Written by
Anne Sexton |
1.
I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go *****,
flapping in the winter rain.
falling flat and washed.
And I remember
mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know:
all the medical hypothesis
that explained my brain will never be as true as these
struck leaves letting go.
I, who chose two times
to kill myself, had said your nickname
the mewling mouths when you first came;
until a fever rattled
in your throat and I moved like a pantomine
above your head.
Ugly angels spoke to me.
The blame,
I heard them say, was mine.
They tattled
like green witches in my head, letting doom
leak like a broken faucet;
as if doom had flooded my belly and filled your bassinet,
an old debt I must assume.
Death was simpler than I'd thought.
The day life made you well and whole
I let the witches take away my guilty soul.
I pretended I was dead
until the white men pumped the poison out,
putting me armless and washed through the rigamarole
of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves
go *****.
You ask me where they go I say today believed
in itself, or else it fell.
Today, my small child, Joyce,
love your self's self where it lives.
There is no special God to refer to; or if there is,
why did I let you grow
in another place.
You did not know my voice
when I came back to call.
All the superlatives
of tomorrow's white tree and mistletoe
will not help you know the holidays you had to miss.
The time I did not love
myself, I visited your shoveled walks; you held my glove.
There was new snow after this.
2.
They sent me letters with news
of you and I made moccasins that I would never use.
When I grew well enough to tolerate
myself, I lived with my mother, the witches said.
But I didn't leave.
I had my portrait
done instead.
Part way back from Bedlam
I came to my mother's house in Gloucester,
Massachusetts.
And this is how I came
to catch at her; and this is how I lost her.
I cannot forgive your suicide, my mother said.
And she never could.
She had my portrait
done instead.
I lived like an angry guest,
like a partly mended thing, an outgrown child.
I remember my mother did her best.
She took me to Boston and had my hair restyled.
Your smile is like your mother's, the artist said.
I didn't seem to care.
I had my portrait
done instead.
There was a church where I grew up
with its white cupboards where they locked us up,
row by row, like puritans or shipmates
singing together.
My father passed the plate.
Too late to be forgiven now, the witches said.
I wasn't exactly forgiven.
They had my portrait
done instead.
3.
All that summer sprinklers arched
over the seaside grass.
We talked of drought
while the salt-parched
field grew sweet again.
To help time pass
I tried to mow the lawn
and in the morning I had my portrait done,
holding my smile in place, till it grew formal.
Once I mailed you a picture of a rabbit
and a postcard of Motif number one,
as if it were normal
to be a mother and be gone.
They hung my portrait in the chill
north light, matching
me to keep me well.
Only my mother grew ill.
She turned from me, as if death were catching,
as if death transferred,
as if my dying had eaten inside of her.
That August you were two, by I timed my days with doubt.
On the first of September she looked at me
and said I gave her cancer.
They carved her sweet hills out
and still I couldn't answer.
4.
That winter she came
part way back
from her sterile suite
of doctors, the seasick
cruise of the X-ray,
the cells' arithmetic
gone wild.
Surgery incomplete,
the fat arm, the prognosis poor, I heard
them say.
During the sea blizzards
she had here
own portrait painted.
A cave of mirror
placed on the south wall;
matching smile, matching contour.
And you resembled me; unacquainted
with my face, you wore it.
But you were mine
after all.
I wintered in Boston,
childless bride,
nothing sweet to spare
with witches at my side.
I missed your babyhood,
tried a second suicide,
tried the sealed hotel a second year.
On April Fool you fooled me.
We laughed and this
was good.
5.
I checked out for the last time
on the first of May;
graduate of the mental cases,
with my analysts's okay,
my complete book of rhymes,
my typewriter and my suitcases.
All that summer I learned life
back into my own
seven rooms, visited the swan boats,
the market, answered the phone,
served cocktails as a wife
should, made love among my petticoats
and August tan.
And you came each
weekend.
But I lie.
You seldom came.
