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Best Famous Tropes Poems

Here is a collection of the all-time best famous Tropes poems. This is a select list of the best famous Tropes poetry. Reading, writing, and enjoying famous Tropes poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tropes poems.

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Written by Jorge Luis Borges | Create an image from this poem

The Other Tiger

 A tiger comes to mind. The twilight here
Exalts the vast and busy Library
And seems to set the bookshelves back in gloom;
Innocent, ruthless, bloodstained, sleek
It wanders through its forest and its day
Printing a track along the muddy banks
Of sluggish streams whose names it does not know
(In its world there are no names or past
Or time to come, only the vivid now)
And makes its way across wild distances
Sniffing the braided labyrinth of smells
And in the wind picking the smell of dawn
And tantalizing scent of grazing deer;
Among the bamboo's slanting stripes I glimpse
The tiger's stripes and sense the bony frame
Under the splendid, quivering cover of skin.
Curving oceans and the planet's wastes keep us
Apart in vain; from here in a house far off
In South America I dream of you,
Track you, O tiger of the Ganges' banks.

It strikes me now as evening fills my soul
That the tiger addressed in my poem
Is a shadowy beast, a tiger of symbols
And scraps picked up at random out of books,
A string of labored tropes that have no life,
And not the fated tiger, the deadly jewel
That under sun or stars or changing moon
Goes on in Bengal or Sumatra fulfilling
Its rounds of love and indolence and death.
To the tiger of symbols I hold opposed
The one that's real, the one whose blood runs hot
As it cuts down a herd of buffaloes,
And that today, this August third, nineteen
Fifty-nine, throws its shadow on the grass;
But by the act of giving it a name,
By trying to fix the limits of its world,
It becomes a fiction not a living beast,
Not a tiger out roaming the wilds of earth.

We'll hunt for a third tiger now, but like
The others this one too will be a form
Of what I dream, a structure of words, and not
The flesh and one tiger that beyond all myths
Paces the earth. I know these things quite well,
Yet nonetheless some force keeps driving me
In this vague, unreasonable, and ancient quest,
And I go on pursuing through the hours
Another tiger, the beast not found in verse.


Written by Robert Burns | Create an image from this poem

306. Election Ballad at close of Contest for representing the Dumfries Burghs 1790

 FINTRY, my stay in wordly strife,
Friend o’ my muse, friend o’ my life,
 Are ye as idle’s I am?
Come then, wi’ uncouth kintra fleg,
O’er Pegasus I’ll fling my leg,
 And ye shall see me try him.


But where shall I go rin a ride,
That I may splatter nane beside?
 I wad na be uncivil:
In manhood’s various paths and ways
There’s aye some doytin’ body strays,
 And I ride like the devil.


Thus I break aff wi’ a’ my birr,
And down yon dark, deep alley spur,
 Where Theologics daunder:
Alas! curst wi’ eternal fogs,
And damn’d in everlasting bogs,
 As sure’s the creed I’ll blunder!


I’ll stain a band, or jaup a gown,
Or rin my reckless, guilty crown
 Against the haly door:
Sair do I rue my luckless fate,
When, as the Muse an’ Deil wad hae’t,
 I rade that road before.


Suppose I take a spurt, and mix
Amang the wilds o’ Politics—
 Electors and elected,
Where dogs at Court (sad sons of bitches!)
Septennially a madness touches,
 Till all the land’s infected.


All hail! Drumlanrig’s haughty Grace,
Discarded remnant of a race
 Once godlike-great in story;
Thy forbears’ virtues all contrasted,
The very name of Douglas blasted,
 Thine that inverted glory!


Hate, envy, oft the Douglas bore,
But thou hast superadded more,
 And sunk them in contempt;
Follies and crimes have stain’d the name,
But, Queensberry, thine the virgin claim,
 From aught that’s good exempt!


I’ll sing the zeal Drumlanrig bears,
Who left the all-important cares
 Of princes, and their darlings:
And, bent on winning borough touns,
Came shaking hands wi’ wabster-loons,
 And kissing barefit carlins.


Combustion thro’ our boroughs rode,
Whistling his roaring pack abroad
 Of mad unmuzzled lions;
As Queensberry blue and buff unfurl’d,
And Westerha’ and Hopetoun hurled
 To every Whig defiance.


