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Best Famous Telegram Poems

Here is a collection of the all-time best famous Telegram poems. This is a select list of the best famous Telegram poetry. Reading, writing, and enjoying famous Telegram poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of telegram poems.

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Written by Richard Brautigan | Create an image from this poem

Coffee

 Sometimes life is merely a matter of coffee and whatever intimacy a cup of coffee
affords.
I once read something about coffee.
The thing said that coffee is good for you; it stimulates all the organs.
I thought at first this was a strange way to put it, and not altogether pleasant, but as time goes by I have found out that it makes sense in its own limited way.
I'll tell you what I mean.
Yesterday morning I went over to see a girl.
I like her.
Whatever we had going for us is gone now.
She does not care for me.
I blew it and wish I hadn't.
I rang the door bell and waited on the stairs.
I could hear her moving around upstairs.
The way she moved I could tell that she was getting up.
I had awakened her.
Then she came down the stairs.
I could feel her approach in my stomach.
Every step she took stirred my feelings and lead indirectly to her opening the door.
She saw me and it did not please her.
Once upon a time it pleased her very much, last week.
I wonder where it went, pretending to be naive.
"I feel strange now," she said.
"I don't want to talk.
" "I want a cup of coffee," I said, because it was the last thing in the world that I wanted.
I said it in such a way that it sounded as if I were reading her a telegram from somebody else, a person who really wanted a cup of coffee, who cared about nothing else.
"All right," she said.
I followed her up the stairs.
It was ridiculous.
She had just put some clothes on.
They had not quite adjusted themselves to her body.
I could tell you about her ass.
We went into the kitchen.
She took a jar of instant coffee off the shelf and put it on the table.
She placed a cup next to it, and a spoon.
I looked at them.
She put a pan full of water on the stove and turned the gas on under it.
All this time she did not say a word.
Her clothes adjusted themselves to her body.
I won't.
She left the kitchen.
Then she went down the stairs and outside to see if she had any mail.
I didn't remember seeing any.
She came back up the stairs and went into another room.
She closed the door after her.
I looked at the pan full of water on the stove.
I knew that it would take a year before the water started to boil.
It was now October and there was too much water in the pan.
That was the problem.
I threw half of the water into the sink.
The water would boil faster now.
It would take only six months.
The house was quiet.
I looked out the back porch.
There were sacks of garbage there.
I stared at the garbage and tried to figure out what she had been eating lately by studying the containers and peelings and stuff.
I couldn't tell a thing.
It was now March.
The water started to boil.
I was pleased by this.
I looked at the table.
There was the jar of instant coffee, the empty cup and the spoon all laid out like a funeral service.
These are the things that you need to make a cup of coffee.
When I left the house ten minutes later, the cup of coffee safely inside me like a grave, I said, "Thank you for the cup of coffee.
" "You're welcome," she said.
Her voice came from behind a closed door.
Her voice sounded like another telegram.
It was really time for me to leave.
I spent the rest of the day not making coffee.
It was a comfort.
And evening came, I had dinner in a restaurant and went to a bar.
I had some drinks and talked to some people.
We were bar people and said bar things.
None of them remembered, and the bar closed.
It was two o'clock in the morning.
I had to go outside.
It was foggy and cold in San Francisco.
I wondered about the fog and felt very human and exposed.
I decided to go visit another girl.
We had not been friends for over a year.
Once we were very close.
I wondered what she was thinking about now.
I went to her house.
She didn't have a door bell.
That was a small victory.
One must keep track of all the small victories.
I do, anyway.
She answered the door.
She was holding a robe in front of her.
She didn't believe that she was seeing me.
"What do you want?" she said, believing now that she was seeing me.
I walked right into the house.
She turned and closed the door in such a way that I could see her profile.
She had not bothered to wrap the robe completely around herself.
She was just holding the robe in front of herself.
I could see an unbroken line of body running from her head to her feet.
It looked kind of strange.
Perhaps because it was so late at night.
"What do you want?" she said.
"I want a cup of coffee," I said.
What a funny thing to say, to say again for a cup of coffee was not what I really wanted.
She looked at me and wheeled slightly on the profile.
She was not pleased to see me.
Let the AMA tell us that time heals.
I looked at the unbroken line of her body.
"Why don't you have a cup of coffee with me?" I said.
"I feel like talking to you.
We haven't talked for a long time.
" She looked at me and wheeled slightly on the profile.
I stared at the unbroken line of her body.
This was not good.
"It's too late," she said.
"I have to get up in the morning.
If you want a cup of coffee, there's instant in the kitchen.
I have to go to bed.
" The kitchen light was on.
I looked down the hall into the kitchen.
I didn't feel like going into the kitchen and having another cup of coffee by myself.
I didn't feel like going to anybody else's house and asking them for a cup of coffee.
I realized that the day had been committed to a very strange pilgrimage, and I had not planned it that way.
At least the jar of instant coffee was not on the table, beside an empty white cup and a spoon.
They say in the spring a young man's fancy turns to thoughts of love.
Perhaps if he has enough time left over, his fancy can even make room for a cup of coffee.
-from Revenge of the Lawn