I just pretended
you, small piglet, butterfly
girl with jelly bean cheeks,
disobedient three, my splendid
stranger.
And I had to learn
why I would rather
die than love, how your innocence
would hurt and how I gather
guilt like a young intern
his symptons, his certain evidence.
That October day we went
to Gloucester the red hills
reminded me of the dry red fur fox
coat I played in as a child; stock still
like a bear or a tent,
like a great cave laughing or a red fur fox.
We drove past the hatchery,
the hut that sells bait,
past Pigeon Cove, past the Yacht Club, past Squall's
Hill, to the house that waits
still, on the top of the sea,
and two portraits hung on the opposite walls.
6.
In north light, my smile is held in place,
the shadow marks my bone.
What could I have been dreaming as I sat there,
all of me waiting in the eyes, the zone
of the smile, the young face,
the foxes' snare.
In south light, her smile is held in place,
her cheeks wilting like a dry
orchid; my mocking mirror, my overthrown
love, my first image.
She eyes me from that face
that stony head of death
I had outgrown.
The artist caught us at the turning;
we smiled in our canvas home
before we chose our foreknown separate ways.
The dry redfur fox coat was made for burning.
I rot on the wall, my own
Dorian Gray.
And this was the cave of the mirror,
that double woman who stares
at herself, as if she were petrified
in time -- two ladies sitting in umber chairs.
You kissed your grandmother
and she cried.
7.
I could not get you back
except for weekends.
You came
each time, clutching the picture of a rabbit
that I had sent you.
For the last time I unpack
your things.
We touch from habit.
The first visit you asked my name.
Now you will stay for good.
I will forget
how we bumped away from each other like marionettes
on strings.
It wasn't the same
as love, letting weekends contain
us.
You scrape your knee.
You learn my name,
wobbling up the sidewalk, calling and crying.
You can call me mother and I remember my mother again,
somewhere in greater Boston, dying.
I remember we named you Joyce
so we could call you Joy.
You came like an awkward guest
that first time, all wrapped and moist
and strange at my heavy breast.
I needed you.
I didn't want a boy,
only a girl, a small milky mouse
of a girl, already loved, already loud in the house
of herself.
We named you Joy.
I, who was never quite sure
about being a girl, needed another
life, another image to remind me.
And this was my worst guilt; you could not cure
or soothe it.
I made you to find me.
|
Written by
Carl Sandburg |
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign
all smokes
know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: “I know you.
”
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from—
You and I and our heads of smoke.
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
Smoke of a city sunset skyline,
Smoke of a country dusk horizon—
They cross on the sky and count our years.
Smoke of a brick-red dust
Winds on a spiral
Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
Stammer at the slang of this—
Let us understand half of it.
In the rolling mills and sheet mills,
In the harr and boom of the blast fires,
The smoke changes its shadow
And men change their shadow;
A ******, a wop, a bohunk changes.
A bar of steel—it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left—smoke and the blood of a man
And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone
in the blue; it is steel
a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up—
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go:
Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.
”
One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.
”
One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.
”
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is:
Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors—
Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
“Since you know all
and I know nothing,
tell me what I dreamed last night.
”
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .
.
pearl cobwebs .
.
pools of moonshine.
|
Written by
Sharon Olds |
I pull the bed slowly open, I
open the lips of the bed, get
the stack of fresh underpants
out of the suitcase—peach, white,
cherry, quince, pussy willow, I
choose a color and put them on,
I travel with the stack for the stack's caress,
dry and soft.
I enter the soft
birth-lips of the bed, take off my
glasses, and the cabbage-roses on the curtain
blur to Keats's peonies, the
ochre willow holds a cloud
the way a skeleton holds flesh
and it passes, does not hold it.
The bed fits me like a walnut shell its
meat, my hands touch the upper corners,
the lower, my feet.
It is so silent
I hear the choirs of wild silence, the
maenads of the atoms.
Is this what it feels like
to have a mother? The sheets are heavy
cream, whipped.
