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Best Famous Undermined Poems

Here is a collection of the all-time best famous Undermined poems. This is a select list of the best famous Undermined poetry. Reading, writing, and enjoying famous Undermined poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of undermined poems.

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Written by Henry David Thoreau | Create an image from this poem

Friendship

 I think awhile of Love, and while I think, 
Love is to me a world, 
Sole meat and sweetest drink, 
And close connecting link 
Tween heaven and earth.
I only know it is, not how or why, My greatest happiness; However hard I try, Not if I were to die, Can I explain.
I fain would ask my friend how it can be, But when the time arrives, Then Love is more lovely Than anything to me, And so I'm dumb.
For if the truth were known, Love cannot speak, But only thinks and does; Though surely out 'twill leak Without the help of Greek, Or any tongue.
A man may love the truth and practise it, Beauty he may admire, And goodness not omit, As much as may befit To reverence.
But only when these three together meet, As they always incline, And make one soul the seat, And favorite retreat, Of loveliness; When under kindred shape, like loves and hates And a kindred nature, Proclaim us to be mates, Exposed to equal fates Eternally; And each may other help, and service do, Drawing Love's bands more tight, Service he ne'er shall rue While one and one make two, And two are one; In such case only doth man fully prove Fully as man can do, What power there is in Love His inmost soul to move Resistlessly.
________________________________ Two sturdy oaks I mean, which side by side, Withstand the winter's storm, And spite of wind and tide, Grow up the meadow's pride, For both are strong Above they barely touch, but undermined Down to their deepest source, Admiring you shall find Their roots are intertwined Insep'rably.


Written by Taja Kramberger | Create an image from this poem

Every Dead One Has a Name

Every dead one has a name,
only the names of the living make us falter.
Some names are impossible to utter without a stammer and a fidget, some can only be spoken through allusion, and some, mostly women’s, are forbidden in these parts.
Every dead one has a name, engraved in stone, printed in obituary or directory, but my name must be undermined, every few years soiled and substituted with another one.
A decade ago, a high-ranking party official warned me: Stay a poet, as long as there’s still time.
Still time? Time for what? I have also become a social scientist and an editor and an organiser and a translator and an activist and a university teacher.
Unbearable - all these things - all trespasses of the old parcel borders that were drawn by the dirty fingers of fraternities.
I air all the rooms, I ignore all the ratings, I open all the valvelets.
And they have put me out in the cold – like the dead.
But every dead one has a name.
© Taja Kramberger, Z roba klifa / From the Edge of a Cliff, CSK, Ljubljana, 2011 © Translation by Špela Drnovšek Zorko, 2012
Written by Adrienne Rich | Create an image from this poem

