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Best Famous Tempestuous Poems

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Written by Lewis Carroll | Create an image from this poem

Four Riddles

 I 

There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away. 

I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered "Step inside, my lad,
And then you'll see it all." 


Yet what are all such gaieties to me
Whose thoughts are full of indices and surds? 

x*x + 7x + 53 = 11/3 

But something whispered "It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!" 

A change came o'er my Vision - it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along. 

Within a marble hall a river ran -
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath; 

And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful. 

There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of absolute prostration. 

At such a moment ladies learn to give,
To partners who would urge them over-much,
A flat and yet decided negative -
Photographers love such. 

There comes a welcome summons - hope revives,
And fading eyes grow bright, and pulses quicken:
Incessant pop the corks, and busy knives
Dispense the tongue and chicken. 

Flushed with new life, the crowd flows back again:
And all is tangled talk and mazy motion -
Much like a waving field of golden grain,
Or a tempestuous ocean. 

And thus they give the time, that Nature meant
For peaceful sleep and meditative snores,
To ceaseless din and mindless merriment
And waste of shoes and floors. 

And One (we name him not) that flies the flowers,
That dreads the dances, and that shuns the salads,
They doom to pass in solitude the hours,
Writing acrostic-ballads. 

How late it grows! The hour is surely past
That should have warned us with its double knock?
The twilight wanes, and morning comes at last -
"Oh, Uncle, what's o'clock?" 

The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know?
He opens his mouth - yet out of it, methinks,
No words of wisdom flow. 


II 

Empress of Art, for thee I twine
This wreath with all too slender skill.
Forgive my Muse each halting line,
And for the deed accept the will! 


O day of tears! Whence comes this spectre grim,
Parting, like Death's cold river, souls that love?
Is not he bound to thee, as thou to him,
By vows, unwhispered here, yet heard above? 

And still it lives, that keen and heavenward flame,
Lives in his eye, and trembles in his tone:
And these wild words of fury but proclaim
A heart that beats for thee, for thee alone! 

But all is lost: that mighty mind o'erthrown,
Like sweet bells jangled, piteous sight to see!
"Doubt that the stars are fire," so runs his moan,
"Doubt Truth herself, but not my love for thee!" 

A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile? 

Nay, get thee hence! Leave all thy winsome ways
And the faint fragrance of thy scattered flowers:
In holy silence wait the appointed days,
And weep away the leaden-footed hours. 


III. 

The air is bright with hues of light
And rich with laughter and with singing:
Young hearts beat high in ecstasy,
And banners wave, and bells are ringing:
But silence falls with fading day,
And there's an end to mirth and play.
Ah, well-a-day 

Rest your old bones, ye wrinkled crones!
The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught
That fills the soul with golden fancies!
For Youth and Pleasance will not stay,
And ye are withered, worn, and gray.
Ah, well-a-day! 

O fair cold face! O form of grace,
For human passion madly yearning!
O weary air of dumb despair,
From marble won, to marble turning!
"Leave us not thus!" we fondly pray.
"We cannot let thee pass away!"
Ah, well-a-day! 


IV. 

My First is singular at best:
More plural is my Second:
My Third is far the pluralest -
So plural-plural, I protest
It scarcely can be reckoned! 

My First is followed by a bird:
My Second by believers
In magic art: my simple Third
Follows, too often, hopes absurd
And plausible deceivers. 

My First to get at wisdom tries -
A failure melancholy!
My Second men revered as wise:
My Third from heights of wisdom flies
To depths of frantic folly. 

My First is ageing day by day:
My Second's age is ended:
My Third enjoys an age, they say,
That never seems to fade away,
Through centuries extended. 

My Whole? I need a poet's pen
To paint her myriad phases:
The monarch, and the slave, of men -
A mountain-summit, and a den
Of dark and deadly mazes - 

A flashing light - a fleeting shade -
Beginning, end, and middle
Of all that human art hath made
Or wit devised! Go, seek HER aid,
If you would read my riddle!


Written by Robert Hayden | Create an image from this poem

Middle Passage

 I 

Jesús, Estrella, Esperanza, Mercy: 

Sails flashing to the wind like weapons, 
sharks following the moans the fever and the dying; 
horror the corposant and compass rose. 

Middle Passage: 
voyage through death 
to life upon these shores. 

