Written by
Rudyard Kipling |
("Saint Proxed's ever was the Church for peace")
If down here I chance to die,
Solemnly I beg you take
All that is left of "I"
To the Hills for old sake's sake,
Pack me very thoroughly
In the ice that used to slake
Pegs I drank when I was dry --
This observe for old sake's sake.
To the railway station hie,
There a single ticket take
For Umballa -- goods-train -- I
Shall not mind delay or shake.
I shall rest contentedly
Spite of clamor coolies make;
Thus in state and dignity
Send me up for old sake's sake.
Next the sleepy Babu wake,
Book a Kalka van "for four."
Few, I think, will care to make
Journeys with me any more
As they used to do of yore.
I shall need a "special" break --
Thing I never took before --
Get me one for old sake's sake.
After that -- arrangements make.
No hotel will take me in,
And a bullock's back would break
'Neath the teak and leaden skin
Tonga ropes are frail and thin,
Or, did I a back-seat take,
In a tonga I might spin, --
Do your best for old sake's sake.
After that -- your work is done.
Recollect a Padre must
Mourn the dear departed one --
Throw the ashes and the dust.
Don't go down at once. I trust
You will find excuse to "snake
Three days' casual on the bust."
Get your fun for old sake's sake.
I could never stand the Plains.
Think of blazing June and May
Think of those September rains
Yearly till the Judgment Day!
I should never rest in peace,
I should sweat and lie awake.
Rail me then, on my decease,
To the Hills for old sake's sake.
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Written by
Rudyard Kipling |
By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay!"
Come you back to Mandalay,
Where the old Flotilla lay:
Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat -- jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
Bloomin' idol made o'mud --
Wot they called the Great Gawd Budd --
Plucky lot she cared for idols when I kissed 'er where she stud!
On the road to Mandalay . . .
When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing "Kulla-lo-lo!"
With 'er arm upon my shoulder an' 'er cheek agin' my cheek
We useter watch the steamers an' the hathis pilin' teak.
Elephints a-pilin' teak
In the sludgy, squdgy creek,
Where the silence 'ung that 'eavy you was 'arf afraid to speak!
On the road to Mandalay . . .
But that's all shove be'ind me -- long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm learnin' 'ere in London what the ten-year soldier tells:
"If you've 'eard the East a-callin', you won't never 'eed naught else."
No! you won't 'eed nothin' else
But them spicy garlic smells,
An' the sunshine an' the palm-trees an' the tinkly temple-bells;
On the road to Mandalay . . .
I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?
Beefy face an' grubby 'and --
Law! wot do they understand?
I've a neater, sweeter maiden in a cleaner, greener land!
On the road to Mandalay . . .
Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', an' it's there that I would be --
By the old Moulmein Pagoda, looking lazy at the sea;
On the road to Mandalay,
Where the old Flotilla lay,
With our sick beneath the awnings when we went to Mandalay!
On the road to Mandalay,
Where the flyin'-fishes play,
An' the dawn comes up like thunder outer China 'crost the Bay!
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Written by
Les Murray |
Uphill in Melbourne on a beautiful day
a woman is walking ahead of her hair.
Like teak oiled soft to fracture and sway
it hung to her heels and seconded her
as a pencilled retinue, an unscrolling title
to ploughland, edged with ripe rows of dress,
a sheathed wing that couldn't fly her at all,
only itself, loosely, and her spirits.
A largesse
of life and self, brushed all calm and out,
its abstracted attempts on her mouth weren't seen,
not its showering, its tenting. Just the detail
that swam in its flow-lines, glossing about--
as she paced on, comet-like, face to the sun.
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Written by
Rudyard Kipling |
Too late, alas! the song
To remedy the wrong; --
The rooms are taken from us, swept and
garnished for their fate.
But these tear-besprinkled pages
Shall attest to future ages
That we cried against the crime of it --
too late, alas! too late!
"What have we ever done to bear this grudge?"
Was there no room save only in Benmore
For docket, duftar, and for office drudge,
That you usurp our smoothest dancing floor?
Must babus do their work on polished teak?
Are ball-rooms fittest for the ink you spill?
Was there no other cheaper house to seek?
You might have left them all at Strawberry Hill.
We never harmed you! Innocent our guise,
Dainty our shining feet, our voices low;
And we revolved to divers melodies,
And we were happy but a year ago.
To-night, the moon that watched our lightsome wiles --
That beamed upon us through the deodars --
Is wan with gazing on official files,
And desecrating desks disgust the stars.
Nay! by the memory of tuneful nights --
Nay! by the witchery of flying feet --
Nay! by the glamour of foredone delights --
By all things merry, musical, and meet --
By wine that sparkled, and by sparkling eyes --
By wailing waltz -- by reckless gallop's strain --
By dim verandas and by soft replies,
Give us our ravished ball-room back again!
