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Best Famous Tolls Poems

Here is a collection of the all-time best famous Tolls poems. This is a select list of the best famous Tolls poetry. Reading, writing, and enjoying famous Tolls poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tolls poems.

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Written by Edgar Allan Poe | Create an image from this poem

The Bells

 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
II Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten-golden notes, And an in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells,bells, Bells, bells, bells- To the rhyming and the chiming of the bells! III Hear the loud alarum bells- Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor, Now- now to sit or never, By the side of the pale-faced moon.
Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows: Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells- Of the bells- Of the bells, bells, bells,bells, Bells, bells, bells- In the clamor and the clangor of the bells! IV Hear the tolling of the bells- Iron Bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan.
And the people- ah, the people- They that dwell up in the steeple, All Alone And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone- They are neither man nor woman- They are neither brute nor human- They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells- Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells- Of the bells, bells, bells- To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells- Of the bells, bells, bells: To the tolling of the bells, Of the bells, bells, bells, bells- Bells, bells, bells- To the moaning and the groaning of the bells.


Written by Dylan Thomas | Create an image from this poem

Poem On His Birthday

 In the mustardseed sun,
By full tilt river and switchback sea
 Where the cormorants scud,
In his house on stilts high among beaks
 And palavers of birds
This sandgrain day in the bent bay's grave
 He celebrates and spurns
His driftwood thirty-fifth wind turned age;
 Herons spire and spear.
Under and round him go Flounders, gulls, on their cold, dying trails, Doing what they are told, Curlews aloud in the congered waves Work at their ways to death, And the rhymer in the long tongued room, Who tolls his birthday bell, Toils towards the ambush of his wounds; Herons, steeple stemmed, bless.
In the thistledown fall, He sings towards anguish; finches fly In the claw tracks of hawks On a seizing sky; small fishes glide Through wynds and shells of drowned Ship towns to pastures of otters.
He In his slant, racking house And the hewn coils of his trade perceives Herons walk in their shroud, The livelong river's robe Of minnows wreathing around their prayer; And far at sea he knows, Who slaves to his crouched, eternal end Under a serpent cloud, Dolphins dive in their turnturtle dust, The rippled seals streak down To kill and their own tide daubing blood Slides good in the sleek mouth.
In a cavernous, swung Wave's silence, wept white angelus knells.
Thirty-five bells sing struck On skull and scar where his loves lie wrecked, Steered by the falling stars.
And to-morrow weeps in a blind cage Terror will rage apart Before chains break to a hammer flame And love unbolts the dark And freely he goes lost In the unknown, famous light of great And fabulous, dear God.
Dark is a way and light is a place, Heaven that never was Nor will be ever is always true, And, in that brambled void, Plenty as blackberries in the woods The dead grow for His joy.
There he might wander bare With the spirits of the horseshoe bay Or the stars' seashore dead, Marrow of eagles, the roots of whales And wishbones of wild geese, With blessed, unborn God and His Ghost, And every soul His priest, Gulled and chanter in young Heaven's fold Be at cloud quaking peace, But dark is a long way.
He, on the earth of the night, alone With all the living, prays, Who knows the rocketing wind will blow The bones out of the hills, And the scythed boulders bleed, and the last Rage shattered waters kick Masts and fishes to the still quick starts, Faithlessly unto Him Who is the light of old And air shaped Heaven where souls grow wild As horses in the foam: Oh, let me midlife mourn by the shrined And druid herons' vows The voyage to ruin I must run, Dawn ships clouted aground, Yet, though I cry with tumbledown tongue, Count my blessings aloud: Four elements and five Senses, and man a spirit in love Tangling through this spun slime To his nimbus bell cool kingdom come And the lost, moonshine domes, And the sea that hides his secret selves Deep in its black, base bones, Lulling of spheres in the seashell flesh, And this last blessing most, That the closer I move To death, one man through his sundered hulks, The louder the sun blooms And the tusked, ramshackling sea exults; And every wave of the way And gale I tackle, the whole world then, With more triumphant faith That ever was since the world was said, Spins its morning of praise, I hear the bouncing hills Grow larked and greener at berry brown Fall and the dew larks sing Taller this thunderclap spring, and how More spanned with angles ride The mansouled fiery islands! Oh, Holier then their eyes, And my shining men no more alone As I sail out to die.
Written by Walt Whitman | Create an image from this poem