Ah, here is my mother,
or rather here she is not, so this is
paradise.
But surely that
was paradise, when her Jell-O nipple was the
size of my own fist, in front of my
face—out of its humped runkles those
several springs of milk, so fierce
almost fearsome.
What did I think
in that brain gridded for thought, its cups
loaded with languageless rennet? And at night,
when they timed me, four hours of screaming, not a
minute more, four, those quatrains of
icy yell, then the cold tap water
to get me over my shameless hunger,
what was it like to be there when that
hunger was driven into my structure at such
heat it alloyed that iron? Where have I
been while this person is leading my life
with her patience, will and order? In the garden;
on the bee and under the bee; in the
crown gathering cumulus and
flensing it from the boughs, weeping a
rehearsal for the rotting and casting off of our
flesh, the year we slowly throw it
off like clothing by the bed covers of our lover, and dive under.
|
Written by
John Wilmot |
Much wine had passed, with grave discourse
Of who fucks who, and who does worse
(Such as you usually do hear
From those that diet at the Bear),
When I, who still take care to see
Drunkenness relieved by lechery,
Went out into St.
James's Park
To cool my head and fire my heart.
But though St.
James has th' honor on 't,
'Tis consecrate to prick and ****.
There, by a most incestuous birth,
Strange woods spring from the teeming earth;
For they relate how heretofore,
When ancient Pict began to whore,
Deluded of his assignation
(Jilting, it seems, was then in fashion),
Poor pensive lover, in this place
Would frig upon his mother's face;
Whence rows of mandrakes tall did rise
Whose lewd tops fucked the very skies.
Each imitative branch does twine
In some loved fold of Aretine,
And nightly now beneath their shade
Are buggeries, rapes, and incests made.
Unto this all-sin-sheltering grove
Whores of the bulk and the alcove,
Great ladies, chambermaids, and drudges,
The ragpicker, and heiress trudges.
Carmen, divines, great lords, and tailors,
Prentices, poets, pimps, and jailers,
Footmen, fine fops do here arrive,
And here promiscuously they swive.
Along these hallowed walks it was
That I beheld Corinna pass.
Whoever had been by to see
The proud disdain she cast on me
Through charming eyes, he would have swore
She dropped from heaven that very hour,
Forsaking the divine abode
In scorn of some despairing god.
But mark what creatures women are:
How infinitely vile, when fair!
Three knights o' the' elbow and the slur
With wriggling tails made up to her.
The first was of your Whitehall baldes,
Near kin t' th' Mother of the Maids;
Graced by whose favor he was able
To bring a friend t' th' Waiters' table,
Where he had heard Sir Edward Sutton
Say how the King loved Banstead mutton;
Since when he'd ne'er be brought to eat
By 's good will any other meat.
In this, as well as all the rest,
He ventures to do like the best,
But wanting common sense, th' ingredient
In choosing well not least expedient,
Converts abortive imitation
To universal affectation.
Thus he not only eats and talks
But feels and smells, sits down and walks,
Nay looks, and lives, and loves by rote,
In an old tawdry birthday coat.
The second was a Grays Inn wit,
A great inhabiter of the pit,
Where critic-like he sits and squints,
Steals pocket handkerchiefs, and hints
From 's neighbor, and the comedy,
To court, and pay, his landlady.
The third, a lady's eldest son
Within few years of twenty-one
Who hopes from his propitious fate,
Against he comes to his estate,
By these two worthies to be made
A most accomplished tearing blade.
One, in a strain 'twixt tune and nonsense,
Cries, "Madam, I have loved you long since.
Permit me your fair hand to kiss";
When at her mouth her **** cries, "Yes!"
In short, without much more ado,
Joyful and pleased, away she flew,
And with these three confounded asses
From park to hackney coach she passes.
So a proud ***** does lead about
Of humble curs the amorous rout,
Who most obsequiously do hunt
The savory scent of salt-swoln ****.
Some power more patient now relate
The sense of this surprising fate.