"10 April 1800-- 
Blacks rebellious. Crew uneasy. Our linguist says 
their moaning is a prayer for death, 
our and their own. Some try to starve themselves. 
Lost three this morning leaped with crazy laughter 
to the waiting sharks, sang as they went under." 

Desire, Adventure, Tartar, Ann: 

Standing to America, bringing home 
black gold, black ivory, black seed. 

Deep in the festering hold thy father lies, of his bones 
New England pews are made, those are altar lights that were his eyes. 

Jesus Saviour Pilot Me 
Over Life's Tempestuous Sea 


We pray that Thou wilt grant, O Lord, 
safe passage to our vessels bringing 
heathen souls unto Thy chastening. 

Jesus Saviour 

"8 bells. I cannot sleep, for I am sick 
with fear, but writing eases fear a little 
since still my eyes can see these words take shape 
upon the page & so I write, as one 
would turn to exorcism. 4 days scudding, 
but now the sea is calm again. Misfortune 
follows in our wake like sharks (our grinning 
tutelary gods). Which one of us 
has killed an albatross? A plague among 
our blacks--Ophthalmia: blindness--& we 
have jettisoned the blind to no avail. 
It spreads, the terrifying sickness spreads. 
Its claws have scratched sight from the Capt.'s eyes 
& there is blindness in the fo'c'sle 
& we must sail 3 weeks before we come 
to port." 

What port awaits us, Davy Jones' or home? I've 
heard of slavers drifting, drifting, playthings of wind and storm and 
chance, their crews gone blind, the jungle hatred crawling 
up on deck. 

Thou Who Walked On Galilee 

"Deponent further sayeth The Bella J 
left the Guinea Coast 
with cargo of five hundred blacks and odd 
for the barracoons of Florida: 

"That there was hardly room 'tween-decks for half 
the sweltering cattle stowed spoon-fashion there; 
that some went mad of thirst and tore their flesh 
and sucked the blood: 

"That Crew and Captain lusted with the comeliest 
of the savage girls kept naked in the cabins; 
that there was one they called The Guinea Rose 
and they cast lots and fought to lie with her: 

"That when the Bo's'n piped all hands, the flames 
spreading from starboard already were beyond 
control, the ******* howling and their chains 
entangled with the flames: 

"That the burning blacks could not be reached, 
that the Crew abandoned ship, 
leaving their shrieking negresses behind, 
that the Captain perished drunken with the wenches: 

"Further Deponent sayeth not." 

Pilot Oh Pilot Me 


II 

Aye, lad, and I have seen those factories, 
Gambia, Rio Pongo, Calabar; 
have watched the artful mongos baiting traps 
of war wherein the victor and the vanquished 

Were caught as prizes for our barracoons. 
Have seen the ****** kings whose vanity 
and greed turned wild black hides of Fellatah, 
Mandingo, Ibo, Kru to gold for us. 

And there was one--King Anthracite we named him-- 
fetish face beneath French parasols 
of brass and orange velvet, impudent mouth 
whose cups were carven skulls of enemies: 

He'd honor us with drum and feast and conjo 
and palm-oil-glistening wenches deft in love, 
and for tin crowns that shone with paste, 
red calico and German-silver trinkets 

Would have the drums talk war and send 
his warriors to burn the sleeping villages 
and kill the sick and old and lead the young 
in coffles to our factories. 

Twenty years a trader, twenty years, 
for there was wealth aplenty to be harvested 
from those black fields, and I'd be trading still 
but for the fevers melting down my bones. 


III 

Shuttles in the rocking loom of history, 
the dark ships move, the dark ships move, 
their bright ironical names 
like jests of kindness on a murderer's mouth; 
plough through thrashing glister toward 
fata morgana's lucent melting shore, 
weave toward New World littorals that are 
mirage and myth and actual shore. 

Voyage through death, 
voyage whose chartings are unlove. 

A charnel stench, effluvium of living death 
spreads outward from the hold, 
where the living and the dead, the horribly dying, 
lie interlocked, lie foul with blood and excrement. 

Deep in the festering hold thy father lies, the corpse of mercy 
rots with him, rats eat love's rotten gelid eyes. But, oh, the 
living look at you with human eyes whose suffering accuses you, whose 
hatred reaches through the swill of dark to strike you like a leper's 
claw. You cannot stare that hatred down or chain the fear that stalks 
the watches and breathes on you its fetid scorching breath; cannot 
kill the deep immortal human wish, the timeless will. 