Faces

 1
SAUNTERING the pavement, or riding the country by-road—lo! such faces! 
Faces of friendship, precision, caution, suavity, ideality; 
The spiritual, prescient face—the always welcome, common, benevolent face, 
The face of the singing of music—the grand faces of natural lawyers and judges, broad
 at
 the
 back-top; 
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
 of
 orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face; 
The ugly face of some beautiful Soul, the handsome detested or despised face; 
The sacred faces of infants, the illuminated face of the mother of many children; 
The face of an amour, the face of veneration; 
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face; 
A wild hawk, his wings clipp’d by the clipper; 
A stallion that yielded at last to the thongs and knife of the gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and faces: I see them, and complain not, and am content with all.
2 Do you suppose I could be content with all, if I thought them their own finale? This now is too lamentable a face for a man; Some abject louse, asking leave to be—cringing for it; Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog’s snout, sniffing for garbage; Snakes nest in that mouth—I hear the sibilant threat.
This face is a haze more chill than the arctic sea; Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs—this an emetic—they need no label; And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly cry, Its veins down the neck distended, its eyes roll till they show nothing but their whites, Its teeth grit, the palms of the hands are cut by the turn’d-in nails, The man falls struggling and foaming to the ground while he speculates well.
This face is bitten by vermin and worms, And this is some murderer’s knife, with a half-pull’d scabbard.
This face owes to the sexton his dismalest fee; An unceasing death-bell tolls there.
3 Those then are really men—the bosses and tufts of the great round globe! Features of my equals, would you trick me with your creas’d and cadaverous march? Well, you cannot trick me.
I see your rounded, never-erased flow; I see neath the rims of your haggard and mean disguises.
Splay and twist as you like—poke with the tangling fores of fishes or rats; You’ll be unmuzzled, you certainly will.
I saw the face of the most smear’d and slobbering idiot they had at the asylum; And I knew for my consolation what they knew not; I knew of the agents that emptied and broke my brother, The same wait to clear the rubbish from the fallen tenement; And I shall look again in a score or two of ages, And I shall meet the real landlord, perfect and unharm’d, every inch as good as myself.
4 The Lord advances, and yet advances; Always the shadow in front—always the reach’d hand bringing up the laggards.
Out of this face emerge banners and horses—O superb! I see what is coming; I see the high pioneer-caps—I see the staves of runners clearing the way, I hear victorious drums.
This face is a life-boat; This is the face commanding and bearded, it asks no odds of the rest; This face is flavor’d fruit, ready for eating; This face of a healthy honest boy is the programme of all good.
These faces bear testimony, slumbering or awake; They show their descent from the Master himself.
Off the word I have spoken, I except not one—red, white, black, are all deific; In each house is the ovum—it comes forth after a thousand years.
Spots or cracks at the windows do not disturb me; Tall and sufficient stand behind, and make signs to me; I read the promise, and patiently wait.
This is a full-grown lily’s face, She speaks to the limber-hipp’d man near the garden pickets, Come here, she blushingly cries—Come nigh to me, limber-hipp’d man, Stand at my side till I lean as high as I can upon you, Fill me with albescent honey, bend down to me, Rub to me with your chafing beard, rub to my breast and shoulders.
5 The old face of the mother of many children! Whist! I am fully content.
Lull’d and late is the smoke of the First-day morning, It hangs low over the rows of trees by the fences, It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.
I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard who sprang in crimson youth from the white froth and the water-blue, Behold a woman! She looks out from her quaker cap—her face is clearer and more beautiful than the sky.
She sits in an arm-chair, under the shaded porch of the farmhouse, The sun just shines on her old white head.
Her ample gown is of cream-hued linen, Her grandsons raised the flax, and her granddaughters spun it with the distaff and the wheel.
The melodious character of the earth, The finish beyond which philosophy cannot go, and does not wish to go, The justified mother of men.
Written by Thomas Gray | Create an image from this poem

