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Best Famous Thistledown Poems

Here is a collection of the all-time best famous Thistledown poems. This is a select list of the best famous Thistledown poetry. Reading, writing, and enjoying famous Thistledown poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of thistledown poems.

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Written by Dylan Thomas | Create an image from this poem

Poem On His Birthday

 In the mustardseed sun,
By full tilt river and switchback sea
 Where the cormorants scud,
In his house on stilts high among beaks
 And palavers of birds
This sandgrain day in the bent bay's grave
 He celebrates and spurns
His driftwood thirty-fifth wind turned age;
 Herons spire and spear.
Under and round him go Flounders, gulls, on their cold, dying trails, Doing what they are told, Curlews aloud in the congered waves Work at their ways to death, And the rhymer in the long tongued room, Who tolls his birthday bell, Toils towards the ambush of his wounds; Herons, steeple stemmed, bless.
In the thistledown fall, He sings towards anguish; finches fly In the claw tracks of hawks On a seizing sky; small fishes glide Through wynds and shells of drowned Ship towns to pastures of otters.
He In his slant, racking house And the hewn coils of his trade perceives Herons walk in their shroud, The livelong river's robe Of minnows wreathing around their prayer; And far at sea he knows, Who slaves to his crouched, eternal end Under a serpent cloud, Dolphins dive in their turnturtle dust, The rippled seals streak down To kill and their own tide daubing blood Slides good in the sleek mouth.
In a cavernous, swung Wave's silence, wept white angelus knells.
Thirty-five bells sing struck On skull and scar where his loves lie wrecked, Steered by the falling stars.
And to-morrow weeps in a blind cage Terror will rage apart Before chains break to a hammer flame And love unbolts the dark And freely he goes lost In the unknown, famous light of great And fabulous, dear God.
Dark is a way and light is a place, Heaven that never was Nor will be ever is always true, And, in that brambled void, Plenty as blackberries in the woods The dead grow for His joy.
There he might wander bare With the spirits of the horseshoe bay Or the stars' seashore dead, Marrow of eagles, the roots of whales And wishbones of wild geese, With blessed, unborn God and His Ghost, And every soul His priest, Gulled and chanter in young Heaven's fold Be at cloud quaking peace, But dark is a long way.
He, on the earth of the night, alone With all the living, prays, Who knows the rocketing wind will blow The bones out of the hills, And the scythed boulders bleed, and the last Rage shattered waters kick Masts and fishes to the still quick starts, Faithlessly unto Him Who is the light of old And air shaped Heaven where souls grow wild As horses in the foam: Oh, let me midlife mourn by the shrined And druid herons' vows The voyage to ruin I must run, Dawn ships clouted aground, Yet, though I cry with tumbledown tongue, Count my blessings aloud: Four elements and five Senses, and man a spirit in love Tangling through this spun slime To his nimbus bell cool kingdom come And the lost, moonshine domes, And the sea that hides his secret selves Deep in its black, base bones, Lulling of spheres in the seashell flesh, And this last blessing most, That the closer I move To death, one man through his sundered hulks, The louder the sun blooms And the tusked, ramshackling sea exults; And every wave of the way And gale I tackle, the whole world then, With more triumphant faith That ever was since the world was said, Spins its morning of praise, I hear the bouncing hills Grow larked and greener at berry brown Fall and the dew larks sing Taller this thunderclap spring, and how More spanned with angles ride The mansouled fiery islands! Oh, Holier then their eyes, And my shining men no more alone As I sail out to die.


