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Best Famous Uncurled Poems

Here is a collection of the all-time best famous Uncurled poems. This is a select list of the best famous Uncurled poetry. Reading, writing, and enjoying famous Uncurled poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of uncurled poems.

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Written by James A Emanuel | Create an image from this poem

Fishermen

 When three, he fished these lakes,
Curled sleeping on a lip of rock,
Crib blankets tucked from ants and fishbone flies,
Twitching as the strike of bass and snarling reel
Uncoiled my shouts not quit
Till he jerked blinking up on all-fours,
Swaying with the winking leaves.
Strong awake, he shook his cane pole like a spoon
And dipped among the wagging perch
Till, tired, he drew his silver rubber blade
And poked the winding fins that tugged our string,
Or sprayed the dimpling minnows with his plastic gun,
Or, rainstruck, squirmed to my armpit in the poncho.

Then years uncurled him, thinned him hard.
Now, far he cast his line into the wrinkled blue
And easy toes a rock, reel on his thigh
Till bone and crank cry out the strike
He takes with manchild chuckles, cunning
In his play of zigzag line and plunging silver.

Now fishing far from me, he strides through rain, shoulders
A spiny ridge of pines, and disappears
Near lakes that cannot be, while I must choose
To go or stay: bring blanket, blade, and gun,
Or stand a fisherman.


Written by Elizabeth Barrett Browning | Create an image from this poem

My Heart and I

 I.

ENOUGH ! we're tired, my heart and I.
We sit beside the headstone thus,
And wish that name were carved for us.
The moss reprints more tenderly
The hard types of the mason's knife,
As heaven's sweet life renews earth's life
With which we're tired, my heart and I.

II.
You see we're tired, my heart and I.
We dealt with books, we trusted men,
And in our own blood drenched the pen,
As if such colours could not fly.
We walked too straight for fortune's end,
We loved too true to keep a friend ;
At last we're tired, my heart and I.

III.
How tired we feel, my heart and I !
We seem of no use in the world ;
Our fancies hang grey and uncurled
About men's eyes indifferently ;
Our voice which thrilled you so, will let
You sleep; our tears are only wet :
What do we here, my heart and I ?

IV.
So tired, so tired, my heart and I !
It was not thus in that old time
When Ralph sat with me 'neath the lime
To watch the sunset from the sky.
`Dear love, you're looking tired,' he said;
I, smiling at him, shook my head :
'Tis now we're tired, my heart and I.

V.
So tired, so tired, my heart and I !
Though now none takes me on his arm
To fold me close and kiss me warm
Till each quick breath end in a sigh
Of happy languor. Now, alone,
We lean upon this graveyard stone,
Uncheered, unkissed, my heart and I.

VI.
Tired out we are, my heart and I.
Suppose the world brought diadems
To tempt us, crusted with loose gems
Of powers and pleasures ? Let it try.
We scarcely care to look at even
A pretty child, or God's blue heaven,
We feel so tired, my heart and I.

VII.
Yet who complains ? My heart and I ?
In this abundant earth no doubt
Is little room for things worn out :
Disdain them, break them, throw them by
And if before the days grew rough
We once were loved, used, -- well enough,
I think, we've fared, my heart and I.
Written by Matthew Prior | Create an image from this poem

A Better Answer

 Dear Chloe, how blubbered is that pretty face;
Thy cheek all on fire, and thy hair all uncurled!
Prithee quit this caprice, and (as old Falstaff says)
Let us e'en talk a little like folks of this world.

How canst thou presume thou hast leave to destroy
The beauties which Venus but lent to thy keeping?
Those looks were designed to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion, you wrong:
You take that for fact which will scarce be found wit— 
Od's life! must one swear to the truth of a song?

What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse, but I love thee in prose;
And they have my whimsies, but thou hast my heart.

The god of us verse-men (you know, child) the sun,
How after his journeys he sets up his rest;
If at morning o'er earth 'tis his fancy to run,
At night he reclines on his Thetis's breast.

So when I am wearied with wand'ring all day,
To thee, my delight, in the evening I come:
No matter what beauties I saw in my way,
They were but my visits, but thou art my home.

