Written by
Anne Sexton |
You always read about it:
the plumber with the twelve children
who wins the Irish Sweepstakes.
From toilets to riches.
That story.
Or the nursemaid,
some luscious sweet from Denmark
who captures the oldest son's heart.
from diapers to Dior.
That story.
Or a milkman who serves the wealthy,
eggs, cream, butter, yogurt, milk,
the white truck like an ambulance
who goes into real estate
and makes a pile.
From homogenized to martinis at lunch.
Or the charwoman
who is on the bus when it cracks up
and collects enough from the insurance.
From mops to Bonwit Teller.
That story.
Once
the wife of a rich man was on her deathbed
and she said to her daughter Cinderella:
Be devout. Be good. Then I will smile
down from heaven in the seam of a cloud.
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
She slept on the sooty hearth each night
and walked around looking like Al Jolson.
Her father brought presents home from town,
jewels and gowns for the other women
but the twig of a tree for Cinderella.
She planted that twig on her mother's grave
and it grew to a tree where a white dove sat.
Whenever she wished for anything the dove
would drop it like an egg upon the ground.
The bird is important, my dears, so heed him.
Next came the ball, as you all know.
It was a marriage market.
The prince was looking for a wife.
All but Cinderella were preparing
and gussying up for the event.
Cinderella begged to go too.
Her stepmother threw a dish of lentils
into the cinders and said: Pick them
up in an hour and you shall go.
The white dove brought all his friends;
all the warm wings of the fatherland came,
and picked up the lentils in a jiffy.
No, Cinderella, said the stepmother,
you have no clothes and cannot dance.
That's the way with stepmothers.
Cinderella went to the tree at the grave
and cried forth like a gospel singer:
Mama! Mama! My turtledove,
send me to the prince's ball!
The bird dropped down a golden dress
and delicate little slippers.
Rather a large package for a simple bird.
So she went. Which is no surprise.
Her stepmother and sisters didn't
recognize her without her cinder face
and the prince took her hand on the spot
and danced with no other the whole day.
As nightfall came she thought she'd better
get home. The prince walked her home
and she disappeared into the pigeon house
and although the prince took an axe and broke
it open she was gone. Back to her cinders.
These events repeated themselves for three days.
However on the third day the prince
covered the palace steps with cobbler's wax
and Cinderella's gold shoe stuck upon it.
Now he would find whom the shoe fit
and find his strange dancing girl for keeps.
He went to their house and the two sisters
were delighted because they had lovely feet.
The eldest went into a room to try the slipper on
but her big toe got in the way so she simply
sliced it off and put on the slipper.
The prince rode away with her until the white dove
told him to look at the blood pouring forth.
That is the way with amputations.
They just don't heal up like a wish.
The other sister cut off her heel
but the blood told as blood will.
The prince was getting tired.
He began to feel like a shoe salesman.
But he gave it one last try.
This time Cinderella fit into the shoe
like a love letter into its envelope.
At the wedding ceremony
the two sisters came to curry favor
and the white dove pecked their eyes out.
Two hollow spots were left
like soup spoons.
Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story.
|
Written by
Henry Wadsworth Longfellow |
Downward through the evening twilight,
In the days that are forgotten,
In the unremembered ages,
From the full moon fell Nokomis,
Fell the beautiful Nokomis,
She a wife, but not a mother.
She was sporting with her women,
Swinging in a swing of grape-vines,
When her rival the rejected,
Full of jealousy and hatred,
Cut the leafy swing asunder,
Cut in twain the twisted grape-vines,
And Nokomis fell affrighted
Downward through the evening twilight,
On the Muskoday, the meadow,
On the prairie full of blossoms.
"See! a star falls!" said the people;
"From the sky a star is falling!"
There among the ferns and mosses,
There among the prairie lilies,
On the Muskoday, the meadow,
In the moonlight and the starlight,
Fair Nokomis bore a daughter.
And she called her name Wenonah,
As the first-born of her daughters.
And the daughter of Nokomis
Grew up like the prairie lilies,
Grew a tall and slender maiden,
With the beauty of the moonlight,
With the beauty of the starlight.
And Nokomis warned her often,
Saying oft, and oft repeating,
"Oh, beware of Mudjekeewis,
Of the West-Wind, Mudjekeewis;
Listen not to what he tells you;
Lie not down upon the meadow,
Stoop not down among the lilies,
Lest the West-Wind come and harm you!"
