Written by
Rudyard Kipling |
There's a whisper down the field where the year has shot her yield,
And the ricks stand grey to the sun,
Singing: "Over then, come over, for the bee has quit the dover,
"And your English summer's done.
"
You have heard the beat of the off-shore wind,
And the thresh of the deep-sea rain;
You have heard the song -- how long? how long?
Pull out on the trail again!
Ha' done with the Tents of Shem, dear lass,
We've seen the seasons through,
And it's time to turn the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail-the trail that is always new!
It's North you may run to the rime-ringed sun
Or South to the blind Hom's hate;
Or East all the way into Mississippi Bay,
Or West to the Golden Gate --
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail -- the trail that is always new.
The days are sick and cold, and the skies are grey and old
And the twice-breathed airs blow damp;
And I'd sell my tired soul for the bucking beam-sea roll
Of a black Bilbao tramp,
With her load-line over her hatch, dear lass,
And a drunken Dago crew,
And her nose held down on the old trail, our own trail, the out trail
From Cadiz south on the Long Trail-the trail that is always new.
There be triple ways to take, of the eagle or the snake,
Or the way of a man with a maid;
But the sweetest way to me is a ship's upon the sea
In the heel of the North-East Trade.
Can you hear the crash on her brows, dear lass.
And the drum of the racing screw,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and 'scends on the Long Trail -- the trail that is always new?
See the shaking funnels roar, with the Peter at the fore,
And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
And the fall-rope whines through the sheave;
It's "Gang-plank up and in," dear lass,
It's "Hawsers warp her through!"
And it's "All clear aft" on the old trail, our own trail, the out trail,
We're backing down on the Long Trail -- the trail that is always new.
O the mutter overside, when the port-fog holds us tied,
And the sirens hoot their dread,
When foot by foot we creep o'er the hueless, viewless deep
To the sob of the questing lead!
It's down by the Lower Hope, dear lass,
With the Grinfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail -- the trail that is always new.
O the blazing tropic night, when the wake's a welt of light
That holds the hot sky tame,
And the steady fore-foot snores through the planet-powdered floors
Where the scared whale flukes in flame!
Her plates are flaked by the sun, dear lass
And her ropes are taut with the dew,
For we're booming down on the old trail, our own trail, the out trail,
We're sagging south on the Long Trail -- the trail that is always new.
Then home, get her home, where the drunken rollers comb,
And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They're all old friends on the old trail, our own trail, the out trail,
They're God's own guides on the Long Trail -- the trail that is always new.
Fly forward, O my heart, from the Foreland to the Start
We're steaming all too slow,
And it's twenty thousand mile to our little lazy isle
Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song-how long? how long?
Pull out on the trail again!
The Lord knows what we may find, dear lass,
And The Deuce knows we may do
But we're back once more on the old trail, our own trail, the out trail,
We're down, hull-down, on the Long Trail -- the trail that is always new!
|
Written by
Robert Browning |
I.
Stand still, true poet that you are!
I know you; let me try and draw you.
Some night you'll fail us: when afar
You rise, remember one man saw you,
Knew you, and named a star!
II.
My star, God's glow-worm! Why extend
That loving hand of his which leads you
Yet locks you safe from end to end
Of this dark world, unless he needs you,
just saves your light to spend?
III.
His clenched hand shall unclose at last,
I know, and let out all the beauty:
My poet holds the future fast,
Accepts the coming ages' duty,
Their present for this past.
IV.
That day, the earth's feast-master's brow
Shall clear, to God the chalice raising;
``Others give best at first, but thou
``Forever set'st our table praising,
``Keep'st the good wine till now!''
V.
Meantime, I'll draw you as you stand,
With few or none to watch and wonder:
I'll say---a fisher, on the sand
By Tyre the old, with ocean-plunder,
A netful, brought to land.
VI.
Who has not heard how Tyrian shells
Enclosed the blue, that dye of dyes
Whereof one drop worked miracles,
And coloured like Astarte's eyes
Raw silk the merchant sells?