Then finish, dear Chloe, this pastoral war,
And let us like Horace and Lydia agree;
For thou art a girl as much brighter than her,
As he was a poet sublimer than me.
Written by Pablo Neruda | Create an image from this poem

Ode To The Artichoke

 The artichoke 
With a tender heart 
Dressed up like a warrior, 
Standing at attention, it built 
A small helmet 
Under its scales 
It remained 
Unshakeable, 
By its side 
The crazy vegetables 
Uncurled 
Their tendrills and leaf-crowns, 
Throbbing bulbs, 
In the sub-soil 
The carrot 
With its red mustaches 
Was sleeping, 
The grapevine 
Hung out to dry its branches 
Through which the wine will rise, 
The cabbage 
Dedicated itself 
To trying on skirts, 
The oregano 
To perfuming the world, 
And the sweet 
Artichoke 
There in the garden, 
Dressed like a warrior, 
Burnished 
Like a proud 
Pomegrante. 
And one day 
Side by side 
In big wicker baskets 
Walking through the market 
To realize their dream 
The artichoke army 
In formation. 
Never was it so military 
Like on parade. 
The men 
In their white shirts 
Among the vegetables 
Were 
The Marshals 
Of the artichokes 
Lines in close order 
Command voices, 
And the bang 
Of a falling box. 

But 
Then 
Maria 
Comes 
With her basket 
She chooses 
An artichoke, 
She's not afraid of it. 
She examines it, she observes it 
Up against the light like it was an egg, 
She buys it, 
She mixes it up 
In her handbag 
With a pair of shoes 
With a cabbage head and a 
Bottle 
Of vinegar 
Until 
She enters the kitchen 
And submerges it in a pot. 

Thus ends 
In peace 
This career 
Of the armed vegetable 
Which is called an artichoke, 
Then 
Scale by scale, 
We strip off 
The delicacy 
And eat 
The peaceful mush 
Of its green heart.
Written by Vachel Lindsay | Create an image from this poem

General William Booth Enters into Heaven

 [To be sung to the tune of The Blood of the Lamb with indicated instrument] 


I 

[Bass drum beaten loudly.]

Booth led boldly with his big bass drum --
(Are you washed in the blood of the Lamb?)
The Saints smiled gravely and they said: "He's come."
(Are you washed in the blood of the Lamb?)
Walking lepers followed, rank on rank,
Lurching bravoes from the ditches dank,
Drabs from the alleyways and drug fiends pale --
Minds still passion-ridden, soul-powers frail: --
Vermin-eaten saints with mouldy breath,
Unwashed legions with the ways of Death --
(Are you washed in the blood of the Lamb?)

[Banjos.]

Every slum had sent its half-a-score
The round world over. (Booth had groaned for more.)
Every banner that the wide world flies
Bloomed with glory and transcendent dyes.
Big-voiced lasses made their banjos bang,
Tranced, fanatical they shrieked and sang: --
"Are you washed in the blood of the Lamb?"
Hallelujah! It was ***** to see
Bull-necked convicts with that land make free.
Loons with trumpets blowed a blare, blare, blare
On, on upward thro' the golden air!
(Are you washed in the blood of the Lamb?)


II

[Bass drum slower and softer.]

Booth died blind and still by Faith he trod,
Eyes still dazzled by the ways of God.
Booth led boldly, and he looked the chief
Eagle countenance in sharp relief,
Beard a-flying, air of high command
Unabated in that holy land.

[Sweet flute music.]

Jesus came from out the court-house door,
Stretched his hands above the passing poor.
Booth saw not, but led his ***** ones there
Round and round the mighty court-house square.
Then in an instant all that blear review
Marched on spotless, clad in raiment new.
The lame were straightened, withered limbs uncurled
And blind eyes opened on a new, sweet world.

[Bass drum louder.]

Drabs and vixens in a flash made whole!
Gone was the weasel-head, the snout, the jowl!
Sages and sibyls now, and athletes clean,
Rulers of empires, and of forests green!

[Grand chorus of all instruments. Tambourines to the foreground.]

The hosts were sandalled, and their wings were fire!
(Are you washed in the blood of the Lamb?)
But their noise played havoc with the angel-choir.
(Are you washed in the blood of the Lamb?)
O shout Salvation! It was good to see
Kings and Princes by the Lamb set free.
The banjos rattled and the tambourines
Jing-jing-jingled in the hands of Queens.

[Reverently sung, no instruments.]

And when Booth halted by the curb for prayer
He saw his Master thro' the flag-filled air.
Christ came gently with a robe and crown
For Booth the soldier, while the throng knelt down.
He saw King Jesus. They were face to face,
And he knelt a-weeping in that holy place.
Are you washed in the blood of the Lamb?


