Written by
Sylvia Plath |
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?
I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking
'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?
Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.
Is this the one for the annunciation?
My god, what a laugh!'
But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,
The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath. O ivory!
It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me?
Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,
The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me,
You are terrified
The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,
A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,
No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them. They are carbon monoxide.
Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million
Probable motes that tick the years off my life.
You are silver-suited for the occasion. O adding machine-----
Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,
Must you kill what you can?
There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center
Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death
I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter
Pure and clean as the cry of a baby,
And the universe slide from my side.
|
Written by
Sylvia Plath |
'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
where wave pretends to drench real sky.'
'Well then, if we agree, it is not odd
that one man's devil is another's god
or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
is our life's whole nemesis.
So we could rave on, darling, you and I,
until the stars tick out a lullaby
about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
implacably from twelve to one.
We raise our arguments like sitting ducks
to knock them down with logic or with luck
and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
who insists his playmates run.
Now you, my intellectual leprechaun,
would have me swallow the entire sun
like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
should inflame the sleeping town.
So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
playing his prodigal charades.
The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
graves all carol in reply.
Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
while footlights flare and houselights dim.
Tell now, we taunq where black or white begins
and separate the flutes from violins:
the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
joins his enemies' recruits.
The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
an insight like the flight of birds:
Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
cycling phoenix never stops.
So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
away our rationed days and weeks.
Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
the simple sum of heart plus heart.
|
Written by
Siegfried Sassoon |
I’ve never ceased to curse the day I signed
A seven years’ bargain for the Golden Fleece.
’Twas a bad deal all round; and dear enough
It cost me, what with my daft management,
And the mean folk as owed and never paid me,
And backing losers; and the local bucks
Egging me on with whiskys while I bragged
The man I was when huntsman to the Squire.
I’d have been prosperous if I’d took a farm
Of fifty acres, drove my gig and haggled
At Monday markets; now I’ve squandered all
My savings; nigh three hundred pound I got
As testimonial when I’d grown too stiff
And slow to press a beaten fox.
The Fleece!
’Twas the damned Fleece that wore my Emily out,
The wife of thirty years who served me well;
(Not like this beldam clattering in the kitchen,
That never trims a lamp nor sweeps the floor,
And brings me greasy soup in a foul crock.)
Blast the old harridan! What’s fetched her now,
Leaving me in the dark, and short of fire?
And where’s my pipe? ’Tis lucky I’ve a turn
For thinking, and remembering all that’s past.
And now’s my hour, before I hobble to bed,
To set the works a-wheezing, wind the clock
That keeps the time of life with feeble tick
Behind my bleared old face that stares and wonders.
. . . .
It’s ***** how, in the dark, comes back to mind
Some morning of September. We’ve been digging
In a steep sandy warren, riddled with holes,
And I’ve just pulled the terrier out and left
A sharp-nosed cub-face blinking there and snapping,
Then in a moment seen him mobbed and torn
To strips in the baying hurly of the pack.
I picture it so clear: the dusty sunshine
On bracken, and the men with spades, that wipe
Red faces: one tilts up a mug of ale.
And, having stopped to clean my gory hands,
I whistle the jostling beauties out of the wood.
I’m but a daft old fool! I often wish
The Squire were back again—ah! he was a man!
They don’t breed men like him these days; he’d come
For sure, and sit and talk and suck his briar
Till the old wife brings up a dish of tea.
Ay, those were days, when I was serving Squire!
I never knowed such sport as ’85,
The winter afore the one that snowed us silly.
. . . .
Once in a way the parson will drop in
And read a bit o’ the Bible, if I’m bad,
And pray the Lord to make my spirit whole
In faith: he leaves some ’baccy on the shelf,
And wonders I don’t keep a dog to cheer me
Because he knows I’m mortal fond of dogs!
I ask you, what’s a gent like that to me
As wouldn’t know Elijah if I saw him,
Nor have the wit to keep him on the talk?
’Tis kind of parson to be troubling still
With such as me; but he’s a town-bred chap,
Full of his college notions and Christmas hymns.
Religion beats me. I’m amazed at folk
Drinking the gospels in and never scratching
Their heads for questions. When I was a lad
I learned a bit from mother, and never thought
To educate myself for prayers and psalms.
