Written by
Edward Field |
The Baron has decided to mate the monster,
to breed him perhaps,
in the interests of pure science, his only god.
So he goes up into his laboratory
which he has built in the tower of the castle
to be as near the interplanetary forces as possible,
and puts together the prettiest monster-woman you ever saw
with a body like a pin-up girl
and hardly any stitching at all
where he sewed on the head of a raped and murdered beauty queen.
He sets his liquids burping, and coils blinking and buzzing,
and waits for an electric storm to send through the equipment
the spark vital for life.
The storm breaks over the castle
and the equipment really goes crazy
like a kitchen full of modern appliances
as the lightning juice starts oozing right into that pretty corpse.
He goes to get the monster
so he will be right there when she opens her eyes,
for she might fall in love with the first thing she sees as ducklings do.
That monster is already straining at his chains and slurping,
ready to go right to it:
He has been well prepared for coupling
by his pinching leering keeper who's been saying for weeks,
"Ya gonna get a little nookie, kid,"
or "How do you go for some poontang, baby?"
All the evil in him is focused on this one thing now
as he is led into her very presence.
She awakens slowly,
she bats her eyes,
she gets up out of the equipment,
and finally she stands in all her seamed glory,
a monster princess with a hairdo like a fright wig,
lightning flashing in the background
like a halo and a wedding veil,
like a photographer snapping pictures of great moments.
She stands and stares with her electric eyes,
beginning to understand that in this life too
she was just another body to be raped.
The monster is ready to go:
He roars with joy at the sight of her,
so they let him loose and he goes right for those knockers.
And she starts screaming to break your heart
and you realize that she was just born:
In spite of her big **** she was just a baby.
But her instincts are right --
rather death than that green slobber:
She jumps off the parapet.
And then the monster's sex drive goes wild.
Thwarted, it turns to violence, demonstrating sublimation crudely;
and he wrecks the lab, those burping acids and buzzing coils,
overturning the control panel so the equipment goes off like a bomb,
and the stone castle crumbles and crashes in the storm
destroying them all . . . perhaps.
Perhaps somehow the Baron got out of that wreckage of his dreams
with his evil intact, if not his good looks,
and more wicked than ever went on with his thrilling career.
And perhaps even the monster lived
to roam the earth, his desire still ungratified;
and lovers out walking in shadowy and deserted places
will see his shape loom up over them, their doom --
and children sleeping in their beds
will wake up in the dark night screaming
as his hideous body grabs them.
|
Written by
Marianne Moore |
Another armored animal--scale
lapping scale with spruce-cone regularity until they
form the uninterrupted central
tail-row! This near artichoke with head and legs and grit-equipped
gizzard,
the night miniature artist engineer is,
yes, Leonardo da Vinci's replica--
impressive animal and toiler of whom we seldom hear.
Armor seems extra. But for him,
the closing ear-ridge--
or bare ear lacking even this small
eminence and similarly safe
contracting nose and eye apertures
impenetrably closable, are not; a true ant-eater,
not cockroach eater, who endures
exhausting solitary trips through unfamiliar ground at night,
returning before sunrise, stepping in the moonlight,
on the moonlight peculiarly, that the outside
edges of his hands may bear the weight and save the claws
for digging. Serpentined about
the tree, he draws
away from danger unpugnaciously,
with no sound but a harmless hiss; keeping
the fragile grace of the Thomas-
of-Leighton Buzzard Westminster Abbey wrought-iron vine, or
rolls himself into a ball that has
power to defy all effort to unroll it; strongly intailed, neat
head for core, on neck not breaking off, with curled-in-feet.
Nevertheless he has sting-proof scales; and nest
of rocks closed with earth from inside, which can thus
darken.
Sun and moon and day and night and man and beast
each with a splendor
which man in all his vileness cannot
set aside; each with an excellence!