But cautious Queensberry left the war,
Th’ unmanner’d dust might soil his star,
 Besides, he hated bleeding:
But left behind him heroes bright,
Heroes in C&æsarean fight,
 Or Ciceronian pleading.


O for a throat like huge Mons-Meg,
To muster o’er each ardent Whig
 Beneath Drumlanrig’s banners;
Heroes and heroines commix,
All in the field of politics,
 To win immortal honours.


M’Murdo and his lovely spouse,
(Th’ enamour’d laurels kiss her brows!)
 Led on the Loves and Graces:
She won each gaping burgess’ heart,
While he, sub rosa, played his part
 Amang their wives and lasses.


Craigdarroch led a light-arm’d core,
Tropes, metaphors, and figures pour,
 Like Hecla streaming thunder:
Glenriddel, skill’d in rusty coins,
Blew up each Tory’s dark designs,
 And bared the treason under.


In either wing two champions fought;
Redoubted Staig, who set at nought
 The wildest savage Tory;
And Welsh who ne’er yet flinch’d his ground,
High-wav’d his magnum-bonum round
 With Cyclopeian fury.


Miller brought up th’ artillery ranks,
The many-pounders of the Banks,
 Resistless desolation!
While Maxwelton, that baron bold,
’Mid Lawson’s port entrench’d his hold,
 And threaten’d worse damnation.


To these what Tory hosts oppos’d
With these what Tory warriors clos’d
 Surpasses my descriving;
Squadrons, extended long and large,
With furious speed rush to the charge,
 Like furious devils driving.


What verse can sing, what prose narrate,
The butcher deeds of bloody Fate,
 Amid this mighty tulyie!
Grim Horror girn’d, pale Terror roar’d,
As Murder at his thrapple shor’d,
 And Hell mix’d in the brulyie.


As Highland craigs by thunder cleft,
When lightnings fire the stormy lift,
 Hurl down with crashing rattle;
As flames among a hundred woods,
As headlong foam from a hundred floods,
 Such is the rage of Battle.


The stubborn Tories dare to die;
As soon the rooted oaks would fly
 Before th’ approaching fellers:
The Whigs come on like Ocean’s roar,
When all his wintry billows pour
 Against the Buchan Bullers.


Lo, from the shades of Death’s deep night,
Departed Whigs enjoy the fight,
 And think on former daring:
The muffled murtherer of Charles
The Magna Charter flag unfurls,
 All deadly gules its bearing.


Nor wanting ghosts of Tory fame;
Bold Scrimgeour follows gallant Graham;
 Auld Covenanters shiver—
Forgive! forgive! much-wrong’d Montrose!
Now Death and Hell engulph thy foes,
 Thou liv’st on high for ever.


Still o’er the field the combat burns,
The Tories, Whigs, give way by turns;
 But Fate the word has spoken:
For woman’s wit and strength o’man,
Alas! can do but what they can;
 The Tory ranks are broken.


O that my een were flowing burns!
My voice, a lioness that mourns
 Her darling cubs’ undoing!
That I might greet, that I might cry,
While Tories fall, while Tories fly,
 And furious Whigs pursuing!


What Whig but melts for good Sir James,
Dear to his country, by the names,
 Friend, Patron, Benefactor!
Not Pulteney’s wealth can Pulteney save;
And Hopetoun falls, the generous, brave;
 And Stewart, bold as Hector.


Thou, Pitt, shalt rue this overthrow,
And Thurlow growl a curse of woe,
 And Melville melt in wailing:
Now Fox and Sheridan rejoice,
And Burke shall sing, “O Prince, arise!
 Thy power is all-prevailing!”


For your poor friend, the Bard, afar
He only hears and sees the war,
 A cool spectator purely!
So, when the storm the forest rends,
The robin in the hedge descends,
 And sober chirps securely.