But now I’m old and bald and serious-minded,
With days to sit and ponder. I’d no chance
When young and gay to get the hang of all
This Hell and Heaven: and when the clergy hoick
And holloa from their pulpits, I’m asleep,
However hard I listen; and when they pray
It seems we’re all like children sucking sweets
In school, and wondering whether master sees.
I used to dream of Hell when I was first
Promoted to a huntsman’s job, and scent
Was rotten, and all the foxes disappeared,
And hounds were short of blood; and officers
From barracks over-rode ’em all day long
On weedy, whistling nags that knocked a hole
In every fence; good sportsmen to a man
And brigadiers by now, but dreadful hard
On a young huntsman keen to show some sport.
Ay, Hell was thick with captains, and I rode
The lumbering brute that’s beat in half a mile,
And blunders into every blind old ditch.
Hell was the coldest scenting land I’ve known,
And both my whips were always lost, and hounds
Would never get their heads down; and a man
On a great yawing chestnut trying to cast ’em
While I was in a corner pounded by
The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts,
And civil-spoken keepers I couldn’t trust,
And the main earth unstopp’d. The fox I found
Was always a three-legged ’un from a bag,
Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture
And bellowing at me when I rode their beans
To cast for beaten fox, or galloped on
With hounds to a lucky view. I’d lost my voice
Although I shouted fit to burst my guts,
And couldn’t blow my horn.
And when I woke,
Emily snored, and barn-cocks started crowing,
And morn was at the window; and I was glad
To be alive because I heard the cry
Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven!
The cry of hounds was Heaven for me: I know
Parson would call me crazed and wrong to say it,
But where’s the use of life and being glad
If God’s not in your gladness?
I’ve no brains
For book-learned studies; but I’ve heard men say
There’s much in print that clergy have to wink at:
Though many I’ve met were jolly chaps, and rode
To hounds, and walked me puppies; and could pick
Good legs and loins and necks and shoulders, ay,
And feet—’twas necks and feet I looked at first.
Some hounds I’ve known were wise as half your saints,
And better hunters. That old dog of the Duke’s,
Harlequin; what a dog he was to draw!
And what a note he had, and what a nose
When foxes ran down wind and scent was catchy!
And that light lemon ***** of the Squire’s, old Dorcas—
She were a marvellous hunter, were old Dorcas!
Ay, oft I’ve thought, ‘If there were hounds in Heaven,
With God as master, taking no subscription;
And all His bless?d country farmed by tenants,
And a straight-necked old fox in every gorse!’
But when I came to work it out, I found
There’d be too many huntsmen wanting places,
Though some I’ve known might get a job with Nick!
. . . .
I’ve come to think of God as something like
The figure of a man the old Duke was
When I was turning hounds to Nimrod King,
Before his Grace was took so bad with gout
And had to quit the saddle. Tall and spare,
Clean-shaved and grey, with shrewd, kind eyes, that twinkled,
And easy walk; who, when he gave good words,
Gave them whole-hearted; and would never blame
Without just cause. Lord God might be like that,
Sitting alone in a great room of books
Some evening after hunting.
Now I’m tired
With hearkening to the tick-tack on the shelf;
And pondering makes me doubtful.
Riding home
On a moonless night of cloud that feels like frost
Though stars are hidden (hold your feet up, horse!)
And thinking what a task I had to draw
A pack with all those lame ’uns, and the lot
Wanting a rest from all this open weather;
That’s what I’m doing now.
And likely, too,
The frost’ll be a long ’un, and the night
One sleep. The parsons say we’ll wake to find
A country blinding-white with dazzle of snow.
The naked stars make men feel lonely, wheeling
And glinting on the puddles in the road.
And then you listen to the wind, and wonder
If folk are quite such bucks as they appear
When dressed by London tailors, looking down
Their boots at covert side, and thinking big.
. . . .
This world’s a funny place to live in. Soon
I’ll need to change my country; but I know
’Tis little enough I’ve understood my life,
And a power of sights I’ve missed, and foreign marvels.
I used to feel it, riding on spring days
In meadows pied with sun and chasing clouds,
And half forget how I was there to catch
The foxes; lose the angry, eager feeling
A huntsman ought to have, that’s out for blood,
And means his hounds to get it!