"But for the storm that flung up barriers 
of wind and wave, The Amistad, señores, 
would have reached the port of Príncipe in two, 
three days at most; but for the storm we should 
have been prepared for what befell. 
Swift as a puma's leap it came. There was 
that interval of moonless calm filled only 
with the water's and the rigging's usual sounds, 
then sudden movement, blows and snarling cries 
and they had fallen on us with machete 
and marlinspike. It was as though the very 
air, the night itself were striking us. 
Exhausted by the rigors of the storm, 
we were no match for them. Our men went down 
before the murderous Africans. Our loyal 
Celestino ran from below with gun 
and lantern and I saw, before the cane- 
knife's wounding flash, Cinquez, 
that surly brute who calls himself a prince, 
directing, urging on the ghastly work. 
He hacked the poor mulatto down, and then 
he turned on me. The decks were slippery 
when daylight finally came. It sickens me 
to think of what I saw, of how these apes 
threw overboard the butchered bodies of 
our men, true Christians all, like so much jetsam. 
Enough, enough. The rest is quickly told: 
Cinquez was forced to spare the two of us 
you see to steer the ship to Africa, 
and we like phantoms doomed to rove the sea 
voyaged east by day and west by night, 
deceiving them, hoping for rescue, 
prisoners on our own vessel, till 
at length we drifted to the shores of this 
your land, America, where we were freed 
from our unspeakable misery. Now we 
demand, good sirs, the extradition of 
Cinquez and his accomplices to La 
Havana. And it distresses us to know 
there are so many here who seem inclined 
to justify the mutiny of these blacks. 
We find it paradoxical indeed 
that you whose wealth, whose tree of liberty 
are rooted in the labor of your slaves 
should suffer the august John Quincey Adams 
to speak with so much passion of the right 
of chattel slaves to kill their lawful masters 
and with his Roman rhetoric weave a hero's 
garland for Cinquez. I tell you that 
we are determined to return to Cuba 
with our slaves and there see justice done. 
Cinquez-- 
or let us say 'the Prince'--Cinquez shall die." 

The deep immortal human wish, 
the timeless will: 

Cinquez its deathless primaveral image, 
life that transfigures many lives. 

Voyage through death 
to life upon these shores.
Written by Emma Lazarus | Create an image from this poem

Symphonic Studies (After Schumann)

 Prelude 

Blue storm-clouds in hot heavens of mid-July 
Hung heavy, brooding over land and sea: 
Our hearts, a-tremble, throbbed in harmony 
With the wild, restless tone of air and sky. 
Shall we not call im Prospero who held 
In his enchanted hands the fateful key 
Of that tempestuous hour's mystery, 
And with controlling wand our spirits spelled, 
With him to wander by a sun-bright shore, 
To hear fine, fairy voices, and to fly 
With disembodied Ariel once more 
Above earth's wrack and ruin? Far and nigh 
The laughter of the thunder echoed loud, 
And harmless lightnings leapt from cloud to cloud. 


I

Floating upon a swelling wave of sound, 
We seemed to overlook an endless sea: 
Poised 'twixt clear heavens and glittering surf were we. 
We drank the air in flight: we knew no bound 
To the audacious ventures of desire. 
Nigh us the sun was dropping, drowned in gold; 
Deep, deep below the burning billows rolled; 
And all the sea sang like a smitten lyre. 
Oh, the wild voices of those chanting waves! 
The human faces glimpsed beneath the tide! 
Familiar eyes gazed from profound sea-caves, 
And we, exalted, were as we had died. 
We knew the sea was Life, the harmonious cry 
The blended discords of humanity. 


II

Look deeper yet: mark 'midst the wave-blurred mass, 
In lines distinct, in colors clear defined, 
The typic groups and figures of mankind. 
Behold within the cool and liquid glass 
Bright child-folk sporting with smooth yellow shells, 
Astride of dolphins, leaping up to kiss 
Fair mother-faces. From the vast abyss 
How joyously their thought-free laughter wells! 
Some slumber in grim caverns unafraid, 
Lulled by the overwhelming water's sound, 
And some make mouths at dragons, undismayed. 
Oh dauntless innocence! The gulfs profound 
Reëcho strangely with their ringing glee, 
And with wise mermaids' plaintive melody. 