Now, for my friends’ and brethren’s sakes,
And for my dear-lov’d Land o’ Cakes,
 I pray with holy fire:
Lord, send a rough-shod troop o’ Hell
O’er a’ wad Scotland buy or sell,
 To grind them in the mire!
Written by Louis Untermeyer | Create an image from this poem

Monolog From A Mattress

Can that be you, la mouche? Wait till I lift
This palsied eye-lid and make sure... Ah, true.
Come in, dear fly, and pardon my delay
In thus existing; I can promise you
Next time you come you'll find no dying poet—
Without sufficient spleen to see me through,
The joke becomes too tedious a jest.
I am afraid my mind is dull to-day;
I have that—something—heavier on my chest
And then, you see, I've been exchanging thoughts
With Doctor Franz. He talked of Kant and Hegel
As though he'd nursed them both through whooping cough
And, as he left, he let his finger shake
Too playfully, as though to say, "Now off
With that long face—you've years and years to live."
I think he thinks so. But, for Heaven's sake,
Don't credit it—and never tell Mathilde.
Poor dear, she has enough to bear already....
This was a month! During my lonely weeks
One person actually climbed the stairs
To seek a cripple. It was Berlioz—
But Berlioz always was original.

Meissner was also here; he caught me unawares,
Scribbling to my old mother. "What!" he cried,
"Is the old lady of the Dammthor still alive?
And do you write her still?" "Each month or so."
"And is she not unhappy then, to find
How wretched you must be?" "How can she know?
You see," I laughed, "she thinks I am as well
As when she saw me last. She is too blind
To read the papers—some one else must tell
What's in my letters, merely signed by me.
Thus she is happy. For the rest—
That any son should be as sick as I,
No mother could believe."
Ja, so it goes.

Come here, my lotus-flower. It is best
I drop the mask to-day; the half-cracked shield
Of mockery calls for younger hands to wield.
Laugh—or I'll hug it closer to my breast.
So ... I can be as mawkish as I choose
And give my thoughts an airing, let them loose
For one last rambling stroll before—Now look!
Why tears? You never heard me say "the end."
Before ... before I clap them in a book
And so get rid of them once and for all.
This is their holiday—we'll let them run—
Some have escaped already. There goes one ...
What, I have often mused, did Goethe mean?
So many years ago at Weimar, Goethe said

"Heine has all the poet's gifts but love."
Good God! But that is all I ever had.
More than enough! So much of love to give
That no one gave me any in return.
And so I flashed and snapped in my own fires
Until I stood, with nothing left to burn,
A twisted trunk, in chilly isolation.
Ein Fichtenbaum steht einsam—you recall?
I was that Northern tree and, in the South,
Amalia... So I turned to scornful cries,
Hot iron songs to save the rest of me;
Plunging the brand in my own misery.
Crouching behind my pointed wall of words,
Ramparts I built of moons and loreleys,
Enchanted roses, sphinxes, love-sick birds,
Giants, dead lads who left their graves to dance,
Fairies and phœnixes and friendly gods—
A curious frieze, half Renaissance, half Greek,
Behind which, in revulsion of romance,
I lay and laughed—and wept—till I was weak.
Words were my shelter, words my one escape,
Words were my weapons against everything.
Was I not once the son of Revolution?
Give me the lyre, I said, and let me sing
My song of battle: Words like flaming stars
Shot down with power to burn the palaces;
Words like bright javelins to fly with fierce
Hate of the oily Philistines and glide
Through all the seven heavens till they pierce
The pious hypocrites who dare to creep

Into the Holy Places. "Then," I cried,
"I am a fire to rend and roar and leap;
I am all joy and song, all sword and flame!"
Ha—you observe me passionate. I aim
To curb these wild emotions lest they soar
Or drive against my will. (So I have said
These many years—and still they are not tame.)
Scraps of a song keep rumbling in my head ...
Listen—you never heard me sing before.
When a false world betrays your trust
And stamps upon your fire,
When what seemed blood is only rust,
Take up the lyre!
How quickly the heroic mood
Responds to its own ringing;
The scornful heart, the angry blood
Leap upward, singing!
Ah, that was how it used to be. But now,
Du schöner Todesengel, it is odd
How more than calm I am. Franz said it shows
Power of religion, and it does, perhaps—
Religion or morphine or poultices—God knows.
I sometimes have a sentimental lapse
And long for saviours and a physical God.
When health is all used up, when money goes,
When courage cracks and leaves a shattered will,
Then Christianity begins. For a sick Jew,
It is a very good religion ... Still,

