Written by
Galway Kinnell |
I eat oatmeal for breakfast.
I make it on the hot plate and put skimmed milk on it.
I eat it alone.
I am aware it is not good to eat oatmeal alone.
Its consistency is such that is better for your mental health
if somebody eats it with you.
That is why I often think up an imaginary companion to have
breakfast with.
Possibly it is even worse to eat oatmeal with an imaginary
companion.
Nevertheless, yesterday morning, I ate my oatmeal porridge,
as he called it with John Keats.
Keats said I was absolutely right to invite him:
due to its glutinous texture, gluey lumpishness, hint of slime,
and unsual willingness to disintigrate, oatmeal should
not be eaten alone.
He said that in his opinion, however, it is perfectly OK to eat
it with an imaginary companion, and that he himself had
enjoyed memorable porridges with Edmund Spenser and John
Milton.
Even if eating oatmeal with an imaginary companion is not as
wholesome as Keats claims, still, you can learn something
from it.
Yesterday morning, for instance, Keats told me about writing the
"Ode to a Nightingale.
"
He had a heck of a time finishing it those were his words "Oi 'ad
a 'eck of a toime," he said, more or less, speaking through
his porridge.
He wrote it quickly, on scraps of paper, which he then stuck in his
pocket,
but when he got home he couldn't figure out the order of the stanzas,
and he and a friend spread the papers on a table, and they
made some sense of them, but he isn't sure to this day if
they got it right.
An entire stanza may have slipped into the lining of his jacket
through a hole in his pocket.
He still wonders about the occasional sense of drift between stanzas,
and the way here and there a line will go into the
configuration of a Moslem at prayer, then raise itself up
and peer about, and then lay itself down slightly off the mark,
causing the poem to move forward with a reckless, shining wobble.
He said someone told him that later in life Wordsworth heard about
the scraps of paper on the table, and tried shuffling some
stanzas of his own, but only made matters worse.
I would not have known any of this but for my reluctance to eat oatmeal
alone.
When breakfast was over, John recited "To Autumn.
"
He recited it slowly, with much feeling, and he articulated the words
lovingly, and his odd accent sounded sweet.
He didn't offer the story of writing "To Autumn," I doubt if there
is much of one.
But he did say the sight of a just-harvested oat field go thim started
on it, and two of the lines, "For Summer has o'er-brimmed their
clammy cells" and "Thou watchest the last oozings hours by hours,"
came to him while eating oatmeal alone.
I can see him drawing a spoon through the stuff, gazing into the glimmering
furrows, muttering.
Maybe there is no sublime; only the shining of the amnion's tatters.
For supper tonight I am going to have a baked potato left over from lunch.
I am aware that a leftover baked potato is damp, slippery, and simultaneaously
gummy and crumbly, and therefore I'm going to invite Patrick Kavanagh
to join me.
|
Written by
Robert Burns |
O THOU! whatever title suit thee—
Auld Hornie, Satan, Nick, or Clootie,
Wha in yon cavern grim an’ sootie,
Clos’d under hatches,
Spairges about the brunstane cootie,
To scaud poor wretches!
Hear me, auld Hangie, for a wee,
An’ let poor damned bodies be;
I’m sure sma’ pleasure it can gie,
Ev’n to a deil,
To skelp an’ scaud poor dogs like me,
An’ hear us squeel!
Great is thy pow’r an’ great thy fame;
Far ken’d an’ noted is thy name;
An’ tho’ yon lowin’ heuch’s thy hame,
Thou travels far;
An’ faith! thou’s neither lag nor lame,
Nor blate, nor scaur.
Whiles, ranging like a roarin lion,
For prey, a’ holes and corners tryin;
Whiles, on the strong-wind’d tempest flyin,
Tirlin the kirks;
Whiles, in the human bosom pryin,
Unseen thou lurks.
I’ve heard my rev’rend graunie say,
In lanely glens ye like to stray;
Or where auld ruin’d castles grey
Nod to the moon,
Ye fright the nightly wand’rer’s way,
Wi’ eldritch croon.