Written by Oscar Wilde | Create an image from this poem

Her Voice

 The wild bee reels from bough to bough
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love: it was here I trow
I made that vow,

Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun, -
It shall be, I said, for eternity
'Twixt you and me!
Dear friend, those times are over and done;
Love's web is spun.
Look upward where the poplar trees Sway and sway in the summer air, Here in the valley never a breeze Scatters the thistledown, but there Great winds blow fair From the mighty murmuring mystical seas, And the wave-lashed leas.
Look upward where the white gull screams, What does it see that we do not see? Is that a star? or the lamp that gleams On some outward voyaging argosy, - Ah! can it be We have lived our lives in a land of dreams! How sad it seems.
Sweet, there is nothing left to say But this, that love is never lost, Keen winter stabs the breasts of May Whose crimson roses burst his frost, Ships tempest-tossed Will find a harbour in some bay, And so we may.
And there is nothing left to do But to kiss once again, and part, Nay, there is nothing we should rue, I have my beauty, - you your Art, Nay, do not start, One world was not enough for two Like me and you.
Written by Barry Tebb | Create an image from this poem

MARGINALIA

 Here is a silence I had not hoped for

This side of paradise, I am an old believer

In nature’s bounty as God’s grace

To us poor mortals, fretting and fuming

At frustrated lust or the scent of fame 

Coming too late to make a difference

Blue with white vertebrae of cloud forms

Riming the spectrum of green dark of poplars

Lined like soldiers, paler the hue of hawthorn 

With the heather beginning to bud blue

Before September purple, yellow ragwort

Sways in the wind as distantly a plane hums

And a lazy bee bumbles by.
A day in Brenda’s flat, mostly play with Eydie, My favourite of her seven cats, they soothe better Than Diazepan for panic Seroxat for grief Zopiclone to make me sleep.
I smoke my pipe and sip blackcurrant tea Aware of the ticking clock: I have to be back To talk to my son’s key nurse when she comes on For the night shift.
Always there are things to sort, Misapprehensions to untangle, delusions to decipher, Lies to expose, statistics to disclose, Trust Boards And team meetings to attend, ‘Mental Health Monthly’ To peruse, funds for my press to raise – the only one I ever got will leave me out of pocket.
A couple sat on the next bench Are earnestly discussing child custody, broken marriages, Failed affairs, social service interventions – Even here I cannot escape complexity "I should never have slept with her once we split" "The kids are what matters when it comes to the bottom line" "Is he poisoning their minds against me?" Part of me nags to offer help but I’ve too much On already and the clock keeps ticking.
"It’s a pity she won’t turn round and clip his ear" But better not to interfere.
Damn my bloody superego Nattering like an old woman or Daisy nagging About my pipe and my loud voice on buses – No doubt she’s right – smoking’s not good And hearing about psychosis, medication and end-on-sections Isn’t what people are on buses for.
I long for a girl in summer, pubescent With a twinkle in her eye to come and say "Come on, let’s do it!" I was always shy in adolescence, too busy reading Baudelaire To find a decent whore and learn to score And now I’m probably impotent with depression So I’d better forget sex and read more of Andr? Green On metaphor from Hegel to Lacan and how the colloquium At Bonneval changed analytic history, a mystery I’ll not unravel if I live to ninety.
Ignorance isn’t bliss, I know enough to talk the piss From jumped-up SHO’s and locums who’d miss vital side effects And think all’s needed is a mother’s kiss.
I’ll wait till the heather’s purple and bring nail scissors To cut and suture neatly and renew my stocks Of moor momentoes vased in unsunny Surrey.
Can you believe it? Some arseholes letting off fireworks On the moor? Suburban excesses spread like the sores Of syphilis and more regulations in a decade of Blair Than in the century before.
"Shop your neighbours.
Prove it.
Bring birth certificates to A&E If you want NHS treatment free.
Be careful not to bleed to death While finding the certificate.
Blunkett wants us all to have ID Photo cards, genetic codes, DNA database, eye scans, the lot – And kiss good-bye to the last bits of freedom we’ve got" "At the end of the day she shopped me and all I’d done Was take a few pound from the till ’cos Jenny was ill And I didn’t have thirteen quid to get the bloody prescription done" To-morrow I’ll be back in the Great Wen, Two days of manic catching up and then Thistledown, wild wheat, a dozen kinds of grass, The mass of beckoning hills I’d love to make A poet’s map of but never will.
"Oh to break loose" Lowell’s magic lines Entice me still but slimy Fenton had to have his will And slate it in the NYB, arguing that panetone Isn’t tin foil as Lowell thought.
James you are a dreadful bore, A pedantic creep like hundreds more, five A4 pages Of sniping and nit-picking for how many greenbacks? A thousand or two I’d guess, they couldn’t pay you less For churning out such a king-size mess But not even you can spoil this afternoon Of watching Haworth heather bloom.
Written by Duncan Campbell Scott | Create an image from this poem