But she heeded not the warning,
Heeded not those words of wisdom,
And the West-Wind came at evening,
Walking lightly o'er the prairie,
Whispering to the leaves and blossoms,
Bending low the flowers and grasses,
Found the beautiful Wenonah,
Lying there among the lilies,
Wooed her with his words of sweetness,
Wooed her with his soft caresses,
Till she bore a son in sorrow,
Bore a son of love and sorrow.
Thus was born my Hiawatha,
Thus was born the child of wonder;
But the daughter of Nokomis,
Hiawatha's gentle mother,
In her anguish died deserted
By the West-Wind, false and faithless,
By the heartless Mudjekeewis.
For her daughter long and loudly
Wailed and wept the sad Nokomis;
"Oh that I were dead!" she murmured,
"Oh that I were dead, as thou art!
No more work, and no more weeping,
Wahonowin! Wahonowin!"
By the shores of Gitche Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis.
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis
Nursed the little Hiawatha,
Rocked him in his linden cradle,
Bedded soft in moss and rushes,
Safely bound with reindeer sinews;
Stilled his fretful wail by saying,
"Hush! the Naked Bear will hear thee!"
Lulled him into slumber, singing,
"Ewa-yea! my little owlet!
Who is this, that lights the wigwam?
With his great eyes lights the wigwam?
Ewa-yea! my little owlet!"
Many things Nokomis taught him
Of the stars that shine in heaven;
Showed him Ishkoodah, the comet,
Ishkoodah, with fiery tresses;
Showed the Death-Dance of the spirits,
Warriors with their plumes and war-clubs,
Flaring far away to northward
In the frosty nights of Winter;
Showed the broad white road in heaven,
Pathway of the ghosts, the shadows,
Running straight across the heavens,
Crowded with the ghosts, the shadows.
At the door on summer evenings
Sat the little Hiawatha;
Heard the whispering of the pine-trees,
Heard the lapping of the waters,
Sounds of music, words of wonder;
'Minne-wawa!" said the Pine-trees,
Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee,
Flitting through the dusk of evening,
With the twinkle of its candle
Lighting up the brakes and bushes,
And he sang the song of children,
Sang the song Nokomis taught him:
"Wah-wah-taysee, little fire-fly,
Little, flitting, white-fire insect,
Little, dancing, white-fire creature,
Light me with your little candle,
Ere upon my bed I lay me,
Ere in sleep I close my eyelids!"
Saw the moon rise from the water
Rippling, rounding from the water,
Saw the flecks and shadows on it,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"Once a warrior, very angry,
Seized his grandmother, and threw her
Up into the sky at midnight;
Right against the moon he threw her;
'T is her body that you see there."
Saw the rainbow in the heaven,
In the eastern sky, the rainbow,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"'T is the heaven of flowers you see there;
All the wild-flowers of the forest,
All the lilies of the prairie,
When on earth they fade and perish,
Blossom in that heaven above us."
When he heard the owls at midnight,
Hooting, laughing in the forest,
'What is that?" he cried in terror,
"What is that," he said, "Nokomis?"
And the good Nokomis answered:
"That is but the owl and owlet,
Talking in their native language,
Talking, scolding at each other."
Then the little Hiawatha
Learned of every bird its language,
Learned their names and all their secrets,
How they built their nests in Summer,
Where they hid themselves in Winter,
Talked with them whene'er he met them,
Called them "Hiawatha's Chickens."
Of all beasts he learned the language,
Learned their names and all their secrets,
How the beavers built their lodges,
Where the squirrels hid their acorns,
How the reindeer ran so swiftly,
Why the rabbit was so timid,
Talked with them whene'er he met them,
Called them "Hiawatha's Brothers."
Then Iagoo, the great boaster,
He the marvellous story-teller,
He the traveller and the talker,
He the friend of old Nokomis,
Made a bow for Hiawatha;
From a branch of ash he made it,
From an oak-bough made the arrows,
Tipped with flint, and winged with feathers,
And the cord he made of deer-skin.
Then he said to Hiawatha:
"Go, my son, into the forest,
Where the red deer herd together,
Kill for us a famous roebuck,
Kill for us a deer with antlers!"
Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows;
And the birds sang round him, o'er him,
"Do not shoot us, Hiawatha!"
Sang the robin, the Opechee,
Sang the bluebird, the Owaissa,
"Do not shoot us, Hiawatha!"