Written by Derek Walcott | Create an image from this poem

Koening Of The River

 Koening knew now there was no one on the river.
Entering its brown mouth choking with lilies
and curtained with midges, Koenig poled the shallop
past the abandoned ferry and the ferry piles
coated with coal dust. Staying aboard, he saw, up
in a thick meadow, a sand-colored mule,
untethered, with no harness, and no signs
of habitation round the ruined factory wheel
locked hard in rust, and through whose spokes the vines
of wild yam leaves leant from overweight;
the wild bananas in the yellowish sunlight
were dugged like aching cows with unmilked fruit.
This was the last of the productive mines.
Only the vegetation here looked right.
A crab of pain scuttled shooting up his foot
and fastened on his neck, at the brain's root.
He felt his reason curling back like parchment
in this fierce torpor. Well, he no longer taxed
and tired what was left of his memory;
he should thank heaven he had escaped the sea,
and anyway, he had demanded to be sent
here with the others - why get this river vexed
with his complaints? Koenig wanted to sing,
suddenly, if only to keep the river company - 
this was a river, and Koenig, his name meant King.
They had all caught the missionary fever:
they were prepared to expiate the sins
os savages, to tame them as he would tame this river
subtly, as it flowed, accepting its bends;
he had seen how other missionaries met their ends - 
swinging in the wind, like a dead clapper when
a bell is broken, if that sky was a bell -
for treating savages as if they were men,
and frightening them with talk of Heaven and Hell.
But I have forgotten our journey's origins,
mused Koenig, and our purpose. He knew it was noble,
based on some phrase, forgotten, from the Bible,
but he felt bodiless, like a man stumbling from
the pages of a novel, not a forest,
written a hundred years ago. He stroked his uniform,
clogged with the hooked burrs that had tried
to pull him, like the other drowning hands whom
his panic abandoned. The others had died,
like real men, by death. I, Koenig, am a ghost,
ghost-king of rivers. Well, even ghosts must rest.
If he knew he was lost he was not lost.
It was when you pretended that you were a fool.
He banked and leaned tiredly on the pole.
If I'm a character called Koenig, then I
shall dominate my future like a fiction
in which there is a real river and real sky,
so I'm not really tired, and should push on.

The lights between the leaves were beautiful,
and, as in that far life, now he was grateful
for any pool of light between the dull, usual
clouds of life: a sunspot haloed his tonsure;
silver and copper coins danced on the river;
his head felt warm - the light danced on his skull
like a benediction. Koenig closed his eyes,
and he felt blessed. It made direction sure.
He leant on the pole. He must push on some more.
He said his name. His voice sounded German,
then he said "river", but what was German
if he alone could hear it? Ich spreche Deutsch
sounded as genuine as his name in English,
Koenig in Deutsch, and, in English, King.
Did the river want to be called anything?
He asked the river. The river said nothing.

Around the bend the river poured its silver
like some remorseful mine, giving and giving
everything green and white: white sky, white
water, and the dull green like a drumbeat
of the slow-sliding forest, the green heat;
then, on some sandbar, a mirage ahead:
fabric of muslin sails, spiderweb rigging,
a schooner, foundered on black river mud,
was rising slowly up from the riverbed,
and a top-hatted native reading an inverted
newspaper.
 "Where's our Queen?" Koenig shouted.
"Where's our Kaiser?"
 The ****** disappeared.
Koenig felt that he himself was being read
like the newspaper or a hundred-year-old novel.
"The Queen dead! Kaiser dead!" the voices shouted.
And it flashed through him those trunks were not wood
but that the ghosts of slaughtered Indians stood
there in the mangrroves, their eyes like fireflies
in the green dark, and that like hummingbirds
they sailed rather than ran between the trees.
The river carried him past his shouted words.
The schooner had gone down without a trace.
"There was a time when we ruled everything,"
Koenig sang to his corrugated white reflection.
"The German Eagle and the British Lion,
we ruled worlds wider than this river flows,
worlds with dyed elephants, with tassled howdahs,
tigers that carried the striped shade when they rose
from their palm coverts; men shall not see these days
again; our flags sank with the sunset on the dhows
of Egypt; we ruled rivers as huge as the Nile,
the Ganges, and the Congo, we tamed, we ruled
you when our empires reached their blazing peak."
This was a small creek somewhere in the world,
never mind where - victory was in sight.
Koenig laughed and spat in the brown creek.
The mosquitoes now were singing to the night
that rose up from the river, the fog uncurled
under the mangroves. Koenig clenched each fist
around his barge-pole scepter, as a mist
rises from the river and the page goes white.
Written by Algernon Charles Swinburne | Create an image from this poem

Ode On The Insurrection In Candia

 STR. 1

I laid my laurel-leaf
At the white feet of grief,
Seeing how with covered face and plumeless wings,
With unreverted head
Veiled, as who mourns his dead,
Lay Freedom couched between the thrones of kings,
A wearied lion without lair,
And bleeding from base wounds, and vexed with alien air.