Ode for the Keats Centenary

 The Muse is stern unto her favoured sons,
Giving to some the keys of all the joy
Of the green earth, but holding even that joy
Back from their life;
Bidding them feed on hope,
A plant of bitter growth,
Deep-rooted in the past;
Truth, 'tis a doubtful art
To make Hope sweeten
Time as it flows;
For no man knows
Until the very last,
Whether it be a sovereign herb that he has eaten,
Or his own heart.
O stern, implacable Muse, Giving to Keats so richly dowered, Only the thought that he should be Among the English poets after death; Letting him fade with that expectancy, All powerless to unfold the future! What boots it that our age has snatched him free From thy too harsh embrace, Has given his fame the certainty Of comradeship with Shakespeare's? He lies alone Beneath the frown of the old Roman stone And the cold Roman violets; And not our wildest incantation Of his most sacred lines, Nor all the praise that sets Towards his pale grave, Like oceans towards the moon, Will move the Shadow with the pensive brow To break his dream, And give unto him now One word! -- When the young master reasoned That our puissant England Reared her great poets by neglect, Trampling them down in the by-paths of Life And fostering them with glory after death, Did any flame of triumph from his own fame Fall swift upon his mind; the glow Cast back upon the bleak and aching air Blown around his days -- ? Happily so! But he, whose soul was mighty as the soul Of Milton, who held the vision of the world As an irradiant orb self-filled with light, Who schooled his heart with passionate control To compass knowledge, to unravel the dense Web of this tangled life, he would weigh slight As thistledown blown from his most fairy fancy That pale self-glory, against the mystery, The wonder of the various world, the power Of "seeing great things in loneliness.
" Where bloodroot in the clearing dwells Along the edge of snow; Where, trembling all their trailing bells, The sensitive twinflowers blow; Where, searching through the ferny breaks, The moose-fawns find the springs; Where the loon laughs and diving takes Her young beneath her wings; Where flash the fields of arctic moss With myriad golden light; Where no dream-shadows ever cross The lidless eyes of night; Where, cleaving a mountain storm, the proud Eagles, the clear sky won, Mount the thin air between the loud Slow thunder and the sun; Where, to the high tarn tranced and still No eye has ever seen, Comes the first star its flame to chill In the cool deeps of green; -- Spirit of Keats, unfurl thy wings, Far from the toil and press, Teach us by these pure-hearted things, Beauty in loneliness.
Where, in the realm of thought, dwell those Who oft in pain and penury Work in the void, Searching the infinite dark between the stars, The infinite little of the atom, Gathering the tears and terrors of this life, Distilling them to a medicine for the soul; (And hated for their thought Die for it calmly; For not their fears, Nor the cold scorn of men, Fright them who hold to truth:) They brood alone in the intense serene Air of their passion, Until on some chill dawn Breaks the immortal form foreshadowed in their dream, And the distracted world and men Are no more what they were.
Spirit of Keats, unfurl thy deathless wings, Far from the wayward toil, the vain excess, Teach us by such soul-haunting things Beauty in loneliness.
The minds of men grow numb, their vision narrows, The clogs of Empire and the dust of ages, The lust of power that fogs the fairest pages, Of the romance that eager life would write, These war on Beauty with their spears and arrows.
But still is Beauty and of constant power; Even in the whirl of Time's most sordid hour, Banished from the great highways, Afflighted by the tramp of insolent feet, She hangs her garlands in the by-ways; Lissome and sweet Bending her head to hearken and learn Melody shadowed with melody, Softer than shadow of sea-fern, In the green-shadowed sea: Then, nourished by quietude, And if the world's mood Change, she may return Even lovelier than before.
-- The white reflection in the mountain lake Falls from the white stream Silent in the high distance; The mirrored mountains guard The profile of the goddess of the height, Floating in water with a curve of crystal light; When the air, envious of the loveliness, Rushes downward to surprise, Confusion plays in the contact, The picture is overdrawn With ardent ripples, But when the breeze, warned of intrusion, Draws breathless upward in flight, The vision reassembles in tranquillity, Reforming with a gesture of delight, Reborn with the rebirth of calm.
Spirit of Keats, lend us thy voice, Breaking like surge in some enchanted cave On a dream-sea-coast, To summon Beauty to her desolate world.
For Beauty has taken refuge from our life That grew too loud and wounding; Beauty withdraws beyond the bitter strife, Beauty is gone, (Oh where?) To dwell within a precinct of pure air Where moments turn to months of solitude; To live on roots of fern and tips of fern, On tender berries flushed with the earth's blood.
Beauty shall stain her feet with moss And dye her cheek with deep nut-juices, Laving her hands in the pure sluices Where rainbows are dissolved.
Beauty shall view herself in pools of amber sheen Dappled with peacock-tints from the green screen That mingles liquid light with liquid shadow.
Beauty shall breathe the fairy hush With the chill orchids in their cells of shade, And hear the invocation of the thrush That calls the stars into their heaven, And after even Beauty shall take the night into her soul.
When the thrill voice goes crying through the wood, (Oh, Beauty, Beauty!) Troubling the solitude With echoes from the lonely world, Beauty will tremble like a cloistered thing That hears temptation in the outlands singing, Will steel her dedicated heart and breathe Into her inner ear to firm her vow: -- "Let me restore the soul that ye have marred.
O mortals, cry no more on Beauty, Leave me alone, lone mortals, Until my shaken soul comes to its own, Lone mortals, leave me alone!" (Oh Beauty, Beauty, Beauty!) All the dim wood is silent as a dream That dreams of silence.
Written by Louisa May Alcott | Create an image from this poem