Elegy Written In A Country Churchyard

 The curfew tolls the knell of parting day,
The lowing herd wind slowly o'er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds; Save that from yonder ivy-mantled tower The moping owl does to the moon complain Of such as, wandering near her secret bower, Molest her ancient solitary reign.
Beneath those rugged elms, that yew-tree's shade, Where heaves the turf in many a mould'ring heap, Each in his narrow cell for ever laid, The rude forefathers of the hamlet sleep.
The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed.
For them no more the blazing hearth shall burn, Or busy housewife ply her evening-care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
Oft did the harvest to their sickle yield, Their furrow oft the stubborn glebe has broke: How jocund did they drive their team afield! How bowed the woods beneath their sturdy stroke! Let not Ambition mock their useful toil, Their homely joys and destiny obscure; Nor Grandeur hear with a disdainful smile The short and simple annals of the poor.
The boast of heraldry, the pomp of pow'r, And all that beauty, all that wealth e'er gave, Awaits alike th' inevitable hour.
The paths of glory lead but to the grave.
Nor you, ye proud, impute to these the fault, If Memory o'er their tomb no trophies raise, Where through the long-drawn aisle, and fretted vault, The pealing anthem swells the note of praise.
Can storied urn, or animated bust, Back to its mansion call the fleeting breath? Can Honour's voice provoke the silent dust, Or Flattery soothe the dull cold ear of Death? Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands, that the rod of empire might have swayed, Or waked to ecstasy the living lyre; But Knowledge to their eyes her ample page, Rich with the spoils of Time, did ne'er unroll; Chill Penury repressed their noble rage, And froze the genial current of the soul.
Full many a gem of purest ray serene The dark unfathomed caves of ocean bear; Full many a flower is born to blush unseen, And waste its sweetness on the desert air.
Some village-Hampden that with dauntless breast The little tyrant of his fields withstood, Some mute inglorious Milton here may rest, Some Cromwell, guiltless of his country's blood.
Th' applause of list'ning senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their history in a nation's eyes, Their lot forbad: nor circumscribed alone Their growing virtues, but their crimes confined; Forbad to wade through slaughter to a throne, And shut the Gates of Mercy on mankind, The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of Luxury and Pride With incense kindled at the Muse's flame.
Far from the madding crowd's ignoble strife Their sober wishes never learned to stray; Along the cool sequestered vale of life They kept the noiseless tenor of their way.
Yet ev'n these bones from insult to protect Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture decked, Implores the passing tribute of a sigh.
Their name, their years, spelt by th' unlettered Muse, The place of fame and elegy supply: And many a holy text around she strews, That teach the rustic moralist to die.
For who, to dumb Forgetfulness a prey, This pleasing anxious being e'er resigned, Left the warm precincts of the cheerful day, Nor cast one longing ling'ring look behind? On some fond breast the parting soul relies, Some pious drops the closing eye requires; Ev'n from the tomb the voice of Nature cries, Ev'n in our ashes live their wonted fires.
For thee, who, mindful of th' unhonoured dead, Dost in these lines their artless tale relate; If chance, by lonely Contemplation led, Some kindred spirit shall enquire thy fate,— Haply some hoary-headed swain may say "Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away To meet the sun upon the upland lawn; "There at the foot of yonder nodding beech, That wreathes its old fantastic roots so high, His listless length at noon-tide would he stretch, And pore upon the brook that babbles by.
"Hard by yon wood, now smiling as in scorn, Mutt'ring his wayward fancies would he rove; Now drooping, woeful-wan, like one forlorn, Or crazed with care, or crossed in hopeless love.
"One morn I missed him from the customed hill, Along the heath, and near his fav'rite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he: "The next, with dirges due in sad array Slow through the church-way path we saw him borne,— Approach and read, for thou can'st read, the lay Graved on the stone beneath yon aged thorn.
" THE EPITAPH Here rests his head upon the lap of earth A Youth, to Fortune and to Fame unknown: Fair Science frowned not on his humble birth, And Melancholy marked him for her own.
Large was his bounty, and his soul sincere, Heaven did a recompense as largely send: He gave to Misery (all he had) a tear, He gained from Heaven ('twas all he wished) a friend.
No farther seek his merits to disclose, Or draw his frailties from their dread abode, (There they alike in trembling hope repose,) The bosom of his Father and his God.
Written by John Donne | Create an image from this poem

For Whom The Bell Tolls

 No man is an island,
Entire of itself.
Each is a piece of the continent, A part of the main.
If a clod be washed away by the sea, Europe is the less.
As well as if a promontory were.
As well as if a manner of thine own Or of thine friend's were.
Each man's death diminishes me, For I am involved in mankind.
Therefore, send not to know For whom the bell tolls, It tolls for thee.