"Fearfull yet to be feared," the armored
ant-eater met by the driver-ant does not turn back, but
engulfs what he can, the flattened sword-
edged leafpoints on the tail and artichoke set leg- and body-plates
quivering violently when it retaliates
and swarms on him. Compact like the furled fringed frill
on the hat-brim of Gargallo's hollow iron head of a
matador, he will drop and will
then walk away
unhurt, although if unintruded on,
he cautiously works down the tree, helped
by his tail. The giant-pangolin-
tail, graceful tool, as a prop or hand or broom or ax, tipped like
an elephant's trunkwith special skin,
is not lost on this ant- and stone-swallowing uninjurable
artichoke which simpletons thought a living fable
whom the stones had nourished, whereas ants had done
so. Pangolins are not aggressive animals; between
dusk and day they have not unchain-like machine-like
form and frictionless creep of a thing
made graceful by adversities, con-
versities. To explain grace requires
a curious hand. If that which is at all were not forever,
why would those who graced the spires
with animals and gathered there to rest, on cold luxurious
low stone seats--a monk and monk and monk--between the thus
ingenious roof supports, have slaved to confuse
grace with a kindly manner, time in which to pay a debt,
the cure for sins, a graceful use
of what are yet
approved stone mullions branching out across
the perpendiculars? A sailboat
was the first machine. Pangolins, made
for moving quietly also, are models of exactness,
on four legs; on hind feet plantigrade,
with certain postures of a man. Beneath sun and moon, man slaving
to make his life more sweet, leaves half the flowers worth having,
needing to choose wisely how to use his strength;
a paper-maker like the wasp; a tractor of foodstuffs,
like the ant; spidering a length
of web from bluffs
above a stream; in fighting, mechanicked
like the pangolin; capsizing in
disheartenment. Bedizened or stark
naked, man, the self, the being we call human, writing-
masters to this world, griffons a dark
"Like does not like like that is abnoxious"; and writes error with four
r's. Among animals, one has sense of humor.
Humor saves a few steps, it saves years. Unignorant,
modest and unemotional, and all emotion,
he has everlasting vigor,
power to grow,
though there are few creatures who can make one
breathe faster and make one erecter.
Not afraid of anything is he,
and then goes cowering forth, tread paced to meet an obstacle
at every step. Consistent with the
formula--warm blood, no gills, two pairs of hands and a few hairs--
that
is a mammal; there he sits on his own habitat,
serge-clad, strong-shod. The prey of fear, he, always
curtailed, extinguished, thwarted by the dusk, work partly
done,
says to the alternating blaze,
"Again the sun!
anew each day; and new and new and new,
that comes into and steadies my soul."
|
Written by
Denise Duhamel |
They decide to exchange heads.
Barbie squeezes the small opening under her chin
over Ken's bulging neck socket. His wide jaw line jostles
atop his girlfriend's body, loosely,
like one of those novelty dogs
destined to gaze from the back windows of cars.
The two dolls chase each other around the orange Country Camper
unsure what they'll do when they're within touching distance.
Ken wants to feel Barbie's toes between his lips,
take off one of her legs and force his whole arm inside her.
With only the vaguest suggestion of genitals,
all the alluring qualities they possess as fashion dolls,
up until now, have done neither of them much good.
But suddenly Barbie is excited looking at her own body
under the weight of Ken's face. He is part circus freak,
part thwarted hermaphrodite. And she is imagining
she is somebody else-- maybe somebody middle class and ordinary,
maybe another teenage model being caught in a scandal.
The night had begun with Barbie getting angry
at finding Ken's blow up doll, folded and stuffed
under the couch. He was defensive and ashamed, especially about
not having the breath to inflate her. But after a round
of pretend-tears, Barbie and Ken vowed to try
to make their relationship work. With their good memories
as sustaining as good food, they listened to late-night radio
talk shows, one featuring Doctor Ruth. When all else fails,
just hold each other, the small sex therapist crooned.
Barbie and Ken, on cue, groped in the dark,
their interchangeable skin glowing, the color of Band-Aids.
Then, they let themselves go-- Soon Barbie was begging Ken
to try on her spandex miniskirt. She showed him how
to pivot as though he was on a runway. Ken begged
to tie Barbie onto his yellow surfboard and spin her
on the kitcen table until she grew dizzy. Anything,
anything, they both said to the other's requests,
their mirrored desires bubbling from the most unlikely places.
|
Written by
Alfred Austin |
LEAVE me a little while alone,
Here at his grave that still is strown
With crumbling flower and wreath;
The laughing rivulet leaps and falls,
The thrush exults, the cuckoo calls,
And he lies hush’d beneath.
