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Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.

His senses are too gross; and he'll contrive
A sixth, to contradict the other five;
And before certain instinct will prefer
Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind,
Which leaving light of nature, sense, behind,
Pathless and dangerous wand'ring ways it takes,
Through Error's fenny bogs and thorny brakes;
Whilst the misguided follower climbs with pain
Mountains of whimsey's, heaped in his own brain;
Stumbling from thought to thought, falls headlong down,
Into Doubt's boundless sea where, like to drown,
Books bear him up awhile, and make him try
To swim with bladders of Philosophy;
In hopes still to o'ertake the escaping light;
The vapour dances, in his dancing sight,
Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand,
Lead him to death, make him to understand,
After a search so painful, and so long,
That all his life he has been in the wrong:

Huddled In dirt the reasoning engine lies,
Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch,
And made him venture; to be made a wretch.
His wisdom did has happiness destroy,
Aiming to know that world he should enjoy;
And Wit was his vain, frivolous pretence
Of pleasing others, at his own expense.
For wits are treated just like common whores,
First they're enjoyed, and then kicked out of doors;
The pleasure past, a threatening doubt remains,
That frights th' enjoyer with succeeding pains:
Women and men of wit are dangerous tools,
And ever fatal to admiring fools.
Pleasure allures, and when the fops escape,
'Tis not that they're beloved, but fortunate,
And therefore what they fear, at heart they hate:

But now, methinks some formal band and beard
Takes me to task; come on sir, I'm prepared:

"Then by your Favour, anything that's writ
Against this jibing, jingling knack called Wit
Likes me abundantly: but you take care
Upon this point not to be too severe.
Perhaps my Muse were fitter for this part,
For I profess I can be very smart
On Wit, which I abhor with all my heart;
I long to lash it in some sharp essay,
But your grand indiscretion bids me stay,
And turns my tide of ink another way.
What rage Torments in your degenerate mind,
To make you rail at reason, and mankind
Blessed glorious man! To whom alone kind heaven
An everlasting soul hath freely given;
Whom his great maker took such care to make,
That from himself he did the image take;
And this fair frame in shining reason dressed,
To dignify his nature above beast.
Reason, by whose aspiring influence
We take a flight beyond material sense,
Dive into mysteries, then soaring pierce
The flaming limits of the universe,
Search heaven and hell, Find out what's acted there,
And give the world true grounds of hope and fear."

Hold mighty man, I cry, all this we know,
From the pathetic pen of Ingelo;
From Patrlck's Pilgrim, Sibbes' Soliloquies,
And 'tis this very reason I despise,
This supernatural gift that makes a mite
Think he's an image of the infinite;
Comparing his short life, void of all rest,
To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt,
That frames deep mysteries, then finds them out;
Filling with frantic crowds of thinking fools
The reverend bedlam's, colleges and schools;
Borne on whose wings each heavy sot can pierce
The limits of the boundless universe;
So charming ointments make an old witch fly,
And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies
In nonsense and impossibilities.
This made a whimsical philosopher
Before the spacious world his tub prefer,
And we have modern cloistered coxcombs, who
Retire to think 'cause they have nought to do.
But thoughts are given for action's government;
Where action ceases, thought's impertinent:
Our sphere of action is life's happiness,
And he that thinks beyond thinks like an ass.

Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey:
That reason which distinguishes by sense,
And gives us rules of good and ill from thence;
That bounds desires. with a reforming will
To keep 'em more in vigour, not to kill. -
Your reason hinders, mine helps to enjoy,
Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat,
Hunger calls out, my reason bids me eat;
Perversely. yours your appetite does mock:
This asks for food, that answers, 'what's o'clock'
This plain distinction, sir, your doubt secures,
'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man,
I'll ne'er recant, defend him if you can:
For all his pride, and his philosophy,
'Tis evident: beasts are in their own degree
As wise at least, and better far than he.