Up the oak-tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak-tree,
Laughed, and said between his laughing,
"Do not shoot me, Hiawatha!"
And the rabbit from his pathway
Leaped aside, and at a distance
Sat erect upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
"Do not shoot me, Hiawatha!"
But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he.
Hidden in the alder-bushes,
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.
Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!
Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.
From the red deer's hide Nokomis
Made a cloak for Hiawatha,
From the red deer's flesh Nokomis
Made a banquet to his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-Heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!
|
Written by
Anne Sexton |
1.
Mother, my Mary Gray,
once resident of Gloucester
and Essex County,
a photostat of your will
arrived in the mail today.
This is the division of money.
I am one third
of your daughters counting my bounty
or I am a queen alone
in the parlor still,
eating the bread and honey.
It is Good Friday.
Black birds pick at my window sill.
Your coat in my closet,
your bright stones on my hand,
the gaudy fur animals
I do not know how to use,
settle on me like a debt.
A week ago, while the hard March gales
beat on your house,
we sorted your things: obstacles
of letters, family silver,
eyeglasses and shoes.
Like some unseasoned Christmas, its scales
rigged and reset,
I bundled out gifts I did not choose.
Now the houts of The Cross
rewind. In Boston, the devout
work their cold knees
toward that sweet martyrdom
that Christ planned. My timely loss
is too customary to note; and yet
I planned to suffer
and I cannot. It does not please
my yankee bones to watch
where the dying is done
in its usly hours. Black birds peck
at my window glass
and Easter will take its ragged son.
The clutter of worship
that you taught me, Mary Gray,
is old. I imitate
a memory of belief
that I do not own. I trip
on your death and jesus, my stranger
floats up over
my Christian home, wearing his straight
thorn tree. I have cast my lot
and am one third thief
of you. Time, that rearranger
of estates, equips
me with your garments, but not with grief.
2.
This winter when
cancer began its ugliness
I grieved with you each day
for three months
and found you in your private nook
of the medicinal palace
for New England Women
and never once
forgot how long it took.
I read to you
from The New Yorker, ate suppers
you wouldn't eat, fussed
with your flowers,
joked with your nurses, as if I
were the balm among lepers,
as if I could undo
a life in hours
if I never said goodbye.
But you turned old,
all your fifty-eight years sliding
like masks from your skull;
and at the end
I packed your nightgowns in suitcases,
paid the nurses, came riding
home as if I'd been told
I could pretend
people live in places.
3.
Since then I have pretended ease,
loved with the trickeries of need, but not enough
to shed my daughterhood
or sweeten him as a man.
I drink the five o' clock martinis
and poke at this dry page like a rough
goat. Fool! I fumble my lost childhood
for a mother and lounge in sad stuff
with love to catch and catch as catch can.
And Christ still waits. I have tried
to exorcise the memory of each event
and remain still, a mixed child,
heavy with cloths of you.
Sweet witch, you are my worried guide.
Such dangerous angels walk through Lent.
Their walls creak Anne! Convert! Convert!
My desk moves. Its cavr murmurs Boo
and I am taken and beguiled.
Or wrong. For all the way I've come
I'll have to go again. Instead, I must convert
to love as reasonable
as Latin, as sold as earthenware:
an equilibrium
I never knew. And Lent will keep its hurt
for someone else. Christ knows enough
staunch guys have hitched him in trouble.
thinking his sticks were badges to wear.
4.
Spring rusts on its skinny branch
and last summer's lawn
is soggy and brown.
Yesterday is just a number.
All of its winters avalanche
out of sight. What was, is gone.
Mother, last night I slept
in your Bonwit Teller nightgown.
Divided, you climbed into my head.
There in my jabbering dream
I heard my own angry cries
and I cursed you, Dame
keep out of my slumber.
My good Dame, you are dead.
And Mother, three stones
slipped from your glittering eyes.
Now it's Friday's noon
and I would still curse
you with my rhyming words
and bring you flapping back, old love,
old circus knitting, god-in-her-moon,
all fairest in my lang syne verse,
the gauzy bride among the children,
the fancy amid the absurd
and awkward, that horn for hounds
that skipper homeward, that museum
keeper of stiff starfish, that blaze
within the pilgrim woman,
a clown mender, a dove's
cheek among the stones,
my Lady of first words,
this is the division of ways.