Written by Sidney Lanier | Create an image from this poem

Corn

 To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress Like women's hands; the embracing boughs express A subtlety of mighty tenderness; The copse-depths into little noises start, That sound anon like beatings of a heart, Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song; Through that vague wafture, expirations strong Throb from young hickories breathing deep and long With stress and urgence bold of prisoned spring And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry, Forth venture odors of more quality And heavenlier giving.
Like Jove's locks awry, Long muscadines Rich-wreathe the spacious foreheads of great pines, And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy That hide like gentle nuns from human eye To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green Dying to silent hints of kisses keen As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown From undertalks of leafy souls unknown, Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between Old companies of oaks that inward lean To join their radiant amplitudes of green I slowly move, with ranging looks that pass Up from the matted miracles of grass Into yon veined complex of space Where sky and leafage interlace So close, the heaven of blue is seen Inwoven with a heaven of green.
I wander to the zigzag-cornered fence Where sassafras, intrenched in brambles dense, Contests with stolid vehemence The march of culture, setting limb and thorn As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes Take harvests, where the stately corn-ranks rise, Of inward dignities And large benignities and insights wise, Graces and modest majesties.
Thus, without theft, I reap another's field; Thus, without tilth, I house a wondrous yield, And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands Advanced beyond the foremost of his bands, And waves his blades upon the very edge And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk, Still shalt thou type the poet-soul sublime That leads the vanward of his timid time And sings up cowards with commanding rhyme -- Soul calm, like thee, yet fain, like thee, to grow By double increment, above, below; Soul homely, as thou art, yet rich in grace like thee, Teaching the yeomen selfless chivalry That moves in gentle curves of courtesy; Soul filled like thy long veins with sweetness tense, By every godlike sense Transmuted from the four wild elements.
Drawn to high plans, Thou lift'st more stature than a mortal man's, Yet ever piercest downward in the mould And keepest hold Upon the reverend and steadfast earth That gave thee birth; Yea, standest smiling in thy future grave, Serene and brave, With unremitting breath Inhaling life from death, Thine epitaph writ fair in fruitage eloquent, Thyself thy monument.
As poets should, Thou hast built up thy hardihood With universal food, Drawn in select proportion fair From honest mould and vagabond air; From darkness of the dreadful night, And joyful light; From antique ashes, whose departed flame In thee has finer life and longer fame; From wounds and balms, From storms and calms, From potsherds and dry bones And ruin-stones.
Into thy vigorous substance thou hast wrought Whate'er the hand of Circumstance hath brought; Yea, into cool solacing green hast spun White radiance hot from out the sun.
So thou dost mutually leaven Strength of earth with grace of heaven; So thou dost marry new and old Into a one of higher mould; So thou dost reconcile the hot and cold, The dark and bright, And many a heart-perplexing opposite, And so, Akin by blood to high and low, Fitly thou playest out thy poet's part, Richly expending thy much-bruised heart In equal care to nourish lord in hall Or beast in stall: Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot Where thou wast born, that still repinest not -- Type of the home-fond heart, the happy lot! -- Deeply thy mild content rebukes the land Whose flimsy homes, built on the shifting sand Of trade, for ever rise and fall With alternation whimsical, Enduring scarce a day, Then swept away By swift engulfments of incalculable tides Whereon capricious Commerce rides.
Look, thou substantial spirit of content! Across this little vale, thy continent, To where, beyond the mouldering mill, Yon old deserted Georgian hill Bares to the sun his piteous aged crest And seamy breast, By restless-hearted children left to lie Untended there beneath the heedless sky, As barbarous folk expose their old to die.
Upon that generous-rounding side, With gullies scarified Where keen Neglect his lash hath plied, Dwelt one I knew of old, who played at toil, And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain, He sowed his heart with hopes of swifter gain, Then sat him down and waited for the rain.
He sailed in borrowed ships of usury -- A foolish Jason on a treacherous sea, Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance He lay, content that unthrift Circumstance Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell, He staked his life on games of Buy-and-Sell, And turned each field into a gambler's hell.
Aye, as each year began, My farmer to the neighboring city ran; Passed with a mournful anxious face Into the banker's inner place; Parleyed, excused, pleaded for longer grace; Railed at the drought, the worm, the rust, the grass; Protested ne'er again 'twould come to pass; With many an `oh' and `if' and `but alas' Parried or swallowed searching questions rude, And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed, He issues smiling from the fatal door, And buys with lavish hand his yearly store Till his small borrowings will yield no more.
Aye, as each year declined, With bitter heart and ever-brooding mind He mourned his fate unkind.
In dust, in rain, with might and main, He nursed his cotton, cursed his grain, Fretted for news that made him fret again, Snatched at each telegram of Future Sale, And thrilled with Bulls' or Bears' alternate wail -- In hope or fear alike for ever pale.
And thus from year to year, through hope and fear, With many a curse and many a secret tear, Striving in vain his cloud of debt to clear, At last He woke to find his foolish dreaming past, And all his best-of-life the easy prey Of squandering scamps and quacks that lined his way With vile array, From rascal statesman down to petty knave; Himself, at best, for all his bragging brave, A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest, He fled away into the oblivious West, Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer -- King, that no subject man nor beast may own, Discrowned, undaughtered and alone -- Yet shall the great God turn thy fate, And bring thee back into thy monarch state And majesty immaculate.
Lo, through hot waverings of the August morn, Thou givest from thy vasty sides forlorn Visions of golden treasuries of corn -- Ripe largesse lingering for some bolder heart That manfully shall take thy part, And tend thee, And defend thee, With antique sinew and with modern art.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Morning Coffee