Snapshots of a Daughter-In-Law

  1

You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory.
" Your mind now, moldering like wedding-cake, heavy with useless experience, rich with suspicion, rumor, fantasy, crumbling to pieces under the knife-edge of mere fact.
In the prime of your life.
Nervy, glowering, your daughter wipes the teaspoons, grows another way.
2 Banging the coffee-pot into the sink she hears the angels chiding, and looks out past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm, a match burn to her thumbnail, or held her hand above the kettle's snout right inthe woolly steam.
They are probably angels, since nothing hurts her anymore, except each morning's grit blowing into her eyes.
3 A thinking woman sleeps with monsters.
The beak that grips her, she becomes.
And Nature, that sprung-lidded, still commodious steamer-trunk of tempora and mores gets stuffed with it all: the mildewed orange-flowers, the female pills, the terrible breasts of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument, each proud, acute, subtle, I hear scream across the cut glass and majolica like Furies cornered from their prey: The argument ad feminam, all the old knives that have rusted in my back, I drive in yours, ma semblable, ma soeur! 4 Knowing themselves too well in one another: their gifts no pure fruition, but a thorn, the prick filed sharp against a hint of scorn.
.
.
Reading while waiting for the iron to heat, writing, My Life had stood--a Loaded Gun-- in that Amherst pantry while the jellies boil and scum, or, more often, iron-eyed and beaked and purposed as a bird, dusting everything on the whatnot every day of life.
5 Dulce ridens, dulce loquens, she shaves her legs until they gleam like petrified mammoth-tusk.
6 When to her lute Corinna sings neither words nor music are her own; only the long hair dipping over her cheek, only the song of silk against her knees and these adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before an unlocked door, that cage of cages, tell us, you bird, you tragical machine-- is this fertillisante douleur? Pinned down by love, for you the only natural action, are you edged more keen to prise the secrets of the vault? has Nature shown her household books to you, daughter-in-law, that her sons never saw? 7 "To have in this uncertain world some stay which cannot be undermined, is of the utmost consequence.
" Thus wrote a woman, partly brave and partly good, who fought with what she partly understood.
Few men about her would or could do more, hence she was labeled harpy, shrew and whore.
8 "You all die at fifteen," said Diderot, and turn part legend, part convention.
Still, eyes inaccurately dream behind closed windows blankening with steam.
Deliciously, all that we might have been, all that we were--fire, tears, wit, taste, martyred ambition-- stirs like the memory of refused adultery the drained and flagging bosom of our middle years.
9 Not that it is done well, but that it is done at all? Yes, think of the odds! or shrug them off forever.
This luxury of the precocious child, Time's precious chronic invalid,-- would we, darlings, resign it if we could? Our blight has been our sinecure: mere talent was enough for us-- glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male and in his cups drinks to the fair.
Bemused by gallantry, we hear our mediocrities over-praised, indolence read as abnegation, slattern thought styled intuition, every lapse forgiven, our crime only to cast too bold a shadow or smash the mold straight off.
For that, solitary confinement, tear gas, attrition shelling.
Few applicants for that honor.
10 Well, she's long about her coming, who must be more merciless to herself than history.
Her mind full to the wind, I see her plunge breasted and glancing through the currents, taking the light upon her at least as beautiful as any boy or helicopter, poised, still coming, her fine blades making the air wince but her cargo no promise then: delivered palpable ours.
Written by Emily Dickinson | Create an image from this poem

Softened by Times consummate plush

 Softened by Time's consummate plush,
How sleek the woe appears
That threatened childhood's citadel
And undermined the years.
Bisected now, by bleaker griefs, We envy the despair That devastated childhood's realm, So easy to repair.
Written by Edwin Arlington Robinson | Create an image from this poem

Exit

 For what we owe to other days, 
Before we poisoned him with praise, 
May we who shrank to find him weak 
Remember that he cannot speak.
For envy that we may recall, And for our faith before the fall, May we who are alive be slow To tell what we shall never know.
For penance he would not confess, And for the fateful emptiness Of early triumph undermined, May we now venture to be kind.


Written by Robert Graves | Create an image from this poem

The Assault Heroic

 Down in the mud I lay, 
Tired out by my long day 
Of five damned days and nights, 
Five sleepless days and nights,… 
Dream-snatched, and set me where
The dungeon of Despair 
Looms over Desolate Sea, 
Frowning and threatening me 
With aspect high and steep— 
A most malignant keep.
My foes that lay within Shouted and made a din, Hooted and grinned and cried: “Today we’ve killed your pride; Today your ardour ends We’ve murdered all your friends; We’ve undermined by stealth Your happiness and your health.
We’ve taken away your hope; Now you may droop and mope To misery and to Death.
” But with my spear of Faith, Stout as an oaken rafter, With my round shield of laughter, With my sharp, tongue-like sword That speaks a bitter word, I stood beneath the wall And there defied them all.
The stones they cast I caught And alchemized with thought Into such lumps of gold As dreaming misers hold.
The boiling oil they threw Fell in a shower of dew, Refreshing me; the spears Flew harmless by my ears, Struck quivering in the sod; There, like the prophet’s rod, Put leaves out, took firm root, And bore me instant fruit.
My foes were all astounded, Dumbstricken and confounded, Gaping in a long row; They dared not thrust nor throw.
Thus, then, I climbed a steep Buttress and won the keep, And laughed and proudly blew My horn, “Stand to! Stand to! Wake up, sir! Here’s a new Attack! Stand to! Stand to!”

Book: Reflection on the Important Things