Now I know
It’s God that speaks to us when we’re bewitched,
Smelling the hay in June and smiling quiet;
Or when there’s been a spell of summer drought,
Lying awake and listening to the rain.
. . . .
I’d like to be the simpleton I was
In the old days when I was whipping-in
To a little harrier-pack in Worcestershire,
And loved a dairymaid, but never knew it
Until she’d wed another. So I’ve loved
My life; and when the good years are gone down,
Discover what I’ve lost.
I never broke
Out of my blundering self into the world,
But let it all go past me, like a man
Half asleep in a land that’s full of wars.
What a grand thing ’twould be if I could go
Back to the kennels now and take my hounds
For summer exercise; be riding out
With forty couple when the quiet skies
Are streaked with sunrise, and the silly birds
Grown hoarse with singing; cobwebs on the furze
Up on the hill, and all the country strange,
With no one stirring; and the horses fresh,
Sniffing the air I’ll never breathe again.
. . . .
You’ve brought the lamp, then, Martha? I’ve no mind
For newspaper to-night, nor bread and cheese.
Give me the candle, and I’ll get to bed.
|
Written by
A R Ammons |
I said I will find what is lowly
and put the roots of my identity
down there:
each day I'll wake up
and find the lowly nearby,
a handy focus and reminder,
a ready measure of my significance,
the voice by which I would be heard,
the wills, the kinds of selfishness
I could
freely adopt as my own:
but though I have looked everywhere,
I can find nothing
to give myself to:
everything is
magnificent with existence, is in
surfeit of glory:
nothing is diminished,
nothing has been diminished for me:
I said what is more lowly than the grass:
ah, underneath,
a ground-crust of dry-burnt moss:
I looked at it closely
and said this can be my habitat: but
nestling in I
found
below the brown exterior
green mechanisms beyond the intellect
awaiting resurrection in rain: so I got up
and ran saying there is nothing lowly in the universe:
I found a beggar:
he had stumps for legs: nobody was paying
him any attention: everybody went on by:
I nestled in and found his life:
there, love shook his body like a devastation:
I said
though I have looked everywhere
I can find nothing lowly
in the universe:
I whirled though transfigurations up and down,
transfigurations of size and shape and place:
at one sudden point came still,
stood in wonder:
moss, beggar, weed, tick, pine, self, magnificent
with being!
|
Written by
Vachel Lindsay |
A Song in Chinese Tapestries
"How, how," he said. "Friend Chang," I said,
"San Francisco sleeps as the dead—
Ended license, lust and play:
Why do you iron the night away?
Your big clock speaks with a deadly sound,
With a tick and a wail till dawn comes round.
While the monster shadows glower and creep,
What can be better for man than sleep?"
"I will tell you a secret," Chang replied;
"My breast with vision is satisfied,
And I see green trees and fluttering wings,
And my deathless bird from Shanghai sings."
Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack."
He lit a joss stick long and black.
Then the proud gray joss in the corner stirred;
On his wrist appeared a gray small bird,
And this was the song of the gray small bird:
"Where is the princess, loved forever,
Who made Chang first of the kings of men?"
And the joss in the corner stirred again;
And the carved dog, curled in his arms, awoke,
Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place,
And there on the snowy table wide
Stood a Chinese lady of high degree,
With a scornful, witching, tea-rose face....
Yet she put away all form and pride,
And laid her glimmering veil aside
With a childlike smile for Chang and for me.
The walls fell back, night was aflower,
The table gleamed in a moonlit bower,
While Chang, with a countenance carved of stone,
Ironed and ironed, all alone.
And thus she sang to the busy man Chang:
"Have you forgotten....
Deep in the ages, long, long ago,
I was your sweetheart, there on the sand—
Storm-worn beach of the Chinese land?
We sold our grain in the peacock town
Built on the edge of the sea-sands brown—
Built on the edge of the sea-sands brown....
"When all the world was drinking blood
From the skulls of men and bulls
And all the world had swords and clubs of stone,
We drank our tea in China beneath the sacred spice-trees,
And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring,
With a bright-bronze breast and a bronze-brown wing,
Captured the world with his carolling.
Do you remember, ages after,
At last the world we were born to own?
You were the heir of the yellow throne—
The world was the field of the Chinese man
And we were the pride of the Sons of Han?