 Reading the menu at the morning service: 
- Iced Venusberg perhaps, or buttered bum - 
Orders the usual sex-ersatz, and, nervous, 
Glances around - Will she or won't she come? 

The congregation dissected into pews 
Gulping their strip teas in the luminous cavern 
Agape's sacamental berry stews; 
The nickel-plated light and clatter of heaven 

Receive him, temporary Tantalus 
Into the Lookingglassland's firescape.
Suckled on Jungfraumilch his eyes discuss, The werwolf twins, their mock Sabellian rape.
This is their time to reap the standing scorn, Blonde Rumina's crop.
Beneath her leafless tree Ripe-rumped she lolls and clasps the plenteous horn.
Cool customers who defy his Trinity Feel none the less, and thrill, ur-vater Fear Caged in the son.
For, though this ghost behave Experienced daughters recognize King Leer: Lot also had his daughters in a cave.
Full sail the proud three-decker sandwiches With the eye-fumbled priestesses repass; On their swan lake the enchanted icecreams freeze, The amorous fountain prickles in the glass And at the introit of this mass emotion She comes, she comes, a balanced pillar of blood, Guides through the desert, divides the sterile ocean, Brings sceptic Didymus his berserk food, Sits deftly, folding elegant thighs, and takes Her time.
She skins her little leather hands, Conscious that wavering towards her like tame snakes The polyp eyes converge.
.
.
.
The prophet stands Dreading the answer from her burning bush: This unconsuming flame, the outlaw's blow, Plague, exodus, Sinai, ruptured stones that gush, God's telegram: Dare Now! Let this people go!
Written by Jorie Graham | Create an image from this poem