I fear that I will die as I have lived,
A long-nosed heathen playing with his scars,
A pagan killed by weltschmerz ... I remember,
Once when I stood with Hegel at a window,
I, being full of bubbling youth and coffee,
Spoke in symbolic tropes about the stars.
Something I said about "those high
Abodes of all the blest" provoked his temper.
"Abodes? The stars?" He froze me with a sneer,
"A light eruption on the firmament."
"But," cried romantic I, "is there no sphere
Where virtue is rewarded when we die?"
And Hegel mocked, "A very pleasant whim.
So you demand a bonus since you spent
One lifetime and refrained from poisoning
Your testy grandmother!" ... How much of him
Remains in me—even when I am caught
In dreams of death and immortality.
To be eternal—what a brilliant thought!
It must have been conceived and coddled first
By some old shopkeeper in Nuremberg,
His slippers warm, his children amply nursed,
Who, with his lighted meerschaum in his hand,
His nightcap on his head, one summer night
Sat drowsing at his door. And mused, how grand
If all of this could last beyond a doubt—

This placid moon, this plump gemüthlichkeit;
Pipe, breath and summer never going out—
To vegetate through all eternity ...
But no such everlastingness for me!
God, if he can, keep me from such a blight.
Death, it is but the long, cool night,
And Life's a dull and sultry day.
It darkens; I grow sleepy;
I am weary of the light.
Over my bed a strange tree gleams
And there a nightingale is loud.
She sings of love, love only ...
I hear it, even in dreams.
My Mouche, the other day as I lay here,
Slightly propped up upon this mattress-grave
In which I've been interred these few eight years,
I saw a dog, a little pampered slave,
Running about and barking. I would have given
Heaven could I have been that dog; to thrive
Like him, so senseless—and so much alive!
And once I called myself a blithe Hellene,
Who am too much in love with life to live.
(The shrug is pure Hebraic) ... For what I've been,
A lenient Lord will tax me—and forgive.
Dieu me pardonnera—c'est son metier.
But this is jesting. There are other scandals

You haven't heard ... Can it be dusk so soon?
Or is this deeper darkness ...? Is that you,
Mother? How did you come? Where are the candles?...
Over my bed a strange tree gleams—half filled
With stars and birds whose white notes glimmer through
Its seven branches now that all is stilled.
What? Friday night again and all my songs
Forgotten? Wait ... I still can sing—
Sh'ma Yisroel Adonai Elohenu,
Adonai Echod ...
Mouche—Mathilde!...
Written by Sir Philip Sidney | Create an image from this poem

Astrophel and Stella: III

 Let dainty wits cry on the sisters nine,
That, bravely mask'd, their fancies may be told;
Or, Pindar's apes, flaunt they in phrases fine,
Enam'ling with pied flowers their thoughts of gold.
Or else let them in statelier glory shine,
Ennobling newfound tropes with problems old;
Or with strange similes enrich each line,
Of herbs or beasts which Ind or Afric hold.
For me, in sooth, no Muse but one I know;
Phrases and problems from my reach do grow,
And strange things cost too dear for my poor sprites.
How then? even thus: in Stella's face I read
What love and beauty be; then all my deed
But copying is, what in her Nature writes.
Written by Robert William Service | Create an image from this poem

The Dauber

 In stilly grove beside the sea
He mingles colours, measures space;
A bronze and breezy man is he,
 Yet peace is in his face.
Behold him stand and longly stare,
Till deft of hand and deep of eye
He captures on a canvas square
 The joy of earth and sky.

Aloof from servitude and strife,
From carking care and greed apart,
Beneath the blue he lives his life
 Of Nature and of Art.
He grieves his pictures must be sold,
Aye, even when his funds are low,
And fat men pay a purse of gold
 He sighs to see them go.

My loving toil is of the pen,
Yet while my verse is not unread,
His pictures will be living when
 My tropes are dim and dead.
God gives us talents great and small,
And though my rhymes I'll never rue,
Sometimes I wish that after all
 I were a dauber too.



Book: Reflection on the Important Things