STR. 2

Who was it, who, put poison to thy mouth,
Who lulled with craft or chant thy vigilant eyes,
O light of all men, lamp to north and south,
Eastward and westward, under all men's skies?
For if thou sleep, we perish, and thy name
Dies with the dying of our ephemeral breath;
And if the dust of death o'ergrows thy flame,
Heaven also is darkened with the dust of death.
If thou be mortal, if thou change or cease,
If thine hand fail, or thine eyes turn from Greece,
Thy firstborn, and the firstfruits of thy fame,
God is no God, and man is moulded out of shame.

STR. 3

Is there change in the secret skies,
In the sacred places that see
The divine beginning of things,
The weft of the web of the world?
Is Freedom a worm that dies,
And God no God of the free?
Is heaven like as earth with her kings
And time as a serpent curled
Round life as a tree?

From the steel-bound snows of the north,
From the mystic mother, the east,
From the sands of the fiery south,
From the low-lit clouds of the west,
A sound of a cry is gone forth;
Arise, stand up from the feast,
Let wine be far from the mouth,
Let no man sleep or take rest,
Till the plague hath ceased.

Let none rejoice or make mirth
Till the evil thing be stayed,
Nor grief be lulled in the lute,
Nor hope be loud on the lyre;
Let none be glad upon earth.
O music of young man and maid,
O songs of the bride, be mute.
For the light of her eyes, her desire,
Is the soul dismayed.

It is not a land new-born
That is scourged of a stranger's hand,
That is rent and consumed with flame.
We have known it of old, this face,
With the cheeks and the tresses torn,
With shame on the brow as a brand.
We have named it of old by name,
The land of the royallest race,
The most holy land.

STR. 4

Had I words of fire,
Whose words are weak as snow;
Were my heart a lyre
Whence all its love might flow
In the mighty modulations of desire,
In the notes wherewith man's passion worships woe;

Could my song release
The thought weak words confine,
And my grief, O Greece,
Prove how it worships thine;
It would move with pulse of war the limbs of peace,
Till she flushed and trembled and became divine.

(Once she held for true
This truth of sacred strain;
Though blood drip like dew
And life run down like rain,
It is better that war spare but one or two
Than that many live, and liberty be slain.)

Then with fierce increase
And bitter mother's mirth,
From the womb of peace,
A womb that yearns for birth,
As a man-child should deliverance come to Greece,
As a saviour should the child be born on earth.

STR. 5

O that these my days had been
Ere white peace and shame were wed
Without torch or dancers' din
Round the unsacred marriage-bed!
For of old the sweet-tongued law,
Freedom, clothed with all men's love,
Girt about with all men's awe,
With the wild war-eagle mated
The white breast of peace the dove,
And his ravenous heart abated
And his windy wings were furled
In an eyrie consecrated
Where the snakes of strife uncurled,
And her soul was soothed and sated
With the welfare of the world.

ANT. 1

But now, close-clad with peace,
While war lays hand on Greece,
The kingdoms and their kings stand by to see;
"Aha, we are strong," they say,
"We are sure, we are well," even they;
"And if we serve, what ails ye to be free?
We are warm, clothed round with peace and shame;
But ye lie dead and naked, dying for a name."

ANT. 2

O kings and queens and nations miserable,
O fools and blind, and full of sins and fears,
With these it is, with you it is not well;
Ye have one hour, but these the immortal years.
These for a pang, a breath, a pulse of pain,
Have honour, while that honour on earth shall be:
Ye for a little sleep and sloth shall gain
Scorn, while one man of all men born is free.
Even as the depth more deep than night or day,
The sovereign heaven that keeps its eldest way,
So without chance or change, so without stain,
The heaven of their high memories shall nor wax nor wane.

ANT. 3

As the soul on the lips of the dead
Stands poising her wings for flight,
A bird scarce quit of her prison,
But fair without form or flesh,
So stands over each man's head
A splendour of imminent light,
A glory of fame rearisen,
Of day rearisen afresh
From the hells of night.