Manteau Three

 In the fairy tale the sky
 makes of itself a coat
because it needs you
 to put it 
on.
How can it do this? It collects its motes.
It condenses its sound- track, all the pyrric escapes, the pilgrimages still unconsummated, the turreted thoughts of sky it slightly liquefies and droops, the hum of the yellowest day alive, office-holders in their books, their corridors, resplendent memories of royal rooms now filtered up — by smoke, by must — it tangles up into a weave, tied up with votive offerings — laws, electricity — what the speakers let loose from their tiny eternity, what the empty streets held up as offering when only a bit of wind litigated in the sycamores, oh and the flapping drafts unfinished thoughts raked out of air, and the leaves clawing their way after deep sleep set in, and all formations — assonant, muscular, chatty hurries of swarm (peoples, debris before the storm) — things that grew loud when the street grew empty, and breaths that let themselves be breathed to freight a human argument, and sidelong glances in the midst of things, and voice — yellowest day alive — as it took place above the telegram, above the hand cleaving the open-air to cut its thought, hand flung towards open doorways into houses where den-couch and silver tray itch with inaction — what is there left now to believe — the coat? — it tangles up a good tight weave, windy yet sturdy, a coat for the ages — one layer a movie of bluest blue, one layer the war-room mappers and their friends in trenches also blue, one layer market-closings and one hydrangeas turning blue just as I say so, and so on, so that it flows in the sky to the letter, you still sitting in the den below not knowing perhaps that now is as the fairy tale exactly, (as in the movie), foretold, had one been on the right channel, (although you can feel it alongside, in the house, in the food, the umbrellas, the bicycles), (even the leg muscles of this one grown quite remarkable), the fairy tale beginning to hover above — onscreen fangs, at the desk one of the older ones paying bills — the coat in the sky above the house not unlike celestial fabric, a snap of wind and plot to it, are we waiting for the kinds to go to sleep? when is it time to go outside and look? I would like to place myself in the position of the one suddenly looking up to where the coat descends and presents itself, not like the red shoes in the other story, red from all we had stepped in, no, this the coat all warm curves and grassy specificities, intellectuals also there, but still indoors, standing up smokily to mastermind, theory emerging like a flowery hat, there, above the head, descending, while outside, outside, this coat — which I desire, which I, in the tale, desire — as it touches the dream of reason which I carry inevitably in my shoulders, in my very carriage, forgive me, begins to shred like this, as you see it do, now, as if I were too much in focus making the film shred, it growing very hot (as in giving birth) though really it being just evening, the movie back on the reel, the sky one step further down into the world but only one step, me trying to pull it down, onto this frame, for which it seems so fitting, for which the whole apparatus of attention had seemed to prepare us, and then the shredding beginning which sounds at first like the lovely hum where sun fills the day to its fringe of stillness but then continues, too far, too hard, and we have to open our hands again and let it go, let it rise up above us, incomprehensible, clicker still in my right hand, the teller of the story and the shy bride, to whom he was showing us off a little perhaps, leaning back into their gossamer ripeness, him touching her storm, the petticoat, the shredded coat left mid-air, just above us, the coat in which the teller's plot entered this atmosphere, this rosy sphere of hope and lack, this windiness of middle evening, so green, oh what difference could it have made had the teller needed to persuade her further — so green this torn hem in the first miles — or is it inches? — of our night, so full of hollowness, so wild with rhetoric .
.
.
.
Written by William Topaz McGonagall | Create an image from this poem