III

What do the sea-nymphs in that coral cave? 
With wondering eyes their supple forms they bend 
O'er something rarely beautiful. They lend 
Their lithe white arms, and through the golden wave 
They lift it tenderly. Oh blinding sight! 
A naked, radiant goddess, tranced in sleep, 
Full-limbed, voluptuous, 'neath the mantling sweep 
Of auburn locks that kiss her ankles white! 
Upward they bear her, chanting low and sweet: 
The clinging waters part before their way, 
Jewels of flame are dancing 'neath their feet. 
Up in the sunshine, on soft foam, they lay 
Their precious burden, and return forlorn. 
Oh, bliss! oh, anguish! Mortals, Love is born! 


IV

Hark! from unfathomable deeps a dirge 
Swells sobbing through the melancholy air: 
Where love has entered, Death is also there. 
The wail outrings the chafed, tumultuous surge; 
Ocean and earth, the illimitable skies, 
Prolong one note, a mourning for the dead, 
The cry of souls not to be comforted. 
What piercing music! Funeral visions rise, 
And send the hot tears raining down our cheek. 
We see the silent grave upon the hill 
With its lone lilac-bush. O heart, be still! 
She will not rise, she will not stir nor speak. 
Surely, the unreturning dead are blest. 
Ring on, sweet dirge, and knell us to our rest! 


V

Upon the silver beach the undines dance 
With interlinking arms and flying hair; 
Like polished marble gleam their limbs left bare; 
Upon their virgin rites pale moonbeams glance. 
Softer the music! for their foam-bright feet 
Print not the moist floor where they trip their round: 
Affrighted they will scatter at a sound, 
Leap in their cool sea-chambers, nibly fleet, 
And we shall doubt that we have ever seen, 
While our sane eyes behold stray wreaths of mist, 
Shot with faint colors by the moon-rays kissed, 
Floating snow-soft, snow-white, where these had been. 
Already, look! the wave-washed sands are bare, 
And mocking laughter ripples through the air. 


VI

Divided 'twixt the dream-world and the real, 
We heard the waxing passion of the song 
Soar as to scale the heavens on pinions strong. 
Amidst the long-reverberant thunder-peal, 
Against the rain-blurred square of light, the head 
Of the pale poet at the lyric keys 
Stood boldly cut, absorbed in reveries, 
While over it keen-bladed lightnings played. 
"Rage on, wild storm!" the music seemed to sing: 
"Not all the thunders of thy wrath can move 
The soul that's dedicate to worshipping 
Eternal Beauty, everlasting Love." 
No more! the song was ended, and behold, 
A rainbow trembling on a sky of gold! 


Epilogue

Forth in the sunlit, rain-bathed air we stepped, 
Sweet with the dripping grass and flowering vine, 
And saw through irised clouds the pale sun shine. 
Back o'er the hills the rain-mist slowly crept 
Like a transparent curtain's silvery sheen; 
And fronting us the painted bow was arched, 
Whereunder the majestic cloud-shapes marched: 
In the wet, yellow light the dazzling green 
Of lawn and bush and tree seemed stained with blue. 
Our hearts o'erflowed with peace. With smiles we spake 
Of partings in the past, of courage new, 
Of high achievement, of the dreams that make 
A wonder and a glory of our days, 
And all life's music but a hymn of praise.
Written by Algernon Charles Swinburne | Create an image from this poem

A Watch In The Night

 Watchman, what of the night? - 
Storm and thunder and rain, 
Lights that waver and wane,
Leaving the watchfires unlit. 
Only the balefires are bright, 
And the flash of the lamps now and then 
From a palace where spoilers sit, 
Trampling the children of men.

Prophet, what of the night? - 
I stand by the verge of the sea, 
Banished, uncomforted, free, 
Hearing the noise of the waves 
And sudden flashes that smite 
Some man's tyrannous head, 
Thundering, heard among graves 
That hide the hosts of his dead.

Mourners, what of the night? - 
All night through without sleep 
We weep, and we weep, and we weep. 
Who shall give us our sons ? 
Beaks of raven and kite,
Mouths of wolf and of hound, 
Give us them back whom the guns 
Shot for you dead on the ground.

Dead men, what of the night? - 
Cannon and scaffold and sword,
Horror of gibbet and cord, 
Mowed us as sheaves for the grave, 
Mowed us down for the right. 
We do not grudge or repent. 
Freely to freedom we gave
Pledges, till life should be spent.

