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Best Famous Tumid Poems

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Four Quartets 1: Burnt Norton

 I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
 But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
 Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.


II

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
 Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.


III

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy. Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate. Not here
Not here the darkness, in this twittering world.

Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.


IV

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?

 Chill
Fingers of yew be curled
Down on us? After the kingfisher's wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.


V

Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.

 The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Hollow Men

 Mistah Kurtz -- he dead.




 A penny for the Old Guy




 I


We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death's other Kingdom
Remember us -- if at all -- not as lost
Violent souls, but only
As the hollow men
The stuffed men.


 II


Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer --

Not that final meeting
In the twilight kingdom


 III


This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.

Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.


 IV


The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.


 V


Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow

 For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow


 Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow

 For Thine is the Kingdom


For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
Written by Alan Seeger | Create an image from this poem

An Ode to Antares

 At dusk, when lowlands where dark waters glide 
Robe in gray mist, and through the greening hills 
The hoot-owl calls his mate, and whippoorwills 
Clamor from every copse and orchard-side, 
I watched the red star rising in the East, 
And while his fellows of the flaming sign 
From prisoning daylight more and more released, 
Lift their pale lamps, and, climbing higher, higher, 
Out of their locks the waters of the Line 
Shaking in clouds of phosphorescent fire, 
Rose in the splendor of their curving flight, 
Their dolphin leap across the austral night, 
From windows southward opening on the sea 
What eyes, I wondered, might be watching, too, 
Orbed in some blossom-laden balcony. 
Where, from the garden to the rail above, 
As though a lover's greeting to his love 
Should borrow body and form and hue 
And tower in torrents of floral flame, 
The crimson bougainvillea grew, 
What starlit brow uplifted to the same 
Majestic regress of the summering sky, 
What ultimate thing -- hushed, holy, throned as high 
Above the currents that tarnish and profane 
As silver summits are whose pure repose 
No curious eyes disclose 
Nor any footfalls stain, 
But round their beauty on azure evenings 
Only the oreads go on gauzy wings, 
Only the oreads troop with dance and song 
And airy beings in rainbow mists who throng 
Out of those wonderful worlds that lie afar 
Betwixt the outmost cloud and the nearest star. 


Like the moon, sanguine in the orient night 
Shines the red flower in her beautiful hair. 
Her breasts are distant islands of delight 
Upon a sea where all is soft and fair. 
Those robes that make a silken sheath 
For each lithe attitude that flows beneath, 
Shrouding in scented folds sweet warmths and tumid flowers, 
Call them far clouds that half emerge 
Beyond a sunset ocean's utmost verge, 
Hiding in purple shade and downpour of soft showers 
Enchanted isles by mortal foot untrod, 
And there in humid dells resplendent orchids nod; 
There always from serene horizons blow 
Soul-easing gales and there all spice-trees grow 
That Phoenix robbed to line his fragrant nest 
Each hundred years in Araby the Blest. 


Star of the South that now through orient mist 
At nightfall off Tampico or Belize 
Greetest the sailor rising from those seas 
Where first in me, a fond romanticist, 
The tropic sunset's bloom on cloudy piles 
Cast out industrious cares with dreams of fabulous isles -- 
Thou lamp of the swart lover to his tryst, 
O'er planted acres at the jungle's rim 
Reeking with orange-flower and tuberose, 
Dear to his eyes thy ruddy splendor glows 
Among the palms where beauty waits for him; 
Bliss too thou bringst to our greening North, 
Red scintillant through cherry-blossom rifts, 
Herald of summer-heat, and all the gifts 
And all the joys a summer can bring forth ---- 


Be thou my star, for I have made my aim 
To follow loveliness till autumn-strown 
Sunder the sinews of this flower-like frame 
As rose-leaves sunder when the bud is blown. 
Ay, sooner spirit and sense disintegrate 
Than reconcilement to a common fate 
Strip the enchantment from a world so dressed 
In hues of high romance. I cannot rest 
While aught of beauty in any path untrod 
Swells into bloom and spreads sweet charms abroad 
Unworshipped of my love. I cannot see 
In Life's profusion and passionate brevity 
How hearts enamored of life can strain too much 
In one long tension to hear, to see, to touch. 
Now on each rustling night-wind from the South 
Far music calls; beyond the harbor mouth 
Each outbound argosy with sail unfurled 
May point the path through this fortuitous world 
That holds the heart from its desire. Away! 
Where tinted coast-towns gleam at close of day, 
Where squares are sweet with bells, or shores thick set 
With bloom and bower, with mosque and minaret. 
Blue peaks loom up beyond the coast-plains here, 
White roads wind up the dales and disappear, 
By silvery waters in the plains afar 
Glimmers the inland city like a star, 
With gilded gates and sunny spires ablaze 
And burnished domes half-seen through luminous haze, 
Lo, with what opportunity Earth teems! 
How like a fair its ample beauty seems! 
Fluttering with flags its proud pavilions rise: 
What bright bazaars, what marvelous merchandise, 
Down seething alleys what melodious din, 
What clamor importuning from every booth! 
At Earth's great market where Joy is trafficked in 
Buy while thy purse yet swells with golden Youth!

Book: Radiant Verses: A Journey Through Inspiring Poetry