VII.
And each bystander of them all
Could criticize, and quote tradition
How depths of blue sublimed some pall
---To get which, pricked a king's ambition
Worth sceptre, crown and ball.
VIII.
Yet there's the dye, in that rough mesh,
The sea has only just o'erwhispered!
Live whelks, each lip's beard dripping fresh,
As if they still the water's lisp heard
Through foam the rock-weeds thresh.
IX.
Enough to furnish Solomon
Such hangings for his cedar-house,
That, when gold-robed he took the throne
In that abyss of blue, the Spouse
Might swear his presence shone
X.
Most like the centre-spike of gold
Which burns deep in the blue-bell's womb,
What time, with ardours manifold,
The bee goes singing to her groom,
Drunken and overbold.
XI.
Mere conchs! not fit for warp or woof!
Till cunning come to pound and squeeze
And clarify,---refine to proof
The liquor filtered by degrees,
While the world stands aloof.
XII.
And there's the extract, flasked and fine,
And priced and saleable at last!
And Hobbs, Nobbs, Stokes and Nokes combine
To paint the future from the past,
Put blue into their line.
XIII.
Hobbs hints blue,---Straight he turtle eats:
Nobbs prints blue,---claret crowns his cup:
Nokes outdares Stokes in azure feats,---
Both gorge.
Who fished the murex up?
What porridge had John Keats?
* 1 The Syrian Venus.
* 2 Molluscs from which the famous Tyrian
* purple dye was obtained.
|
Written by
Delmore Schwartz |
"I have been one acquainted with the night" - Robert Frost
Rode in the train all night, in the sick light.
A bird
Flew parallel with a singular will.
In daydream's moods and
attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.
Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling.
And the bird flew parallel and still
As the train shot forth the straight line of its whistle,
Forward on the taut tracks, piercing empty, familiar --
The bored center of this vision and condition looked and
looked
Down through the slick pages of the magazine (seeking
The seen and the unseen) and his gaze fell down the well
Of the great darkness under the slick glitter,
And he was only one among eight million riders and
readers.
And all the while under his empty smile the shaking drum
Of the long determined passage passed through him
By his body mimicked and echoed.
And then the train
Like a suddenly storming rain, began to rush and thresh--
The silent or passive night, pressing and impressing
The patients' foreheads with a tightening-like image
Of the rushing engine proceeded by a shaft of light
Piercing the dark, changing and transforming the silence
Into a violence of foam, sound, smoke and succession.
A bored child went to get a cup of water,
And crushed the cup because the water too was
Boring and merely boredom's struggle.
The child, returning, looked over the shoulder
Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops
Drip down the fleece of many dinners.
And the bird flew parallel and parallel flew
The black pencil lines of telephone posts, crucified,
At regular intervals, post after post
Of thrice crossed, blue-belled, anonymous trees.
And then the bird cried as if to all of us:
0 your life, your lonely life
What have you ever done with it,
And done with the great gift of consciousness?
What will you ever do with your life before death's
knife
Provides the answer ultimate and appropriate?
As I for my part felt in my heart as one who falls,
Falls in a parachute, falls endlessly, and feel the vast
Draft of the abyss sucking him down and down,
An endlessly helplessly falling and appalled clown:
This is the way that night passes by, this
Is the overnight endless trip to the famous unfathomable
abyss.
|
Written by
D. H. Lawrence |
Too far away, oh love, I know,
To save me from this haunted road,
Whose lofty roses break and blow
On a night-sky bent with a load
Of lights: each solitary rose,
Each arc-lamp golden does expose
Ghost beyond ghost of a blossom, shows
Night blenched with a thousand snows.
Of hawthorn and of lilac trees,
White lilac; shows discoloured night
Dripping with all the golden lees
Laburnum gives back to light.
And shows the red of hawthorn set
On high to the purple heaven of night,
Like flags in blenched blood newly wet,
Blood shed in the noiseless fight.
