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Best Famous Tears In My Eyes Poems

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Written by Mark Twain | Create an image from this poem

The Aged Pilot Man

 On the Erie Canal, it was,
All on a summer's day,
I sailed forth with my parents
Far away to Albany.

From out the clouds at noon that day
There came a dreadful storm,
That piled the billows high about,
And filled us with alarm.

A man came rushing from a house,
Saying, "Snub up your boat I pray,
Snub up your boat, snub up, alas,
Snub up while yet you may."

Our captain cast one glance astern,
Then forward glanced he,
And said, "My wife and little ones
I never more shall see."

Said Dollinger the pilot man,
In noble words, but few,--
"Fear not, but lean on Dollinger,
And he will fetch you through."

The boat drove on, the frightened mules
Tore through the rain and wind,
And bravely still, in danger's post,
The whip-boy strode behind.

"Come 'board, come 'board," the captain cried,
"Nor tempt so wild a storm;"
But still the raging mules advanced,
And still the boy strode on.

Then said the captain to us all,
"Alas, 'tis plain to me,
The greater danger is not there,
But here upon the sea.

So let us strive, while life remains,
To save all souls on board,
And then if die at last we must,
Let . . . . I cannot speak the word!"

Said Dollinger the pilot man,
Tow'ring above the crew,
"Fear not, but trust in Dollinger,
And he will fetch you through."

"Low bridge! low bridge!" all heads went down,
The laboring bark sped on;
A mill we passed, we passed church,
Hamlets, and fields of corn;
And all the world came out to see,
And chased along the shore
Crying, "Alas, alas, the sheeted rain,
The wind, the tempest's roar!
Alas, the gallant ship and crew,
Can nothing help them more?"

And from our deck sad eyes looked out
Across the stormy scene:
The tossing wake of billows aft,
The bending forests green,
The chickens sheltered under carts
In lee of barn the cows,
The skurrying swine with straw in mouth,
The wild spray from our bows!

"She balances!
She wavers!
Now let her go about!
If she misses stays and broaches to,
We're all"--then with a shout,]
"Huray! huray!
Avast! belay!
Take in more sail!
Lord, what a gale!
Ho, boy, haul taut on the hind mule's tail!"
"Ho! lighten ship! ho! man the pump!
Ho, hostler, heave the lead!

"A quarter-three!--'tis shoaling fast!
Three feet large!--t-h-r-e-e feet!--
Three feet scant!" I cried in fright
"Oh, is there no retreat?"

Said Dollinger, the pilot man,
As on the vessel flew,
"Fear not, but trust in Dollinger,
And he will fetch you through."

A panic struck the bravest hearts,
The boldest cheek turned pale;
For plain to all, this shoaling said
A leak had burst the ditch's bed!
And, straight as bolt from crossbow sped,
Our ship swept on, with shoaling lead,
Before the fearful gale!

"Sever the tow-line! Cripple the mules!"
Too late! There comes a shock!
Another length, and the fated craft
Would have swum in the saving lock!

Then gathered together the shipwrecked crew
And took one last embrace,
While sorrowful tears from despairing eyes
Ran down each hopeless face;
And some did think of their little ones
Whom they never more might see,
And others of waiting wives at home,
And mothers that grieved would be.

But of all the children of misery there
On that poor sinking frame,
But one spake words of hope and faith,
And I worshipped as they came:
Said Dollinger the pilot man,--
(O brave heart, strong and true!)--
"Fear not, but trust in Dollinger,
For he will fetch you through."

Lo! scarce the words have passed his lips
The dauntless prophet say'th,
When every soul about him seeth
A wonder crown his faith!

And count ye all, both great and small,
As numbered with the dead:
For mariner for forty year,
On Erie, boy and man,
I never yet saw such a storm,
Or one't with it began!"

So overboard a keg of nails
And anvils three we threw,
Likewise four bales of gunny-sacks,
Two hundred pounds of glue,
Two sacks of corn, four ditto wheat,
A box of books, a cow,
A violin, Lord Byron's works,
A rip-saw and a sow.

A curve! a curve! the dangers grow!
"Labbord!--stabbord!--s-t-e-a-d-y!--so!--
Hard-a-port, Dol!--hellum-a-lee!
Haw the head mule!--the aft one gee!
Luff!--bring her to the wind!"

For straight a farmer brought a plank,--
(Mysteriously inspired)--
And laying it unto the ship,
In silent awe retired.

Then every sufferer stood amazed
That pilot man before;
A moment stood. Then wondering turned,
And speechless walked ashore.