And now, while Christ stays
fastened to his Crucifix
so that love may praise
his sacrifice
and not the grotesque metaphor,
you come, a brave ghost, to fix
in my mind without praise
or paradise
to make me your inheritor.
|
Written by
Gwendolyn Brooks |
One wants a teller in a time like this
One's not a man, one's not a woman grown
To bear enormous business all alone.
One cannot walk this winding street with pride
Straight-shouldered, tranquil-eyed,
Knowing one knows for sure the way back home.
One wonders if one has a home.
One is not certain if or why or how.
One wants a Teller now:
Put on your rubbers and you won't catch a cold
Here's hell, there's heaven. Go to Sunday School
Be patient, time brings all good things--(and cool
Stong balm to calm the burning at the brain?)
Behold,
Love's true, and triumphs; and God's actual.
|
Written by
Henry Wadsworth Longfellow |
You shall hear how Pau-Puk-Keewis,
How the handsome Yenadizze
Danced at Hiawatha's wedding;
How the gentle Chibiabos,
He the sweetest of musicians,
Sang his songs of love and longing;
How Iagoo, the great boaster,
He the marvellous story-teller,
Told his tales of strange adventure,
That the feast might be more joyous,
That the time might pass more gayly,
And the guests be more contented.
Sumptuous was the feast Nokomis
Made at Hiawatha's wedding;
All the bowls were made of bass-wood,
White and polished very smoothly,
All the spoons of horn of bison,
Black and polished very smoothly.
She had sent through all the village
Messengers with wands of willow,
As a sign of invitation,
As a token of the feasting;
And the wedding guests assembled,
Clad in all their richest raiment,
Robes of fur and belts of wampum,
Splendid with their paint and plumage,
Beautiful with beads and tassels.
First they ate the sturgeon, Nahma,
And the pike, the Maskenozha,
Caught and cooked by old Nokomis;
Then on pemican they feasted,
Pemican and buffalo marrow,
Haunch of deer and hump of bison,
Yellow cakes of the Mondamin,
And the wild rice of the river.
But the gracious Hiawatha,
And the lovely Laughing Water,
And the careful old Nokomis,
Tasted not the food before them,
Only waited on the others
Only served their guests in silence.
And when all the guests had finished,
Old Nokomis, brisk and busy,
From an ample pouch of otter,
Filled the red-stone pipes for smoking
With tobacco from the South-land,
Mixed with bark of the red willow,
And with herbs and leaves of fragrance.
Then she said, "O Pau-Puk-Keewis,
Dance for us your merry dances,
Dance the Beggar's Dance to please us,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!"
Then the handsome Pau-Puk-Keewis,
He the idle Yenadizze,
He the merry mischief-maker,
Whom the people called the Storm-Fool,
Rose among the guests assembled.
Skilled was he in sports and pastimes,
In the merry dance of snow-shoes,
In the play of quoits and ball-play;
Skilled was he in games of hazard,
In all games of skill and hazard,
Pugasaing, the Bowl and Counters,
Kuntassoo, the Game of Plum-stones.
Though the warriors called him Faint-Heart,
Called him coward, Shaugodaya,
Idler, gambler, Yenadizze,
Little heeded he their jesting,
Little cared he for their insults,
For the women and the maidens
Loved the handsome Pau-Puk-Keewis.
He was dressed in shirt of doeskin,
White and soft, and fringed with ermine,
All inwrought with beads of wampum;
He was dressed in deer-skin leggings,
Fringed with hedgehog quills and ermine,
And in moccasins of buck-skin,
Thick with quills and beads embroidered.
On his head were plumes of swan's down,
On his heels were tails of foxes,
In one hand a fan of feathers,
And a pipe was in the other.
Barred with streaks of red and yellow,
Streaks of blue and bright vermilion,
Shone the face of Pau-Puk-Keewis.
From his forehead fell his tresses,
Smooth, and parted like a woman's,
Shining bright with oil, and plaited,
Hung with braids of scented grasses,
As among the guests assembled,
To the sound of flutes and singing,
To the sound of drums and voices,
Rose the handsome Pau-Puk-Keewis,
And began his mystic dances.
First he danced a solemn measure,
Very slow in step and gesture,
In and out among the pine-trees,
Through the shadows and the sunshine,
Treading softly like a panther.
Then more swiftly and still swifter,
Whirling, spinning round in circles,
Leaping o'er the guests assembled,
Eddying round and round the wigwam,
Till the leaves went whirling with him,
Till the dust and wind together
Swept in eddies round about him.