Gods! that a thing admired by me
Should fall to so much infamy.
Had she picked out, to rub her **** on,
Some stiff-pricked clown or well-hung parson,
Each job of whose spermatic sluice
Had filled her **** with wholesome juice,
I the proceeding should have praised
In hope sh' had quenched a fire I raised.
Such natural freedoms are but just:
There's something generous in mere lust.
But to turn a damned abandoned jade
When neither head nor tail persuade;
To be a whore in understanding,
A passive pot for fools to spend in!
The devil played booty, sure, with thee
To bring a blot on infamy.
But why am I, of all mankind,
To so severe a fate designed?
Ungrateful! Why this treachery
To humble fond, believing me,
Who gave you privilege above
The nice allowances of love?
Did ever I refuse to bear
The meanest part your lust could spare?
When your lewd **** came spewing home
Drenched with the seed of half the town,
My dram of sperm was supped up after
For the digestive surfeit water.
Full gorged at another time
With a vast meal of slime
Which your devouring **** had drawn
From porters' backs and footmen's brawn,
I was content to serve you up
My ballock-full for your grace cup,
Nor ever thought it an abuse
While you had pleasure for excuse -
You that could make my heart away
For noise and color, and betray
The secrets of my tender hours
To such knight-errant paramours,
When, leaning on your faithless breast,
Wrapped in security and rest,
Soft kindness all my powers did move,
And reason lay dissolved in love!
May stinking vapors choke your womb
Such as the men you dote upon
May your depraved appetite,
That could in whiffling fools delight,
Beget such frenzies in your mind
You may go mad for the north wind,
And fixing all your hopes upon't
To have him bluster in your ****,
Turn up your longing **** t' th' air
And perish in a wild despair!
But cowards shall forget to rant,
Schoolboys to frig, old whores to paint;
The Jesuits' fraternity
Shall leave the use of buggery;
Crab-louse, inspired with grace divine,
From earthly cod to heaven shall climb;
Physicians shall believe in Jesus,
And disobedience cease to please us,
Ere I desist with all my power
To plague this woman and undo her.
But my revenge will best be timed
When she is married that is limed.
In that most lamentable state
I'll make her feel my scorn and hate:
Pelt her with scandals, truth or lies,
And her poor cur with jealousied,
Till I have torn him from her breech,
While she whines like a dog-drawn *****;
Loathed and despised, kicked out o' th' Town
Into some dirty hole alone,
To chew the cud of misery
And know she owes it all to me.
And may no woman better thrive
That dares prophane the **** I swive!
|
Written by
Victor Hugo |
("Il semblait grelotter.")
{XXXVI., December, 1837.}
He seemed to shiver, for the wind was keen.
'Twas a poor statue underneath a mass
Of leafless branches, with a blackened back
And a green foot—an isolated Faun
In old deserted park, who, bending forward,
Half-merged himself in the entangled boughs,
Half in his marble settings. He was there,
Pensive, and bound to earth; and, as all things
Devoid of movement, he was there—forgotten.
Trees were around him, whipped by icy blasts—
Gigantic chestnuts, without leaf or bird,
And, like himself, grown old in that same place.
Through the dark network of their undergrowth,
Pallid his aspect; and the earth was brown.
Starless and moonless, a rough winter's night
Was letting down her lappets o'er the mist.
This—nothing more: old Faun, dull sky, dark wood.
Poor, helpless marble, how I've pitied it!
Less often man—the harder of the two.
So, then, without a word that might offend
His ear deformed—for well the marble hears
The voice of thought—I said to him: "You hail
From the gay amorous age. O Faun, what saw you
When you were happy? Were you of the Court?
"Speak to me, comely Faun, as you would speak
To tree, or zephyr, or untrodden grass.