When twilight did my graunie summon,
To say her pray’rs, douse, honest woman!
Aft’yont the dyke she’s heard you bummin,
Wi’ eerie drone;
Or, rustlin, thro’ the boortrees comin,
Wi’ heavy groan.
Ae dreary, windy, winter night,
The stars shot down wi’ sklentin light,
Wi’ you, mysel’ I gat a fright,
Ayont the lough;
Ye, like a rash-buss, stood in sight,
Wi’ wavin’ sough.
The cudgel in my nieve did shake,
Each brist’ld hair stood like a stake,
When wi’ an eldritch, stoor “quaick, quaick,”
Amang the springs,
Awa ye squatter’d like a drake,
On whistlin’ wings.
Let warlocks grim, an’ wither’d hags,
Tell how wi’ you, on ragweed nags,
They skim the muirs an’ dizzy crags,
Wi’ wicked speed;
And in kirk-yards renew their leagues,
Owre howkit dead.
Thence countra wives, wi’ toil and pain,
May plunge an’ plunge the kirn in vain;
For oh! the yellow treasure’s ta’en
By witchin’ skill;
An’ dawtit, twal-pint hawkie’s gane
As yell’s the bill.
Thence mystic knots mak great abuse
On young guidmen, fond, keen an’ crouse,
When the best wark-lume i’ the house,
By cantrip wit,
Is instant made no worth a louse,
Just at the bit.
When thowes dissolve the snawy hoord,
An’ float the jinglin’ icy boord,
Then water-kelpies haunt the foord,
By your direction,
And ’nighted trav’llers are allur’d
To their destruction.
And aft your moss-traversin Spunkies
Decoy the wight that late an’ drunk is:
The bleezin, curst, mischievous monkies
Delude his eyes,
Till in some miry slough he sunk is,
Ne’er mair to rise.
When masons’ mystic word an’ grip
In storms an’ tempests raise you up,
Some cock or cat your rage maun stop,
Or, strange to tell!
The youngest brither ye wad whip
Aff straught to hell.
Lang syne in Eden’s bonie yard,
When youthfu’ lovers first were pair’d,
An’ all the soul of love they shar’d,
The raptur’d hour,
Sweet on the fragrant flow’ry swaird,
In shady bower; 1
Then you, ye auld, snick-drawing dog!
Ye cam to Paradise incog,
An’ play’d on man a cursèd brogue,
(Black be your fa’!)
An’ gied the infant warld a shog,
’Maist rui’d a’.
D’ye mind that day when in a bizz
Wi’ reekit duds, an’ reestit gizz,
Ye did present your smoutie phiz
’Mang better folk,
An’ sklented on the man of Uzz
Your spitefu’ joke?
An’ how ye gat him i’ your thrall,
An’ brak him out o’ house an hal’,
While scabs and botches did him gall,
Wi’ bitter claw;
An’ lows’d his ill-tongu’d wicked scaul’,
Was warst ava?
But a’ your doings to rehearse,
Your wily snares an’ fechtin fierce,
Sin’ that day Michael 2 did you pierce,
Down to this time,
Wad ding a Lallan tounge, or Erse,
In prose or rhyme.
An’ now, auld Cloots, I ken ye’re thinkin,
A certain bardie’s rantin, drinkin,
Some luckless hour will send him linkin
To your black pit;
But faith! he’ll turn a corner jinkin,
An’ cheat you yet.
But fare-you-weel, auld Nickie-ben!
O wad ye tak a thought an’ men’!
Ye aiblins might-I dinna ken—
Stil hae a stake
I’m wae to think up’ yon den,
Ev’n for your sake!
Note 1.
The verse originally ran:
“Lang syne, in Eden’s happy scene
When strappin Adam’s days were green,
And Eve was like my bonie Jean,
My dearest part,
A dancin, sweet, young handsome quean,
O’ guileless heart.
”
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Note 2.
Vide Milton, Book vi.
—R.
B.
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