Of life for love and love for life,
Of hunger for a little food,
Of kissing, lost for want of a wife
Long ago, long ago wooed.
.
.
.
.
.
.
Too far away you are, my love,
To steady my brain in this phantom show
That passes the nightly road above
And returns again below.
The enormous cliff of horse-chestnut trees
Has poised on each of its ledges
An erect small girl looking down at me;
White-night-gowned little chits I see,
And they peep at me over the edges
Of the leaves as though they would leap, should I call
Them down to my arms;
"But, child, you're too small for me, too small
Your little charms.
"
White little sheaves of night-gowned maids,
Some other will thresh you out!
And I see leaning from the shades
A lilac like a lady there, who braids
Her white mantilla about
Her face, and forward leans to catch the sight
Of a man's face,
Gracefully sighing through the white
Flowery mantilla of lace.
And another lilac in purple veiled
Discreetly, all recklessly calls
In a low, shocking perfume, to know who has hailed
Her forth from the night: my strength has failed
In her voice, my weak heart falls:
Oh, and see the laburnum shimmering
Her draperies down,
As if she would slip the gold, and glimmering
White, stand naked of gown.
.
.
.
.
.
.
The pageant of flowery trees above
The street pale-passionate goes,
And back again down the pavement, Love
In a lesser pageant flows.
Two and two are the folk that walk,
They pass in a half embrace
Of linked bodies, and they talk
With dark face leaning to face.
Come then, my love, come as you will
Along this haunted road,
Be whom you will, my darling, I shall
Keep with you the troth I trowed.
|
Written by
Robert Burns |
WHAT ails ye now, ye lousie *****
To thresh my back at sic a pitch?
Losh, man! hae mercy wi’ your natch,
Your bodkin’s bauld;
I didna suffer half sae much
Frae Daddie Auld.
What tho’ at times, when I grow crouse,
I gie their wames a random pouse,
Is that enough for you to souse
Your servant sae?
Gae mind your seam, ye prick-the-louse,
An’ jag-the-flea!
King David, o’ poetic brief,
Wrocht ’mang the lasses sic mischief
As filled his after-life wi’ grief,
An’ bluidy rants,
An’ yet he’s rank’d amang the chief
O’ lang-syne saunts.
And maybe, Tam, for a’ my cants,
My wicked rhymes, an’ drucken rants,
I’ll gie auld cloven’s Clootie’s haunts
An unco slip yet,
An’ snugly sit amang the saunts,
At Davie’s hip yet!
But, fegs! the session says I maun
Gae fa’ upo’ anither plan
Than garrin lasses coup the cran,
Clean heels ower body,
An’ sairly thole their mother’s ban
Afore the howdy.
This leads me on to tell for sport,
How I did wi’ the Session sort;
Auld Clinkum, at the inner port,
Cried three times, “Robin!
Come hither lad, and answer for’t,
Ye’re blam’d for jobbin!”
Wi’ pinch I put a Sunday’s face on,
An’ snoov’d awa before the Session:
I made an open, fair confession—
I scorn’t to lee,
An’ syne Mess John, beyond expression,
Fell foul o’ me.
A fornicator-loun he call’d me,
An’ said my faut frae bliss expell’d me;
I own’d the tale was true he tell’d me,
“But, what the matter?
(Quo’ I) I fear unless ye geld me,
I’ll ne’er be better!”
“Geld you! (quo’ he) an’ what for no?
If that your right hand, leg or toe
Should ever prove your sp’ritual foe,
You should remember
To cut it aff—an’ what for no
Your dearest member?”
“Na, na, (quo’ I,) I’m no for that,
Gelding’s nae better than ’tis ca’t;
I’d rather suffer for my faut
A hearty flewit,
As sair owre hip as ye can draw’t,
Tho’ I should rue it.
“Or, gin ye like to end the bother,
To please us a’—I’ve just ae ither—
When next wi’ yon lass I forgather,
Whate’er betide it,
I’ll frankly gie her ’t a’ thegither,
An’ let her guide it.