Lily-Bell and Thistledown Song I

 Awake! Awake! for the earliest gleam 
Of golden sunlight shines 
On the rippling waves, that brightly flow 
Beneath the flowering vines.
Awake! Awake! for the low, sweet chant Of the wild-birds' morning hymn Comes floating by on the fragrant air, Through the forest cool and dim; Then spread each wing, And work, and sing, Through the long, bright sunny hours; O'er the pleasant earth We journey forth, For a day among the flowers.
Awake! Awake! for the summer wind Hath bidden the blossoms unclose, Hath opened the violet's soft blue eye, And awakened the sleeping rose.
And lightly they wave on their slender stems Fragrant, and fresh, and fair, Waiting for us, as we singing come To gather our honey-dew there.
Then spread each wing, And work, and sing, Through the long, bright sunny hours; O'er the pleasant earth We journey forth, For a day among the flowers.


Written by Louisa May Alcott | Create an image from this poem

Lily-Bell and Thistledown Song II

 Thistledown in prison sings:

Bright shines the summer sun,
Soft is the summer air;
Gayly the wood-birds sing,
Flowers are blooming fair.
But, deep in the dark, cold rock, Sadly I dwell, Longing for thee, dear friend, Lily-Bell! Lily-Bell! Lily-Bell replies: Through sunlight and summer air I have sought for thee long, Guided by birds and flowers, And now by thy song.
Thistledown! Thistledown! O'er hill and dell Hither to comfort thee Comes Lily-Bell.
Written by Kahlil Gibran | Create an image from this poem