Or -- hearken to the curse we lay on you!
The ghosts of waltzes shall perplex your brain,
And murmurs of past merriment pursue
Your 'wildered clerks that they indite in vain;
And when you count your poor Provincial millions,
The only figures that your pen shall frame
Shall be the figures of dear, dear cotillions
Danced out in tumult long before you came.
Yea! "See Saw" shall upset your estimates,
"Dream Faces" shall your heavy heads bemuse,
Because your hand, unheeding, desecrates
Our temple; fit for higher, worthier use.
And all the long verandas, eloquent
With echoes of a score of Simla years,
Shall plague you with unbidden sentiment --
Babbling of kisses, laughter, love, and tears.
So shall you mazed amid old memories stand,
So shall you toil, and shall accomplish nought,
And ever in your ears a phantom Band
Shall blare away the staid official thought.
Wherefore -- and ere this awful curse he spoken,
Cast out your swarthy sacrilegious train,
And give -- ere dancing cease and hearts be broken --
Give us our ravished ball-room back again!
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Written by
Adela Florence Cory Nicolson |
Whether I loved you who shall say?
Whether I drifted down your way
In the endless River of Chance and Change,
And you woke the strange
Unknown longings that have no names,
But burn us all in their hidden flames,
Who shall say?
Life is a strange and a wayward thing:
We heard the bells of the Temples ring,
The married children, in passing, sing.
The month of marriage, the month of spring,
Was full of the breath of sunburnt flowers
That bloom in a fiercer light than ours,
And, under a sky more fiercely blue,
I came to you!
You told me tales of your vivid life
Where death was cruel and danger rife—
Of deep dark forests, of poisoned trees,
Of pains and passions that scorch and freeze,
Of southern noontides and eastern nights,
Where love grew frantic with strange delights,
While men were slaying and maidens danced,
Till I, who listened, lay still, entranced.
Then, swift as a swallow heading south,
I kissed your mouth!
One night when the plains were bathed in blood
From sunset light in a crimson flood,
We wandered under the young teak trees
Whose branches whined in the light night breeze;
You led me down to the water's brink,
"The Spring where the Panthers come to drink
At night; there is always water here
Be the season never so parched and sere."
Have we souls of beasts in the forms of men?
I fain would have tasted your life-blood then.
The night fell swiftly; this sudden land
Can never lend us a twilight strand
'Twixt the daylight shore and the ocean night,
But takes—as it gives—at once, the light.
We laid us down on the steep hillside,
While far below us wild peacocks cried,
And we sometimes heard, in the sunburnt grass,
The stealthy steps of the Jungle pass.
We listened; knew not whether they went
On love or hunger the more intent.
And under your kisses I hardly knew
Whether I loved or hated you.
But your words were flame and your kisses fire,
And who shall resist a strong desire?
Not I, whose life is a broken boat
On a sea of passions, adrift, afloat.
And, whether I came in love or hate,
That I came to you was written by Fate
In every hue of the blood-red sky,
In every tone of the peacocks' cry.
While every gust of the Jungle night
Was fanning the flame you had set alight.
For these things have power to stir the blood
And compel us all to their own chance mood.
And to love or not we are no more free
Than a ripple to rise and leave the sea.
We are ever and always slaves of these,
Of the suns that scorch and the winds that freeze,
Of the faint sweet scents of the sultry air,
Of the half heard howl from the far off lair.
These chance things master us ever. Compel
To the heights of Heaven, the depths of Hell.
Whether I love you? You do not ask,
Nor waste yourself on the thankless task.
I give your kisses at least return,
What matter whether they freeze or burn.
I feel the strength of your fervent arms,
What matter whether it heals or harms.
You are wise; you take what the Gods have sent.
You ask no question, but rest content
So I am with you to take your kiss,
And perhaps I value you more for this.
For this is Wisdom; to love, to live,
To take what Fate, or the Gods, may give,
To ask no question, to make no prayer,
To kiss the lips and caress the hair,
Speed passion's ebb as you greet its flow,—
To have,—to hold,—and,—in time,—let go!
And this is our Wisdom: we rest together
On the great lone hills in the storm-filled weather,
And watch the skies as they pale and burn,
The golden stars in their orbits turn,
While Love is with us, and Time and Peace,
And life has nothing to give but these.
But, whether you love me, who shall say,
Or whether you, drifting down my way
In the great sad River of Chance and Change,
With your looks so weary and words so strange,
Lit my soul from some hidden flame
To a passionate longing without a name,
Who shall say?
Not I, who am but a broken boat,
Content for a while to drift afloat
In the little noontide of love's delights
Between two Nights.
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