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Best Famous Tinker Poems

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Written by Charles Bukowski | Create an image from this poem

O We Are The Outcasts

 ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .

if it doesn't come, coax it out with a 
laxative. get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.

keep it coming like a miracle.

ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious . . . in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage . . .
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
vomit. hell, all our hearts are drowning in vomit,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.

and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D. Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free pussy-
they . . . FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!

poets.

and there's another
type. I've met them at their country
places (don't ask me what I was doing there because
I don't know).

they were born with money and
they don't have to dirty their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling pot.

this gives them time to understand
Life.

they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.

you are drinking green beer which you
brought with you
because you have found out through the years
that rich bastards are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars. but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything. which once might have been
true but is no longer quite
true.

and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.

he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.

he thinks that poverty is a weakness of the
soul.

he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.

he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out. she has been crying for some
reason.

you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime."
but he doesn't say when or
where. and then you find out that you are not even
IN HIS HOUSE.

you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.

he even has x-wives in some of his
houses.

his main concern is to keep his x-wives away from
you. he doesn't want to give up a
damn thing. and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.

and!: they
WRITE POETRY TOO. or
PAINT. or
****.

but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.

meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.

the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
dirty and
ignorant. dirty? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.

he or they or somebody was supposed to meet me at
the
train station.

of course, they weren't
there. "We'll be there to meet the great
Poet!"

well, I looked around and didn't see any
great poet. besides it was 7 a.m. and
40 degrees. those things
happen. the trouble was there were no
bars open. nothing open. not even a
jail.

he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way. he won't tell me whether I am crazy or
not-I don't have the
money.

he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.

my cheap green beer is killing
me. he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.

he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.

"I'll buy you barrels of beer," he had
said.

I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky. the town was ten miles away,
downhill. I peeled my poor dollars from my poor
roll. and the boy needed a tip, of
course.

the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley. certainly Creeley wouldn't have
had beerstains on his
shirt.

anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.

scared too. sure, I imagined him peering
through the window-
he didn't want to give up a damn thing-
and
leveling the luger while I was 
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the ass first and
my poor brain
later.

"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives."

I see him published in some of the magazines
now. not very good stuff.

a poem about me
too: the Polack.

the Polack whines too much. the Polack whines about his
country, other countries, all countries, the Polack
works overtime in a factory like a fool, among other
fools with "pre-drained spirits."
the Polack drinks seas of green beer
full of acid. the Polack has an ulcerated
hemorrhoid. the Polack picks on fags
"fragile fags." the Polack hates his
wife, hates his daughter. his daughter will become
an alcoholic, a prostitute. the Polack has an
"obese burned out wife." the Polack has a
spastic gut. the Polack has a
"rectal brain."

thank you, Doctor (and poet). any charge for
this? I know I still owe you for the
pill.

Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball. but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare. got an Indian friend who'd like to meet
you and yours. he swears he's got the biggest
pecker in the state of California.

and guess what?
he writes
POETRY
too!


Written by William Butler Yeats | Create an image from this poem

Three Songs To The One Burden

 I

The Roaring Tinker if you like,
But Mannion is my name,
And I beat up the common sort
And think it is no shame.
The common breeds the common,
A lout begets a lout,
So when I take on half a score
I knock their heads about.

From mountain to mountain ride the fierce horsemen.

All Mannions come from Manannan,
Though rich on every shore
He never lay behind four walls
He had such character,
Nor ever made an iron red
Nor soldered pot or pan;
His roaring and his ranting
Best please a wandering man.

From mountain to mountain ride the fierce horsemen.

Could Crazy Jane put off old age
And ranting time renew,
Could that old god rise up again
We'd drink a can or two,
And out and lay our leadership
On country and on town,
Throw likely couples into bed
And knock the others down.

From mountain to mountain ride the fierce horsemen.

 II

My name is Henry Middleton,
I have a small demesne,
A small forgotten house that's set
On a storm-bitten green.
I scrub its floors and make my bed,
I cook and change my plate,
The post and garden-boy alone
Have keys to my old gate.

From mountain to mountain ride the fierce horsemen.

Though I have locked my gate on them,
I pity all the young,
I know what devil's trade they learn
From those they live among,
Their drink, their pitch-and-toss by day,
Their robbery by night;
The wisdom of the people's gone,
How can the young go straight?

From mountain to mountain ride the fierce horsemen.

When every Sunday afternoon
On the Green Lands I walk
And wear a coat in fashion.
Memories of the talk
Of henwives and of ***** old men
Brace me and make me strong;
There's not a pilot on the perch
Knows I have lived so long.

From mountain to mountain ride the fierce horsemen.

 III

Come gather round me, players all:
Come praise Nineteen-Sixteen,
Those from the pit and gallery
Or from the painted scene
That fought in the Post Office
Or round the City Hall,
praise every man that came again,
Praise every man that fell.