Written by Hilaire Belloc | Create an image from this poem

The Night

 Still a mystery,

I can’t figure out;

Race home from work,

Where life is without.
*****
I race to see you,

And hold you to me;

My mind says you’re there,

And my heart won’t see.
*****
I open the door,

It’s still a surprise:

You’re not there,

And tears fill my eyes.
*****
I need someone,

Or call on the phone;

But nothing breaks the silence,

Of these walls made of stone.
*****




I punish myself,

By refusing to eat:

Depression is silent,

I hear my heart beat.
*****
Where can I go,

Or should I stay:

Shy to choose,

In bed I lay.
*****
Time will pass,

And the dark sets in;

Laying there wishing,

I could still touch your skin.
*****
Lying there hurting,

I wish I could die;

Missing you so much,

Again I start to cry.
*****





Sometimes I wonder,

If you even know;

The way that I need you,

Would you still go.
*****
I can’t sleep now,

Again a long night;

Are you this lonely,

Do you share in my fright.
*****

Written 09-27-90
Written by Edna St. Vincent Millay | Create an image from this poem

Renascence

 All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line 
Of the horizon, thin and fine,
Straight around till I was come
Back to where I'd started from; 
And all I saw from where I stood
Was three long mountains and a wood.

Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.

But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I'll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And—sure enough!—I see the top! 
The sky, I thought, is not so grand;
I 'most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.

I screamed, and—lo!—Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.

I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick'ning, I would fain pluck thence
But could not,—nay! But needs must suck
At the great wound, and could not pluck
My lips away till I had drawn
All venom out.—Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.

All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight 
Of every brooded wrong, the hate
That stood behind each envious thrust,
Mine every greed, mine every lust.

And all the while for every grief,
Each suffering, I craved relief
With individual desire,—
Craved all in vain! And felt fierce fire
About a thousand people crawl;
Perished with each,—then mourned for all!

A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.

No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.

Ah, awful weight! Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more,—there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who's six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.

How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again! Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud's gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and—crash!
Before the wild wind's whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.

I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain's cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see,—
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and thrust
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.

Ah! Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;

Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e'er hereafter hide from me
Thy radiant identity!

Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,—
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat—the sky
Will cave in on him by and by.
Written by Antonio Machado | Create an image from this poem

Last Night As I Was Sleeping

 Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?

Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.

Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.

Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.
Written by Marriott Edgar | Create an image from this poem

The Channel Swimmer

 Would you hear a Wild tale of adventure 
Of a hero who tackled the sea,
A super-man swimming the ocean,
Then hark to the tale of Joe Lee.

Our Channel, our own Straits of Dover
Had heen swum by an alien lot:
Our British-born swimmers had tried it, 
But that was as far as they'd got.

So great was the outcry in England, 
Darts Players neglected their beer,
And the Chanc'Ior proclaimed from the Woolsack
As Joe Lee were the chap for this 'ere.

For in swimming baths all round the country
Joe were noted for daring and strength; 
Quite often he'd dived in the deep end,
And thought nothing of swimming a length.

So they wrote him, C/o Workhouse Master, 
Joe were spending the summer with him,
And promised him two Christmas puddings
If over the Channel he'd swim. 

Joe jumped into t' breach like an 'ero,
He said, "All their fears I'll relieve, 
And it isn't their puddings I'm after,
As I told them last Christmas Eve.

"Though many have tackled the Channel
From Grisnez to Dover that is,
For the honour and glory of England 
I'll swim from Dover to Gris-niz."

As soon as his words were made public
The newspapers gathered around
And offered to give him a pension 
If he lost both his legs and got drowned.

He borrowed a tug from the Navy 
To swim in the shelter alee,
The Wireless folk lent him a wavelength, 
And the Water Board lent him the sea.

His wife strapped a mascot around him, 
The tears to his eyes gently stole;
'Twere some guiness corks she had collected 
And stitched to an old camisole.

He entered the water at daybreak, 
A man with a camera stood near,
He said "Hurry up and get in, lad, 
You're spoiling my view of the pier."

At last he were in, he were swimming 
With a beautiful overarm stroke,
When the men on the tug saw with horror
That the rope he were tied to had broke.

Then down came a fog, thick as treacle, 
The tug looked so distant and dim
A voice shouted "Help, I am drowning,"
Joe listened and found it were him. 

The tug circled round till they found him, 
They hauled him aboard like a sack,
Tied a new tow-rope around him, 
Smacked him and then threw him back.

'Twere at sunset, or just a bit later, 
That he realized all wasn't right,
For the tow-rope were trailing behind him 
And the noose round his waist getting tight.

One hasty glance over his shoulder,
He saw in a flash what were wrong. 
The Captain had shut off his engine,
Joe were towing the Tugboat along.