Then along the sandy margin
Of the lake, the Big-Sea-Water,
On he sped with frenzied gestures,
Stamped upon the sand, and tossed it
Wildly in the air around him;
Till the wind became a whirlwind,
Till the sand was blown and sifted
Like great snowdrifts o'er the landscape,
Heaping all the shores with Sand Dunes,
Sand Hills of the Nagow Wudjoo!
Thus the merry Pau-Puk-Keewis
Danced his Beggar's Dance to please them,
And, returning, sat down laughing
There among the guests assembled,
Sat and fanned himself serenely
With his fan of turkey-feathers.
Then they said to Chibiabos,
To the friend of Hiawatha,
To the sweetest of all singers,
To the best of all musicians,
"Sing to us, O Chibiabos!
Songs of love and songs of longing,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!"
And the gentle Chibiabos
Sang in accents sweet and tender,
Sang in tones of deep emotion,
Songs of love and songs of longing;
Looking still at Hiawatha,
Looking at fair Laughing Water,
Sang he softly, sang in this wise:
"Onaway! Awake, beloved!
Thou the wild-flower of the forest!
Thou the wild-bird of the prairie!
Thou with eyes so soft and fawn-like!
"If thou only lookest at me,
I am happy, I am happy,
As the lilies of the prairie,
When they feel the dew upon them!
"Sweet thy breath is as the fragrance
Of the wild-flowers in the morning,
As their fragrance is at evening,
In the Moon when leaves are falling.
"Does not all the blood within me
Leap to meet thee, leap to meet thee,
As the springs to meet the sunshine,
In the Moon when nights are brightest?
"Onaway! my heart sings to thee,
Sings with joy when thou art near me,
As the sighing, singing branches
In the pleasant Moon of Strawberries!
"When thou art not pleased, beloved,
Then my heart is sad and darkened,
As the shining river darkens
When the clouds drop shadows on it!
"When thou smilest, my beloved,
Then my troubled heart is brightened,
As in sunshine gleam the ripples
That the cold wind makes in rivers.
"Smiles the earth, and smile the waters,
Smile the cloudless skies above us,
But I lose the way of smiling
When thou art no longer near me!
"I myself, myself! behold me!
Blood of my beating heart, behold me!
Oh awake, awake, beloved!
Onaway! awake, beloved!"
Thus the gentle Chibiabos
Sang his song of love and longing;
And Iagoo, the great boaster,
He the marvellous story-teller,
He the friend of old Nokomis,
Jealous of the sweet musician,
Jealous of the applause they gave him,
Saw in all the eyes around him,
Saw in all their looks and gestures,
That the wedding guests assembled
Longed to hear his pleasant stories,
His immeasurable falsehoods.
Very boastful was Iagoo;
Never heard he an adventure
But himself had met a greater;
Never any deed of daring
But himself had done a bolder;
Never any marvellous story
But himself could tell a stranger.
Would you listen to his boasting,
Would you only give him credence,
No one ever shot an arrow
Half so far and high as he had;
Ever caught so many fishes,
Ever killed so many reindeer,
Ever trapped so many beaver!
None could run so fast as he could,
None could dive so deep as he could,
None could swim so far as he could;
None had made so many journeys,
None had seen so many wonders,
As this wonderful Iagoo,
As this marvellous story-teller!
Thus his name became a by-word
And a jest among the people;
And whene'er a boastful hunter
Praised his own address too highly,
Or a warrior, home returning,
Talked too much of his achievements,
All his hearers cried, "Iagoo!
Here's Iagoo come among us!"
He it was who carved the cradle
Of the little Hiawatha,
Carved its framework out of linden,
Bound it strong with reindeer sinews;
He it was who taught him later
How to make his bows and arrows,
How to make the bows of ash-tree,
And the arrows of the oak-tree.
So among the guests assembled
At my Hiawatha's wedding
Sat Iagoo, old and ugly,
Sat the marvellous story-teller.
And they said, "O good Iagoo,
Tell us now a tale of wonder,
Tell us of some strange adventure,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!"
And Iagoo answered straightway,
"You shall hear a tale of wonder,
You shall hear the strange adventures
Of Osseo, the Magician,
From the Evening Star descending."
|
Written by
Thomas Moore |
Down in the valley come meet me to-night,
And I'll tell you your fortune truly
As ever 'twas told, by the new-moon's light,
To a young maiden, shining as newly.