Written by Anne Sexton | Create an image from this poem

And One For My Dame

 A born salesman,
my father made all his dough
by selling wool to Fieldcrest, Woolrich and Faribo.
A born talker, he could sell one hundred wet-down bales of that white stuff.
He could clock the miles and the sales and make it pay.
At home each sentence he would utter had first pleased the buyer who'd paid him off in butter.
Each word had been tried over and over, at any rate, on the man who was sold by the man who filled my plate.
My father hovered over the Yorkshire pudding and the beef: a peddler, a hawker, a merchant and an Indian chief.
Roosevelt! Willkie! and war! How suddenly gauche I was with my old-maid heart and my funny teenage applause.
Each night at home my father was in love with maps while the radio fought its battles with Nazis and Japs.
Except when he hid in his bedroom on a three-day drunk, he typed out complex itineraries, packed his trunk, his matched luggage and pocketed a confirmed reservation, his heart already pushing over the red routes of the nation.
I sit at my desk each night with no place to go, opening thee wrinkled maps of Milwaukee and Buffalo, the whole U.
S.
, its cemeteries, its arbitrary time zones, through routes like small veins, capitals like small stones.
He died on the road, his heart pushed from neck to back, his white hanky signaling from the window of the Cadillac.
My husband, as blue-eyed as a picture book, sells wool: boxes of card waste, laps and rovings he can pull to the thread and say Leicester, Rambouillet, Merino, a half-blood, it's greasy and thick, yellow as old snow.
And when you drive off, my darling, Yes, sir! Yes, sir! It's one for my dame, your sample cases branded with my father's name, your itinerary open, its tolls ticking and greedy, its highways built up like new loves, raw and speedy.
Written by Duncan Campbell Scott | Create an image from this poem