”
But, sir, this pleas’d them warst of a’,
An’ therefore, Tam, when that I saw,
I said “Gude night,” an’ cam’ awa’,
An’ left the Session;
I saw they were resolvèd a’
On my oppression.
|
Written by
Robert Burns |
GUDEWIFE,I MIND it weel in early date,
When I was bardless, young, and blate,
An’ first could thresh the barn,
Or haud a yokin’ at the pleugh;
An, tho’ forfoughten sair eneugh,
Yet unco proud to learn:
When first amang the yellow corn
A man I reckon’d was,
An’ wi’ the lave ilk merry morn
Could rank my rig and lass,
Still shearing, and clearing
The tither stooked raw,
Wi’ claivers, an’ haivers,
Wearing the day awa.
E’en then, a wish, (I mind its pow’r),
A wish that to my latest hour
Shall strongly heave my breast,
That I for poor auld Scotland’s sake
Some usefu’ plan or book could make,
Or sing a sang at least.
The rough burr-thistle, spreading wide
Amang the bearded bear,
I turn’d the weeder-clips aside,
An’ spar’d the symbol dear:
No nation, no station,
My envy e’er could raise;
A Scot still, but blot still,
I knew nae higher praise.
But still the elements o’ sang,
In formless jumble, right an’ wrang,
Wild floated in my brain;
’Till on that har’st I said before,
May partner in the merry core,
She rous’d the forming strain;
I see her yet, the sonsie quean,
That lighted up my jingle,
Her witching smile, her pawky een
That gart my heart-strings tingle;
I firèd, inspired,
At every kindling keek,
But bashing, and dashing,
I fearèd aye to speak.
Health to the sex! ilk guid chiel says:
Wi’ merry dance in winter days,
An’ we to share in common;
The gust o’ joy, the balm of woe,
The saul o’ life, the heaven below,
Is rapture-giving woman.
Ye surly sumphs, who hate the name,
Be mindfu’ o’ your mither;
She, honest woman, may think shame
That ye’re connected with her:
Ye’re wae men, ye’re nae men
That slight the lovely dears;
To shame ye, disclaim ye,
Ilk honest birkie swears.
For you, no bred to barn and byre,
Wha sweetly tune the Scottish lyre,
Thanks to you for your line:
The marled plaid ye kindly spare,
By me should gratefully be ware;
’Twad please me to the nine.
I’d be mair vauntie o’ my hap,
Douce hingin owre my curple,
Than ony ermine ever lap,
Or proud imperial purple.
Farewell then, lang hale then,
An’ plenty be your fa;
May losses and crosses
Ne’er at your hallan ca’!R.
BURNS.
March, 1787
|
Written by
Robert William Service |
The sky is like an envelope,
One of those blue official things;
And, sealing it, to mock our hope,
The moon, a silver wafer, clings.
What shall we find when death gives leave
To read--our sentence or reprieve?
I'm holding it down on God's scrap-pile, up on the ***-end of earth;
O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;
Wondering what I was made for, here in my last retreat.
Last! Ah, yes, it's the finish.
Have ever you heard a man cry?
(Sobs that rake him and rend him, right from the base of the chest.
)
That's how I've cried, oh, so often; and now that my tears are dry,
I sit in the desolate quiet and wait for the infinite Rest.
Rest! Well, it's restful around me; it's quiet clean to the core.
The mountains pose in their ermine, in golden the hills are clad;
The big, blue, silt-freighted Yukon seethes by my cabin door,
And I think it's only the river that keeps me from going mad.
By day it's a ruthless monster, a callous, insatiate thing,
With oily bubble and eddy, with sudden swirling of breast;
By night it's a writhing Titan, sullenly murmuring,
Ever and ever goaded, and ever crying for rest.
It cries for its human tribute, but me it will never drown.
I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town,
Where wood means wine and women, and, incidentally, hell.
Hell and the anguish thereafter.
