Get Your Premium Membership

Best Famous Thinnest Poems

Here is a collection of the all-time best famous Thinnest poems. This is a select list of the best famous Thinnest poetry. Reading, writing, and enjoying famous Thinnest poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of thinnest poems.

Search and read the best famous Thinnest poems, articles about Thinnest poems, poetry blogs, or anything else Thinnest poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Marge Piercy | Create an image from this poem

Belly Good

 A heap of wheat, says the Song of Songs 
but I've never seen wheat in a pile. 
Apples, potatoes, cabbages, carrots 
make lumpy stacks, but you are sleek 
as a seal hauled out in the winter sun. 
I can see you as a great goose egg 
or a single juicy and fully ripe peach. 
You swell like a natural grassy hill. 
You are symmetrical as a Hopewell mound, 
with the eye of the navel wide open, 
the eye of my apple, the pear's port 
window. You're not supposed to exist 
at all this decade. You're to be flat 
as a kitchen table, so children with 
roller skates can speed over you 
like those sidewalks of my childhood 
that each gave a different roar under 
my wheels. You're required to show 
muscle striations like the ocean 
sand at ebb tide, but brick hard. 
Clothing is not designed for women 
of whose warm and flagrant bodies 
you are a swelling part. Yet I confess 
I meditate with my hands folded on you, 
a maternal cushion radiating comfort. 
Even when I have been at my thinnest, 
you have never abandoned me but curled 
round as a sleeping cat under my skirt. 
When I spread out, so do you. You like 
to eat, drink and bang on another belly. 
In anxiety I clutch you with nervous fingers 
as if you were a purse full of calm. 
In my grandmother standing in the fierce sun 
I see your cauldron that held eleven children 
shaped under the tent of her summer dress. 
I see you in my mother at thirty 
in her flapper gear, skinny legs 
and then you knocking on the tight dress. 
We hand you down like a prize feather quilt. 
You are our female shame and sunburst strength.


Written by Alfred Lord Tennyson | Create an image from this poem

The Lotos-eaters

 "Courage!" he said, and pointed toward the land, 
"This mounting wave will roll us shoreward soon."
In the afternoon they came unto a land 
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream 
Along the cliff to fall and pause and fall did seem.

A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops, 
Up-clomb the shadowy pine above the woven copse. 

The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.

Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.

They sat them down upon the yellow sand,
Between the sun and moon upon the shore;
And sweet it was to dream of Fatherland,
Of child, and wife, and slave; but evermore
Most weary seem'd the sea, weary the oar,
Weary the wandering fields of barren foam.
Then some one said, "We will return no more";
And all at once they sang, "Our island home
Is far beyond the wave; we will no longer roam."CHORIC SONGI

There is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tir'd eyelids upon tir'd eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep, 
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep."II

Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
"There is no joy but calm!"
Why should we only toil, the roof and crown of things?III

Lo! in the middle of the wood,
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.IV

Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone. Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone. What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful past.
Let us alone. What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.V

How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!VI


Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer'd change:
For surely now our household hearths are cold,
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto aged breath,
Sore task to hearts worn out by many wars
And eyes grown dim with gazing on the pilot-stars.VII


But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelid still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill--
To hear the dewy echoes calling
From cave to cave thro' the thick-twined vine--
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.VIII


The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll'd to starboard, roll'd to larboard, when the surge was seething free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie reclined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where they smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery sands,
Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer--some, 'tis whisper'd--down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O, rest ye, brother mariners, we will not wander more.Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities) 





Added: Mar 11 2005 | Viewed: 581 times | Comments (0) 



Information about The Lotos-eaters 
Poet: Alfred Lord Tennyson 
Poem: The Lotos-eaters 





Additional Information 
Are you looking for more information on this poem? Perhaps you are trying to analyze it? The poem, The Lotos-eaters, has not yet been commented on. You can click here to be the first to post a comment about it. Of course you can also always discuss poems by Alfred Lord Tennyson with others on the Poetry Connection discussion forum! 


 Poem Info 
The Lotos-eaters 

Last read:
2006-04-22 00:21:55
Viewed 581 times.

Added Mar 11 2005. 



Tennyson Info 
Biography 
More Poems 
(164 poems)










 Copyright © 2003-2006 Gunnar Bengtsson, Poetry Connection. All Rights Reserved. 
Internet Advertising | Collectibles | Ringtones | Anti Aging Skin Care | Buy Anything On eBay 

Written by Francois Villon | Create an image from this poem

The Debate Between Villon And His Heart

 Who's that I hear?—It's me—Who?—Your heart
Hanging on by the thinnest thread
I lose all my strength, substance, and fluid
When I see you withdrawn this way all alone
Like a whipped cur sulking in the corner
Is it due to your mad hedonism?—
What's it to you?—I have to suffer for it—
Leave me alone—Why?—I'll think about it—
When will you do that?—When I've grown up—
I've nothing more to tell you—I'll survive without it—

What's your idea?—To be a good man—
You're thirty, for a mule that's a lifetime
You call that childhood?—No—Madness
Must have hold of you—By what, the halter?—
You don't know a thing—Yes I do—What?—Flies in milk
One's white, one's black, they're opposites—
That's all?—How can I say it better?
If that doesn't suit you I'll start over—
You're lost—Well I'll go down fighting—
I've nothing more to tell you—I'll survive without it—