With myrtle cross and crown of rose,
And every lowlier flower that blows,
His new-made couch is dress’d;
Primrose and cowslip, hyacinth wild,
Gather’d by monarch, peasant, child,
A nation’s grief attest.
I stood not with the mournful crowd
That hither came when round his shroud
Pious farewells were said.
In the fam’d city that he sav’d,
By minaret crown’d, by billow lav’d,
I heard that he was dead.
Now o’er his tomb at last I bend,
No greeting get, no greeting tend,
Who never came before
Unto his presence, but I took,
From word or gesture, tone or look,
Some wisdom from his door.
And must I now unanswer’d wait,
And, though a suppliant at the gate,
No sound my ears rejoice?
Listen! Yes, even as I stand,
I feel the pressure of his hand,
The comfort of his voice.
How poor were Fame, did grief confess
That death can make a great life less,
Or end the help it gave!
Our wreaths may fade, our flowers may wane,
But his well-ripen’d deeds remain,
Untouch’d, above his grave.
Let this, too, soothe our widow’d minds;
Silenced are the opprobrious winds
Whene’er the sun goes down;
And free henceforth from noonday noise,
He at a tranquil height enjoys
The starlight of renown.
Thus hence we something more may take
Than sterile grief, than formless ache,
Or vainly utter’d vow;
Death hath bestow’d what life withheld
And he round whom detraction swell’d
Hath peace with honor now.
The open jeer, the covert taunt,
The falsehood coin’d in factious haunt,
These loving gifts reprove.
They never were but thwarted sound
Of ebbing waves that bluster round
A rock that will not move.
And now the idle roar rolls off,
Hush’d is the gibe and sham’d the scoff,
Repress’d the envious gird;
Since death, the looking-glass of life,
Clear’d of the misty breath of strife,
Reflects his face unblurr’d.
From callow youth to mellow age,
Men turn the leaf and scan the page,
And note, with smart of loss,
How wit to wisdom did mature,
How duty burn’d ambition pure,
And purged away the dross.
Youth is self-love; our manhood lends
Its heart to pleasure, mistress, friends,
So that when age steals nigh,
How few find any worthier aim
Than to protract a flickering flame,
Whose oil hath long run dry!
But he, unwitting youth once flown,
With England’s greatness link’d his own,
And, steadfast to that part,
Held praise and blame but fitful sound,
And in the love of country found
Full solace for his heart.
Now in an English grave he lies:
With flowers that tell of English skies
And mind of English air,
A grateful sovereign decks his bed,
And hither long with pilgrim tread
Will English feet repair.
Yet not beside his grave alone
We seek the glance, the touch, the tone;
His home is nigh,—but there,
See from the hearth his figure fled,
The pen unrais’d, the page unread,
Untenanted the chair!
Vainly the beechen boughs have made
A fresh green canopy of shade,
Vainly the peacocks stray;
While Carlo, with despondent gait,
Wonders how long affairs of State
Will keep his lord away.
Here most we miss the guide, the friend;
Back to the churchyard let me wend,
And, by the posied mound,
Lingering where late stood worthier feet,
Wish that some voice, more strong, more sweet,
A loftier dirge would sound.
At least I bring not tardy flowers:
Votive to him life’s budding powers,
Such as they were, I gave—
He not rejecting, so I may
Perhaps these poor faint spices lay,
Unchidden, on his grave!
|
Written by
Edwin Arlington Robinson |
He knocked, and I beheld him at the door--
A vision for the gods to verify.
"What battered ancient is this," thought I,
"And when, if ever, did we meet before?"
But ask him as I might, I got no more
For answer than a moaning and a cry:
Too late to parley, but in time to die,
He staggered, and lay ahapeless on the floor.
When had I known him? And what brought him here?
Love, warning, malediction, fear?
Surely I never thwarted such as he?--
Again, what soiled obscurity was this:
Out of what scum, and up from what abyss,
Had they arrived--these rags of memory.
|
Written by
Edwin Arlington Robinson |
There were faces to remember in the Valley of the Shadow,
There were faces unregarded, there were faces to forget;
There were fires of grief and fear that are a few forgotten ashes,
There were sparks of recognition that are not forgotten yet.
For at first, with an amazed and overwhelming indignation
At a measureless malfeasance that obscurely willed it thus,
They were lost and unacquainted—till they found themselves in others,
Who had groped as they were groping where dim ways were perilous.