On and on through the darkness he paddled
Till he knew he were very near in 
By the way he kept bumping the bottom
And hitting the stones with his chin.

Was it Grisniz he'd reached?... No, it wasn't, 
The treacherous tide in its track 
Had carried him half-way to Blackpool 
And he had to walk all the way back.


Written by Lewis Carroll | Create an image from this poem

Fit the First: ( Hunting of the Snark )

 The Landing 

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair. 
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true." 

The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods. 

A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care. 

There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck
Though none of the sailors knew how. 

There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip. 

He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact, 
They were all left behind on the beach. 

The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots--but the worst of is was,
He had wholly forgotten his name. 

He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!" 

While, for those who preferred a more forcible word, 
He had different names from these:
His intimate friends called him "Candle-ends",
And his enemies "Toasted-cheese" 

"His form is ungainly--his intellect small--"
(So the Bellman would often remark)--
"But his courage is perfect! And that, after all,
Is the thing that one needs with a Snark." 

He would joke with hyaenas, returning their stare
With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
"Just to keep up its spirits," he said. 

He came as a Baker: but owned, when too late--
And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
No materials were to be had. 

The last of the crew needs especial remark,
Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark",
The good Bellman engaged him at once. 

He came as a Butcher: but gravely declared,
When the ship had been sailing a week,
He could only kill Beavers. The Bellman looked scared,
And was almost too frightened to speak: 

But at length he explained, in a tremulous tone,
There was only one Beaver on board;
And that was a tame one he had of his own,
Whose death would be deeply deplored. 

The Beaver, who happened to hear the remark,
Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
Could atone for that dismal surprise! 

It strongly advised that the Butcher should be
Conveyed in a separate ship:
But the Bellman declared that would never agree
With the plans he had made for the trip: 

Navigation was always a difficult art,
Though with only one ship and one bell:
And he feared he must really decline, for his part,
Undertaking another as well. 

The Beaver's best course was, no doubt, to procure
A second-hand dagger-proof coat--
So the baker advised it--and next, to insure
Its life in some Office of note: 

This the Baker suggested, and offered for hire
(On moderate terms), or for sale,
Two excellent Policies, one Against Fire
And one Against Damage From Hail. 

Yet still, ever after that sorrowful day,
Whenever the Butcher was by,
The Beaver kept looking the opposite way,
And appeared unaccountably shy.
Written by Lewis Carroll | Create an image from this poem

Preface to Hunting of the Snark

 PREFACE

If---and the thing is wildly possible---the charge of writing 
nonsense were ever brought against the author of this brief but 
instructive poem, it would be based, I feel convinced, on the line 

``Then the bowsprit got mixed with the rudder sometimes'' 

In view of this painful possibility, I will not (as I might) appeal 
indignantly to my other writings as a proof that I am incapable of 
such a deed: I will not (as I might) point to the strong moral 
purpose of this poem itself, to the arithmetical principles so 
cautiously inculcated in it, or to its noble teachings in Natural 
History---I will take the more prosaic course of simply explaining 
how it happened. 

The Bellman, who was almost morbidly sensitive about appearances, 
used to have the bowsprit unshipped once or twice a week to be 
revarnished, and it more than once happened, when the time came for 
replacing it, that no one on board could remember which end of the 
ship it belonged to. They knew it was not of the slightest use to 
appeal to the Bellman about it---he would only refer to his Naval 
Code, and read out in pathetic tones Admiralty Instructions which 
none of them had ever been able to understand---so it generally ended 
in its being fastened on, anyhow, across the rudder. The helmsman 
used to stand by with tears in his eyes: he knew it was all wrong, 
but alas! Rule 42 of the Code, ``No one shall speak to the Man at the 
Helm'', had been completed by the Bellman himself with the words 
``and the Man at the Helm shall speak to no one''. So remonstrance 
was impossible, and no steering could be done till the next 
varnishing day. During these bewildering intervals the ship usually 
sailed backwards. 

This office was usually undertaken by the Boots, who found in it 
a refuge from the Baker's constant complaints about the insufficient 
blacking of his three pairs of boots. 

As this poem is to some extent connected with the lay of the 
Jabberwock, let me take this opportunity of answering a question that 
has often been asked me, how to pronounce ``slithy toves''. The 
``i'' in ``slithy'' is long, as in ``writhe''; and ``toves'' is 
pronounced so as to rhyme with ``groves''. Again, the first ``o'' in 
``borogoves'' is pronounced like the ``o'' in ``borrow''. I have 
heard people try to give it the sound of the ``o'' in ``worry''. 
Such is Human Perversity. 