I get the heartache, you the injury and pain
If you were just some poor crazy idiot
I'd be able to make excuses for you
You don't even care, all's one to you, foul or fair
Either your head's harder than a rock
Or you actually prefer misery to honor
Now what do you say to that?—
Once I'm dead I'll rise above it—
God, what comfort—What wise eloquence—
I've nothing more to tell you—I'll survive without it—

Why are you miserable?—Because of my miseries
When Saturn packed my satchel I think
He put in these troubles—That's mad
You're his lord and you talk like his slave
Look what Solomon wrote in his book
"A wise man" he says "has authority
Over the planets and their influence"—
I don't believe it, as they made me I'll be—
What are you saying?—Yes that's what I think—
I've nothing more to tell you—I'll survive without it—

Want to live?—God give me the strength—
It's necessary...—What is?—To feel remorse
Lots of reading—What kind?—Read for knowledge
Leave fools alone—I'll take your advice—
Or will you forget?—I've got it fixed in mind—
Now act before things go from bad to worse
I've nothing more to tell you—I'll survive without it.
Written by Omer Tarin | Create an image from this poem

Mohenjodaro Reviisited

I. You are not dead

Why do they call you 
Mohen-jo-daro,
“ Mounds-of-the-Dead”?
You are not dead!
You have never been dead
Or buried
Or cremated
By the scorching banks of the Sindhu;

Historians have conspired against you

A thousand and one tales 
Have besmirched your name
Misguided fools have imagined 
Your obituary to be true;
Sentimental fools have sung elegies
By their own graves
Garlanded their own biers,
Cursed the stars and howled at the heavens
Self-piteous tears, in the hope 
That some part of their practiced grief would be remembered
As poetry,
A fitting tribute to your eternal face;
Maybe, they would be able to, by their ululations,
Raise demons from the earth
Or bring forth spectres
From darkest shadows of the thinnest air, precipitating
Some prophecy, nameless and foreboding, a small
Tin medal on their pathetic breasts,
Stark in their hunger for inspired flights;

Other dust should fashion other jars, not having the consistency 
Of ours.
It has been foretold that you will not die
That you will not die thus, at the behest of historians
Or for the research of archaeologists
Or even the yapping lap-dogs
Aping the tawny shades of our leonine skins;
It has been foretold,
And we are witnesses to you survival.



II. Priest-Kings and dancing girls

The sands have shifted,
As the river has---
You are only abandoned,
“Mound-abandoned-and-shifted”.
Take heart! Be not sad,
The sons of Sindhu are around you;
You cannot die while your sons live,
While the children of the river still ply their wide boats 
On your consort’s undulating breast;
While your daughters carry their vessels
Fashioned from your clay;

In every face, you are alive.
In the mien of priest-kings who have renounced
Their crowns and pulpits for lives of love and freedom—
At Bhit Shah, they sing your songs;
At Sehwan, they celebrate your being;
In every prayer and call to prayer you are revealed
Rising gradually towards the heights of Kirthar
Rolling ceaselessly over the sands of Kutch
With every partridge crooning in the cotton, 
With every mallard winging over Manchar,
You come forth—
The Breaker-of-the-Shackles-of-Tyranny
The-Keeper-of-the-Honour-of-Dancing –girls
Friend-of-the-Imprisoned-Hari
Last-Flower-amidst-the-Thorns-of-Despair!
You are the yellow turmeric staining the red ajrak
Of our wounds
Anointing your martyrs
Healing your casualties
Soothing us with your whispered lullaby
Such as our mothers used to sing us 
In our cradles
From the earliest dawn of creation;

Even now, your humped oxen plod home in the evening 
Of their tillage;
Every day I hear the rise and fall of your undeciphered script
In the cadences of children
In the chattering of women
In the murmur of lovers
In the gestures of old men
In the anger of the young.



III. A Dream Untold

It was said, long ago, that you will not die
That forever you will live in the eyes of every child,
That you will rise from your gargantuan sleep,
Arise, woken by the winds!
When the Eastern Gates of your citadel are opened wide
All wars will cease
Your sons will no longer flinch under the lash,
Your daughters will no longer be distraught,
The pillars of fire and smoke will settle down
And the silent waste-lands speak with voices of prophecy;

When precious stones will once again etch the bright circumference
Of your ruins
And the heavens shake themselves into fleeting shapes,
Vain and irresolute constellations plunge
Into narrow circles of despair—

It has been said that you will flourish again,
When the crashing shores 
Of sea and river
Melt into each other
When waves shiver
Into the rock’s embrace.

Then I, too, shall awaken, I trust, 
And behold you in your truth.

------------



* (c) Omer Tarin. Pub ''The Glasgow Seeker'', UK, 2005 
Written by Edward Thomas | Create an image from this poem

The Path

 RUNNING along a bank, a parapet 
That saves from the precipitous wood below 
The level road, there is a path. It serves 
Children for looking down the long smooth steep, 
Between the legs of beech and yew, to where 
A fallen tree checks the sight: while men and women 
Content themselves with the road and what they see 
Over the bank, and what the children tell. 
The path, winding like silver, trickles on, 
Bordered and even invaded by thinnest moss 
That tries to cover roots and crumbling chalk 
With gold, olive, and emerald, but in vain. 
The children wear it. They have flattened the bank 
On top, and silvered it between the moss 
With the current of their feet, year after year. 
But the road is houseless, and leads not to school. 
To see a child is rare there, and the eye 
Has but the road, the wood that overhangs 
And underyawns it, and the path that looks 
As if it led on to some legendary 
Or fancied place where men have wished to go 
And stay; till, sudden, it ends where the wood ends.



Book: Reflection on the Important Things