10 Best Famous Thomas Hood Poems

Here is a collection of the top 10 all-time best famous Thomas Hood poems. This is a select list of the best famous Thomas Hood poetry. Reading, writing, and enjoying famous Thomas Hood poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of thomas hood poems.

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Written by Thomas Hood | Create an image from this poem

November

 No sun - no moon! 
No morn - no noon - 
No dawn - no dusk - no proper time of day. 
No warmth, no cheerfulness, no healthful ease, 
No comfortable feel in any member - 
No shade, no shine, no butterflies, no bees, 
No fruits, no flowers, no leaves, no birds! - 
November!

Written by Thomas Hood | Create an image from this poem

I Remember I Remember

 I Remember, I Remember

I remember, I remember 
The house where I was born, 
The little window where the sun 
Came peeping in at morn; 
He never came a wink too soon 
Nor brought too long a day; 
But now, I often wish the night 
Had borne my breath away.

I remember, I remember 
The roses red and white, 
The violets and the lily cups-- 
Those flowers made of light! 
The lilacs where the robin built, 
And where my brother set 
The laburnum on his birthday,-- 
The tree is living yet!

I remember, I remember 
Where I was used to swing, 
And thought the air must rush as fresh 
To swallows on the wing; 
My spirit flew in feathers then 
That is so heavy now, 
The summer pools could hardly cool 
The fever on my brow.

I remember, I remember 
The fir-trees dark and high; 
I used to think their slender tops 
Were close against the sky: 
It was a childish ignorance, 
But now 'tis little joy 
To know I'm farther off from Heaven 
Than when I was a boy.
Written by Thomas Hood | Create an image from this poem

The Bridge of Sighs

 One more Unfortunate, 
Weary of breath, 
Rashly importunate, 
Gone to her death! 

Take her up tenderly, 
Lift her with care; 
Fashion'd so slenderly 
Young, and so fair! 

Look at her garments 
Clinging like cerements; 
Whilst the wave constantly 
Drips from her clothing; 
Take her up instantly, 
Loving, not loathing. 

Touch her not scornfully; 
Think of her mournfully, 
Gently and humanly; 
Not of the stains of her, 
All that remains of her 
Now is pure womanly. 

Make no deep scrutiny 
Into her mutiny 
Rash and undutiful: 
Past all dishonour, 
Death has left on her 
Only the beautiful. 

Still, for all slips of hers, 
One of Eve's family— 
Wipe those poor lips of hers 
Oozing so clammily. 

Loop up her tresses 
Escaped from the comb, 
Her fair auburn tresses; 
Whilst wonderment guesses 
Where was her home? 

Who was her father? 
Who was her mother? 
Had she a sister? 
Had she a brother? 
Or was there a dearer one 
Still, and a nearer one 
Yet, than all other? 

Alas! for the rarity 
Of Christian charity 
Under the sun! 
O, it was pitiful! 
Near a whole city full, 
Home she had none. 

Sisterly, brotherly, 
Fatherly, motherly 
Feelings had changed: 
Love, by harsh evidence, 
Thrown from its eminence; 
Even God's providence 
Seeming estranged. 

Where the lamps quiver 
So far in the river, 
With many a light 
From window and casement, 
From garret to basement, 
She stood, with amazement, 
Houseless by night. 

The bleak wind of March 
Made her tremble and shiver; 
But not the dark arch, 
Or the black flowing river: 
Mad from life's history, 
Glad to death's mystery, 
Swift to be hurl'd— 
Anywhere, anywhere 
Out of the world! 

In she plunged boldly— 
No matter how coldly 
The rough river ran— 
Over the brink of it, 
Picture it—think of it, 
Dissolute Man! 
Lave in it, drink of it, 
Then, if you can! 

Take her up tenderly, 
Lift her with care; 
Fashion'd so slenderly, 
Young, and so fair! 

Ere her limbs frigidly 
Stiffen too rigidly, 
Decently, kindly, 
Smooth and compose them; 
And her eyes, close them, 
Staring so blindly! 

Dreadfully staring 
Thro' muddy impurity, 
As when with the daring 
Last look of despairing 
Fix'd on futurity. 

Perishing gloomily, 
Spurr'd by contumely, 
Cold inhumanity, 
Burning insanity, 
Into her rest.— 
Cross her hands humbly 
As if praying dumbly, 
Over her breast! 

Owning her weakness, 
Her evil behaviour, 
And leaving, with meekness, 
Her sins to her Saviour!
Written by Thomas Hood | Create an image from this poem

Autumn

 I Saw old Autumn in the misty morn 
Stand shadowless like Silence, listening 
To silence, for no lonely bird would sing 
Into his hollow ear from woods forlorn, 
Nor lowly hedge nor solitary thorn;— 
Shaking his languid locks all dewy bright 
With tangled gossamer that fell by night, 
Pearling his coronet of golden corn. 