There were lives that were as dark as are the fears and intuitions
Of a child who knows himself and is alone with what he knows;
There were pensioners of dreams and there were debtors of illusions,
All to fail before the triumph of a weed that only grows.
There were thirsting heirs of golden sieves that held not wine or water,
And had no names in traffic or more value there than toys:
There were blighted sons of wonder in the Valley of the Shadow,
Where they suffered and still wondered why their wonder made no noise.
There were slaves who dragged the shackles of a precedent unbroken,
Demonstrating the fulfilment of unalterable schemes,
Which had been, before the cradle, Time’s inexorable tenants
Of what were now the dusty ruins of their father’s dreams.
There were these, and there were many who had stumbled up to manhood,
Where they saw too late the road they should have taken long ago:
There were thwarted clerks and fiddlers in the Valley of the Shadow,
The commemorative wreckage of what others did not know.
And there were daughters older than the mothers who had borne them,
Being older in their wisdom, which is older than the earth;
And they were going forward only farther into darkness,
Unrelieved as were the blasting obligations of their birth;
And among them, giving always what was not for their possession,
There were maidens, very quiet, with no quiet in their eyes;
There were daughters of the silence in the Valley of the Shadow,
Each an isolated item in the family sacrifice.
There were creepers among catacombs where dull regrets were torches,
Giving light enough to show them what was there upon the shelves—
Where there was more for them to see than pleasure would remember
Of something that had been alive and once had been themselves.
There were some who stirred the ruins with a solid imprecation,
While as many fled repentance for the promise of despair:
There were drinkers of wrong waters in the Valley of the Shadow,
And all the sparkling ways were dust that once had led them there.
There were some who knew the steps of Age incredibly beside them,
And his fingers upon shoulders that had never felt the wheel;
And their last of empty trophies was a gilded cup of nothing,
Which a contemplating vagabond would not have come to steal.
Long and often had they figured for a larger valuation,
But the size of their addition was the balance of a doubt:
There were gentlemen of leisure in the Valley of the Shadow,
Not allured by retrospection, disenchanted, and played out.
And among the dark endurances of unavowed reprisals
There were silent eyes of envy that saw little but saw well;
And over beauty’s aftermath of hazardous ambitions
There were tears for what had vanished as they vanished where they fell.
Not assured of what was theirs, and always hungry for the nameless,
There were some whose only passion was for Time who made them cold:
There were numerous fair women in the Valley of the Shadow,
Dreaming rather less of heaven than of hell when they were old.
Now and then, as if to scorn the common touch of common sorrow,
There were some who gave a few the distant pity of a smile;
And another cloaked a soul as with an ash of human embers,
Having covered thus a treasure that would last him for a while.
There were many by the presence of the many disaffected,
Whose exemption was included in the weight that others bore:
There were seekers after darkness in the Valley of the Shadow,
And they alone were there to find what they were looking for.
So they were, and so they are; and as they came are coming others,
And among them are the fearless and the meek and the unborn;
And a question that has held us heretofore without an answer
May abide without an answer until all have ceased to mourn.
For the children of the dark are more to name than are the wretched,
Or the broken, or the weary, or the baffled, or the shamed:
There are builders of new mansions in the Valley of the Shadow,
And among them are the dying and the blinded and the maimed.
|
Written by
Wang Wei |
When he was a youth of fifteen or twenty,
He chased a wild horse, he caught him and rode him,
He shot the white-browed mountain tiger,
He defied the yellow-bristled Horseman of Ye.
Fighting single- handed for a thousand miles,
With his naked dagger he could hold a multitude.
...Granted that the troops of China were as swift as heaven's thunder
And that Tartar soldiers perished in pitfalls fanged with iron,
General Wei Qing's victory was only a thing of chance.
And General Li Guang's thwarted effort was his fate, not his fault.
Since this man's retirement he is looking old and worn:
Experience of the world has hastened his white hairs.
Though once his quick dart never missed the right eye of a bird,
Now knotted veins and tendons make his left arm like an osier.
He is sometimes at the road-side selling melons from his garden,
He is sometimes planting willows round his hermitage.
His lonely lane is shut away by a dense grove,
His vacant window looks upon the far cold mountains
But, if he prayed, the waters would come gushing for his men
And never would he wanton his cause away with wine.