Have you, O Greek, O mocker of old days,
Have you not sometimes with that oblique eye
Winked at the Farnese Hercules?—Alone,
Have you, O Faun, considerately turned
From side to side when counsel-seekers came,
And now advised as shepherd, now as satyr?—
Have you sometimes, upon this very bench,
Seen, at mid-day, Vincent de Paul instilling
Grace into Gondi?—Have you ever thrown
That searching glance on Louis with Fontange,
On Anne with Buckingham; and did they not
Start, with flushed cheeks, to hear your laugh ring forth
From corner of the wood?—Was your advice
As to the thyrsis or the ivy asked,
When, in grand ballet of fantastic form,
God Phoebus, or God Pan, and all his court,
Turned the fair head of the proud Montespan,
Calling her Amaryllis?—La Fontaine,
Flying the courtiers' ears of stone, came he,
Tears on his eyelids, to reveal to you
The sorrows of his nymphs of Vaux?—What said
Boileau to you—to you—O lettered Faun,
Who once with Virgil, in the Eclogue, held
That charming dialogue?—Say, have you seen
Young beauties sporting on the sward?—Have you
Been honored with a sight of Molière
In dreamy mood?—Has he perchance, at eve,
When here the thinker homeward went, has he,
Who—seeing souls all naked—could not fear
Your nudity, in his inquiring mind,
Confronted you with Man?"
Under the thickly-tangled branches, thus
Did I speak to him; he no answer gave.
I shook my head, and moved myself away;
Then, from the copses, and from secret caves
Hid in the wood, methought a ghostly voice
Came forth and woke an echo in my souls
As in the hollow of an amphora.
"Imprudent poet," thus it seemed to say,
"What dost thou here? Leave the forsaken Fauns
In peace beneath their trees! Dost thou not know,
Poet, that ever it is impious deemed,
In desert spots where drowsy shades repose—
Though love itself might prompt thee—to shake down
The moss that hangs from ruined centuries,
And, with the vain noise of throe ill-timed words,
To mar the recollections of the dead?"
Then to the gardens all enwrapped in mist
I hurried, dreaming of the vanished days,
And still behind me—hieroglyph obscure
Of antique alphabet—the lonely Faun
Held to his laughter, through the falling night.
I went my way; but yet—in saddened spirit
Pondering on all that had my vision crossed,
Leaves of old summers, fair ones of old time—
Through all, at distance, would my fancy see,
In the woods, statues; shadows in the past!
WILLIAM YOUNG
A LOVE FOR WINGED THINGS.
{XXXVII., April 12, 1840.}
My love flowed e'er for things with wings.
When boy I sought for forest fowl,
And caged them in rude rushes' mesh,
And fed them with my breakfast roll;
So that, though fragile were the door,
They rarely fled, and even then
Would flutter back at faintest call!
Man-grown, I charm for men.
|
Written by
Duncan Campbell Scott |
Here in the midnight, where the dark mainland and island
Shadows mingle in shadow deeper, profounder,
Sing we the hymns of the churches, while the dead water
Whispers before us.
Thunder is travelling slow on the path of the lightning;
One after one the stars and the beaming planets
Look serene in the lake from the edge of the storm-cloud,
Then have they vanished.
While our canoe, that floats dumb in the bursting thunder,
Gathers her voice in the quiet and thrills and whispers,
Presses her prow in the star-gleam, and all her ripple
Lapses in blackness.
Sing we the sacred ancient hymns of the churches,
Chanted first in old-world nooks of the desert,
While in the wild, pellucid Nipigon reaches
Hunted the savage.
Now have the ages met in the Northern midnight,
And on the lonely, loon-haunted Nipigon reaches
Rises the hymn of triumph and courage and comfort,
Adeste Fideles.
Tones that were fashioned when the faith brooded in darkness,
Joined with sonorous vowels in the noble Latin,
Now are married with the long-drawn Ojibwa,
Uncouth and mournful.
Soft with the silver drip of the regular paddles
Falling in rhythm, timed with the liquid, plangent
Sounds from the blades where the whirlpools break and are carried
Down into darkness;
Each long cadence, flying like a dove from her shelter
Deep in the shadow, wheels for a throbbing moment,
Poises in utterance, returning in circles of silver
To nest in the silence.