A Soldiers Reprieve

 'Twas in the United States of America some years ago
An aged father sat at his fireside with his heart full of woe,
And talking to his neighbour, Mr Allan, about his boy Bennie
That was to be shot because found asleep doing sentinel duty.
"Inside of twenty-four hours, the telegram said, And, oh! Mr Allan, he's dead, I am afraid.
Where is my brave Bennie now to me is a mystery.
" "We will hope with his heavenly Father," said Mr Allen, soothingly.
"Yes, let us hope God is very merciful," said Mr Allan.
"Yes, yes," said Bennie's father, "my Bennie was a good man.
He said, 'Father, I'll go and fight for my country.
Go, then, Bennie,' I said, 'and God be with ye.
' " Little Blossom, Bennie's sister, sat listening with a blanched cheek, Poor soul, but she didn't speak, Until a gentle tap was heard at the kitchen door, Then she arose quickly and tripped across the floor.
And opening the door, she received a letter from a neighbour's hand, And as she looked upon it in amazement she did stand.
Then she cried aloud, "It is from my brother Bennie.
Yes, it is, dear father, as you can see.
" And as his father gazed upon it he thought Bennie was dead, Then he handed the letter to Mr Allan and by him it was read, And the minister read as follows: "Dear father, when this you see I shall be dead and in eternity.
"And, dear father, at first it seemed awful to me The thought of being launched into eternity.
But, dear father, I'm resolved to die like a man, And keep up my courage and do the best I can.
"You know I promised Jemmie Carr's mother to look after her boy, Who was his mother's pet and only joy.
But one night while on march Jemmie turned sick, And if I hadn't lent him my arm he'd have dropped very quick.
"And that night it was Jemmie's turn to be sentry, And take poor Jemmie's place I did agree, But I couldn't keep awake, father, I'm sorry to relate, And I didn't know it, well, until it was too late.
"Good-bye, dear father, God seems near me, But I'm not afraid now to be launched into eternity.
No, dear father, I'm going to a world free from strife, And see my Saviour there in a better, better life.
" That night, softly, little Blossom, Bennie's sister, stole out And glided down the footpath without any doubt.
She was on her way to Washington, with her heart full of woe, To try and save her brother's life, blow high, blow low.
And when Blossom appeared before President Lincoln, Poor child, she was looking very woebegone.
Then the President said, "My child, what do you want with me?" "Please, Bennie's life, sir," she answered timidly.
"Jemmie was sick, sir, and my brother took his place.
" "What is this you say, child? Come here and let me see your face.
" Then she handed him Bennie's letter, and he read if carefully, And taking up his pen he wrote a few lines hastily.
Then he said to Blossom, "To-morrow, Bennie will go with you.
" And two days after this interview Bennie and Blossom took their way to their green mountain home, And poor little Blossom was footsore, but she didn't moan.
And a crowd gathered at the mill depot to welcome them back, And to grasp the hand of his boy, Farmer Owen wasn't slack, And tears flowed down his cheeks as he said fervently, "The Lord be praised for setting my dear boy free.
"


Written by Rudyard Kipling | Create an image from this poem

The Mares Nest

 Jane Austen Beecher Stowe de Rouse
 Was good beyond all earthly need;
But, on the other hand, her spouse
 Was very, very bad indeed.
He smoked cigars, called churches slow, And raced -- but this she did not know.
For Belial Machiavelli kept The little fact a secret, and, Though o'er his minor sins she wept, Jane Austen did not understand That Lilly -- thirteen-two and bay Absorbed one-half her husband's pay.
She was so good, she made hime worse; (Some women are like this, I think;) He taught her parrot how to curse, Her Assam monkey how to drink.
He vexed her righteous soul until She went up, and he went down hill.
Then came the crisis, strange to say, Which turned a good wife to a better.
A telegraphic peon, one day, Brought her -- now, had it been a letter For Belial Machiavelli, I Know Jane would just have let it lie.
But 'twas a telegram instead, Marked "urgent," and her duty plain To open it.
Jane Austen read: "Your Lilly's got a cough again.
Can't understand why she is kept At your expense.
" Jane Austen wept.
It was a misdirected wire.
Her husband was at Shaitanpore.
She spread her anger, hot as fire, Through six thin foreign sheets or more.
Sent off that letter, wrote another To her solicitor -- and mother.
Then Belial Machiavelli saw Her error and, I trust, his own, Wired to the minion of the Law, And traveled wifeward -- not alone.
For Lilly -- thirteen-two and bay -- Came in a horse-box all the way.
There was a scene -- a weep or two -- With many kisses.
Austen Jane Rode Lilly all the season through, And never opened wires again.
She races now with Belial.
This Is very sad, but so it is.
Written by Emily Dickinson | Create an image from this poem

The Future -- never spoke --

 The Future -- never spoke --
Nor will He -- like the Dumb --
Reveal by sign -- a syllable
Of His Profound To Come --

But when the News be ripe --
Presents it -- in the Act --
Forestalling Preparation --
Escape -- or Substitute --

Indifference to Him --
The Dower -- as the Doom --
His Office -- but to execute
Fate's -- Telegram -- to Him --
Written by William Topaz McGonagall | Create an image from this poem