Statesman, what of the night? - 
The night will last me my time. 
The gold on a crown or a crime
Looks well enough yet by the lamps. 
Have we not fingers to write, 
Lips to swear at a need? 
Then, when danger decamps, 
Bury the word with the deed.

Warrior, what of the night? - 
Whether it be not or be 
Night, is as one thing to me.
I for one, at the least, 
Ask not of dews if they blight, 
Ask not of flames if they slay,
Ask not of prince or of priest
How long ere we put them away.

Master, what of the night? - 
Child, night is not at all 
Anywhere, fallen or to fall, 
Save in our star-stricken eyes.
Forth of our eyes it takes flight,
Look we but once nor before 
Nor behind us, but straight on the skies; 
Night is not then any more.

Exile, what of the night? - 
The tides and the hours run out, 
The seasons of death and of doubt, 
The night-watches bitter and sore.
In the quicksands leftward and right 
My feet sink down under me; 
But I know the scents of the shore 
And the broad blown breaths of the sea.

Captives, what of the night? - 
It rains outside overhead 
Always, a rain that is red, 
And our faces are soiled with the rain. 
Here in the seasons' despite
Day-time and night-time are one,
Till the curse of the kings and the chain 
Break, and their toils be undone.

Christian, what of the night? - 
I cannot tell; I am blind. 
I halt and hearken behind 
If haply the hours will go back 
And return to the dear dead light, 
To the watchfires and stars that of old
Shone where the sky now is black,
Glowed where the earth now is cold.

High priest, what of the night? - 
The night is horrible here 
With haggard faces and fear, 
Blood, and the burning of fire. 
Mine eyes are emptied of sight, 
Mine hands are full of the dust, 
If the God of my faith be a liar, 
Who is it that I shall trust?

Princes, what of the night? - 
Night with pestilent breath 
Feeds us, children of death, 
Clothes us close with her gloom. 
Rapine and famine and fright
Crouch at our feet and are fed. 
Earth where we pass is a tomb, 
Life where we triumph is dead.

Martyrs, what of the night? - 
Nay, is it night with you yet? 
We, for our part, we forget 
What night was, if it were. 
The loud red mouths of the fight 
Are silent and shut where we are. 
In our eyes the tempestuous air 
Shines as the face of a star.

England, what of the night? - 
Night is for slumber and sleep, 
Warm, no season to weep. 
Let me alone till the day. 
Sleep would I still if I might, 
Who have slept for two hundred years. 
Once I had honour, they say; 
But slumber is sweeter than tears.

France, what of the night? - 
Night is the prostitute's noon, 
Kissed and drugged till she swoon, 
Spat upon, trod upon, whored. 
With bloodred rose-garlands dight, 
Round me reels in the dance 
Death, my saviour, my lord,
Crowned; there is no more France.

Italy, what of the night? - 
Ah, child, child, it is long! 
Moonbeam and starbeam and song 
Leave it dumb now and dark. 
Yet I perceive on the height 
Eastward, not now very far, 
A song too loud for the lark, 
A light too strong for a star.

Germany, what of the night ? - 
Long has it lulled me with dreams;
Now at midwatch, as it seems, 
Light is brought back to mine eyes, 
And the mastery of old and the might 
Lives in the joints of mine hands, 
Steadies my limbs as they rise, 
Strengthens my foot as it stands.

Europe, what of the night ? - 
Ask of heaven, and the sea, 
And my babes on the bosom of me, 
Nations of mine, but ungrown. 
There is one who shall surely requite 
All that endure or that err: 
She can answer alone: 
Ask not of me, but of her.

Liberty, what of the night ? - 
I feel not the red rains fall, 
Hear not the tempest at all, 
Nor thunder in heaven any more. 
All the distance is white 
With the soundless feet of the sun. 
Night, with the woes that it wore, 
Night is over and done.
Written by Emily Brontë | Create an image from this poem

A Death - Scene

 "O day! he cannot die
When thou so fair art shining!
O Sun, in such a glorious sky,
So tranquilly declining; 

He cannot leave thee now,
While fresh west winds are blowing,
And all around his youthful brow
Thy cheerful light is glowing! 

Edward, awake, awake -
The golden evening gleams
Warm and bright on Arden's lake -
Arouse thee from thy dreams! 