In the hundred cities of Crete
Such glory was not of old,
Though her name was great upon earth
And her face was fair on the sea.
The words of her lips were sweet,
Her days were woven with gold,
Her fruits came timely to birth;
So fair she was, being free,
Who is bought and sold.

So fair, who is fairer now
With her children dead at her side,
Unsceptred, unconsecrated,
Unapparelled, unhelped, unpitied,
With blood for gold on her brow,
Where the towery tresses divide;
The goodly, the golden-gated,
Many-crowned, many-named, many-citied,
Made like as a bride.

And these are the bridegroom's gifts;
Anguish that straitens the breath,
Shame, and the weeping of mothers,
And the suckling dead at the breast,
White breast that a long sob lifts;
And the dumb dead mouth, which saith,
How long, and how long, my brothers?"
And wrath which endures not rest,
And the pains of death.

ANT. 4

Ah, but would that men,
With eyelids purged by tears,
Saw, and heard again
With consecrated ears,
All the clamour, all the splendour, all the slain,
All the lights and sounds of war, the fates and fears;

Saw far off aspire,
With crash of mine and gate,
From a single pyre
The myriad flames of fate,
Soul by soul transfigured in funereal fire,
Hate made weak by love, and love made strong by hate.

Children without speech,
And many a nursing breast;
Old men in the breach,
Where death sat down a guest;
With triumphant lamentation made for each,
Let the world salute their ruin and their rest.

In one iron hour
The crescent flared and waned,
As from tower to tower,
Fire-scathed and sanguine-stained,
Death, with flame in hand, an open bloodred flower,
Passed, and where it bloomed no bloom of life remained.

ANT. 5

Hear, thou earth, the heavy-hearted
Weary nurse of waning races;
From the dust of years departed,
From obscure funereal places,
Raise again thy sacred head,
Lift the light up of thine eyes
Where are they of all thy dead
That did more than these men dying
In their godlike Grecian wise?
Not with garments rent and sighing,
Neither gifts of myrrh and gold,
Shall their sons lament them lying,
Lest the fame of them wax cold;
But with lives to lives replying,
And a worship from of old.

EPODE

O sombre heart of earth and swoln with grief,
That in thy time wast as a bird for mirth,
Dim womb of life and many a seed and sheaf,
And full of changes, ancient heart of earth,
From grain and flower, from grass and every leaf,
Thy mysteries and thy multitudes of birth,
From hollow and hill, from vales and all thy springs,
From all shapes born and breath of all lips made,
From thunders, and the sound of winds and wings,
From light, and from the solemn sleep of shade,
From the full fountains of all living things,
Speak, that this plague be stayed.
Bear witness all the ways of death and life
If thou be with us in the world's old strife,
If thou be mother indeed,
And from these wounds that bleed
Gather in thy great breast the dews that fall,
And on thy sacred knees
Lull with mute melodies,
Mother, thy sleeping sons in death's dim hall.
For these thy sons, behold,
Sons of thy sons of old,
Bear witness if these be not as they were;
If that high name of Greece
Depart, dissolve, decease
From mouths of men and memories like as air.
By the last milk that drips
Dead on the child's dead lips,
By old men's white unviolated hair,
By sweet unburied faces
That fill those red high places
Where death and freedom found one lion's lair,
By all the bloodred tears
That fill the chaliced years,
The vessels of the sacrament of time,
Wherewith, O thou most holy,
O Freedom, sure and slowly
Thy ministrant white hands cleanse earth of crime;
Though we stand off afar
Where slaves and slaveries are,
Among the chains and crowns of poisonous peace;
Though not the beams that shone
From rent Arcadion
Can melt her mists and bid her snows decrease;
Do thou with sudden wings
Darken the face of kings,
But turn again the beauty of thy brows on Greece;
Thy white and woundless brows,
Whereto her great heart bows;
Give her the glories of thine eyes to see;
Turn thee, O holiest head,
Toward all thy quick and dead,
For love's sake of the souls that cry for thee;
O love, O light, O flame,
By thine own Grecian name,
We call thee and we charge thee that all these be free.
Written by Katherine Mansfield | Create an image from this poem

Now I am a Plant a Weed..

 Now I am a plant, a weed,
Bending and swinging
On a rocky ledge;
And now I am a long brown grass
Fluttering like flame;
I am a reed;
An old shell singing
For ever the same;
A drift of sedge;
A white, white stone;
A bone;
Until I pass
Into sand again,
And spin and blow
To and fro, to and fro,
On the edge of the sea
In the fading light--
For the light fades.