The Height of Land

 Here is the height of land:
The watershed on either hand
Goes down to Hudson Bay
Or Lake Superior;
The stars are up, and far away
The wind sounds in the wood, wearier
Than the long Ojibwa cadence
In which Potàn the Wise
Declares the ills of life
And Chees-que-ne-ne makes a mournful sound
Of acquiescence.
The fires burn low With just sufficient glow To light the flakes of ash that play At being moths, and flutter away To fall in the dark and die as ashes: Here there is peace in the lofty air, And Something comes by flashes Deeper than peace: -- The spruces have retired a little space And left a field of sky in violet shadow With stars like marigolds in a water-meadow.
Now the Indian guides are dead asleep; There is no sound unless the soul can hear The gathering of the waters in their sources.
We have come up through the spreading lakes From level to level, -- Pitching our tents sometimes over a revel Of roses that nodded all night, Dreaming within our dreams, To wake at dawn and find that they were captured With no dew on their leaves; Sometimes mid sheaves Of bracken and dwarf-cornel, and again On a wide blueberry plain Brushed with the shimmer of a bluebird's wing; A rocky islet followed With one lone poplar and a single nest Of white-throat-sparrows that took no rest But sang in dreams or woke to sing, -- To the last portage and the height of land --: Upon one hand The lonely north enlaced with lakes and streams, And the enormous targe of Hudson Bay, Glimmering all night In the cold arctic light; On the other hand The crowded southern land With all the welter of the lives of men.
But here is peace, and again That Something comes by flashes Deeper than peace, -- a spell Golden and inappellable That gives the inarticulate part Of our strange being one moment of release That seems more native than the touch of time, And we must answer in chime; Though yet no man may tell The secret of that spell Golden and inappellable.
Now are there sounds walking in the wood, And all the spruces shiver and tremble, And the stars move a little in their courses.
The ancient disturber of solitude Breathes a pervasive sigh, And the soul seems to hear The gathering of the waters at their sources; Then quiet ensues and pure starlight and dark; The region-spirit murmurs in meditation, The heart replies in exaltation And echoes faintly like an inland shell Ghost tremors of the spell; Thought reawakens and is linked again With all the welter of the lives of men.
Here on the uplands where the air is clear We think of life as of a stormy scene, -- Of tempest, of revolt and desperate shock; And here, where we can think, on the brights uplands Where the air is clear, we deeply brood on life Until the tempest parts, and it appears As simple as to the shepherd seems his flock: A Something to be guided by ideals -- That in themselves are simple and serene -- Of noble deed to foster noble thought, And noble thought to image noble deed, Till deed and thought shall interpenetrate, Making life lovelier, till we come to doubt Whether the perfect beauty that escapes Is beauty of deed or thought or some high thing Mingled of both, a greater boon than either: Thus we have seen in the retreating tempest The victor-sunlight merge with the ruined rain, And from the rain and sunlight spring the rainbow.
The ancient disturber of solitude Stirs his ancestral potion in the gloom, And the dark wood Is stifled with the pungent fume Of charred earth burnt to the bone That takes the place of air.
Then sudden I remember when and where, -- The last weird lakelet foul with weedy growths And slimy viscid things the spirit loathes, Skin of vile water over viler mud Where the paddle stirred unutterable stenches, And the canoes seemed heavy with fear, Not to be urged toward the fatal shore Where a bush fire, smouldering, with sudden roar Leaped on a cedar and smothered it with light And terror.
It had left the portage-height A tangle of slanted spruces burned to the roots, Covered still with patches of bright fire Smoking with incense of the fragment resin That even then began to thin and lessen Into the gloom and glimmer of ruin.
'Tis overpast.
How strange the stars have grown; The presage of extinction glows on their crests And they are beautied with impermanence; They shall be after the race of men And mourn for them who snared their fiery pinions, Entangled in the meshes of bright words.
A lemming stirs the fern and in the mosses Eft-minded things feel the air change, and dawn Tolls out from the dark belfries of the spruces.
How often in the autumn of the world Shall the crystal shrine of dawning be rebuilt With deeper meaning! Shall the poet then, Wrapped in his mantle on the height of land, Brood on the welter of the lives of men And dream of his ideal hope and promise In the blush sunrise? Shall he base his flight Upon a more compelling law than Love As Life's atonement; shall the vision Of noble deed and noble thought immingled Seem as uncouth to him as the pictograph Scratched on the cave side by the cave-dweller To us of the Christ-time? Shall he stand With deeper joy, with more complex emotion, In closer commune with divinity, With the deep fathomed, with the firmament charted, With life as simple as a sheep-boy's song, What lies beyond a romaunt that was read Once on a morn of storm and laid aside Memorious with strange immortal memories? Or shall he see the sunrise as I see it In shoals of misty fire the deluge-light Dashes upon and whelms with purer radiance, And feel the lulled earth, older in pulse and motion, Turn the rich lands and inundant oceans To the flushed color, and hear as now I hear The thrill of life beat up the planet's margin And break in the clear susurrus of deep joy That echoes and reëchoes in my being? O Life is intuition the measure of knowledge And do I stand with heart entranced and burning At the zenith of our wisdom when I feel The long light flow, the long wind pause, the deep Influx of spirit, of which no man may tell The Secret, golden and inappellable?
Written by Thomas Hood | Create an image from this poem

Christmas Holidays

 Along the Woodford road there comes a noise 
Of wheels, and Mr.
Rounding's neat post-chaise Struggles along, drawn by a pair of bays, With Reverend Mr.
Crow and six small boys, Who ever and anon declare their joys With trumping horns and juvenile huzzas, At going home to spend their Christmas days, And changing learning's pains for pleasure's toys.
Six weeks elapse, and down the Woodford way A heavy coach drags six more heavy souls, But no glad urchins shout, no trumpets bray, The carriage makes a halt, the gate-bell tolls, And little boys walk in as dull and mum As six new scholars to the Deaf and Dumb!
Written by Alan Seeger | Create an image from this poem