The Hero of Kalapore

 The 27th Regiment has mutinied at Kalapore;
That was the substance of a telegram, which caused great uproar,
At Sattara, on the evening of the 8th of July,
And when the British officers heard it, they heaved a bitter sigh.
'Twas in the year of 1857, Which will long be remembered: Oh! Heaven! That the Sepoys revolted, and killed their British officers and their wives; Besides, they killed their innocent children, not sparing one of their lives.
There was one man there who was void of fear, He was the brave Lieutenant William Alexander Kerr; And to face the rebels boldly it was his intent, And he assured his brother officers his men were true to the Government.
And now that the danger was so near at hand, He was ready to put his men to the test, and them command; And march to the rescue of his countrymen at Kalapore, And try to quell the mutiny and barbarous uproar.
And in half an hour he was ready to start, With fifty brave horsemen, fearless and smart; And undaunted Kerr and his horsemen rode on without dismay, And in the middle of the rainy season, which was no child's play.
And after a toilsome march they reached Kalapore, To find their countrymen pressed very hard and sore; The mutineers had attacked and defeated the Kalapore Light Infantry, Therefore their fellow countrymen were in dire extremity.
Then the Sepoys established themselves in a small square fort; It was a place of strength, and there they did resort; And Kerr had no guns to batter down the gate, But nevertheless he felt undaunted, and resigned to his fate.
And darkness was coming on and no time was to be lost, And he must attack the rebels whatever be the cost; Therefore he ordered his troopers to prepare to storm the fort, And at the word of command towards it they did resort.
And seventeen troopers advanced to the attack, And one of his men, Gumpunt Row Deo Kerr, whose courage wasn't slack; So great was his courage he couldn't be kept back, So he resolved with Lieutenant Kerr to make the attack.
Then with crowbars they dashed at the doors vigorously, Whilst bullets rained around them, but harmlessly; So they battered on the doors until one gave way, Then Lieutenant Kerr and his henchmen entered without dismay.
Then Kerr's men rushed in sword in hand, Oh! what a fearful onslaught, the mutineers couldn't it withstand, And Kerr's men with straw set the place on fire, And at last the rebels were forced to retire.
And took refuge in another house, and barricaded it fast, And prepared to defend themselves to the last; Then Lieutenant Kerr and Row Deo Kerr plied the crowbars again, And heavy blows on the woordwork they did rain.
Then the door gave way and they crawled in, And they two great heroes side by side did begin To charge the mutineers with sword in hand, which made them grin, Whilst the clashing of swords and bayonets made a fearful din.
Then hand to hand, and foot to foot, a fierce combat began, Whilst the blood of the rebels copiously ran, And a ball cut the chain of Kerr's helmet in two, And another struck his sword, but the man he slew.
Then a Sepoy clubbed his musket and hit Kerr on the head, But fortunately the blow didn't kill him dead; He only staggered, and was about to be bayoneted by a mutineer, But Gumpunt Kerr laid his assailant dead without fear.
Kerr's little party were now reduced to seven, Yet fearless and undaunted, and with the help of Heaven, He gathered his small band possessed of courage bold, Determined to make a last effort to capture the stronghold.
Then he cried, "My men, we will burn them out, And suffocate them with smoke, without any doubt!" So bundles of straw and hay were found without delay, And they set fire to them against the doors without dismay.
Then Kerr patiently waited till the doors were consumed, And with a gallant charge, the last attack was resumed, And he dashed sword in hand into the midst of the mutineers, And he and his seven troopers played great havoc with their sabres.
So by the skillful war tactics of brave Lieutenant Kerr, He defeated the Sepoy mutineers and rescued his countrymen dear; And but for Lieutenant Kerr the British would have met with a great loss, And for his great service he received the Victoria Cross.
Written by Carl Sandburg | Create an image from this poem

Telegram

 I SAW a telegram handed a two hundred pound man at a desk.
And the little scrap of paper charged the air like a set of crystals in a chemist’s tube to a whispering pinch of salt.
Cross my heart, the two hundred pound man had just cracked a joke about a new hat he got his wife, when the messenger boy slipped in and asked him to sign.
He gave the boy a nickel, tore the envelope and read.
Then he yelled “Good God,” jumped for his hat and raincoat, ran for the elevator and took a taxi to a railroad depot.
As I say, it was like a set of crystals in a chemist’s tube and a whispering pinch of salt.
I wonder what Diogenes who lived in a tub in the sun would have commented on the affair.
I know a shoemaker who works in a cellar slamming half-soles onto shoes, and when I told him, he said: “I pay my bills, I love my wife, and I am not afraid of anybody.

Book: Reflection on the Important Things