Where are the songs of Summer?—With the sun, 
Oping the dusky eyelids of the south, 
Till shade and silence waken up as one, 
And Morning sings with a warm odorous mouth. 
Where are the merry birds?—Away, away, 
On panting wings through the inclement skies, 
Lest owls should prey 
Undazzled at noonday, 
And tear with horny beak their lustrous eyes. 

Where are the blooms of Summer?—In the west, 
Blushing their last to the last sunny hours, 
When the mild Eve by sudden Night is prest 
Like tearful Proserpine, snatch'd from her flow'rs 
To a most gloomy breast. 
Where is the pride of Summer,—the green prime,— 
The many, many leaves all twinkling?—Three 
On the moss'd elm; three on the naked lime 
Trembling,—and one upon the old oak-tree! 
Where is the Dryad's immortality?— 
Gone into mournful cypress and dark yew, 
Or wearing the long gloomy Winter through 
In the smooth holly's green eternity. 

The squirrel gloats on his accomplish'd hoard, 
The ants have brimm'd their garners with ripe grain, 
And honey bees have stored 
The sweets of Summer in their luscious cells; 
The swallows all have wing'd across the main; 
But here the Autumn melancholy dwells, 
And sighs her tearful spells 
Amongst the sunless shadows of the plain. 
Alone, alone, 
Upon a mossy stone, 
She sits and reckons up the dead and gone 
With the last leaves for a love-rosary, 
Whilst all the wither'd world looks drearily, 
Like a dim picture of the drownèd past 
In the hush'd mind's mysterious far away, 
Doubtful what ghostly thing will steal the last 
Into that distance, gray upon the gray. 

O go and sit with her, and be o'ershaded 
Under the languid downfall of her hair: 
She wears a coronal of flowers faded 
Upon her forehead, and a face of care;— 
There is enough of wither'd everywhere 
To make her bower,—and enough of gloom; 
There is enough of sadness to invite, 
If only for the rose that died, whose doom 
Is Beauty's,—she that with the living bloom 
Of conscious cheeks most beautifies the light: 
There is enough of sorrowing, and quite 
Enough of bitter fruits the earth doth bear,— 
Enough of chilly droppings for her bowl; 
Enough of fear and shadowy despair, 
To frame her cloudy prison for the soul!
Written by Thomas Hood | Create an image from this poem

Past and Present

 I remember, I remember
The house where I was born,
The little window where the sun
Came peeping in at morn;
He never came a wink too soon
Nor bought too long a day;
But now, I often wish the night
Had borne my breath away.

I remember, I remember
The roses, red and white,
The violets, and the lily-cups--
Those flowers made of light!
The lilacs where the robin built,
And where my brother set
The laburnum on his birthday,--
The tree is living yet!

I remember, I remember
Where I was used to swing,
And throught the air must rush as fresh
To swallows on the wing;
My spirit flew in feathers then
That is so heavy now,
And summer pools could hardly cool
The fever on my brow.

I remember, I remember
The fir frees dark and high;
I used to think their slender tops
Were close against the sky:
It was a childish ignorance,
But now 'tis little joy
To know I'm farther off from Heaven
Than when I was a boy.

Written by Thomas Hood | Create an image from this poem

The Haunted House

 Oh, very gloomy is the house of woe,
Where tears are falling while the bell is knelling,
With all the dark solemnities that show
That Death is in the dwelling!

Oh, very, very dreary is the room
Where Love, domestic Love, no longer nestles,
But smitten by the common stroke of doom,
The corpse lies on the trestles!

But house of woe, and hearse, and sable pall,
The narrow home of the departed mortal,
Ne’er looked so gloomy as that Ghostly Hall,
With its deserted portal!

The centipede along the threshold crept,
The cobweb hung across in mazy tangle,
And in its winding sheet the maggot slept
At every nook and angle.

The keyhole lodged the earwig and her brood,
The emmets of the steps has old possession,
And marched in search of their diurnal food
In undisturbed procession.

As undisturbed as the prehensile cell
Of moth or maggot, or the spider’s tissue,
For never foot upon that threshold fell,
To enter or to issue.

O’er all there hung the shadow of a fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted.

Howbeit, the door I pushed—or so I dreamed--
Which slowly, slowly gaped, the hinges creaking
With such a rusty eloquence, it seemed
That Time himself was speaking.

But Time was dumb within that mansion old,
Or left his tale to the heraldic banners
That hung from the corroded walls, and told
Of former men and manners.

Those tattered flags, that with the opened door,
Seemed the old wave of battle to remember,
While fallen fragments danced upon the floor
Like dead leaves in December.