From mountain to mountain ride the fierce horsemen.

Who was the first man shot that day?
The player Connolly,
Close to the City Hall he died;
Catriage and voice had he;
He lacked those years that go with skill,
But later might have been
A famous, a brilliant figure
Before the painted scene.

From mountain to mountain ride the fierce horsemen.

Some had no thought of victory
But had gone out to die
That Ireland's mind be greater,
Her heart mount up on high;
And yet who knows what's yet to come?
For patrick pearse had said
That in every generation
Must Ireland's blood be shed.

From mountain to mountain ride the fierce horsemen.
Written by Rudyard Kipling | Create an image from this poem

The Craftsman

 Once, after long-drawn revel at The Mermaid,
He to the overbearing Boanerges
Jonson, uttered (if half of it were liquor,
 Blessed be the vintage!)

Saying how, at an alehouse under Cotswold,
He had made sure of his very Cleopatra,
Drunk with enormous, salvation-con temning
 Love for a tinker.

How, while he hid from Sir Thomas's keepers,
Crouched in a ditch and drenched by the midnight
Dews, he had listened to gipsy Juliet
 Rail at the dawning.

How at Bankside, a boy drowning kittens
Winced at the business; whereupon his sister--
Lady Macbeth aged seven--thrust 'em under,
 Sombrely scornful.

How on a Sabbath, hushed and compassionate--
She being known since her birth to the townsfolk--
Stratford dredged and delivered from Avon
 Dripping Ophelia

So, with a thin third finger marrying
Drop to wine-drop domed on the table,
Shakespeare opened his heart till the sunrise--
 Entered to hear him.

London wakened and he, imperturbable,
Passed from waking to hurry after shadows . . .
Busied upon shows of no earthly importance?
 Yes, but he knew it!
Written by Robert Browning | Create an image from this poem

The Englishman In Italy

 (PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes— 
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider's back,
As I told you last night,— 
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that's known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle— 
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving,
Your girls that are older,— 
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,— 
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they've brought you,— 
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence— 
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,— 
And end with the prickly-pear's red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
...Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,— 
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,— 
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the faggots, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary, ever a-dying,
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,— 
And lentisks as staunch
To the stone where they root and bear berries,— 
And... what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves— 
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady— 
So, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you— 
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them— 
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut— 
All is silent and grave— 
'Tis a sensual and timorous beauty— 
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses— 
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life's secret,
I hear and I know!

Ah, see! The sun breaks o'er Calvano— 
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot's own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least— 
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but's dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

..."Such trifles"—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If 'tis proper, Scirocco should vanish
In black from the skies!
Written by Rudyard Kipling | Create an image from this poem

The Holy War

 "For here lay the excellent wisdom of him that built Mansoul, thatthe
walls could never be broken down nor hurt by the most mighty adverse
potentate unless the townsmen gave consent thereto."--Bunyan's Holy War.)


A tinker out of Bedford,
A vagrant oft in quod,
A privet under Fairfax,
A minister of God--


Two hundred years and thirty
 Ere Armageddon came
His single hand portrayed it,
 And Bunyan was his name!


He mapped for those who follow,
 The world in which we are--
"This famous town of Mansoul"
 That takes the Holy War.
Her true and traitor people,
 The gates along her wall,
From Eye Gate unto Feel Gate,
 John Bunyan showed them all.


All enemy divisions,
 Recruits of every class,
And highly-screened positions
 For flame or poison-gas;
The craft that we call modern,
 The crimes that we call new,
John Bunyan had 'em typed and filed
 In sixteen Eighty-two.


Likewise the Lords of Looseness
 That hamper faith and works,
The Perseverance-Doubters,
 And Present-Comfort shirks,
With brittle intellectuals
 Who crack beneath a strain--
John Bunyan met that helpful set
 In Charles the Second's reign.


Emmanuel's vanguard dying
 For right and not for rights,
My Lord Apollyon lying
 To the State-kept Stockholmites,
The Pope, the swithering Neutrals
 The Kaiser and his Gott--
Their roles, their goals, their naked souls--
 He knew and drew the lot.


Now he hath left his quarters,
 In Bunhill Fields to lie,
The wisdom that he taught us
 Is proven prophecy--
One watchword through our Armies,
 One answer from our Lands:--
"No dealings with Diabolus
 As long as Mansoul stands!"


A pedlar from a hovel,
 The lowest of the low,
The Father of the Novel,
 Salvation's first Defoe,
Eight blinded generations
 Ere Armageddon came,
He showed us how to meet it,
 And Bunyan was his name!