But, for the world, let no one be nigh,
Lest haply the stars should deceive me,
Such secrets between you and me and the sky
Should never go farther, believe me.
If at that hour the heavens be not dim,
My science shall call up before you
A male apparition -- the image of him
Whose destiny 'tis to adore you.
And if to that phantom you'll be kind,
So fondly around you he'll hover,
You'll hardly, my dear, any difference find
'Twixt him and a true living lover.
Down at your feet, in the pale moonlight,
He'll kneel, with a warmth of devotion --
An ardour, of which such an innocent sprite
You'd scarcely believe had a notion.
What other thoughts and events may arise,
As in destiny's book I've not seen them,
Must only be left to the stars and your eyes
To settle, ere morning, between them.
|
Written by
Mary Darby Robinson |
LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!
KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!
STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.
STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!
Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!
KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,
Was now, poor Maiden, taught!
And STEPHEN rul'd with boundless sway,
The rustic tyrant of his day.
LUBIN had giv'n inconstant KATE,
Ten pounds , to buy her wedding geer:
And now, 'tis said, tho' somewhat late,
He thought his bargain rather dear.
For, Lo ! The day before the pair
Had fix'd, the marriage chain to wear,
A GYPSY gang, a wand'ring set,
In a lone wood young LUBIN met.
All round him press with canting tale,
And, in a jargon, well design'd
To cheat the unsuspecting mind,
His list'ning ears assail.
Some promis'd riches; others swore
He should, by women, be ador'd;
And never sad, and never poor--
Live like a Squire, or Lord;--
Do what he pleas'd, and ne'er be brought
To shame,--for what he did, or thought;
Seduce mens wives and daughters fair,
Spend wealth, while others toil'd in vain,
And scoff at honesty, and swear,--
And scoff, and trick, and swear again!
ONE roguish Girl, with sparkling eyes,
To win the handsome LUBIN tries;
She smil'd, and by her speaking glance,
Enthrall'd him in a wond'ring trance;
He thought her lovelier far than KATE,
And wish'd that she had been his mate;
For when the FANCY is on wing,
VARIETY'S a dangerous thing:
And PASSIONS, when they learn to stray
Will seldom seldom keep the beaten way.
The gypsy-girl, with speaking eyes,
Observ'd her pupil's fond surprize,
She begg'd that he her hand would cross,
With Sixpence; and that He should know
His future scene of gain and loss,
His weal and woe.--
LUBIN complies. And straight he hears
That he had many long, long years;
That he a maid inconstant, loves,
Who, to another slyly roves.
That a dark man his bane will be--
"And poison his domestic hours;
"While a fair woman, treach'rously--
"Will dress his brow--with thorns and flow'rs!"
It happen'd, to confirm his care--
STEPHEN was dark ,--and KATE was fair!
Nay more that "home his bride would bring
"A little, alien, prattling thing
"In just six moons!" Poor LUBIN hears
All that confirms his jealous fears;
Perplex'd and frantic, what to do
The cheated Lover scarcely knew.
He flies to KATE, and straight he tells
The wonder that in magic dwells!
Speaks of the Fortune-telling crew,
And how all things the Vagrants knew;
KATE hears: and soon determines, she
Will know her future destiny.
Swift to the wood she hies, tho' late
To read the tablet of her Fate.
The Moon its crystal beam scarce shew'd
Upon the darkly shadow'd road;
The hedge-row was the feasting-place
Where, round a little blazing wood,
The wand'ring, dingy, gabbling race,
Crowded in merry mood.
And now she loiter'd near the scene.
Now peep'd the hazle copse between;
Fearful that LUBIN might be near
The story of her Fate to hear.--
She saw the feasting circle gay
By the stol'n ******'s yellow light;
She heard them, as in sportive play,
They chear'd the sullen gloom of night.
Nor was sly KATE by all unseen
Peeping, the hazle copse between.
And now across the thicket side
A tatter'd, skulking youth she spied;
He beckon'd her along, and soon,
Hid safely from the prying moon,
His hand with silver, thrice she crosses--
"Tell me," said she, "my gains and losses?"
"You gain a fool ," the youth replies,
"You lose a lover too."
The false one blushes deep, and sighs,
For well the truth she knew!
"You gave to STEPHEN, vows; nay more
"You gave him favors rare:
"And LUBIN is condemn'd to share
"What many others shar'd before!
