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Best Famous Tragedies Poems

Here is a collection of the all-time best famous Tragedies poems. This is a select list of the best famous Tragedies poetry. Reading, writing, and enjoying famous Tragedies poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tragedies poems.

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Written by Tupac Shakur | Create an image from this poem

And 2Morrow

Today is filled with anger
fueled with hidden hate
scared of being outcast
afraid of common fate
Today is built on tragedies
which no one wants 2 face
nightmares 2 humanities
and morally disgraced
Tonight is filled with rage
violence in the air
children bred with ruthlessness
because no one at home cares
Tonight I lay my head down
but the pressure never stops
knawing at my sanity
content when I am dropped
But 2morrow I c change
a chance 2 build a new
Built on spirit intent of Heart
and ideals
based on truth
and tomorrow I wake with second wind
and strong because of pride
2 know I fought with all my heart 2 keep my
dream alive


Written by Lisa Zaran | Create an image from this poem

You Are The Mountain

 At one end of the couch
you sit, mute as a pillow
tossed onto the upholstery.

I watch you sometimes
when you don't know I'm watching
and I see you. Who you are.

You are a self made man.
Hard suffering. You are grey
stone and damp earth.
A long scar on a pale sky.

The television is tuned to CNN.
The world's tragedies flicker
across your face like some
foreign film.

You are expressionless.
Your usual gestures ground to salt.

How do you explain yourself
to people that do not know you?
How do you explain to them,
this is me; that is not me.

However many words you choose
in whatever context with
whichever adjectives you use
could not compare.

Even you describing you
would not be you.
Not totally.

Your hands are folded
together, resting in your lap.
I study those hands until
every groove becomes familiar.

Like a favorite hat,
you wear your silence
comfortably.

I sometimes can not help
but wonder what we will
talk about if we ever
run out of things to say.

You are the curve
I burrow into. The strength
I borrow. You are the red sun
rising over the mountain.
You are the mountain.


© 2002 Lisa M. Zaran
All rights reserved.
Written by Sylvia Plath | Create an image from this poem

Perseus: The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas. Hercules had a simple time,
Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers? You.
 You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony: a look to numb
Limbs: not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
 Imagine: the world
Fisted to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand. Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
 So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
 You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout. Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre? The tear-dazzled
Sorrows of Malfi's gentle duchess?
 Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
 To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
Written by Sylvia Plath | Create an image from this poem

Aftermath

 Compelled by calamity's magnet
They loiter and stare as if the house
Burnt-out were theirs, or as if they thought
Some scandal might any minute ooze
From a smoke-choked closet into light;
No deaths, no prodigious injuries
Glut these hunters after an old meat,
Blood-spoor of the austere tragedies.

Mother Medea in a green smock
Moves humbly as any housewife through
Her ruined apartments, taking stock
Of charred shoes, the sodden upholstery:
Cheated of the pyre and the rack,
The crowd sucks her last tear and turns away.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Divina Commedia

 Oft have I seen at some cathedral door 
.
A laborer, pausing in the dust and heat, 
.
Lay down his burden, and with reverent feet 
.
Enter, and cross himself, and on the floor 
.
Kneel to repeat his paternoster o'er; 
.
Far off the noises of the world retreat; 
.
The loud vociferations of the street 
.
Become an undistinguishable roar. 
.
So, as I enter here from day to day, 
.

And leave my burden at this minster gate, 
.

Kneeling in prayer, and not ashamed to pray, 
.

The tumult of the time disconsolate 
.

To inarticulate murmurs dies away, 
.

While the eternal ages watch and wait.II.2.
How strange the sculptures that adorn these towers! 
.
This crowd of statues, in whose folded sleeves 
.
Birds build their nests; while canopied with leaves 
.
Parvis and portal bloom like trellised bowers, 
.
And the vast minster seems a cross of flowers! 
.
But fiends and dragons on the gargoyled eaves 
.
Watch the dead Christ between the living thieves, 
.
And, underneath, the traitor Judas lowers! 
.
Ah! from what agonies of heart and brain, 
.

What exultations trampling on despair, 
.

What tenderness, what tears, what hate of wrong, 
.

What passionate outcry of a soul in pain, 
.

Uprose this poem of the earth and air, 
.

This medi?val miracle of song!
III.Written December 22, 1865.3.
I enter, and I see thee in the gloom 
.
Of the long aisles, O poet saturnine! 
.
And strive to make my steps keep pace with thine. 
.
The air is filled with some unknown perfume; 
.
The congregation of the dead make room 
.
For thee to pass; the votive tapers shine; 
.
Like rooks that haunt Ravenna's groves of pine 
.
The hovering echoes fly from tomb to tomb. 
.
From the confessionals I hear arise 
.

Rehearsals of forgotten tragedies, 
.

And lamentations from the crypts below; 
.

And then a voice celestial that begins 
.

With the pathetic words, "Although your sins 
.

As scarlet be," and ends with "as the snow." 
IV.Written May 5, 1867.4.
With snow-white veil and garments as of flame, 
.
She stands before thee, who so long ago 
.
Filled thy young heart with passion and the woe 
.
From which thy song and all its splendors came; 
.
And while with stern rebuke she speaks thy name, 
.
The ice about thy heart melts as the snow 
.
On mountain heights, and in swift overflow 
.
Comes gushing from thy lips in sobs of shame. 
.
Thou makest full confession; and a gleam, 
.