...War-clouds are spreading, under the Helan Range;
Back and forth, day and night, go feathered messages;
In the three River Provinces, the governors call young men --
And five imperial edicts have summoned the old general.
So he dusts his iron coat and shines it like snow-
Waves his dagger from its jade hilt in a dance of starry steel.
He is ready with his strong northern bow to smite the Tartar chieftain --
That never a foreign war-dress may affront the Emperor.
...There once was an aged Prefect, forgotten and far away,
Who still could manage triumph with a single stroke.
|
Written by
Edgar Lee Masters |
Where are Elmer, Herman, Bert, Tom, and Charley,
The weak of will, the strong of arm, the clown, the boozer, the fighter?
All, all, are sleeping on the hill.
One passed in a fever,
One was burned in a mine,
One was killed in a brawl,
One died in jail,
One fell from a bridge toiling for children and wife--
All, all are sleeping, sleeping, sleeping on the hill.
Where are Ella, Kate, Mag, Lizzie, and Edith,
The tender heart, the simple soul, the loud, the proud, the happy one?--
All, all, are sleeping on the hill.
One died in shameful child-birth,
One of a thwarted love,
One at the hands of a brute in a brothel,
One of a broken pride, in a search for a heart's desire,
One after life in faraway London and Paris
Was brought to her little space by Ella and Kate and Mag--
All, all are sleeping, sleeping, sleeping on the hill.
Where are Uncle Issac and Aunt Emily,
And old Towny Kincaid and Sevigne Houghton,
And Major Walker who had talked
With veneravle men of the revolution?--
All, all, are sleeping on the hill.
They brought them dead sons from the war,
And daughters whom life had crushed,
And their children fatherless, crying--
All, all are sleeping, sleeping, sleeping on the hill.
Where is old Fiddler Jones
Who played with life all his ninety years,
Braving the sleet with bared breast,
Drinking, rioting, thinking neither of wife nor kin,
Nor gold, nor love, nor heaven?
Lo! he babbles of the fish-frys of long ago,
Of the horse-races long ago at Clary's Grove,
Of what Abe Lincoln said
One time at Springfield.
|
Written by
Ralph Waldo Emerson |
I serve you not, if you I follow,
Shadow-like, o'er hill and hollow,
And bend my fancy to your leading,
All too nimble for my treading.
When the pilgrimage is done,
And we've the landscape overrun,
I am bitter, vacant, thwarted,
And your heart is unsupported.
Vainly valiant, you have missed
The manhood that should yours resist,
Its complement; but if I could
In severe or cordial mood
Lead you rightly to my altar,
Where the wisest muses falter,
And worship that world-warning spark
Which dazzles me in midnight dark,
Equalizing small and large,
While the soul it doth surcharge,
That the poor is wealthy grown,
And the hermit never alone,
The traveller and the road seem one
With the errand to be done;—
That were a man's and lover's part,
That were Freedom's whitest chart.
|
Written by
Algernon Charles Swinburne |
Forth from Calais, at dawn of night, when sunset summer on autumn shone,
Fared the steamer alert and loud through seas whence only the sun was gone:
Soft and sweet as the sky they smiled, and bade man welcome: a dim sweet hour
Gleamed and whispered in wind and sea, and heaven was fair as a field in flower,
Stars fulfilled the desire of the darkling world as with music: the star-bright air
Made the face of the sea, if aught may make the face of the sea, more fair.
Whence came change? Was the sweet night weary of rest? What anguish awoke in the dark?
Sudden, sublime, the strong storm spake: we heard the thunders as hounds that bark.
Lovelier if aught may be lovelier than stars, we saw the lightnings exalt the sky,
Living and lustrous and rapturous as love that is born but to quicken and lighten and die.
Heaven's own heart at its highest of delight found utterance in music and semblance in fire:
Thunder on thunder exulted, rejoicing to live and to satiate the night's desire.
And the night was alive and an-hungered of life as a tiger from toils cast free:
And a rapture of rage made joyous the spirit and strength of the soul of the sea.
All the weight of the wind bore down on it, freighted with death for fraught:
And the keen waves kindled and quickened as things transfigured or things distraught.
And madness fell on them laughing and leaping; and madness came on the wind:
And the might and the light and the darkness of storm were as storm in the heart of Ind.