All wild nature stirs with the infinite, tender
Plaint of a bygone age whose soul is eternal,
Bound in the lonely phrases that thrill and falter
Back into quiet.
Back they falter as the deep storm overtakes them,
Whelms them in splendid hollows of booming thunder,
Wraps them in rain, that, sweeping, breaks and onrushes
Ringing like cymbals.
|
Written by
Dylan Thomas |
When once the twilight locks no longer
Locked in the long worm of my finger
Nor damned the sea that sped about my fist,
The mouth of time sucked, like a sponge,
The milky acid on each hinge,
And swallowed dry the waters of the breast.
When the galactic sea was sucked
And all the dry seabed unlocked,
I sent my creature scouting on the globe,
That globe itself of hair and bone
That, sewn to me by nerve and brain,
Had stringed my flask of matter to his rib.
My fuses are timed to charge his heart,
He blew like powder to the light
And held a little sabbath with the sun,
But when the stars, assuming shape,
Drew in his eyes the straws of sleep
He drowned his father's magics in a dream.
All issue armoured, of the grave,
The redhaired cancer still alive,
The cataracted eyes that filmed their cloth;
Some dead undid their bushy jaws,
And bags of blood let out their flies;
He had by heart the Christ-cross-row of death.
Sleep navigates the tides of time;
The dry Sargasso of the tomb
Gives up its dead to such a working sea;
And sleep rolls mute above the beds
Where fishes' food is fed the shades
Who periscope through flowers to the sky.
When once the twilight screws were turned,
And mother milk was stiff as sand,
I sent my own ambassador to light;
By trick or chance he fell asleep
And conjured up a carcass shape
To rob me of my fluids in his heart.
Awake, my sleeper, to the sun,
A worker in the morning town,
And leave the poppied pickthank where he lies;
The fences of the light are down,
All but the briskest riders thrown
And worlds hang on the trees.
|
Written by
Thomas Hardy |
When mid-autumn's moan shook the night-time,
And sedges were horny,
And summer's green wonderwork faltered
On leaze and in lane,
I fared Yell'ham-Firs way, where dimly
Came wheeling around me
Those phantoms obscure and insistent
That shadows unchain.
Till airs from the needle-thicks brought me
A low lamentation,
As 'twere of a tree-god disheartened,
Perplexed, or in pain.
And, heeding, it awed me to gather
That Nature herself there
Was breathing in aerie accents,
With dirgeful refrain,
Weary plaint that Mankind, in these late days,
Had grieved her by holding
Her ancient high fame of perfection
In doubt and disdain .
.
.
- "I had not proposed me a Creature
(She soughed) so excelling
All else of my kingdom in compass
And brightness of brain
"As to read my defects with a god-glance,
Uncover each vestige
Of old inadvertence, annunciate
Each flaw and each stain!
"My purpose went not to develop
Such insight in Earthland;
Such potent appraisements affront me,
And sadden my reign!
"Why loosened I olden control here
To mechanize skywards,
Undeeming great scope could outshape in
A globe of such grain?
"Man's mountings of mind-sight I checked not,
Till range of his vision
Has topped my intent, and found blemish
Throughout my domain.
"He holds as inept his own soul-shell -
My deftest achievement -
Contemns me for fitful inventions
Ill-timed and inane:
"No more sees my sun as a Sanct-shape,
My moon as the Night-queen,
My stars as august and sublime ones
That influences rain:
"Reckons gross and ignoble my teaching,
Immoral my story,
My love-lights a lure, that my species
May gather and gain.
"'Give me,' he has said, 'but the matter
And means the gods lot her,
My brain could evolve a creation
More seemly, more sane.
'
- "If ever a naughtiness seized me
To woo adulation
From creatures more keen than those crude ones
That first formed my train -
"If inly a moment I murmured,
'The simple praise sweetly,
But sweetlier the sage'--and did rashly
Man's vision unrein,
"I rue it! .
