolorous
Unfruitful sorrow!
What is it then that you can see
That at the window endlessly
You watch the red sparks whirl and flee
And the night look through?
Your presence peering lonelily there
Oppresses me so, I can hardly bear
To share the train with you.
You hurt my heart-beats’ privacy;
I wish I could put you away from me;
I suffocate in this intimacy,
For all that I love you;
How I have longed for this night in the train,
Yet now every fibre of me cries in pain
To God to remove you.
But surely my soul’s best dream is still
That one night pouring down shall swill
Us away in an utter sleep, until
We are one, smooth-rounded.
Yet closely bitten in to me
Is this armour of stiff reluctancy
That keeps me impounded.
So, dear love, when another night
Pours on us, lift your fingers white
And strip me naked, touch me light,
Light, light all over.
For I ache most earnestly for your touch,
Yet I cannot move, however much
I would be your lover.
Night after night with a blemish of day
Unblown and unblossomed has withered away;
Come another night, come a new night, say
Will you pluck me apart?
Will you open the amorous, aching bud
Of my body, and loose the burning flood
That would leap to you from my heart?
|
Written by
Bertolt Brecht |
The critical attitude
Strikes many people as unfruitful
That is because they find the state
Impervious to their criticism
But what in this case is an unfruitful attitude
Is merely a feeble attitude. Give criticism arms
And states can be demolished by it.
Canalising a river
Grafting a fruit tree
Educating a person
Transforming a state
These are instances of fruitful criticism
And at the same time instances of art.
|
Written by
Siegfried Sassoon |
You think I cannot understand. Ah, but I do...
I have been wrung with anger and compassion for you.
I wonder if you’d loathe my pity, if you knew.
But you shall know. I’ve carried in my heart too long
This secret burden. Has not silence wrought your wrong—
Brought you to dumb and wintry middle-age, with grey
Unfruitful withering?—Ah, the pitiless things I say...
What do you ask your God for, at the end of day,
Kneeling beside your bed with bowed and hopeless head?
What mercy can He give you?—Dreams of the unborn
Children that haunt your soul like loving words unsaid—
Dreams, as a song half-heard through sleep in early morn?
I see you in the chapel, where you bend before
The enhaloed calm of everlasting Motherhood
That wounds your life; I see you humbled to adore
The painted miracle you’ve never understood.
Tender, and bitter-sweet, and shy, I’ve watched you holding
Another’s child. O childless woman, was it then
That, with an instant’s cry, your heart, made young again,
Was crucified for ever—those poor arms enfolding
The life, the consummation that had been denied you?
I too have longed for children. Ah, but you must not weep.
Something I have to whisper as I kneel beside you...
And you must pray for me before you fall asleep.
|
Written by
Ella Wheeler Wilcox |
We must not force events, but rather make
The heart soil ready for their coming, as
The earth spreads carpets for the feet of Spring,
Or, with the strengthening tonic of the frost,
Prepares for Winter. Should a July noon
Burst suddenly upon a frozen world
Small joy would follow, even tho' that world
Were longing for the Summer. Should the sting
Of sharp December pierce the heart of June,
What death and devastation would ensue!
All things are planned. The most majestic sphere
That whirls through space is governed and controlled
By supreme law, as is the blade of grass
Which through the bursting bosom of the earth
Creeps up to kiss the light. Poor puny man
Alone doth strive and battle with the Force
Which rules all lives and worlds, and he alone
Demands effect before producing cause.
How vain the hope! We cannot harvest joy
Until we sow the seed, and God alone
Knows when that seed has ripened. Oft we stand
And watch the ground with anxious brooding eyes
Complaining of the slow unfruitful yield,
Not knowing that the shadow of ourselves
Keeps off the sunlight and delays result.
Sometimes our fierce impatience of desire
Doth like a sultry May force tender shoots
Of half-formed pleasures and unshaped events
To ripen prematurely, and we reap
But disappointment; or we rot the germs
With briny tears ere they have time to grow.
While stars are born and mighty planets die
And hissing comets scorch the brow of space
The Universe keeps its eternal calm.
Through patient preparation, year on year,
The earth endures the travail of the Spring
And Winter's desolation. So our souls
In grand submission to a higher law
Should move serene through all the ills of life,
Believing them masked joys.
|
Written by
Edwin Arlington Robinson |
Since you remember Nimmo, and arrive
At such a false and florid and far drawn
Confusion of odd nonsense, I connive
No longer, though I may have led you on.
So much is told and heard and told again,
So many with his legend are engrossed,
That I, more sorry now than I was then,
May live on to be sorry for his ghost.
You knew him, and you must have known his eyes,—
How deep they were, and what a velvet light
Came out of them when anger or surprise,
Or laughter, or Francesca, made them bright.
No, you will not forget such eyes, I think,—
And you say nothing of them. Very well.
I wonder if all history’s worth a wink,
Sometimes, or if my tale be one to tell.
For they began to lose their velvet light;
Their fire grew dead without and small within;
And many of you deplored the needless fight
That somewhere in the dark there must have been.
All fights are needless, when they’re not our own,
But Nimmo and Francesca never fought.
Remember that; and when you are alone,
Remember me—and think what I have thought.
Now, mind you, I say nothing of what was,
Or never was, or could or could not be:
Bring not suspicion’s candle to the glass
That mirrors a friend’s face to memory.
Of what you see, see all,—but see no more;
For what I show you here will not be there.
The devil has had his way with paint before,
And he’s an artist,—and you needn’t stare.
There was a painter and he painted well:
He’d paint you Daniel in the lion’s den,
Beelzebub, Elaine, or William Tell.
I’m coming back to Nimmo’s eyes again.
The painter put the devil in those eyes,
Unless the devil did, and there he stayed;
And then the lady fled from paradise,
And there’s your fact. The lady was afraid.
She must have been afraid, or may have been,
Of evil in their velvet all the while;
But sure as I’m a sinner with a skin,
I’ll trust the man as long as he can smile.
I trust him who can smile and then may live
In my heart’s house, where Nimmo is today.
God knows if I have more than men forgive
To tell him; but I played, and I shall pay.
I knew him then, and if I know him yet,
I know in him, defeated and estranged,
The calm of men forbidden to forget
The calm of women who have loved and changed.
But there are ways that are beyond our ways,
Or he would not be calm and she be mute,
As one by one their lost and empty days
Pass without even the warmth of a dispute.
God help us all when women think they see;
God save us when they do. I’m fair; but though
I know him only as he looks to me,
I know him,—and I tell Francesca so.
And what of Nimmo? Little would you ask
Of him, could you but see him as I can,
At his bewildered and unfruitful task
Of being what he was born to be—a man.
Better forget that I said anything
Of what your tortured memory may disclose;
I know him, and your worst remembering
Would count as much as nothing, I suppose.
Meanwhile, I trust him; and I know his way
Of trusting me, and always in his youth.
I’m painting here a better man, you say,
Than I, the painter; and you say the truth.
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