Written by
T S (Thomas Stearns) Eliot |
I
Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
nothing again
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice
And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us
Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.
Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.
II
Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been
contained
In the hollow round of my skull.
And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the Virgin in meditation,
We shine with brightness.
And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject.
The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them.
As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose.
And God said
Prophesy to the wind, to the wind only for only
The wind will listen.
And the bones sang chirping
With the burden of the grasshopper, saying
Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.
Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each
other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert.
This is the land which ye
Shall divide by lot.
And neither division nor unity
Matters.
This is the land.
We have our inheritance.
III
At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.
At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man's mouth drivelling, beyond
repair,
Or the toothed gullet of an agèd shark.
At the first turning of the third stair
Was a slotted window bellied like the figs's fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.
Lord, I am not worthy
Lord, I am not worthy
but speak the word only.
IV
Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary's colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs
Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary's colour,
Sovegna vos
Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing
White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme.
Redeem
The time.
Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.
The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
no word
But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken
Till the wind shake a thousand whispers from the yew
And after this our exile
V
If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.
O my people, what have I done unto thee.
Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny
the voice
Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose
O my people, what have I done unto thee.
Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.
O my people.
VI
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn
Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings
And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth
This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.
Blessèd sister, holy mother, spirit of the fountain, spirit
of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated
And let my cry come unto Thee.
|
Written by
Mary Darby Robinson |
PALE GODDESS of the witching hour;
Blest Contemplation's placid friend;
Oft in my solitary bow'r,
I mark thy lucid beam
From thy crystal car descend,
Whitening the spangled heath, and limpid sapphire stream.
And oft, amidst the shades of night
I court thy undulating light;
When Fairies dance around the verdant ring,
Or frisk beside the bubbling spring,
When the thoughtless SHEPHERD'S song
Echoes thro' the silent air,
As he pens his fleecy care,
Or plods with saunt'ring gait, the dewy meads along.
CHASTE ORB! as thro' the vaulted sky
Feath'ry clouds transparent sail;
When thy languid, weeping eye,
Sheds its soft tears upon the painted vale;
As I ponder o'er the floods,
Or tread with listless step, th'embow'ring woods,
O, let thy transitory beam,
Soothe my sad mind, with FANCY'S aëry dream.
Wrapt in REFLECTION, let me trace
O'er the vast ethereal space,
Stars, whose twinkling fires illume
Dark-brow'd NIGHT'S obtrusive gloom;
Where across the concave wide;
Flaming METEORS swiftly glide;
Or along the milky way,
Vapours shoot a silvery ray;
And as I mark, thy faint reclining head,
Sinking on Ocean's pearly bed;
Let REASON tell my soul, thus all things fade.
The Seasons change, the "garish SUN"
When Day's burning car hath run
Its fiery course, no more we view,
While o'er the mountain's golden head,
Streak'd with tints of crimson hue,
Twilight's filmy curtains spread,
Stealing o'er Nature's face, a desolating shade.
Yon musky FLOW'R, that scents the earth;
The SOD, that gave its odours birth;
The ROCK, that breaks the torrent's force;
The VALE, that owns its wand'ring course;
The woodlands where the vocal throng
Trill the wild melodious song;
Thirsty desarts, sands that glow,
Mountains, cap'd with flaky snow;
Luxuriant groves, enamell'd fields,
All, all, prolific Nature yields,
Alike shall end; the sensate HEART,
With all its passions, all its fire,
Touch'd by FATE'S unerring dart,
Shall feel its vital strength expire;
Those eyes, that beam with FRIENDSHIP'S ray,
And glance ineffable delight,
Shall shrink from LIFE'S translucid day,
And close their fainting orbs, in DEATH'S impervious night.
Then what remains for mortal pow'r;
But TIME'S dull journey to beguile;
To deck with joy, the winged hour,
To meet its sorrows with a patient smile;
And when the toilsome pilgrimage shall end,
To greet the tyrant, as a welcome friend.
|
Written by
Thomas Chatterton |
Begin, my muse, the imitative lay,
Aonian doxies sound the thrumming string;
Attempt no number of the plaintive Gay,
Let me like midnight cats, or Collins sing.
If in the trammels of the doleful line
The bounding hail, or drilling rain descend;
Come, brooding Melancholy, pow'r divine,
And ev'ry unform'd mass of words amend.
