Written by
William Butler Yeats |
I. Ribh at the Tomb of Baile and Aillinn
Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II. Ribh denounces Patrick
An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity. Man, woman, child
(daughter or son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets
Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the
body or the mind,
That juggling nature mounts, her coil in their embraces
twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.
III. Ribh in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV. There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V. Ribh considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI. He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".
She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.'
All creation shivers
With that sweet cry.
VII. What Magic Drum?
He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer
rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move
his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?
VIII. Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?
IX. The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X. Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI. A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII. Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
|
Written by
Claude McKay |
Into the furnace let me go alone;
Stay you without in terror of the heat.
I will go naked in--for thus ''tis sweet--
Into the weird depths of the hottest zone.
I will not quiver in the frailest bone,
You will not note a flicker of defeat;
My heart shall tremble not its fate to meet,
My mouth give utterance to any moan.
The yawning oven spits forth fiery spears;
Red aspish tongues shout wordlessly my name.
Desire destroys, consumes my mortal fears,
Transforming me into a shape of flame.
I will come out, back to your world of tears,
A stronger soul within a finer frame.
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Written by
Delmore Schwartz |
"I have been one acquainted with the night" - Robert Frost
Rode in the train all night, in the sick light. A bird
Flew parallel with a singular will. In daydream's moods and
attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.
Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling. And the bird flew parallel and still
As the train shot forth the straight line of its whistle,
Forward on the taut tracks, piercing empty, familiar --
The bored center of this vision and condition looked and
looked
Down through the slick pages of the magazine (seeking
The seen and the unseen) and his gaze fell down the well
Of the great darkness under the slick glitter,
And he was only one among eight million riders and
readers.
And all the while under his empty smile the shaking drum
Of the long determined passage passed through him
By his body mimicked and echoed. And then the train
Like a suddenly storming rain, began to rush and thresh--
The silent or passive night, pressing and impressing
The patients' foreheads with a tightening-like image
Of the rushing engine proceeded by a shaft of light
Piercing the dark, changing and transforming the silence
Into a violence of foam, sound, smoke and succession.
A bored child went to get a cup of water,
And crushed the cup because the water too was
Boring and merely boredom's struggle.
The child, returning, looked over the shoulder
Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops
Drip down the fleece of many dinners.
And the bird flew parallel and parallel flew
The black pencil lines of telephone posts, crucified,
At regular intervals, post after post
Of thrice crossed, blue-belled, anonymous trees.
And then the bird cried as if to all of us:
0 your life, your lonely life
What have you ever done with it,
And done with the great gift of consciousness?
What will you ever do with your life before death's
knife
Provides the answer ultimate and appropriate?
As I for my part felt in my heart as one who falls,
Falls in a parachute, falls endlessly, and feel the vast
Draft of the abyss sucking him down and down,
An endlessly helplessly falling and appalled clown:
This is the way that night passes by, this
Is the overnight endless trip to the famous unfathomable
abyss.
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Written by
Edgar Allan Poe |
Fair isle, that from the fairest of all flowers,
Thy gentlest of all gentle names dost take!
How many memories of what radiant hours
At sight of thee and thine at once awake!
How many scenes of what departed bliss!
How many thoughts of what entombed hopes!
How many visions of a maiden that is
No more- no more upon thy verdant slopes!
No more! alas, that magical sad sound
Transforming all! Thy charms shall please no more-
Thy memory no more! Accursed ground
Henceforth I hold thy flower-enameled shore,
O hyacinthine isle! O purple Zante!
"Isola d'oro! Fior di Levante!"
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Written by
Denise Levertov |
Intricate and untraceable
weaving and interweaving,
dark strand with light:
designed, beyond
all spiderly contrivance,
to link, not to entrap:
elation, grief, joy, contrition, entwined;
shaking, changing,
forever
forming,
transforming:
all praise,
all praise to the
great web.
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Written by
Bertolt Brecht |
The critical attitude
Strikes many people as unfruitful
That is because they find the state
Impervious to their criticism
But what in this case is an unfruitful attitude
Is merely a feeble attitude. Give criticism arms
And states can be demolished by it.
Canalising a river
Grafting a fruit tree
Educating a person
Transforming a state
These are instances of fruitful criticism
And at the same time instances of art.
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Written by
Dejan Stojanovic |
At twenty-six, I was inexperienced;
Still, I knew much about love
In the waste land, reasoning,
It's not important when you start
Practicing, rather when you start searching;
And I committed myself to finding
It before others even knew it existed, 'breeding
Lilacs out of the dead land, mixing'
My thoughts, my longings, my love
For something that didn't need naming
In the misty mornings, recognizing
The dew on the petal, alive yet sleepy;
I was a dreamer, I admit, thinking,
April is the cruelest month, flying
Thoughts about some distant teaching,
Seeing invisible in the visible, loving
Wild thoughts making love, searching
To find it; love was a secret hard to decode—
Sacred to me. Students talking
Of business, Dante and Michelangelo;
That was important, yet not so important
In the land where death died long ago, blooming
Roses taught me a lesson, doing
My search for me, wakening
The land where human measures are important
Yet not so important; so I stayed, deserving
A degree from real roses, forgetting
The Ph.D. at Harvard, which for me was waiting
Of course it was not about Michelangelo,
But does it really matter? I saw paintings
And landscapes, dead lands and lands
Alive, knowing it's more important
To feel than to know. I had it all in my head;
And I stayed where dreaming
Was more important than competing
In the land where the women come and go, talking
Of Sara Bernhardt and Coco Chanel in the Sistine Chapel
And men come and go, talking
Of wars, children come and go, talking
Of chocolate, and they all go, leaving
Not much to think about exchanging
Experiences with feelings, transforming
Experiences into meanings, mixing
Thoughts about love evaporating
Into 'the yellow fog that rubs its back upon the window panes,
The yellow smoke that rubs its muzzle on the window panes.'