Beside thee, on my knee,
My dearest friend! I pray
That thou, to cross the eternal sea,
Wouldst yet one hour delay: 

I hear its billows roar -
I see them foaming high;
But no glimpse of a further shore
Has blest my straining eye. 

Believe not what they urge
Of Eden isles beyond;
Turn back, from that tempestuous surge,
To thy own native land. 

It is not death, but pain
That struggles in thy breast -
Nay, rally, Edward, rouse again;
I cannot let thee rest!" 

One long look, that sore reproved me
For the woe I could not bear -
One mute look of suffering moved me
To repent my useless prayer: 

And, with sudden check, the heaving
Of distraction passed away;
Not a sign of further grieving
Stirred my soul that awful day. 

Paled, at length, the sweet sun setting;
Sunk to peace the twilight breeze:
Summer dews fell softly, wetting
Glen, and glade, and silent trees. 

Then his eyes began to weary,
Weighed beneath a mortal sleep;
And their orbs grew strangely dreary,
Clouded, even as they would weep. 

But they wept not, but they changed not,
Never moved, and never closed;
Troubled still, and still they ranged not -
Wandered not, nor yet reposed! 

So I knew that he was dying -
Stooped, and raised his languid head;
Felt no breath, and heard no sighing,
So I knew that he was dead.


Written by Alexander Pushkin | Create an image from this poem

Lyric written in 1830

 What means my name to you?...T'will die
As does the melancholy murmur
Of distant waves or, of a summer,
The forest's hushed nocturnal sigh.

Found on a fading album page,
Dim will it seem and enigmatic,
Like words traced on a tomb, a relic
Of some long dead and vanished age.

What's in my name?...Long since forgot,
Erased by new, tempestuous passion,
of tenderness 'twill leave you not
The lingering and sweet impression.

But in an hour of agony,
Pray, speak it, and recall my image,
And say, "He still remembers me,
His heart alone still pays me homage."
Written by Robert Herrick | Create an image from this poem

Delight in Disorder

 A sweet disorder in the dress
Kindles in clothes a wantonness:
A lawn about the shoulders thrown
Into a fine distraction--
An erring lace, which here and there
Enthrals the crimson stomacher--
A cuff neglectful, and thereby
Ribbands to flow confusedly--
A winning wave, deserving note,
In the tempestuous petticoat--
A careless shoe-string, in whose tie
I see a wild civility--
Do more bewitch me than when art
Is too precise in every part.
Written by William Lisle Bowles | Create an image from this poem

I. Written at Tinemouth Northumberland after a Tempestuous Voyage

 AS slow I climb the cliff's ascending side, 
Much musing on the track of terror past 
When o'er the dark wave rode the howling blast 
Pleas'd I look back, and view the tranquil tide, 
That laves the pebbled shore; and now the beam 
Of evening smiles on the grey battlement, 
And yon forsaken tow'r, that time has rent. 
The lifted oar far off with silver gleam 
Is touch'd and the hush'd billows seem to sleep. 
Sooth'd by the scene, ev'n thus on sorrow's breast 
A kindred stillness steals and bids her rest; 
Whilst the weak winds that sigh along the deep, 
The ear, like lullabies of pity, meet, 
Singing the saddest notes of farewell sweet.
Written by William Topaz McGonagall | Create an image from this poem

The Wreck of the Barque Wm. Paterson of Liverpool

 Ye landsmen all attend my verse, and I'll tell to ye a tale
Concerning the barque "Wm. Paterson" that was lost in a tempestuous gale;
She was on a voyage from Bangkok to the Clyde with a cargo of Teakwood,
And the crew numbered Fifteen in all of seamen firm and good. 

'Twas on the 11th of March, when a violent gale from the southward broke out,
And for nine days during tempestuous weather their ship was tossed about
By the angry sea, and the barque she sprang a leak,
Still the crew wrought at the pumps till their hearts were like to break. 

And the pumps were kept constantly going for fourteen long hours,
And the poor men were drenched to the skin with sea spray showers;
Still they wrougnt at the pumps till they became rather clogged
Until at last the barque became thoroughly water-logged. 

Oh! hard was the fate of these brave men,
While the water did rush in from stern to stem,
Poor souls,'twas enough to have driven them frantic,
To be drifting about water-logged in the Atlantic. At last she became unmanageable and her masts had to be cut away,
Which the brave crew performed quickly without delay;
Still gales of more or less violence prevailed every day,
Whilst the big waves kept dashing o'er them, likewise the spray. 