We copied deep books and we carved in jade,
And wove blue silks in the mulberry shade...."
"I remember, I remember
That Spring came on forever,
That Spring came on forever,"
Said the Chinese nightingale.
My heart was filled with marvel and dream,
Though I saw the western street-lamps gleam,
Though dawn was bringing the western day,
Though Chang was a laundryman ironing away....
Mingled there with the streets and alleys,
The railroad-yard and the clock-tower bright,
Demon clouds crossed ancient valleys;
Across wide lotus-ponds of light
I marked a giant firefly's flight.
And the lady, rosy-red,
Flourished her fan, her shimmering fan,
Stretched her hand toward Chang, and said:
"Do you remember,
Ages after,
Our palace of heart-red stone?
Do you remember
The little doll-faced children
With their lanterns full of moon-fire,
That came from all the empire
Honoring the throne?—
The loveliest fête and carnival
Our world had ever known?
The sages sat about us
With their heads bowed in their beards,
With proper meditation on the sight.
Confucius was not born;
We lived in those great days
Confucius later said were lived aright....
And this gray bird, on that day of spring,
With a bright bronze breast, and a bronze-brown wing,
Captured the world with his carolling.
Late at night his tune was spent.
Peasants,
Sages,
Children,
Homeward went,
And then the bronze bird sang for you and me.
We walked alone. Our hearts were high and free.
I had a silvery name, I had a silvery name,
I had a silvery name — do you remember
The name you cried beside the tumbling sea?"
Chang turned not to the lady slim—
He bent to his work, ironing away;
But she was arch, and knowing and glowing,
And the bird on his shoulder spoke for him.
"Darling . . . darling . . . darling . . . darling . . ."
Said the Chinese nightingale.
The great gray joss on a rustic shelf,
Rakish and shrewd, with his collar awry,
Sang impolitely, as though by himself,
Drowning with his bellowing the nightingale's cry:
"Back through a hundred, hundred years
Hear the waves as they climb the piers,
Hear the howl of the silver seas,
Hear the thunder.
Hear the gongs of holy China
How the waves and tunes combine
In a rhythmic clashing wonder,
Incantation old and fine:
`Dragons, dragons, Chinese dragons,
Red fire-crackers, and green fire-crackers,
And dragons, dragons, Chinese dragons.'"
Then the lady, rosy-red,
Turned to her lover Chang and said:
"Dare you forget that turquoise dawn
When we stood in our mist-hung velvet lawn,
And worked a spell this great joss taught
Till a God of the Dragons was charmed and caught?
From the flag high over our palace home
He flew to our feet in rainbow-foam —
A king of beauty and tempest and thunder
Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave
With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains,
We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions
Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang;
The old rhymes rang in the sunlit mist
That we this hour regain —
Song-fire for the brain.
When my hands and my hair and my feet you kissed,
When you cried for your heart's new pain,
What was my name in the dragon-mist,
In the rings of rainbowed rain?"
"Sorrow and love, glory and love,"
Said the Chinese nightingale.
"Sorrow and love, glory and love,"
Said the Chinese nightingale.
And now the joss broke in with his song:
"Dying ember, bird of Chang,
Soul of Chang, do you remember? —
Ere you returned to the shining harbor
There were pirates by ten thousand
Descended on the town
In vessels mountain-high and red and brown,
Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest;
I stood upon the sand;
With lifted hand I looked upon them
And sunk their vessels with my wizard eyes,
And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray,
Embalmed in amber every pirate lies,
Embalmed in amber every pirate lies."
Then this did the noble lady say:
"Bird, do you dream of our home-coming day
When you flew like a courier on before
From the dragon-peak to our palace-door,
And we drove the steed in your singing path—
The ramping dragon of laughter and wrath:
And found our city all aglow,
And knighted this joss that decked it so?
There were golden fishes in the purple river
And silver fishes and rainbow fishes.
There were golden junks in the laughing river,
And silver junks and rainbow junks:
There were golden lilies by the bay and river,
And silver lilies and tiger-lilies,
And tinkling wind-bells in the gardens of the town
By the black-lacquer gate
Where walked in state
The kind king Chang
And his sweet-heart mate....