"A false, capricious, guilty heart,
"Made up of folly, vice, and art,
"Which only takes a wedded mate
"To brand with shame, an husband's fate."
"Hush! hush!" cried KATE, for Heav'n's sake be
"As secret as the grave--
"For LUBIN means to marry me--
"And if you will not me betray,
"I for your silence well will pay;
"Five pounds this moment you shall have."--
"I will have TEN!" the gypsy cries--
"The fearful, trembling girl complies.
But, what was her dismay, to find
That LUBIN was the gypsy bold;
The cunning, fortune-telling hind
Who had the artful story told--
Who thus, was cur'd of jealous pain,--
"And got his TEN POUNDS back again!
Thus, Fortune pays the LOVER bold!
But, gentle Maids, should Fate
Have any secret yet untold,--
Remember, simple KATE!
|
Written by
Jonathan Swift |
Desponding Phillis was endu'd
With ev'ry Talent of a Prude,
She trembled when a Man drew near;
Salute her, and she turn'd her Ear:
If o'er against her you were plac't
She durst not look above your Wa[i]st;
She'd rather take you to her Bed
Than let you see her dress her Head;
In Church you heard her thro' the Crowd
Repeat the Absolution loud;
In Church, secure behind her Fan
She durst behold that Monster, Man:
There practic'd how to place her Head,
And bit her Lips to make them red:
Or on the Matt devoutly kneeling
Would lift her Eyes up to the Ceeling,
And heave her Bosom unaware
For neighb'ring Beaux to see it bare.
At length a lucky Lover came,
And found Admittance to the Dame.
Suppose all Partys now agreed,
The Writings drawn, the Lawyer fee'd,
The Vicar and the Ring bespoke:
Guess how could such a Match be broke.
See then what Mortals place their Bliss in!
Next morn betimes the Bride was missing,
The Mother scream'd, the Father chid,
Where can this idle Wench be hid?
No news of Phil. The Bridegroom came,
And thought his Bride had sculk't for shame,
Because her Father us'd to say
The Girl had such a Bashfull way.
Now John the Butler must be sent
To learn the Road that Phillis went;
The Groom was wisht to saddle Crop,
For John must neither light nor stop;
But find her where so'er she fled,
And bring her back, alive or dead.
See here again the Dev'l to do;
For truly John was missing too:
The Horse and Pillion both were gone
Phillis, it seems, was fled with John.
Old Madam who went up to find
What Papers Phil had left behind,
A Letter on the Toylet sees
To my much honor'd Father; These:
('Tis always done, Romances tell us,
When Daughters run away with Fellows)
Fill'd with the choicest common-places,
By others us'd in the like Cases.
That, long ago a Fortune-teller
Exactly said what now befell her,
And in a Glass had made her see
A serving-Man of low Degree:
It was her Fate; must be forgiven;
For Marriages were made in Heaven:
His Pardon begg'd, but to be plain,
She'd do't if 'twere to do again.
Thank God, 'twas neither Shame nor Sin,
For John was come of honest Kin:
Love never thinks of Rich and Poor,
She'd beg with John from Door to Door:
Forgive her, if it be a Crime,
She'll never do't another Time,
She ne'r before in all her Life
Once disobey'd him, Maid nor Wife.
One Argument she summ'd up all in,
The Thing was done and past recalling:
And therefore hop'd she should recover
His Favor, when his Passion's over.
She valued not what others thought her;
And was--His most obedient Daughter.
Fair Maidens all attend the Muse
Who now the wandring Pair pursues:
Away they rose in homely Sort
Their Journy long, their Money Short;
The loving Couple well bemir'd,
The Horse and both the Riders tir'd:
Their Vittells bad, their Lodging worse,
Phil cry'd, and John began to curse;
Phil wish't, that she had strained a Limb
When first she ventur'd out with him.
John wish't, that he had broke a Leg
When first for her he quitted Peg.
But what Adventures more befell 'em
The Muse hath now no time to tell 'em.
How Jonny wheadled, threatned, fawnd,
Till Phillis all her Trinkets pawn'd:
How oft she broke her marriage Vows
In kindness to maintain her Spouse;
Till Swains unwholsome spoyled the Trade,
For now the Surgeon must be paid;
To whom those Perquisites are gone
In Christian Justice due to John.