And with the fearful hurricane the deckhouse and galley were carried away,
Yet the thought of a speedy deliverance kept up their courage day by day,
And the captain prepared for the breaking up of the ship without dismay,
And to save his rations he reduced each man to two biscuits a day. 

The brave heroes managed to save a pinnace about fifteen feet long,
And into it thirteen of the crew quickly and cautiously did throng,
With two bags of biscuits and a cask of water out of the tank.
And for these precious mercies, God they did thank; 

Who is the giver of all good things,
And to those that put their trust in him often succour brings
And such has been the case with these brave men at sea,
That sent Captain McMullan to save them and bring them to Dundee. 

When once into the pinnace they improvised a sail into a tent,
Which to the crew some little shelter lent;
Still every day they were drifting towards the coast of Greenland,
Yet they hoped in God that speedy deliverance might be near at hand. 

And as every day passed by they felt woe begone,
Because no sail could they see on the horizon;
And they constructed a sea anchor to keep the boat's head to sea,
And not withstanding their hardships they stood out bravely. 

And on the 19th of March a ship hove in sight,
Which proved to be the "Slieve Roe" to their delight;
Then they hoisted a signal of distress when they espied the "Slieve Roe,"
But it was not seen on account of the wreck being in the water so low. 

But as soon as Captain McMullan knew it was a signal of distress,
Then heroically and quickly his men he did address,
He cried! come my men keep the ship close to the wind,
And let's try if we can these unfortunate souls find. 

And as the "Slieve Roe" to them drew near,
Poor souls they gave a hearty cheer;
Then they were immediately taken on board,
And they thanked Captain McMullan for saving them, likewise the Lord. 

Then a crew from the "Slieve Roe" were sent away,
For the two remaining members of the crew without delay;
The Captain and a Sailor, together with a cat and a pet dog,
Which had been the companions of the sailors, and seemed as frisky as a frog. 

And when they had all got safe on board,
With one accord they thanked the Lord;
And Captain McMullan kindly did them treat,
By giving them dry clothing and plenty of meat. 

And for his kind treatment unto them he deserves great praise,
For his many manly and kindly ways,
By saving so many lives during the time he has been at sea,
And in particular for fetching the crew of the "Wm. Paterson" safe to Dundee.
Written by Anne Kingsmill Finch | Create an image from this poem

Reformation

 A Gentleman, most wretched in his Lot, 
A wrangling and reproving Wife had got, 
Who, tho' she curb'd his Pleasures, and his Food, 
Call'd him My Dear, and did it for his Good, 
Ills to prevent; She of all Ills the worst, 
So wisely Froward, and so kindly Curst. 
The Servants too experiment her Lungs, 
And find they've Breath to serve a thousand Tongues. 
Nothing went on; for her eternal Clack 
Still rectifying, set all Matters back; 
Nor Town, nor Neighbours, nor the Court cou'd please, 
But furnish'd Matter for her sharp Disease. 
To distant Plains at length he gets her down, 
With no Affairs to manage of her own; 
Hoping from that unactive State to find 
A calmer Habit, grown upon her Mind: 
But soon return'd he hears her at his Door, 
As noisy and tempestuous as before; 
Yet mildly ask'd, How she her Days had spent 
Amidst the Quiet of a sweet Content, 
Where Shepherds 'tend their Flocks, and Maids their Pails, 
And no harsh Mistress domineers, or rails? 
Not rail! she cries–Why, I that had no share 
In their Concerns, cou'd not the Trollops spare; 
But told 'em, they were Sluts–And for the Swains, 
My Name a Terror to them still remains; 
So often I reprov'd their slothful Faults, 
And with such Freedom told 'em all my Thoughts, 
That I no more amongst them cou'd reside. 
Has then, alas! the Gentleman reply'd, 
One single Month so much their patience try'd? 
Where you by Day, and but at Seasons due, 
Cou'd with your Clamours their Defects pursue; 
How had they shrunk, and justly been afraid, 
Had they with me one Curtain Lecture heard! 
Yet enter Madam, and resume your Sway; 
Who can't Command, must silently Obey. 
In secret here let endless Faults be found, 
Till, like Reformers who in States abound, 
You all to Ruin bring, and ev'ry Part confound.

Book: Reflection on the Important Things