But if you were to come you would not say:
"She is not waiting here for me;
She has forgotten." Have we not in play
Disguised ourselves as weed and stones and grass
While the strange ships did pass
Gently, gravely, leaving a curl of foam
That uncurled softly about our island home,
Bubbles of foam that glittered on the stone
Like rainbows? Look, darling! No, they are gone.
And the white sails have melted into the sailing sky...
Written by Algernon Charles Swinburne | Create an image from this poem

A Years Burden -- 1870

 Fire and wild light of hope and doubt and fear,
Wind of swift change, and clouds and hours that veer
As the storm shifts of the tempestuous year;
Cry wellaway, but well befall the right.

Hope sits yet hiding her war-wearied eyes,
Doubt sets her forehead earthward and denies,
But fear brought hand to hand with danger dies,
Dies and is burnt up in the fire of fight.

Hearts bruised with loss and eaten through with shame
Turn at the time's touch to devouring flame;
Grief stands as one that knows not her own name,
Nor if the star she sees bring day or night.

No song breaks with it on the violent air,
But shrieks of shame, defeat, and brute despair;
Yet something at the star's heart far up there
Burns as a beacon in our shipwrecked sight.

O strange fierce light of presage, unknown star,
Whose tongue shall tell us what thy secrets are,
What message trembles in thee from so far?
Cry wellaway. but well befall the right.

From shores laid waste across an iron sea
Where the waifs drift of hopes that were to be,
Across the red rolled foam we look for thee,
Across the fire we look up for the light.

From days laid waste across disastrous years,
From hopes cut down across a world of fears,
We gaze with eyes too passionate for tears,
Where faith abides though hope be put to flight.

Old hope is dead, the grey-haired hope grown blind
That talked with us of old things out of mind,
Dreams, deeds and men the world has left behind;
Yet, though hope die, faith lives in hope's despite.

Ay, with hearts fixed on death and hopeless hands
We stand about our banner while it stands
Above but one field of the ruined lands;
Cry wellaway, but well befall the right.

Though France were given for prey to bird and beast,
Though Rome were rent in twain of king and priest,
The soul of man, the soul is safe at least
That gives death life and dead men hands to smite.

Are ye so strong, O kings, O strong men? Nay,
Waste all ye will and gather all ye may,
Yet one thing is there that ye shall not slay,
Even thought, that fire nor iron can affright.

The woundless and invisible thought that goes
Free throughout time as north or south wind blows,
Far throughout space as east or west sea flows,
And all dark things before it are made bright.

Thy thought, thy word, O soul republican,
O spirit of life, O God whose name is man:
What sea of sorrows but thy sight shall span?
Cry wellaway, but well befall the right.

With all its coils crushed, all its rings uncurled,
The one most poisonous worm that soiled the world
Is wrenched from off the throat of man, and hurled
Into deep hell from empire's helpless height.

Time takes no more infection of it now;
Like a dead snake divided of the plough,
The rotten thing lies cut in twain; but thou,
Thy fires shall heal us of the serpent's bite.

Ay, with red cautery and a burning brand
Purge thou the leprous leaven of the land;
Take to thee fire, and iron in thine hand,
Till blood and tears have washed the soiled limbs white.

We have sinned against thee in dreams and wicked sleep;
Smite, we will shrink not; strike, we will not weep;
Let the heart feel thee; let thy wound go deep;
Cry wellaway, but well befall the right.

Wound us with love, pierce us with longing, make
Our souls thy sacrifices; turn and take
Our hearts for our sin-offerings lest they break,
And mould them with thine hands and give them might.

Then, when the cup of ills is drained indeed,
Will we come to thee with our wounds that bleed,
With famished mouths and hearts that thou shalt feed,
And see thee worshipped as the world's delight.

There shall be no more wars nor kingdoms won,
But in thy sight whose eyes are as the sun
All names shall be one name, all nations one,
All souls of men in man's one soul unite.

O sea whereon men labour, O great sea
That heaven seems one with, shall these things not be?
O earth, our earth, shall time not make us free?
Cry wellaway, but well befall the right.
Written by George William Russell | Create an image from this poem

When

 WHEN mine hour is come
Let no teardrop fall
And no darkness hover
Round me where I lie.
Let the vastness call
One who was its lover,
Let me breathe the sky.


Where the lordly light
Walks along the world,
And its silent tread
Leaves the grasses bright,
Leaves the flowers uncurled,
Let me to the dead
Breathe a gay goodnight.

Book: Radiant Verses: A Journey Through Inspiring Poetry