Houses chapter IX

 A mason came forth and said, "Speak to us of Houses.
" And he answered and said: Build of your imaginings a bower in the wilderness ere you build a house within the city walls.
For even as you have home-comings in your twilight, so has the wanderer in you, the ever distant and alone.
Your house is your larger body.
It grows in the sun and sleeps in the stillness of the night; and it is not dreamless.
Does not your house dream? And dreaming, leave the city for grove or hilltop? Would that I could gather your houses into my hand, and like a sower scatter them in forest and meadow.
Would the valleys were your streets, and the green paths your alleys, that you might seek one another through vineyards, and come with the fragrance of the earth in your garments.
But these things are not yet to be.
In their fear your forefathers gathered you too near together.
And that fear shall endure a little longer.
A little longer shall your city walls separate your hearths from your fields.
And tell me, people of Orphalese, what have you in these houses? And what is it you guard with fastened doors? Have you peace, the quiet urge that reveals your power? Have you remembrances, the glimmering arches that span the summits of the mind? Have you beauty, that leads the heart from things fashioned of wood and stone to the holy mountain? Tell me, have you these in your houses? Or have you only comfort, and the lust for comfort, that stealthy thing that enters the house a guest, and becomes a host, and then a master? Ay, and it becomes a tamer, and with hook and scourge makes puppets of your larger desires.
Though its hands are silken, its heart is of iron.
It lulls you to sleep only to stand by your bed and jeer at the dignity of the flesh.
It makes mock of your sound senses, and lays them in thistledown like fragile vessels.
Verily the lust for comfort murders the passion of the soul, and then walks grinning in the funeral.
But you, children of space, you restless in rest, you shall not be trapped nor tamed.
Your house shall be not an anchor but a mast.
It shall not be a glistening film that covers a wound, but an eyelid that guards the eye.
You shall not fold your wings that you may pass through doors, nor bend your heads that they strike not against a ceiling, nor fear to breathe lest walls should crack and fall down.
You shall not dwell in tombs made by the dead for the living.
And though of magnificence and splendour, your house shall not hold your secret nor shelter your longing.
For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.
Written by Elinor Wylie | Create an image from this poem

Winter Sleep

 When against earth a wooden heel 
Clicks as loud as stone on steel, 
When stone turns flour instead of flakes, 
And frost bakes clay as fire bakes, 
When the hard-bitten fields at last 
Crack like iron flawed in the cast, 
When the world is wicked and cross and old, 
I long to be quit of the cruel cold.
Little birds like bubbles of glass Fly to other Americas, Birds as bright as sparkles of wine Fly in the nite to the Argentine, Birds of azure and flame-birds go To the tropical Gulf of Mexico: They chase the sun, they follow the heat, It is sweet in their bones, O sweet, sweet, sweet! It's not with them that I'd love to be, But under the roots of the balsam tree.
Just as the spiniest chestnut-burr Is lined within with the finest fur, So the stoney-walled, snow-roofed house Of every squirrel and mole and mouse Is lined with thistledown, sea-gull's feather, Velvet mullein-leaf, heaped together With balsam and juniper, dry and curled, Sweeter than anything else in the world.
O what a warm and darksome nest Where the wildest things are hidden to rest! It's there that I'd love to lie and sleep, Soft, soft, soft, and deep, deep, deep!
Written by Vachel Lindsay | Create an image from this poem

The Sorceress!

 I asked her, "Is Aladdin's lamp 
Hidden anywhere?" 
"Look into your heart," she said, 
"Aladdin's lamp is there.
" She took my heart with glowing hands.
It burned to dust and air And smoke and rolling thistledown Blowing everywhere.
"Follow the thistledown," she said, "Till doomsday, if you dare, Over the hills and far away.
Aladdin's lamp is there.
"
Written by Katherine Mansfield | Create an image from this poem

The Opal Dream Cave

 In an opal dream cave I found a fairy:
Her wings were frailer than flower petals,
Frailer far than snowflakes.
She was not frightened, but poised on my finger, Then delicately walked into my hand.
I shut the two palms of my hands together And held her prisoner.
I carried her out of the opal cave, Then opened my hands.
First she became thistledown, Then a mote in a sunbeam, Then--nothing at all.
Empty now is my opal dream cave.

Book: Shattered Sighs