This also seems a fitting occasion to notice the other hard words in 
that poem. Humpty-Dumpty's theory, of two meanings packed into one 
word like a portmanteau, seems to me the right explanation for all. 

For instance, take the two words ``fuming'' and ``furious''. Make up 
your mind that you will say both words, but leave it unsettled which 
you will say first. Now open your mouth and speak. If your thoughts 
incline ever so little towards ``fuming'', you will say 
``fuming-furious''; if they turn, by even a hair's breadth, towards 
``furious'', you will say ``furious-fuming''; but if you have that 
rarest of gifts, a perfectly balanced mind, you will say 
``frumious''. 

Supposing that, when Pistol uttered the well-known words--- 

``Under which king, Bezonian? Speak or die!'' 

Justice Shallow had felt certain that it was either William or 
Richard, but had not been able to settle which, so that he could not 
possibly say either name before the other, can it be doubted that, 
rather than die, he would have gasped out ``Rilchiam!''.
Written by Dylan Thomas | Create an image from this poem

Twenty-Four Years

 Twenty-four years remind the tears of my eyes.
(Bury the dead for fear that they walk to the grave in labour.)
In the groin of the natural doorway I crouched like a tailor
Sewing a shroud for a journey
By the light of the meat-eating sun.
Dressed to die, the sensual strut begun,
With my red veins full of money,
In the final direction of the elementary town
I advance as long as forever is.
Written by Barry Tebb | Create an image from this poem

You

 “Remember, you loved me, when we were young, one day”



The words of the song in Tauber’s mellifluous tenor

Haunt my nights and days, make me tremble when I hear

Your voice on the phone, sadden me when I can’t make into your smile

The pucker of your lips, the gleam in your eye.



The day we met is with me still, you asked directions

And on the way we chatted. You told me how you’d left

Lancashire for Leeds, went to the same TC as me, even liked poetry

Both were looking for an ‘interesting evening class’

Instead we found each other.

You took me back for tea to the flat in Headingley

You shared with two other girls. The class in Moortown

Was a disaster. Walking home in the rain I put my arm

Around you and you did not resist, we shared your umbrella

Then we kissed.



I liked the taste of your lips, the tingle of your fingertips,

Your mild perfume. When a sudden gust blew your umbrella inside out

We sheltered underneath a cobbled arch, a rainy arch, a rainbow arch.



“I’m sorry”, you said about nothing in particular, perhaps the class

Gone wrong, the weather, I’ll never know but there were tears in your eyes

But perhaps it was just the rain. We kissed again and I felt

Your soft breasts and smelt the hair on your neck and I was lost to you

And you to me perhaps, I’ll never know.



We went to plays, I read my poems aloud in quiet places,

I met your mother and you met mine. We quarrelled over stupid things.

When my best friend seduced you I blamed him and envied him

And tried to console you when you cried a whole day through.



The next weekend I had the flu and insisted you came to look after me

In my newly-rented bungalow. Out of the blue I said, “What you did for him

You can do for me”. It was not the way our first and only love-making

Should have been, you guilty and regretful, me resentful and not tender.

When I woke I saw you in the half-light naked, curled and innocent

I truly loved you If I’d proposed you might have agreed, I’ll never know.

A month later you were pregnant and I was not the father.

I wanted to help you with the baby, wanted you to stay with me

So I could look after you and be there for the birth but your mind

Was set elsewhere end I was too immature to understand or care.



When I saw you again you had Sarah and I had Brenda, my wife-to-be;

Three decades of nightmare ahead with neither of our ‘adult children’

Quite right, both drink to excess and have been on wards.

Nor has your life been a total success, full-time teaching till you retired

Then Victim Support: where’s that sharp mind, that laughter and that passion?



And what have I to show?

A few pamphlets, a small ‘Selected’, a single good review.

Sat in South Kensington on the way to the Institut I wrote this,

Too frightened even to phone you.
Written by Rabindranath Tagore | Create an image from this poem

Defamation

 Whey are those tears in your eyes, my child?
How horrid of them to be always scolding you for nothing!
You have stained your fingers and face with ink while writing-
is that why they call you dirty?
O, fie! Would they dare to call the full moon dirty because
it has smudged its face with ink?
For every little trifle they blame you, my child. They are
ready to find fault for nothing.
You tore your clothes while playing-is that why they call you
untidy?
O, fie! What would they call an autumn morning that smiles
through its ragged clouds?
Take no heed of what they say to you, my child.
They make a long list of your misdeeds.
Everybody knows how you love sweet things-is that why they
call you greedy?
O, fie! What then would they call us who love you?

Book: Radiant Verses: A Journey Through Inspiring Poetry