Now the rough goat withdraws his curling horns,
And the cold wat'rer twirls his circling mop:
Swift sudden anguish darts thro' alt'ring corns,
And the spruce mercer trembles in his shop.
Now infant authors, madd'ning for renown,
Extend the plume, and him about the stage,
Procure a benefit, amuse the town,
And proudly glitter in a title page.
Now, wrapt in ninefold fur, his squeamish grace
Defies the fury of the howling storm;
And whilst the tempest whistles round his face,
Exults to find his mantled carcase warm.
Now rumbling coaches furious drive along,
Full of the majesty of city dames,
Whose jewels sparkling in the gaudy throng,
Raise strange emotions and invidious flames.
Now Merit, happy in the calm of place,
To mortals as a highlander appears,
And conscious of the excellence of lace,
With spreading frogs and gleaming spangles glares.
Whilst Envy, on a tripod seated nigh,
In form a shoe-boy, daubs the valu'd fruit,
And darting lightnings from his vengeful eye,
Raves about Wilkes, and politics, and Bute.
Now Barry, taller than a grenadier,
Dwindles into a stripling of eighteen;
Or sabled in Othello breaks the ear,
Exerts his voice, and totters to the scene.
Now Foote, a looking-glass for all mankind,
Applies his wax to personal defects;
But leaves untouch'd the image of the mind,
His art no mental quality reflects.
Now Drury's potent kind extorts applause,
And pit, box, gallery, echo, "how divine!"
Whilst vers'd in all the drama's mystic laws,
His graceful action saves the wooden line.
Now-- but what further can the muses sing?
Now dropping particles of water fall;
Now vapours riding on the north wind's wing,
With transitory darkness shadow all.
Alas! how joyless the descriptive theme,
When sorrow on the writer's quiet preys
And like a mouse in Cheshire cheese supreme,
Devours the substance of the less'ning bays.
Come, February, lend thy darkest sky.
There teach the winter'd muse with clouds to soar;
Come, February, lift the number high;
Let the sharp strain like wind thro' alleys roar.
Ye channels, wand'ring thro' the spacious street,
In hollow murmurs roll the dirt along,
With inundations wet the sabled feet,
Whilst gouts responsive, join th'elegiac song.
Ye damsels fair, whose silver voices shrill,
Sound thro' meand'ring folds of Echo's horn;
Let the sweet cry of liberty be still,
No more let smoking cakes awake the morn.
O, Winter! Put away the snowy pride;
O, Spring! Neglect the cowslip and the bell;
O, Summer! Throw thy pears and plums aside;
O, Autumn! Bid the grape with poison swell.
The pension'd muse of Johnson is no more!
Drown'd in a butt of wine his genius lies;
Earth! Ocean! Heav'n! The wond'rous loss deplore,
The dregs of nature with her glory dies.
What iron Stoic can suppress the tear;
What sour reviewer read with vacant eye!
What bard but decks his literary bier!
Alas! I cannot sing-- I howl-- I cry--
|
Written by
Margaret Atwood |
Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or
shatter of glass; nothing more abrupt
than the rational whine of a power mower
cutting a straight swath in the discouraged grass.
But though the driveways neatly
sidestep hysteria
by being even, the roofs all display
the same slant of avoidance to the hot sky,
certain things:
the smell of spilled oil a faint
sickness lingering in the garages,
a splash of paint on brick surprising as a bruise,
a plastic hose poised in a vicious
coil; even the too-fixed stare of the wide windows
give momentary access to
the landscape behind or under
the future cracks in the plaster
when the houses, capsized, will slide
obliquely into the clay seas, gradual as glaciers
that right now nobody notices.
That is where the City Planners
with the insane faces of political conspirators
are scattered over unsurveyed
territories, concealed from each other,
each in his own private blizzard;
guessing directions, they sketch
transitory lines rigid as wooden borders
on a wall in the white vanishing air
tracing the panic of suburb
order in a bland madness of snows
|
Written by
Pablo Neruda |
Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.
My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,
your breast is the grape cluster,
your nipples are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.
But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.
|
Written by
Mary Darby Robinson |
TERRIFIC FIEND! thou Monster fell,
Condemn'd in haunts profane to dwell,
Why quit thy solitary Home,
O'er wide Creation's paths to roam?
Pale Tyrant of the timid Heart,
Whose visionary spells can bind
The strongest passions of the mind,
Freezing Life's current with thy baneful Art.