As of the dawn on some dark forest cast, 
.

Seems on thy lifted forehead to increase; 
.

Lethe and Euno? -- the remembered dream 
.

And the forgotten sorrow -- bring at last 
.

That perfect pardon which is perfect peace.
V.Written January 16, 1866.5.
I lift mine eyes, and all the windows blaze 
.
With forms of Saints and holy men who died, 
.
Here martyred and hereafter glorified; 
.
And the great Rose upon its leaves displays 
.
Christ's Triumph, and the angelic roundelays, 
.
With splendor upon splendor multiplied; 
.
And Beatrice again at Dante's side 
.
No more rebukes, but smiles her words of praise. 
.
And then the organ sounds, and unseen choirs 
.

Sing the old Latin hymns of peace and love 
.

And benedictions of the Holy Ghost; 
.

And the melodious bells among the spires 
.

O'er all the house-tops and through heaven above 
.

Proclaim the elevation of the Host! 
VI.Written March 7, 1866.6.
O star of morning and of liberty! 
.
O bringer of the light, whose splendor shines 
.
Above the darkness of the Apennines, 
.
Forerunner of the day that is to be! 
.
The voices of the city and the sea, 
.
The voices of the mountains and the pines, 
.
Repeat thy song, till the familiar lines 
.
Are footpaths for the thought of Italy! 
.
Thy fame is blown abroad from all the heights, 
.

Through all the nations, and a sound is heard, 
.

As of a mighty wind, and men devout, 
.

Strangers of Rome, and the new proselytes, 
.

In their own language hear thy wondrous word, 
.

And many are amazed and many doubt.


Written by Czeslaw Milosz | Create an image from this poem

Conversation with Jeanne

 Let us not talk philosophy, drop it, Jeanne.
So many words, so much paper, who can stand it.
I told you the truth about my distancing myself.
I've stopped worrying about my misshapen life.
It was no better and no worse than the usual human tragedies.

For over thirty years we have been waging our dispute
As we do now, on the island under the skies of the tropics.
We flee a downpour, in an instant the bright sun again,
And I grow dumb, dazzled by the emerald essence of the leaves.

We submerge in foam at the line of the surf,
We swim far, to where the horizon is a tangle of banana bush,
With little windmills of palms.
And I am under accusation: That I am not up to my oeuvre,
That I do not demand enough from myself,
As I could have learned from Karl Jaspers,
That my scorn for the opinions of this age grows slack.

I roll on a wave and look at white clouds.

You are right, Jeanne, I don't know how to care about the salvation of my soul.
Some are called, others manage as well as they can.
I accept it, what has befallen me is just.
I don't pretend to the dignity of a wise old age.
Untranslatable into words, I chose my home in what is now,
In things of this world, which exist and, for that reason, delight us:
Nakedness of women on the beach, coppery cones of their breasts,
Hibiscus, alamanda, a red lily, devouring
With my eyes, lips, tongue, the guava juice, the juice of la prune de Cyth?re,
Rum with ice and syrup, lianas-orchids
In a rain forest, where trees stand on the stilts of their roots.

Death, you say, mine and yours, closer and closer,
We suffered and this poor earth was not enough.
The purple-black earth of vegetable gardens
Will be here, either looked at or not.
The sea, as today, will breathe from its depths.
Growing small, I disappear in the immense, more and more free.
Written by Walt Whitman | Create an image from this poem

Out from Behind this Mask

 1
OUT from behind this bending, rough-cut Mask, 
(All straighter, liker Masks rejected—this preferr’d,) 
This common curtain of the face, contain’d in me for me, in you for you, in each for
 each,

(Tragedies, sorrows, laughter, tears—O heaven! 
The passionate, teeming plays this curtain hid!)
This glaze of God’s serenest, purest sky, 
This film of Satan’s seething pit, 
This heart’s geography’s map—this limitless small continent—this
 soundless
 sea; 
Out from the convolutions of this globe, 
This subtler astronomic orb than sun or moon—than Jupiter, Venus, Mars;
This condensation of the Universe—(nay, here the only Universe, 
Here the IDEA—all in this mystic handful wrapt;) 
These burin’d eyes, flashing to you, to pass to future time, 
To launch and spin through space revolving, sideling—from these to emanate, 
To You, whoe’er you are—a Look.

2
A Traveler of thoughts and years—of peace and war, 
Of youth long sped, and middle age declining, 
(As the first volume of a tale perused and laid away, and this the second, 
Songs, ventures, speculations, presently to close,) 
Lingering a moment, here and now, to You I opposite turn,
As on the road, or at some crevice door, by chance, or open’d window, 
Pausing, inclining, baring my head, You specially I greet, 
To draw and clench your Soul, for once, inseparably with mine, 
Then travel, travel on.
Written by Edwin Arlington Robinson | Create an image from this poem

Thomas Hood

 The man who cloaked his bitterness within
This winding-sheet of puns and pleasantries,
God never gave to look with common eyes
Upon a world of anguish and of sin:
His brother was the branded man of Lynn;
And there are woven with his jollities
The nameless and eternal tragedies
That render hope and hopelessness akin.


We laugh, and crown him; but anon we feel
A still chord sorrow-swept, -- a weird unrest;
And thin dim shadows home to midnight steal,
As if the very ghost of mirth were dead --
As if the joys of time to dreams had fled,
Or sailed away with Ines to the West.

Book: Radiant Verses: A Journey Through Inspiring Poetry