The Rendezvous

 He faints with hope and fear.
It is the hour.
Distant, across the thundering organ-swell, In sweet discord from the cathedral-tower, Fall the faint chimes and the thrice-sequent bell.
Over the crowd his eye uneasy roves.
He sees a plume, a fur; his heart dilates -- Soars .
.
.
and then sinks again.
It is not hers he loves.
She will not come, the woman that he waits.
Braided with streams of silver incense rise The antique prayers and ponderous antiphones.
`Gloria Patri' echoes to the skies; `Nunc et in saecula' the choir intones.
He marks not the monotonous refrain, The priest that serves nor him that celebrates, But ever scans the aisle for his blonde head.
.
.
.
In vain! She will not come, the woman that he waits.
How like a flower seemed the perfumed place Where the sweet flesh lay loveliest to kiss; And her white hands in what delicious ways, With what unfeigned caresses, answered his! Each tender charm intolerable to lose, Each happy scene his fancy recreates.
And he calls out her name and spreads his arms .
.
.
No use! She will not come, the woman that he waits.
But the long vespers close.
The priest on high Raises the thing that Christ's own flesh enforms; And down the Gothic nave the crowd flows by And through the portal's carven entry swarms.
Maddened he peers upon each passing face Till the long drab procession terminates.
No princess passes out with proud majestic pace.
She has not come, the woman that he waits.
Back in the empty silent church alone He walks with aching heart.
A white-robed boy Puts out the altar-candles one by one, Even as by inches darkens all his joy.
He dreams of the sweet night their lips first met, And groans -- and turns to leave -- and hesitates .
.
.
Poor stricken heart, he will, he can not fancy yet She will not come, the woman that he waits.
But in an arch where deepest shadows fall He sits and studies the old, storied panes, And the calm crucifix that from the wall Looks on a world that quavers and complains.
Hopeless, abandoned, desolate, aghast, On modes of violent death he meditates.
And the tower-clock tolls five, and he admits at last, She will not come, the woman that he waits.
Through the stained rose the winter daylight dies, And all the tide of anguish unrepressed Swells in his throat and gathers in his eyes; He kneels and bows his head upon his breast, And feigns a prayer to hide his burning tears, While the satanic voice reiterates `Tonight, tomorrow, nay, nor all the impending years, She will not come,' the woman that he waits.
Fond, fervent heart of life's enamored spring, So true, so confident, so passing fair, That thought of Love as some sweet, tender thing, And not as war, red tooth and nail laid bare, How in that hour its innocence was slain, How from that hour our disillusion dates, When first we learned thy sense, ironical refrain, She will not come, the woman that he waits.
Written by Matthew Arnold | Create an image from this poem

The Strayed Reveller

 1 Faster, faster, 
2 O Circe, Goddess,
3 Let the wild, thronging train 
4 The bright procession 
5 Of eddying forms, 
6 Sweep through my soul! 