When Food and Rayment now grew scarce
Fate put a Period to the Farce;
And with exact Poetic Justice:
For John is Landlord, Phillis Hostess;
They keep at Stains the old blue Boar,
Are Cat and Dog, and Rogue and Whore.
|
Written by
Jorie Graham |
In the fairy tale the sky
makes of itself a coat
because it needs you
to put it
on. How can it do this?
It collects its motes. It condenses its sound-
track, all the pyrric escapes, the pilgrimages
still unconsummated,
the turreted thoughts of sky it slightly liquefies
and droops, the hum of the yellowest day alive,
office-holders in their books, their corridors,
resplendent memories of royal rooms now filtered up — by smoke, by
must — it tangles up into a weave,
tied up with votive offerings — laws, electricity —
what the speakers let loose from their tiny eternity,
what the empty streets held up as offering
when only a bit of wind
litigated in the sycamores,
oh and the flapping drafts unfinished thoughts
raked out of air,
and the leaves clawing their way after deep sleep set in,
and all formations — assonant, muscular,
chatty hurries of swarm (peoples, debris before the storm) —
things that grew loud when the street grew empty,
and breaths that let themselves be breathed
to freight a human argument,
and sidelong glances in the midst of things, and voice — yellowest
day alive — as it took place
above the telegram,
above the hand cleaving the open-air to cut its thought,
hand flung
towards open doorways into houses where
den-couch and silver tray
itch with inaction — what is there left now
to believe — the coat? — it tangles up a good tight weave,
windy yet sturdy,
a coat for the ages —
one layer a movie of bluest blue,
one layer the war-room mappers and their friends
in trenches
also blue,
one layer market-closings and one
hydrangeas turning blue
just as I say so,
and so on,
so that it flows in the sky to the letter,
you still sitting in the den below
not knowing perhaps that now is as the fairy tale
exactly, (as in the movie), foretold,
had one been on the right channel,
(although you can feel it alongside, in the house, in the food, the umbrellas,
the bicycles),
(even the leg muscles of this one grown quite remarkable),
the fairy tale beginning to hover above — onscreen fangs, at the desk
one of the older ones paying bills —
the coat in the sky above the house not unlike celestial fabric,
a snap of wind and plot to it,
are we waiting for the kinds to go to sleep?
when is it time to go outside and look?
I would like to place myself in the position
of the one suddenly looking up
to where the coat descends and presents itself,
not like the red shoes in the other story,
red from all we had stepped in,
no, this the coat all warm curves and grassy specificities,
intellectuals also there, but still indoors,
standing up smokily to mastermind,
theory emerging like a flowery hat,
there, above the head,
descending,
while outside, outside, this coat —
which I desire, which I, in the tale,
desire — as it touches the dream of reason
which I carry inevitably in my shoulders, in my very carriage, forgive me,
begins to shred like this, as you see it do, now,
as if I were too much in focus making the film shred,
it growing very hot (as in giving birth) though really
it being just evening, the movie back on the reel,
the sky one step further down into the world but only one step,
me trying to pull it down, onto this frame,
for which it seems so fitting,
for which the whole apparatus of attention had seemed to prepare us,
and then the shredding beginning
which sounds at first like the lovely hum
where sun fills the day to its fringe of stillness
but then continues, too far, too hard,
and we have to open our hands again and let it go, let it rise up
above us,
incomprehensible,
clicker still in my right hand,
the teller of the story and the shy bride,
to whom he was showing us off a little perhaps,
leaning back into their gossamer ripeness,
him touching her storm, the petticoat,
the shredded coat left mid-air, just above us,
the coat in which the teller's plot
entered this atmosphere, this rosy sphere of hope and lack,
this windiness of middle evening,
so green, oh what difference could it have made
had the teller needed to persuade her
further — so green
this torn hem in the first miles — or is it inches? — of our night,
so full of hollowness, so wild with rhetoric ....
|
Written by
Emily Dickinson |
The Bible is an antique Volume --
Written by faded men
At the suggestion of Holy Spectres --
Subjects -- Bethlehem --
Eden -- the ancient Homestead --
Satan -- the Brigadier --
Judas -- the Great Defaulter --
David -- the Troubador --
Sin -- a distinguished Precipice
Others must resist --
Boys that "believe" are very lonesome --
Other Boys are "lost" --
Had but the Tale a warbling Teller --
All the Boys would come --
Orpheus' Sermon captivated --
It did not condemn --
|