Such glory, such terror, such passion, as lighten and harrow the far fierce East,
Rang, shone, spake, shuddered around us: the night was an altar with death for priest.
The channel that sunders England from shores where never was man born free
Was clothed with the likeness and thrilled with the strength and the wrath of a tropic sea.
As a wild steed ramps in rebellion, and rears till it swerves from a backward fall,
The strong ship struggled and reared, and her deck was upright as a sheer cliff's wall.
Stern and prow plunged under, alternate: a glimpse, a recoil, a breath,
And she sprang as the life in a god made man would spring at the throat of death.
Three glad hours, and it seemed not an hour of supreme and supernal joy,
Filled full with delight that revives in remembrance a sea-bird's heart in a boy.
For the central crest of the night was cloud that thundered and flamed, sublime
As the splendour and song of the soul everlasting that quickens the pulse of time.
The glory beholden of man in a vision, the music of light overheard,
The rapture and radiance of battle, the life that abides in the fire of a word,
In the midmost heaven enkindled, was manifest far on the face of the sea,
And the rage in the roar of the voice of the waters was heard but when heaven breathed free.
Far eastward, clear of the covering of cloud, the sky laughed out into light
From the rims of the storm to the sea's dark edge with flames that were flowerlike and white.
The leaping and luminous blossoms of live sheet lightning that laugh as they fade
From the cloud's black base to the black wave's brim rejoiced in the light they made.
Far westward, throned in a silent sky, where life was in lustrous tune,
Shone, sweeter and surer than morning or evening, the steadfast smile of the moon.
The limitless heaven that enshrined them was lovelier than dreams may behold, and deep
As life or as death, revealed and transfigured, may shine on the soul through sleep.
All glories of toil and of triumph and passion and pride that it yearns to know
Bore witness there to the soul of its likeness and kinship, above and below.
The joys of the lightnings, the songs of the thunders, the strong sea's labour and rage,
Were tokens and signs of the war that is life and is joy for the soul to wage.
No thought strikes deeper or higher than the heights and the depths that the night made bare,
Illimitable, infinite, awful and joyful, alive in the summit of air--
Air stilled and thrilled by the tempest that thundered between its reign and the sea's,
Rebellious, rapturous, and transient as faith or as terror that bows men's knees.
No love sees loftier and fairer the form of its godlike vision in dreams
Than the world shone then, when the sky and the sea were as love for a breath's length seems--
One utterly, mingled and mastering and mastered and laughing with love that subsides
As the glad mad night sank panting and satiate with storm, and released the tides.
In the dense mid channel the steam-souled ship hung hovering, assailed and withheld
As a soul born royal, if life or if death be against it, is thwarted and quelled.
As the glories of myriads of glow-worms in lustrous grass on a boundless lawn
Were the glories of flames phosphoric that made of the water a light like dawn.
A thousand Phosphors, a thousand Hespers, awoke in the churning sea,
And the swift soft hiss of them living and dying was clear as a tune could be;
As a tune that is played by the fingers of death on the keys of life or of sleep,
Audible alway alive in the storm, too fleet for a dream to keep:
Too fleet, too sweet for a dream to recover and thought to remember awake:
Light subtler and swifter than lightning, that whispers and laughs in the live storm's wake,
In the wild bright wake of the storm, in the dense loud heart of the labouring hour,
A harvest of stars by the storm's hand reaped, each fair as a star-shaped flower.
And sudden and soft as the passing of sleep is the passing of tempest seemed
When the light and the sound of it sank, and the glory was gone as a dream half dreamed.
The glory, the terror, the passion that made of the midnight a miracle, died,
Not slain at a stroke, nor in gradual reluctance abated of power and of pride;
With strong swift subsidence, awful as power that is wearied of power upon earth,
As a God that were wearied of power upon heaven, and were fain of a new God's birth,
The might of the night subsided: the tyranny kindled in darkness fell:
And the sea and the sky put off them the rapture and radiance of heaven and of hell.
The waters, heaving and hungering at heart, made way, and were wellnigh fain,
For the ship that had fought them, and wrestled, and revelled in labour, to cease from her pain.
And an end was made of it: only remembrance endures of the glad loud strife;
And the sense that a rapture so royal may come not again in the passage of life.
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