The startled bats flew out, bird after bird,
The screech-owl overhead began to flutter,
And seemed to mock the cry that she had heard
Some dying victim utter!

A shriek that echoed from the joisted roof,
And up the stair, and further still and further,
Till in some ringing chamber far aloof
In ceased its tale of murther!

Meanwhile the rusty armor rattled round,
The banner shuddered, and the ragged streamer;
All things the horrid tenor of the sound
Acknowledged with a tremor.

The antlers where the helmet hung, and belt,
Stirred as the tempest stirs the forest branches,
Or as the stag had trembled when he felt
The bloodhound at his haunches.

The window jingled in its crumbled frame,
And through its many gaps of destitution
Dolorous moans and hollow sighings came,
Like those of dissolution.

The wood-louse dropped, and rolled into a ball,
Touched by some impulse occult or mechanic;
And nameless beetles ran along the wall
In universal panic.

The subtle spider, that, from overhead,
Hung like a spy on human guilt and error,
Suddenly turned, and up its slender thread
Ran with a nimble terror.

The very stains and fractures on the wall,
Assuming features solemn and terrific,
Hinted some tragedy of that old hall,
Locked up in hieroglyphic.

Some tale that might, perchance, have solved the doubt,
Wherefore, among those flags so dull and livid,
The banner of the bloody hand shone out
So ominously vivid.

Some key to that inscrutable appeal
Which made the very frame of Nature quiver,
And every thrilling nerve and fiber feel
So ague-like a shiver.

For over all there hung a cloud of fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted!

Prophetic hints that filled the soul with dread,
But through one gloomy entrance pointing mostly,
The while some secret inspiration said,
“That chamber is the ghostly!”

Across the door no gossamer festoon
Swung pendulous, --no web, no dusty fringes,
No silky chrysalis or white cocoon,
About its nooks and hinges.

The spider shunned the interdicted room,
The moth, the beetle, and the fly were banished,
And when the sunbeam fell athwart the gloom,
The very midge had vanished.

One lonely ray that glanced upon a bed,
As if with awful aim direct and certain,
To show the Bloody Hand, in burning red,
Embroidered on the curtain.
Written by Thomas Hood | Create an image from this poem

Allegory

 I had a gig-horse, and I called him Pleasure 
Because on Sundays for a little jaunt 
He was so fast and showy, quite a treasure; 
Although he sometimes kicked and shied aslant. 
I had a chaise, and christened it Enjoyment, 
With yellow body and the wheels of red, 
Because it was only used for one employment, 
Namely, to go wherever Pleasure led. 
I had a wife, her nickname was Delight: 
A son called Frolic, who was never still: 
Alas! how often dark succeeds to bright! 
Delight was thrown, and Frolic had a spill, 
Enjoyment was upset and shattered quite, 
And Pleasure fell a splitter on Paine's Hill.
Written by Thomas Hood | Create an image from this poem

Silence

 There is a silence where hath been no sound,
There is a silence where no sound may be,
In the cold grave—under the deep, deep sea,
Or in wide desert where no life is found,
Which hath been mute, and still must sleep profound;
No voice is hush’d—no life treads silently,
But clouds and cloudy shadows wander free,
That never spoke, over the idle ground:
But in green ruins, in the desolate walls
Of antique palaces, where Man hath been,
Though the dun fox or wild hyæna calls,
And owls, that flit continually between,
Shriek to the echo, and the low winds moan—
There the true Silence is, self-conscious and alone.
Written by Thomas Hood | Create an image from this poem

Christmas Holidays

 Along the Woodford road there comes a noise 
Of wheels, and Mr. Rounding's neat post-chaise 
Struggles along, drawn by a pair of bays, 
With Reverend Mr. Crow and six small boys, 
Who ever and anon declare their joys 
With trumping horns and juvenile huzzas, 
At going home to spend their Christmas days, 
And changing learning's pains for pleasure's toys. 
Six weeks elapse, and down the Woodford way 
A heavy coach drags six more heavy souls, 
But no glad urchins shout, no trumpets bray, 
The carriage makes a halt, the gate-bell tolls, 
And little boys walk in as dull and mum 
As six new scholars to the Deaf and Dumb!
Written by Thomas Hood | Create an image from this poem

No!

 No sun--no moon!
No morn--no noon!
No dawn--no dusk--no proper time of day--
No sky--no earthly view--
No distance looking blue--
No road--no street--no "t'other side this way"--
No end to any Row--
No indications where the Crescents go--
No top to any steeple--
No recognitions of familiar people--
No courtesies for showing 'em--
No knowing 'em!
No traveling at all--no locomotion--
No inkling of the way--no notion--
"No go" by land or ocean--
No mail--no post--
No news from any foreign coast--
No Park, no Ring, no afternoon gentility--
No company--no nobility--
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member--
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds--
November!
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