Nature recoils when thou art near,
For round thy form all plagues are seen;
Thine is the frantic tone, the sullen mien,
The glance of petrifying fear,
The haggard Brow, the low'ring Eye,
The hollow Cheek, the smother'd Sigh,
When thy usurping fangs assail,
The sacred Bonds of Friendship fail.
Meek-bosom'd Pity sues in vain;
Imperious Sorrow spurns relief,
Feeds on the luxury of Grief,
Drinks the hot Tear, and hugs the galling Chain.
AH! plunge no more thy ruthless dart,
In the dark centre of the guilty Heart;
The POW'R SUPREME, with pitying eye,
Looks on the erring Child of Misery;
MERCY arrests the wing of Time;
To expiate the wretch's crime;
Insulted HEAV'N consign'd thy brand
To the first Murd'rer's crimson hand.
Swift o'er the earth the Monster flew,
And round th' ensanguin'd Poisons threw,
By CONSCIENCE goadeddriven by FEAR,
Till the meek Cherub HOPE subdued his fell career.
Thy Reign is past, when erst the brave
Imbib'd contagion o'er the midnight lamp,
Close pent in loathsome cells, where poisons damp
Hung round the confines of a Living Grave; *
Where no glimm'ring ray illum'd
The flinty walls, where pond'rous chains
Bound the wan Victim to the humid earth,
Where VALOUR, GENIUS, TASTE, and WORTH,
In pestilential caves entomb'd,
Sought thy cold arms, and smiling mock'd their pains.
THERE,each procrastinated hour
The woe-worn suff'rer gasping lay,
While by his side in proud array
Stalk'd the HUGE FIEND, DESPOTIC POW'R.
There REASON clos'd her radiant eye,
And fainting HOPE retir'd to die,
Truth shrunk appall'd,
In spells of icy Apathy enthrall'd;
Till FREEDOM spurn'd the ignominious chain,
And roused from Superstition's night,
Exulting Nature claim'd her right,
And call'd dire Vengeance from her dark domain.
Now take thy solitary flight
Amid the turbid gales of night,
Where Spectres starting from the tomb,
Glide along th' impervious gloom;
Or, stretch'd upon the sea-beat shore,
Let the wild winds, as they roar,
Rock Thee on thy Bed of Stone;
Or, in gelid caverns pent,
Listen to the sullen moan
Of subterranean winds;or glut thy sight
Where stupendous mountains rent
Hurl their vast fragments from their dizzy height.
At Thy approach the rifted Pine
Shall o'er the shatter'd Rock incline,
Whose trembling brow, with wild weeds drest,
Frowns on the tawny EAGLE's nest;
THERE enjoy the 'witching hour,
And freeze in Frenzy's dire conceit,
Or seek the Screech-owl's lone retreat,
On the bleak rampart of some nodding Tow'r.
In some forest long and drear,
Tempt the fierce BANDITTI's rage,
War with famish'd Tygers wage,
And mock the taunts of Fear.
When across the yawning deep,
The Demons of the Tempest sweep,
Or deaf'ning Thunders bursting cast
Their red bolts on the shivering mast,
While fix'd below the sea-boy stands,
As threat'ning Death his soul dismays,
He lifts his supplicating hands,
And shrieks, and groans, and weeps, and prays,
Till lost amid the floating fire
The agonizing crew expire;
THEN let thy transports rend the air,
For mad'ning Anguish feeds DESPAIR.
When o'er the couch of pale Disease
The MOTHER bends, with tearful eye,
And trembles, lest her quiv'ring sigh,
Should wake the darling of her breast,
Now, by the taper's feeble rays,
She steals a last, fond, eager gaze.
Ah, hapless Parent! gaze no more,
Thy CHERUB soars among the Blest,
Life's crimson Fount begins to freeze,
His transitory scene is o'er.
She startsshe ravesher burning brain,
Consumes, unconscious of its fires,
Dead to the Heart's convulsive Pain,
Bewilder'd Memory retires.
See! See! she grasps her flowing hair,
From her fix'd eye the big drops roll,
Her proud Affliction mocks controul,
And riots in DESPAIR,
Such are thy haunts, malignant Pow'r,
There all thy murd'rous Poisons pour;
But come not near my calm retreat,
Where Peace and holy FRIENDSHIP meet;
Where SCIENCE sheds a gentle ray,
And guiltless Mirth beguiles the day,
Where Bliss congenial to the MUSE
Shall round my Heart her sweets diffuse,
Where, from each restless Passion free,
I give my noiseless hours, BLESS'D POETRY, TO THEE.
|
Written by
Pablo Neruda |
Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.