Here as I sit alone
I'd give the life I have left me to lighten some load of care:
(The bitterest part of the bitter is being denied to atone;
Lips that have mocked at Heaven lend themselves ill to prayer.
)
Impotent as a beetle pierced on the needle of Fate;
A wretch in a cosmic death-cell, peaks for my prison bars;
'Whelmed by a world stupendous, lonely and listless I wait,
Drowned in a sea of silence, strewn with confetti of stars.
See! from far up the valley a rapier pierces the night,
The white search-ray of a steamer.
Swiftly, serenely it nears;
A proud, white, alien presence, a glittering galley of light,
Confident-poised, triumphant, freighted with hopes and fears.
I look as one looks on a vision; I see it pulsating by;
I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
Darkness is piled upon darkness.
God only knows how I feel.
Maybe you've seen me sometimes; maybe you've pitied me then--
The lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men,
I shall be far from your pity, resting forevermore.
My life was a problem in ciphers, a weary and profitless sum.
Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me.
Oh, Death, with thy moistened thumb,
Stoop like a petulant schoolboy, wipe me forever out!
|
Written by
Louise Bogan |
I burned my life, that I may find
A passion wholly of the mind,
Thought divorced from eye and bone
Ecstasy come to breath alone.
I broke my life, to seek relief
From the flawed light of love and grief.
With mounting beat the utter fire
Charred existence and desire.
It died low, ceased its sudden thresh.
I had found unmysterious flesh--
Not the mind's avid substance--still
Passionate beyond the will.
|
Written by
Robert Burns |
O GOWDIE, terror o’ the whigs,
Dread o’ blackcoats and rev’rend wigs!
Sour Bigotry, on her last legs,
Girns an’ looks back,
Wishing the ten Egyptian plagues
May seize you quick.
Poor gapin’, glowrin’ Superstition!
Wae’s me, she’s in a sad condition:
Fye: bring Black Jock, 1 her state physician,
To see her water;
Alas, there’s ground for great suspicion
She’ll ne’er get better.
Enthusiasm’s past redemption,
Gane in a gallopin’ consumption:
Not a’ her quacks, wi’ a’ their gumption,
Can ever mend her;
Her feeble pulse gies strong presumption,
She’ll soon surrender.
Auld Orthodoxy lang did grapple,
For every hole to get a stapple;
But now she fetches at the thrapple,
An’ fights for breath;
Haste, gie her name up in the chapel, 2
Near unto death.
It’s you an’ Taylor 3 are the chief
To blame for a’ this black mischief;
But, could the L—d’s ain folk get leave,
A toom tar barrel
An’ twa red peats wad bring relief,
And end the quarrel.
For me, my skill’s but very sma’,
An’ skill in prose I’ve nane ava’;
But quietlins-wise, between us twa,
Weel may you speed!
And tho’ they sud your sair misca’,
Ne’er fash your head.
E’en swinge the dogs, and thresh them sicker!
The mair they squeel aye chap the thicker;
And still ’mang hands a hearty bicker
O’ something stout;
It gars an owthor’s pulse beat quicker,
And helps his wit.
There’s naething like the honest nappy;
Whare’ll ye e’er see men sae happy,
Or women sonsie, saft an’ sappy,
’Tween morn and morn,
As them wha like to taste the drappie,
In glass or horn?
I’ve seen me dazed upon a time,
I scarce could wink or see a styme;
Just ae half-mutchkin does me prime,—
Ought less is little—
Then back I rattle on the rhyme,
As gleg’s a whittle.
Note 1.
The Rev.
J.
Russell, Kilmarnock.
—R.
B.
[back]
Note 2.
Mr.
Russell’s Kirk.
—R.
B.
[back]
Note 3.
Dr.
Taylor of Norwich.
—R.
B.
[back]
|
Written by
Thomas Hardy |
This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly;
And the little brown nightingale bills his best,
And they sit outside at 'The Traveller's Rest,'
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.
This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.
|