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Best Famous Unaccompanied Poems

Here is a collection of the all-time best famous Unaccompanied poems. This is a select list of the best famous Unaccompanied poetry. Reading, writing, and enjoying famous Unaccompanied poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of unaccompanied poems.

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Written by A E Housman | Create an image from this poem

Fragment of a Greek Tragedy

 CHORUS: O suitably-attired-in-leather-boots
Head of a traveller, wherefore seeking whom
Whence by what way how purposed art thou come
To this well-nightingaled vicinity?
My object in inquiring is to know.
But if you happen to be deaf and dumb And do not understand a word I say, Then wave your hand, to signify as much.
ALCMAEON: I journeyed hither a Boetian road.
CHORUS: Sailing on horseback, or with feet for oars? ALCMAEON: Plying with speed my partnership of legs.
CHORUS: Beneath a shining or a rainy Zeus? ALCMAEON: Mud's sister, not himself, adorns my shoes.
CHORUS: To learn your name would not displease me much.
ALCMAEON: Not all that men desire do they obtain.
CHORUS: Might I then hear at what thy presence shoots.
ALCMAEON: A shepherd's questioned mouth informed me that-- CHORUS: What? for I know not yet what you will say.
ALCMAEON: Nor will you ever, if you interrupt.
CHORUS: Proceed, and I will hold my speechless tongue.
ALCMAEON: This house was Eriphyle's, no one else's.
CHORUS: Nor did he shame his throat with shameful lies.
ALCMAEON: May I then enter, passing through the door? CHORUS: Go chase into the house a lucky foot.
And, O my son, be, on the one hand, good, And do not, on the other hand, be bad; For that is much the safest plan.
ALCMAEON: I go into the house with heels and speed.
CHORUS Strophe In speculation I would not willingly acquire a name For ill-digested thought; But after pondering much To this conclusion I at last have come: LIFE IS UNCERTAIN.
This truth I have written deep In my reflective midriff On tablets not of wax, Nor with a pen did I inscribe it there, For many reasons: LIFE, I say, IS NOT A STRANGER TO UNCERTAINTY.
Not from the flight of omen-yelling fowls This fact did I discover, Nor did the Delphine tripod bark it out, Nor yet Dodona.
Its native ingunuity sufficed My self-taught diaphragm.
Antistrophe Why should I mention The Inachean daughter, loved of Zeus? Her whom of old the gods, More provident than kind, Provided with four hoofs, two horns, one tail, A gift not asked for, And sent her forth to learn The unfamiliar science Of how to chew the cud.
She therefore, all about the Argive fields, Went cropping pale green grass and nettle-tops, Nor did they disagree with her.
But yet, howe'er nutritious, such repasts I do not hanker after: Never may Cypris for her seat select My dappled liver! Why should I mention Io? Why indeed? I have no notion why.
Epode But now does my boding heart, Unhired, unaccompanied, sing A strain not meet for the dance.
Yes even the palace appears To my yoke of circular eyes (The right, nor omit I the left) Like a slaughterhouse, so to speak, Garnished with woolly deaths And many sphipwrecks of cows.
I therefore in a Cissian strain lament: And to the rapid Loud, linen-tattering thumps upon my chest Resounds in concert The battering of my unlucky head.
ERIPHYLE (within): O, I am smitten with a hatchet's jaw; And that in deed and not in word alone.
CHORUS: I thought I heard a sound within the house Unlike the voice of one that jumps for joy.
ERIPHYLE: He splits my skull, not in a friendly way, Once more: he purposes to kill me dead.
CHORUS: I would not be reputed rash, but yet I doubt if all be gay within the house.
ERIPHYLE: O! O! another stroke! that makes the third.
He stabs me to the heart against my wish.
CHORUS: If that be so, thy state of health is poor; But thine arithmetic is quite correct.


Written by Aleksandr Blok | Create an image from this poem

The Stranger

 The restaurants on hot spring evenings
Lie under a dense and savage air.
Foul drafts and hoots from dunken revelers Contaminate the thoroughfare.
Above the dusty lanes of suburbia Above the tedium of bungalows A pretzel sign begilds a bakery And children screech fortissimo.
And every evening beyond the barriers Gentlemen of practiced wit and charm Go strolling beside the drainage ditches -- A tilted derby and a lady at the arm.
The squeak of oarlocks comes over the lake water A woman's shriek assaults the ear While above, in the sky, inured to everything, The moon looks on with a mindless leer.
And every evening my one companion Sits here, reflected in my glass.
Like me, he has drunk of bitter mysteries.
Like me, he is broken, dulled, downcast.
The sleepy lackeys stand beside tables Waiting for the night to pass And tipplers with the eyes of rabbits Cry out: "In vino veritas!" And every evening (or am I imagining?) Exactly at the appointed time A girl's slim figure, silk raimented, Glides past the window's mist and grime.
And slowly passing throught the revelers, Unaccompanied, always alone, Exuding mists and secret fragrances, She sits at the table that is her own.
Something ancient, something legendary Surrounds her presence in the room, Her narrow hand, her silk, her bracelets, Her hat, the rings, the ostrich plume.
Entranced by her presence, near and enigmatic, I gaze through the dark of her lowered veil And I behold an enchanted shoreline And enchanted distances, far and pale.
I am made a guardian of the higher mysteries, Someone's sun is entrusted to my control.
Tart wine has pierced the last convolution of my labyrinthine soul.
And now the drooping plumes of ostriches Asway in my brain droop slowly lower And two eyes, limpid, blue, and fathomless Are blooming on a distant shore.
Inside my soul a treasure is buried.
The key is mine and only mine.
How right you are, you drunken monster! I know: the truth is in the wine.

Book: Shattered Sighs