With his flag-born dragon
And his crown of pearl...and...jade,
And his nightingale reigning in the mulberry shade,
And sailors and soldiers on the sea-sands brown,
And priests who bowed them down to your song—
By the city called Han, the peacock town,
By the city called Han, the nightingale town,
The nightingale town."
Then sang the bird, so strangely gay,
Fluttering, fluttering, ghostly and gray,
A vague, unravelling, final tune,
Like a long unwinding silk cocoon;
Sang as though for the soul of him
Who ironed away in that bower dim: —
"I have forgotten
Your dragons great,
Merry and mad and friendly and bold.
Dim is your proud lost palace-gate.
I vaguely know
There were heroes of old,
Troubles more than the heart could hold,
There were wolves in the woods
Yet lambs in the fold,
Nests in the top of the almond tree....
The evergreen tree... and the mulberry tree...
Life and hurry and joy forgotten,
Years on years I but half-remember...
Man is a torch, then ashes soon,
May and June, then dead December,
Dead December, then again June.
Who shall end my dream's confusion?
Life is a loom, weaving illusion...
I remember, I remember
There were ghostly veils and laces...
In the shadowy bowery places...
With lovers' ardent faces
Bending to one another,
Speaking each his part.
They infinitely echo
In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.'
They said to one another.
They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember:
Spring came on forever,
Spring came on forever,"
Said the Chinese nightingale.
|
Written by
William Allingham |
Little Cowboy, what have you heard,
Up on the lonely rath's green mound?
Only the plaintive yellow bird
Sighing in sultry fields around,
Chary, chary, chary, chee-ee! -
Only the grasshopper and the bee? -
"Tip-tap, rip-rap,
Tick-a-tack-too!
Scarlet leather, sewn together,
This will make a shoe.
Left, right, pull it tight;
Summer days are warm;
Underground in winter,
Laughing at the storm!"
Lay your ear close to the hill.
Do you not catch th etiny clamour,
Busy click of an elfin hammer.
Voice of the Lepracaun singing shrill
As he merrily plies his trade?
He's a span
And a quarter in height,
Get him in sight, hold him tight,
And you're a made
Man!
You watch your cattle the summerday,
Sup on potatoes, sleep in the hay;
how would you like to roll in your carriage,
Look for a duchess's daughter in marriage?
Seize the shoemaker - then you may!
"Big boots a -hunting,
Sandals in the hall,
White for a wedding feast,
Pink for a ball.
This way, that way,
So we makea shoe;
Getting rich every stitch,
Tick-a-tack too!"
Nine and ninety treasure crocks
This keen miser fairy hath,
Hid in the mountains, woods and rocks,
Ruin and round-tow'r, cave and rath,
And where cormorants build;
From times of old
Guarded by him;
Each of them fill'd
Full to the brim
With gold!
I caught him at work one day, myself,
In the castle ditch where fox-glove grows, -
A wrinkled, wizen'd and bearded Elf,
Spectacles stuck on his pointed nose,
Silver buckles to his hose,
Leather apron - shoe in his lap -
'Rip-rap, tip-tap,
Tick-tack-too!
(A grasshopper on my cap!
Away the moth flew!)
Buskins for a fairy prince,
Brogues for his son -
Pay me well, pay me well,
When the job is done!"
The rogue was mine, beyond a doubt.
I stared at him, he stared at me;
"Servant Sir!" "Humph" says he,
And pull'd a snuff-box out.
He took a long pinch, look'd better pleased,
The ***** little Lepracaun;
Offer'd the box with a whimsical grace, -
Pouf! He flung the dust in my face,
And while I sneezed,
Was gone!
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Written by
Amy Lowell |
You ask me for a sonnet. Ah, my Dear,
Can clocks tick back to yesterday at noon?
Can cracked and fallen leaves recall last June
And leap up on the boughs, now stiff and sere?
For your sake, I would go and seek the year,
Faded beyond the purple ranks of dune,
Blown sands of drifted hours, which the moon
Streaks with a ghostly finger, and her sneer
Pulls at my lengthening shadow. Yes, 'tis that!
My shadow stretches forward, and the ground
Is dark in front because the light's behind.
It is grotesque, with such a funny hat,
In watching it and walking I have found
More than enough to occupy my mind.
I cannot turn, the light would make me blind.
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Written by
Ted Kooser |
Only one cell in the frozen hive of night
is lit, or so it seems to us:
this Vietnamese café, with its oily light,
its odors whose colorful shapes are like flowers.