Written by Robert William Service | Create an image from this poem

The Wanderlust

 The Wanderlust has lured me to the seven lonely seas,
Has dumped me on the tailing-piles of dearth;
The Wanderlust has haled me from the morris chairs of ease,
Has hurled me to the ends of all the earth.
How bitterly I've cursed it, oh, the Painted Desert knows,
The wraithlike heights that hug the pallid plain,
The all-but-fluid silence, -- yet the longing grows and grows,
And I've got to glut the Wanderlust again.

Soldier, sailor, in what a plight I've been!
Tinker, tailor, oh what a sight I've seen!
And I'm hitting the trail in the morning, boys,
And you won't see my heels for dust;
For it's "all day" with you
When you answer the cue
 Of the Wan-der-lust.

The Wanderlust has got me . . . by the belly-aching fire,
By the fever and the freezing and the pain;
By the darkness that just drowns you, by the wail of home desire,
I've tried to break the spell of it -- in vain.
Life might have been a feast for me, now there are only crumbs;
In rags and tatters, beggar-wise I sit;
Yet there's no rest or peace for me, imperious it drums,
The Wanderlust, and I must follow it.

Highway, by-way, many a mile I've done;
Rare way, fair way, many a height I've won;
But I'm pulling my freight in the morning, boys,
And it's over the hills or bust;
For there's never a cure
When you list to the lure
 Of the Wan-der-lust.

The Wanderlust has taught me . . . it has whispered to my heart
Things all you stay-at-homes will never know.
The white man and the savage are but three short days apart,
Three days of cursing, crawling, doubt and woe.
Then it's down to chewing muclucs, to the water you can eat,
To fish you bolt with nose held in your hand.
When you get right down to cases, it's King's Grub that rules the races,
And the Wanderlust will help you understand.

Haunting, taunting, that is the spell of it;
Mocking, baulking, that is the hell of it;
But I'll shoulder my pack in the morning, boys,
And I'm going because I must;
For it's so-long to all
When you answer the call
 Of the Wan-der-lust.

The Wanderlust has blest me . . . in a ragged blanket curled,
I've watched the gulf of Heaven foam with stars;
I've walked with eyes wide open to the wonder of the world,
I've seen God's flood of glory burst its bars.
I've seen the gold a-blinding in the riffles of the sky,
Till I fancied me a bloated plutocrat;
But I'm freedom's happy bond-slave, and I will be till I die,
And I've got to thank the Wanderlust for that.

Wild heart, child heart, all of the world your home.
Glad heart, mad heart, what can you do but roam?
Oh, I'll beat it once more in the morning, boys,
With a pinch of tea and a crust;
For you cannot deny
When you hark to the cry
 Of the Wan-der-lust.

The Wanderlust will claim me at the finish for its own.
I'll turn my back on men and face the Pole.
Beyond the Arctic outposts I will venture all alone;
Some Never-never Land will be my goal.
Thank God! there's none will miss me, for I've been a bird of flight;
And in my moccasins I'll take my call;
For the Wanderlust has ruled me,
And the Wanderlust has schooled me,
And I'm ready for the darkest trail of all.

Grim land, dim land, oh, how the vastness calls!
Far land, star land, oh, how the stillness falls!
For you never can tell if it's heaven or hell,
And I'm taking the trail on trust;
But I haven't a doubt
That my soul will leap out
 On its Wan-der-lust.
Written by Robert William Service | Create an image from this poem

Little Puddleton

 I

Let others sing of Empire and of pomp beyond the sea,
A song of Little Puddleton is good enough for me,
A song of kindly living, and of coming home to tea.

I seldom read the papers, so I don't know what goes on.
I go to bed at sunset, and I leap alert at dawn,
To gossip with my garden, which I'll have you understand,
Is the neatest and the sweetest little garden in the land;
A span of sunny quietude, with walls so high and stout,
They shut me in from all the world, and shut the whole world out,
So that its sad bewilderment seems less than true to me:
As placid as a pool I live, as tranquil as a tree;
And all its glory I would give for glint of linnet's wings;
My cabbages are more to me than continents and kings.
Dominion have I of my own, where feud and faction cease,
A heaven of tranquillity, a paradise of peace.

II

Let continents be bathed in blood and cities leap in flame;
The life of Little Puddleton goes on and on the same;
Its ritual we follow, as we play a pleasant game.

The village wortkies sit and smoke their long-stemmed pipes of clay.
And cheerily they nod to me, and pass the time of day.
We talk of pigs and clover, and the prospect of the crops,
And the price of eggs and butter - there the conversation drops.
For in a doubt-distracted world I keep the rustic touch;
I think it better not to think too deeply nor too much;
But just to dream and take delight in all I hear and see,
The tinker in the tavern, with his trollop on his knee;
The ivied church, the anvil clang, the geese upon the green,
The drowsy noon, the hush of eve so holy and screne.
This is my world, then back again with heart of joy I go
To cottage walls of mellow stain, and garden all aglow.