7 Thou standest, smiling
8 Down on me! thy right arm,
9 Lean'd up against the column there,
10 Props thy soft cheek;
11 Thy left holds, hanging loosely,
12 The deep cup, ivy-cinctured,
13 I held but now.
14 Is it, then, evening 15 So soon? I see, the night-dews, 16 Cluster'd in thick beads, dim 17 The agate brooch-stones 18 On thy white shoulder; 19 The cool night-wind, too, 20 Blows through the portico, 21 Stirs thy hair, Goddess, 22 Waves thy white robe! Circe.
23 Whence art thou, sleeper? The Youth.
24 When the white dawn first 25 Through the rough fir-planks 26 Of my hut, by the chestnuts, 27 Up at the valley-head, 28 Came breaking, Goddess! 29 I sprang up, I threw round me 30 My dappled fawn-skin; 31 Passing out, from the wet turf, 32 Where they lay, by the hut door, 33 I snatch'd up my vine-crown, my fir-staff, 34 All drench'd in dew- 35 Came swift down to join 36 The rout early gather'd 37 In the town, round the temple, 38 Iacchus' white fane 39 On yonder hill.
40 Quick I pass'd, following 41 The wood-cutters' cart-track 42 Down the dark valley;-I saw 43 On my left, through the beeches, 44 Thy palace, Goddess, 45 Smokeless, empty! 46 Trembling, I enter'd; beheld 47 The court all silent, 48 The lions sleeping, 49 On the altar this bowl.
50 I drank, Goddess! 51 And sank down here, sleeping, 52 On the steps of thy portico.
Circe.
53 Foolish boy! Why tremblest thou? 54 Thou lovest it, then, my wine? 55 Wouldst more of it? See, how glows, 56 Through the delicate, flush'd marble, 57 The red, creaming liquor, 58 Strown with dark seeds! 59 Drink, thee! I chide thee not, 60 Deny thee not my bowl.
61 Come, stretch forth thy hand, thee-so! 62 Drink-drink again! The Youth.
63 Thanks, gracious one! 64 Ah, the sweet fumes again! 65 More soft, ah me, 66 More subtle-winding 67 Than Pan's flute-music! 68 Faint-faint! Ah me, 69 Again the sweet sleep! Circe.
70 Hist! Thou-within there! 71 Come forth, Ulysses! 72 Art tired with hunting? 73 While we range the woodland, 74 See what the day brings.
Ulysses.
75 Ever new magic! 76 Hast thou then lured hither, 77 Wonderful Goddess, by thy art, 78 The young, languid-eyed Ampelus, 79 Iacchus' darling- 80 Or some youth beloved of Pan, 81 Of Pan and the Nymphs? 82 That he sits, bending downward 83 His white, delicate neck 84 To the ivy-wreathed marge 85 Of thy cup; the bright, glancing vine-leaves 86 That crown his hair, 87 Falling forward, mingling 88 With the dark ivy-plants-- 89 His fawn-skin, half untied, 90 Smear'd with red wine-stains? Who is he, 91 That he sits, overweigh'd 92 By fumes of wine and sleep, 93 So late, in thy portico? 94 What youth, Goddess,-what guest 95 Of Gods or mortals? Circe.
96 Hist! he wakes! 97 I lured him not hither, Ulysses.
98 Nay, ask him! The Youth.
99 Who speaks' Ah, who comes forth 100 To thy side, Goddess, from within? 101 How shall I name him? 102 This spare, dark-featured, 103 Quick-eyed stranger? 104 Ah, and I see too 105 His sailor's bonnet, 106 His short coat, travel-tarnish'd, 107 With one arm bare!-- 108 Art thou not he, whom fame 109 This long time rumours 110 The favour'd guest of Circe, brought by the waves? 111 Art thou he, stranger? 112 The wise Ulysses, 113 Laertes' son? Ulysses.
114 I am Ulysses.
115 And thou, too, sleeper? 116 Thy voice is sweet.
117 It may be thou hast follow'd 118 Through the islands some divine bard, 119 By age taught many things, 120 Age and the Muses; 121 And heard him delighting 122 The chiefs and people 123 In the banquet, and learn'd his songs.
124 Of Gods and Heroes, 125 Of war and arts, 126 And peopled cities, 127 Inland, or built 128 By the gray sea.
-If so, then hail! 129 I honour and welcome thee.
The Youth.
130 The Gods are happy.
131 They turn on all sides 132 Their shining eyes, 133 And see below them 134 The earth and men.
135 They see Tiresias 136 Sitting, staff in hand, 137 On the warm, grassy 138 Asopus bank, 139 His robe drawn over 140 His old sightless head, 141 Revolving inly 142 The doom of Thebes.
143 They see the Centaurs 144 In the upper glens 145 Of Pelion, in the streams, 146 Where red-berried ashes fringe 147 The clear-brown shallow pools, 148 With streaming flanks, and heads 149 Rear'd proudly, snuffing 150 The mountain wind.
151 They see the Indian 152 Drifting, knife in hand, 153 His frail boat moor'd to 154 A floating isle thick-matted 155 With large-leaved, low-creeping melon-plants 156 And the dark cucumber.
157 He reaps, and stows them, 158 Drifting--drifting;--round him, 159 Round his green harvest-plot, 160 Flow the cool lake-waves, 161 The mountains ring them.