My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,
your breast is the grape cluster,
your nipples are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.
But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.
|
Written by
John Donne |
No spring nor summer Beauty hath such grace
As I have seen in one autumnall face.
Young beauties force our love, and that's a rape,
This doth but counsel, yet you cannot 'scape.
If 'twere a shame to love, here 'twere no shame,
Affection here takes Reverence's name.
Were her first years the Golden Age; that's true,
But now she's gold oft tried, and ever new.
That was her torrid and inflaming time,
This is her tolerable Tropique clime.
Fair eyes, who asks more heat than comes from hence,
He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were,
They were Love's graves; for else he is no where.
Yet lies not Love dead here, but here doth sit
Vowed to this trench, like an Anachorit.
And here, till hers, which must be his death, come,
He doth not dig a grave, but build a tomb.
Here dwells he, though he sojourn ev'ry where,
In progress, yet his standing house is here.
Here, where still evening is; not noon, nor night;
Where no voluptuousness, yet all delight
In all her words, unto all hearers fit,
You may at revels, you at counsel, sit.
This is Love's timber, youth his under-wood;
There he, as wine in June enrages blood,
Which then comes seasonabliest, when our taste
And appetite to other things is past.
Xerxes' strange Lydian love, the Platane tree,
Was loved for age, none being so large as she,
Or else because, being young, nature did bless
Her youth with age's glory, Barrenness.
If we love things long sought, Age is a thing
Which we are fifty years in compassing;
If transitory things, which soon decay,
Age must be loveliest at the latest day.
But name not winter-faces, whose skin's slack;
Lank, as an unthrift's purse; but a soul's sack;
Whose eyes seek light within, for all here's shade;
Whose mouths are holes, rather worn out than made;
Whose every tooth to a several place is gone,
To vex their souls at Resurrection;
Name not these living deaths-heads unto me,
For these, not ancient, but antique be.
I hate extremes; yet I had rather stay
With tombs than cradles, to wear out a day.
Since such love's natural lation is, may still
My love descend, and journey down the hill,
Not panting after growing beauties so,
I shall ebb out with them, who homeward go.
|
Written by
Thomas Warton |
Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.
But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!
Such was a pensive bard's mistaken strain.
--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.
Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.
Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.
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Written by
Mary Darby Robinson |
"With female Fairies will thy tomb be haunted
"And worms will not come to thee.
" SHAKSPERE.
WHEN from Day's closing eye the lucid tears
Fall lightly on the bending lily's head;
When o'er the blushing sky night's curtains spread,
And the tall mountain's summit scarce appears;
When languid Evening, sinking to repose,
Her filmy mantle o'er the landscape throws;
Of THEE I'll sing; and as the mournful song
Glides in slow numbers the dark woods among;
My wand'ring steps shall seek the lonely shade,
Where all thy virtues, all thy griefs are laid!
Yes, hopeless suff'rer, friendless and forlorn,
Sweet victim of love's power; the silent tear
Shall oft at twilight's close, and glimm'ring morn
Gem the pale primrose that adorns thy bier,
And as the balmy dew ascends to heaven,
Thy crime shall steal away, thy frailty be forgiv'n.
Oft by the moon's wan beam the love-lorn maid,
Led by soft SYMPATHY, shall stroll along;
Oft shall she listen in the Lime-tree's * shade,
Her cold blood freezing at the night-owl's song:
Or, when she hears the death-bell's solemn sound,
Her light steps echoing o'er the hollow ground;
Oft shall the trickling tear adorn her cheek,
Thy pow'r, O SENSIBILITY ! in magic charms to speak!
For the poor PILGRIM, doom'd afar to roam
From the dear comforts of his native home,
A glitt'ring star puts forth a silv'ry ray,
Soothes his sad heart, and marks his tedious way;
The short-liv'd radiance cheers the gloom of night,
And decks Heaven's murky dome with transitory light.
So from the mournful CHARLOTTE's dark-orb'd lids,
The sainted tear of pitying VIRTUE flows;
And the last boon, the "churlish priest" forbids,
On thy lone grave the sacred drop bestows;
There shall the sparkling dews of Evening shine,
AND HEAVEN'S OWN INCENSE CONSECRATE THE SHRINE.
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