III

For all I've been and all I've seen I have no vain regret
One comes to Little Puddleton, contented to forget;
Accepting village values, immemorially set.

I did not make this world and so it's not my job to mend;
But I have fought for fifty years and now I hear the end;
And I am heart-faint from the fight, and claim the right to rest,
And dare to hope the last of life will prove to be the best.
For there have I four sturdy walls with low and humble thatch,
A smiling little orchard and a big potato patch.
And so with hoe in hand I stand and mock the dubious sky;
let revolution rock the land, serene, secure am I.
I grow my simple food, I groom my lettuce and my beans;
I feast in colour, form and song, and ask not what it means.
Beauty suffiices in itself; then when my strength is spent,
like simple hind with empty mind, I cultivate content.

Behold then Little Puddleton, the end of all my dreams.
Not much to show for life, I know; yet O how sweet it seems!
For when defeated day goes down in carnage in the West,
How blesses sanctuary is, and peace and love and rest!
Written by William Butler Yeats | Create an image from this poem

Long-Legged Fly

 That civilisation may not sink,
Its great battle lost,
Quiet the dog, tether the pony
To a distant post;
Our master Caesar is in the tent
Where the maps ate spread,
His eyes fixed upon nothing,
A hand under his head.

Like a long-legged fly upon the stream
His mind moves upon silence.

That the topless towers be burnt
And men recall that face,
Move most gently if move you must
In this lonely place.
She thinks, part woman, three parts a child,
That nobody looks; her feet
Practise a tinker shuffle
Picked up on a street.

Like a long-legged fly upon the stream
Her mind moves upon silence.

That girls at puberty may find
The first Adam in their thought,
Shut the door of the Pope's chapel,
Keep those children out.
There on that scaffolding reclines
Michael Angelo.
With no more sound than the mice make
His hand moves to and fro.

Like a long-leggedfly upon the stream
His mind moves upon silence.
Written by Robert William Service | Create an image from this poem

The Call

 (France, August first, 1914)

 Far and near, high and clear,
 Hark to the call of War!
Over the gorse and the golden dells,
Ringing and swinging of clamorous bells,
Praying and saying of wild farewells:
 War! War! War!

 High and low, all must go:
 Hark to the shout of War!
Leave to the women the harvest yield;
Gird ye, men, for the sinister field;
A sabre instead of a scythe to wield:
 War! Red War!

 Rich and poor, lord and boor,
 Hark to the blast of War!
Tinker and tailor and millionaire,
Actor in triumph and priest in prayer,
Comrades now in the hell out there,
 Sweep to the fire of War!

 Prince and page, sot and sage,
 Hark to the roar of War!
Poet, professor and circus clown,
Chimney-sweeper and fop o' the town,
Into the pot and be melted down:
 Into the pot of War!

 Women all, hear the call,
 The pitiless call of War!
Look your last on your dearest ones,
Brothers and husbands, fathers, sons:
Swift they go to the ravenous guns,
 The gluttonous guns of War.

 Everywhere thrill the air
 The maniac bells of War.
There will be little of sleeping to-night;
There will be wailing and weeping to-night;
Death's red sickle is reaping to-night:
 War! War! War!
Written by Algernon Charles Swinburne | Create an image from this poem

The Higher Pantheism in a Nutshell

 One, who is not, we see; but one, whom we see not, is; 
Surely this is not that; but that is assuredly this. 

What, and wherefore, and whence? for under is over and under; 
If thunder could be without lightning, lightning could be without thunder. 

Doubt is faith in the main; but faith, on the whole, is doubt; 
We cannot believe by proof; but could we believe without? 

Why, and whither, and how? for barley and rye are not clover; 
Neither are straight lines curves; yet over is under and over. 

Two and two may be four; but four and four are not eight; 
Fate and God may be twain; but God is the same as fate. 

Ask a man what he thinks, and get from a man what he feels; 
God, once caught in the fact, shows you a fair pair of heels. 

Body and spirit are twins; God only knows which is which; 
The soul squats down in the flesh, like a tinker drunk in a ditch. 

More is the whole than a part; but half is more than the whole; 
Clearly, the soul is the body; but is not the body the soul? 

One and two are not one; but one and nothing is two; 
Truth can hardly be false, if falsehood cannot be true. 

Once the mastodon was; pterodactyls were common as cocks; 
Then the mammoth was God; now is He a prize ox. 

Parallels all things are; yet many of these are askew; 
You are certainly I; but certainly I am not you. 

Springs the rock from the plain, shoots the stream from the rock; 
Cocks exist for the hen; but hens exist for the cock. 

God, whom we see not, is; and God, who is not, we see; 
Fiddle, we know, is diddle, and diddle, we take it, is dee.

Book: Reflection on the Important Things