162 They see the Scythian 163 On the wide stepp, unharnessing 164 His wheel'd house at noon.
165 He tethers his beast down, and makes his meal-- 166 Mares' milk, and bread 167 Baked on the embers;--all around 168 The boundless, waving grass-plains stretch, thick-starr'd 169 With saffron and the yellow hollyhock 170 And flag-leaved iris-flowers.
171 Sitting in his cart 172 He makes his meal; before him, for long miles, 173 Alive with bright green lizards, 174 And the springing bustard-fowl, 175 The track, a straight black line, 176 Furrows the rich soil; here and there 177 Cluster of lonely mounds 178 Topp'd with rough-hewn, 179 Gray, rain-blear'd statues, overpeer 180 The sunny waste.
181 They see the ferry 182 On the broad, clay-laden 183 Lone Chorasmian stream;--thereon, 184 With snort and strain, 185 Two horses, strongly swimming, tow 186 The ferry-boat, with woven ropes 187 To either bow 188 Firm harness'd by the mane; a chief 189 With shout and shaken spear, 190 Stands at the prow, and guides them; but astern 191 The cowering merchants, in long robes, 192 Sit pale beside their wealth 193 Of silk-bales and of balsam-drops, 194 Of gold and ivory, 195 Of turquoise-earth and amethyst, 196 Jasper and chalcedony, 197 And milk-barred onyx-stones.
198 The loaded boat swings groaning 199 In the yellow eddies; 200 The Gods behold him.
201 They see the Heroes 202 Sitting in the dark ship 203 On the foamless, long-heaving 204 Violet sea.
205 At sunset nearing 206 The Happy Islands.
207 These things, Ulysses, 208 The wise bards, also 209 Behold and sing.
210 But oh, what labour! 211 O prince, what pain! 212 They too can see 213 Tiresias;--but the Gods, 214 Who give them vision, 215 Added this law: 216 That they should bear too 217 His groping blindness, 218 His dark foreboding, 219 His scorn'd white hairs; 220 Bear Hera's anger 221 Through a life lengthen'd 222 To seven ages.
223 They see the Centaurs 224 On Pelion:--then they feel, 225 They too, the maddening wine 226 Swell their large veins to bursting; in wild pain 227 They feel the biting spears 228 Of the grim Lapith?, and Theseus, drive, 229 Drive crashing through their bones; they feel 230 High on a jutting rock in the red stream 231 Alcmena's dreadful son 232 Ply his bow;--such a price 233 The Gods exact for song: 234 To become what we sing.
235 They see the Indian 236 On his mountain lake; but squalls 237 Make their skiff reel, and worms 238 In the unkind spring have gnawn 239 Their melon-harvest to the heart.
--They see 240 The Scythian: but long frosts 241 Parch them in winter-time on the bare stepp, 242 Till they too fade like grass; they crawl 243 Like shadows forth in spring.
244 They see the merchants 245 On the Oxus stream;--but care 246 Must visit first them too, and make them pale.
247 Whether, through whirling sand, 248 A cloud of desert robber-horse have burst 249 Upon their caravan; or greedy kings, 250 In the wall'd cities the way passes through, 251 Crush'd them with tolls; or fever-airs, 252 On some great river's marge, 253 Mown them down, far from home.
254 They see the Heroes 255 Near harbour;--but they share 256 Their lives, and former violent toil in Thebes, 257 Seven-gated Thebes, or Troy; 258 Or where the echoing oars 259 Of Argo first 260 Startled the unknown sea.
261 The old Silenus 262 Came, lolling in the sunshine, 263 From the dewy forest-coverts, 264 This way at noon.
265 Sitting by me, while his Fauns 266 Down at the water-side 267 Sprinkled and smoothed 268 His drooping garland, 269 He told me these things.
270 But I, Ulysses, 271 Sitting on the warm steps, 272 Looking over the valley, 273 All day long, have seen, 274 Without pain, without labour, 275 Sometimes a wild-hair'd M?nad-- 276 Sometimes a Faun with torches-- 277 And sometimes, for a moment, 278 Passing through the dark stems 279 Flowing-robed, the beloved, 280 The desired, the divine, 281 Beloved Iacchus.
282 Ah, cool night-wind, tremulous stars! 283 Ah, glimmering water, 284 Fitful earth-murmur, 285 Dreaming woods! 286 Ah, golden-haired, strangely smiling Goddess, 287 And thou, proved, much enduring, 288 Wave-toss'd Wanderer! 289 Who can stand still? 290 Ye fade, ye swim, ye waver before me-- 291 The cup again! 292 Faster, faster, 293 O Circe, Goddess.
294 Let the wild, thronging train, 295 The bright procession 296 Of eddying forms, 297 Sweep through my soul!

Book: Reflection on the Important Things