And in the end I understood April, learning
That April seemed cruel only in the dead land, knowing
That every month is equally paradisiacal and hellish,
Equally paradoxical.
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Written by
William Carlos (WCW) Williams |
I've fond anticipation of a day
O'erfilled with pure diversion presently,
For I must read a lady poesy
The while we glide by many a leafy bay,
Hid deep in rushes, where at random play
The glossy black winged May-flies, or whence flee
Hush-throated nestlings in alarm,
Whom we have idly frighted with our boat's long sway.
For, lest o'ersaddened by such woes as spring
To rural peace from our meek onward trend,
What else more fit? We'll draw the latch-string
And close the door of sense; then satiate wend,
On poesy's transforming giant wing,
To worlds afar whose fruits all anguish mend.
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Written by
Dejan Stojanovic |
To transform a grimace into a sound
Sounds impossible, yet it is possible
To transform a vision into music,
To go outside an enslaved personality,
To become impersonal by transforming
Into sand, into water, into light,
To feel the air and breathe the air
By becoming the air, become
A bird, the first cell, the first man,
Become a wandering comet,
A dying star, a newborn cluster of stars
And hear the melody of galaxies
Love making of black stars,
Sense the hellish or heavenly nature of quasars,
Be in everything and come back
To a miniscule particle of personality
To find out how great all is.
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Written by
Francesco Petrarch |
CANZONE XVIII. Qual più diversa e nova. HE COMPARES HIMSELF TO ALL THAT IS MOST STRANGE IN CREATION. Whate'er most wild and newWas ever found in any foreign land,If viewed and valued true,Most likens me 'neath Love's transforming hand.Whence the bright day breaks through,Alone and consortless, a bird there flies,Who voluntary dies,To live again regenerate and entire:So ever my desire,Alone, itself repairs, and on the crestOf its own lofty thoughts turns to our sun,There melts and is undone,And sinking to its first state of unrest,So burns and dies, yet still its strength resumes,And, Phœnix-like, afresh in force and beauty blooms. Where Indian billows sweep,A wondrous stone there is, before whose strengthStout navies, weak to keepTheir binding iron, sink engulf'd at length:So prove I, in this deepOf bitter grief, whom, with her own hard pride,That fair rock knew to guideWhere now my life in wreck and ruin drives:Thus too the soul deprives,By theft, my heart, which once so stonelike was,It kept my senses whole, now far dispersed:For mine, O fate accurst!A rock that lifeblood and not iron draws,Whom still i' the flesh a magnet living, sweet,Drags to the fatal shore a certain doom to meet. Neath the far Ethiop skiesA beast is found, most mild and meek of air,Which seems, yet in her eyesDanger and dool and death she still does bear:[Pg 134]Much needs he to be wiseTo look on hers whoever turns his mien:Although her eyes unseen,All else securely may be viewed at willBut I to mine own illRun ever in rash grief, though well I knowMy sufferings past and future, still my mindIts eager, deaf and blindDesire o'ermasters and unhinges so,That in her fine eyes and sweet sainted face,Fatal, angelic, pure, my cause of death I trace. In the rich South there flowsA fountain from the sun its name that wins,This marvel still that shows,Boiling at night, but chill when day begins;Cold, yet more cold it growsAs the sun's mounting car we nearer see:So happens it with me(Who am, alas! of tears the source and seat),When the bright light and sweet,My only sun retires, and lone and drearMy eyes are left, in night's obscurest reign,I burn, but if againThe gold rays of the living sun appear,My slow blood stiffens, instantaneous, strange;Within me and without I feel the frozen change! Another fount of fameSprings in Epirus, which, as bards have told,Kindles the lurking flame,And the live quenches, while itself is cold.My soul, that, uncontroll'd,And scathless from love's fire till now had pass'd,Carelessly left at lastNear the cold fair for whom I ceaseless sigh,Was kindled instantly:Like martyrdom, ne'er known by day or night,A heart of marble had to mercy shamed.Which first her charms inflamedHer fair and frozen virtue quenched the light;That thus she crushed and kindled my heart's fire,Well know I who have felt in long and useless ire. [Pg 135]Beyond our earth's known brinks,In the famed Islands of the Blest, there beTwo founts: of this who drinksDies smiling: who of that to live is free.A kindred fate Heaven linksTo my sad life, who, smilingly, could dieFor like o'erflowing joy,But soon such bliss new cries of anguish stay.Love! still who guidest my way,Where, dim and dark, the shade of fame invites,Not of that fount we speak, which, full each hour,Ever with larger powerO'erflows, when Taurus with the Sun unites;So are my eyes with constant sorrow wet,But in that season most when I my Lady met. Should any ask, my Song!Or how or where I am, to such reply:Where the tall mountain throwsIts shade, in the lone vale, whence Sorga flows,He roams, where never eyeSave Love's, who leaves him not a step, is by,And one dear image who his peace destroys,Alone with whom to muse all else in life he flies. Macgregor.
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