.
.
His guileless forerunners,
Whose brains I could blandish,
To measure the deeps of my mysteries
Applied them in vain.
"From them my waste aimings and futile
I subtly could cover;
'Every best thing,' said they, 'to best purpose
Her powers preordain.
' -
"No more such! .
.
.
My species are dwindling,
My forests grow barren,
My popinjays fail from their tappings,
My larks from their strain.
"My leopardine beauties are rarer,
My tusky ones vanish,
My children have aped mine own slaughters
To quicken my wane.
"Let me grow, then, but mildews and mandrakes,
And slimy distortions,
Let nevermore things good and lovely
To me appertain;
"For Reason is rank in my temples,
And Vision unruly,
And chivalrous laud of my cunning
Is heard not again!"
|
Written by
Gelett Burgess |
AN ALPHABET OF FAMOUS GOOPS.
Which you 'll Regard with Yells and Whoops.
Futile Acumen!
For you Yourselves are Doubtless Dupes
Of Failings Such as Mar these Groups --
We all are Human!
1 ABEDNEGO was Meek and Mild; he Softly Spoke, he Sweetly Smiled.
2 He never Called his Playmates Names, and he was Good in Running Games;
3 But he was Often in Disgrace because he had a Dirty Face!
4 BOHUNKUS would Take Off his Hat, and Bow and Smile, and Things like That.
5 His Face and Hair were Always Neat, and when he Played he did not Cheat;
6 But Oh! what Awful Words he Said, when it was Time to Go to Bed!
7 The Gentle CEPHAS tried his Best to Please his Friends with Merry Jest;
8 He tried to Help Them, when he Could, for CEPHAS, he was Very Good;
9 And Yet -- They Say he Used to Cry, and Once or Twice he Told a Lie!
10 DANIEL and DAGO were a Pair who Acted Kindly Everywhere;
11 They studied Hard, as Good as Gold, they Always did as They were Told;
12 They Never Put on Silly Airs, but They Took Things that were Not Theirs.
13 EZEKIEL, so his Parents said, just Simply Loved to Go to Bed;
14 He was as Quiet as could Be whenever there were Folks to Tea;
15 And yet, he had a Little Way of Grumbling, when he should Obey.
16 When FESTUS was but Four Years Old his Parents Seldom had to Scold;
17 They never Called him 'FESTUS DON'T!' he Never Whined and said 'I Won't!'
18 Yet it was Sad to See him Dine.
His Table Manners were Not Fine.
19 GAMALIEL took Peculiar Pride in Making Others Satisfied.
20 One Time I asked him for his Head.
'Why, Certainly! GAMALIEL Said.
21 He was Too Generous, in Fact.
But Bravery he Wholly Lacked.
22 HAZAEL was (at Least he Said he Was) Exceedingly Well Bred;
23 Forbidden Sweets he would not Touch, though he might Want them very Much.
24 But Oh, Imagination Fails to quite Describe his Finger Nails!
25 How Interesting ISAAC Seemed! He never Fibbed, he Seldom Screamed;
26 His Company was Quite a Treat to all the Children on the Street;
27 But Nurse has Told me of his Wrath when he was Made to Take a Bath!
28 Oh, Think of JONAH when you 're Bad; Think what a Happy Way he had
29 Of Saying 'Thank You! -- 'If you Please' -- 'Excuse Me, Sir,' and Words like These.
30 Still, he was Human, like Us All.
His Muddy Footprints Tracked the Hall.