Laughter and talking, the tick of chopsticks.
Beyond the glass, the wintry city
creaks like an ancient wooden bridge.
A great wind rushes under all of us.
The bigger the window, the more it trembles.
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Written by
Jonathan Swift |
Corinna, Pride of Drury-Lane,
For whom no Shepherd sighs in vain;
Never did Covent Garden boast
So bright a batter'd, strolling Toast;
No drunken Rake to pick her up,
No Cellar where on Tick to sup;
Returning at the Midnight Hour;
Four Stories climbing to her Bow'r;
Then, seated on a three-legg'd Chair,
Takes off her artificial Hair:
Now, picking out a Crystal Eye,
She wipes it clean, and lays it by.
Her Eye-Brows from a Mouse's Hide,
Stuck on with Art on either Side,
Pulls off with Care, and first displays 'em,
Then in a Play-Book smoothly lays 'em.
Now dextrously her Plumpers draws,
That serve to fill her hollow Jaws.
Untwists a Wire; and from her Gums
A Set of Teeth completely comes.
Pulls out the Rags contriv'd to prop
Her flabby Dugs and down they drop.
Proceeding on, the lovely Goddess
Unlaces next her Steel-Rib'd Bodice;
Which by the Operator's Skill,
Press down the Lumps, the Hollows fill,
Up hoes her Hand, and off she slips
The Bolsters that supply her Hips.
With gentlest Touch, she next explores
Her Shankers, Issues, running Sores,
Effects of many a sad Disaster;
And then to each applies a Plaster.
But must, before she goes to Bed,
Rub off the Daubs of White and Red;
And smooth the Furrows in her Front,
With greasy Paper stuck upon't.
She takes a Bolus e'er she sleeps;
And then between two Blankets creeps.
With pains of love tormented lies;
Or if she chance to close her Eyes,
Of Bridewell and the Compter dreams,
And feels the Lash, and faintly screams;
Or, by a faithless Bully drawn,
At some Hedge-Tavern lies in Pawn;
Or to Jamaica seems transported,
Alone, and by no Planter courted;
Or, near Fleet-Ditch's oozy Brinks,
Surrounded with a Hundred Stinks,
Belated, seems on watch to lie,
And snap some Cull passing by;
Or, struck with Fear, her Fancy runs
On Watchmen, Constables and Duns,
From whom she meets with frequent Rubs;
But, never from Religious Clubs;
Whose Favour she is sure to find,
Because she pays them all in Kind.
CORINNA wakes. A dreadful Sight!
Behold the Ruins of the Night!
A wicked Rat her Plaster stole,
Half eat, and dragged it to his Hole.
The Crystal Eye, alas, was miss'd;
And Puss had on her Plumpers piss'd.
A Pigeon pick'd her Issue-Peas;
And Shock her Tresses fill'd with Fleas.
The Nymph, tho' in this mangled Plight,
Must ev'ry Morn her Limbs unite.
But how shall I describe her Arts
To recollect the scatter'd Parts?
Or show the Anguish, Toil, and Pain,
Of gath'ring up herself again?
The bashful Muse will never bear
In such a Scene to interfere.
Corinna in the Morning dizen'd,
Who sees, will spew; who smells, be poison'd.
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Written by
Sylvia Plath |
Pocket watch, I tick well.
The streets are lizardly crevices
Sheer-sided, with holes where to hide.
It is best to meet in a cul-de-sac,
A palace of velvet
With windows of mirrors.
There one is safe,
There are no family photographs,
No rings through the nose, no cries.
Bright fish hooks, the smiles of women
Gulp at my bulk
And I, in my snazzy blacks,
Mill a litter of breasts like jellyfish.
To nourish
The cellos of moans I eat eggs --
Eggs and fish, the essentials,
The aphrodisiac squid.
My mouth sags,
The mouth of Christ
When my engine reaches the end of it.
The tattle of my
Gold joints, my way of turning
Bitches to ripples of silver
Rolls out a carpet, a hush.
And there is no end, no end of it.
I shall never grow old. New oysters
Shriek in the sea and I
Glitter like Fontainebleu
Gratified,
All the fall of water an eye
Over whose pool I tenderly
Lean and see me.
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