31 Just fancy KADESH for a Name! Yet he was Clever All the Same;
32 He knew Arithmetic, at Four, as Well as Boys of Nine or More!
33 But I Prefer far Duller Boys, who do Not Make such Awful Noise!
34 Oh, Laugh at LABAN, if you Will, but he was Brave when he was Ill.
35 When he was Ill, he was so Brave he Swallowed All his Mother Gave!
36 But Somehow, She could never Tell why he was Worse when he was Well!
37 If MICAH's Mother Told him 'No' he Made but Little of his Woe;
38 He Always Answered, 'Yes, I'll Try!' for MICAH Thought it Wrong to Cry.
39 Yet he was Always Asking Questions and Making quite Ill-timed Suggestions.
40 I Fancy NICODEMUS Knew as Much as I, or even You;
41 He was Too Careful, I am Sure, to Scratch or Soil the Furniture;
42 He never Squirmed, he never Squalled; he Never Came when he was Called!
43 Some think that OBADIAH'S Charm was that he Never Tried to Harm
44 Dumb Animals in any Way, though Some are Cruel when they Play.
45 But though he was so Sweet and Kind, his Mother found him Slow to Mind.
46 When PELEG had a Penny Earned, to Share it with his Friends he Yearned.
47 And if he Bought a Juicy Fig, his Sister's Half was Very Big!
48 Had he not Hated to Forgive, he would have been Too Good to Live!
49 When QUARTO'S brother QUARTO Hit, was QUARTO Angry? Not a Bit!
50 He Called the Blow a Little Joke, and so Affectionately Spoke,
51 That Everybody Loved the Lad.
Yet Oh, What Selfish Ways he had!
52 Was REUBEN Happy? I should Say! He laughed and Sang the Livelong Day.
53 He Made his Mother Smile with Joy to See her Sunny-Tempered Boy.
54 However, she was Not so Gay when REUB Refused to Stop his Play!
55 When SHADRACH Cared to be Polite, they Called him Gentlemanly, Quite;
56 His Manners were Correct and Nice; he Never Asked for Jelly Twice!
57 Still, when he Tried to Misbehave, O, how Much Trouble SHADRACH Gave!
58 Don't Think that TIMOTHY was Ill because he Sometimes Kept so Still.
59 He knew his Mother Did Not Care to Hear him Talking Everywhere.
60 He did not Tease, he did Not Cry, but he was Always Asking 'WHY?'
61 URIAH Never Licked his Knife, nor Sucked his Fingers, in his Life.
62 He Never Reached, to Help Himself, the Sugar Bowl upon the Shelf.
63 He Never Popped his Cherry Pits; but he had Horrid Sulky Fits!
64 To See young VIVIUS at his Work, you Knew he 'd Never Try to Shirk.
65 The Most Unpleasant Things he 'd Do, if but his Mother Asked him To.
66 But when young Vivius Grew Big, it Seems he was a Norful Prig!
67 Why WABAN always Seemed so Sweet, was that he Kept so Clean and Neat.
68 He never Smooched his Face with Coal, his Picture Books were Fresh and Whole.
69 He washed His Hands Ten Times a Day; but, Oh, what Horrid Words he 'd Say!
70 What shall I say of XENOGOR, Save that he Always Shut the Door!
71 He always Put his Toys Away when he had Finished with his Play.
72 But here his List of Virtues Ends.
A Tattle-Tale does not Make Friends.
73 YERO was Noted for the Way with which he Helped his Comrades Play;
74 He 'd Lend his Cart, he 'd Lend his Ball, his Marbles, and his Tops and All!
75 And Yet (I Doubt if you' ll Believe), he Wiped his Nose upon his Sleeve!
76 The Zealous ZIBEON was Such as Casual Callers Flatter Much.
77 His Maiden Aunts would Say, with Glee, 'How Good, how Pure, how Dear is He!'
78 And Yet, he Drove his Mother Crazy -- he was so Slow, he was so Lazy!
|
Written by
William Carlos (WCW) Williams |
A day on the boulevards chosen out of ten years of
student poverty! One best day out of ten good ones.
Berket in high spirits—"Ha, oranges! Let's have one!"
And he made to snatch an orange from the vender's cart.
Now so clever was the deception, so nicely timed
to the full sweep of certain wave summits,
that the rumor of the thing has come down through
three generations—which is relatively forever!
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