Those creatures are the wisest who attain. -
By surest means. the ends at which they aim.
If therefore Jowler finds and kills the hares,
Better than Meres supplies committee chairs;
Though one's a statesman, th' other but a hound,
Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends;
Whose principles are most generous and just,
- And to whose morals you would sooner trust:

Be judge yourself, I'll bring it to the test,
Which is the basest creature, man or beast
Birds feed on birds, beasts on each other prey,
But savage man alone does man betray:
Pressed by necessity; they kill for food,
Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt
Nature's allowance, to supply their want.
But man, with smiles, embraces. friendships. Praise,
Inhumanely his fellow's life betrays;
With voluntary pains works his distress,
Not through necessity, but wantonness.
For hunger or for love they bite, or tear,
Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid:
From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave,
And for the which alone he dares be brave;
To which his various projects are designed,
Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise,
And screws his actions, in a forced disguise;
Leads a most tedious life in misery,
Under laborious, mean hypocrisy.
Look to the bottom of his vast design,
Wherein man's wisdom, power, and glory join:
The good he acts. the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst,
For all men would be cowards if they durst.
And honesty's against all common sense,
Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair
Among known cheats to play upon the square,
You'll be undone.
Nor can weak truth your reputation save,
The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed,
Who dares be less a villain than the rest.

Thus sir, you see what human nature craves,
Most men are cowards, all men should be knaves;
The difference lies, as far as I can see.
Not in the thing itself, but the degree;
And all the subject matter of debate
Is only, who's a knave of the first rate

All this with indignation have I hurled
At the pretending part of the proud world,
Who, swollen with selfish vanity, devise,
False freedoms, holy cheats, and formal lies,
Over their fellow slaves to tyrannise.

But if in Court so just a man there be,
(In Court, a just man - yet unknown to me)
Who does his needful flattery direct
Not to oppress and ruin, but protect:
Since flattery, which way soever laid,
Is still a tax: on that unhappy trade.
If so upright a statesman you can find,
Whose passions bend to his unbiased mind,
Who does his arts and policies apply
To raise his country, not his family;
Nor while his pride owned avarice withstands,
Receives close bribes, from friends corrupted hands.

Is there a churchman who on God relies
Whose life, his faith and doctrine justifies
Not one blown up, with vain prelatic pride,
Who for reproofs of sins does man deride;
Whose envious heart makes preaching a pretence
With his obstreperous, saucy eloquence,
To chide at kings, and rail at men of sense;
Who from his pulpit vents more peevlsh lies,
More bitter railings, scandals, calumnies,
Than at a gossiping are thrown about
When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie
In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives,
Whose lust exalted, to that height arrives,
They act adultery with their own wives.
And ere a score of years completed be,
Can from the loftiest pulpit proudly see,
Half a large parish their own progeny.
Nor doting bishop, who would be adored
For domineering at the Council board;

A greater fop, in business at fourscore,
Fonder of serious toys, affected more,
Than the gay, glittering fool at twenty proves,
With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense,
Who preaching peace does practise continence;
Whose pious life's a proof he does believe
Mysterious truths which no man can conceive.

If upon Earth there dwell such god-like men,
I'll here recant my paradox to them,
Adores those shrines of virtue, homage pay,
And with the rabble world their laws obey.

If such there are, yet grant me this at least,
Man differs more from man than man from beast.


Written by John Wilmot | Create an image from this poem

A Ramble in St. Jamess Park

 Much wine had passed, with grave discourse
Of who fucks who, and who does worse
(Such as you usually do hear
From those that diet at the Bear),
When I, who still take care to see
Drunkenness relieved by lechery,
Went out into St. James's Park
To cool my head and fire my heart.
But though St. James has th' honor on 't,
'Tis consecrate to prick and ****.
There, by a most incestuous birth,
Strange woods spring from the teeming earth;
For they relate how heretofore,
When ancient Pict began to whore,
Deluded of his assignation
(Jilting, it seems, was then in fashion),
Poor pensive lover, in this place
Would frig upon his mother's face;
Whence rows of mandrakes tall did rise
Whose lewd tops fucked the very skies.
Each imitative branch does twine
In some loved fold of Aretine,
And nightly now beneath their shade
Are buggeries, rapes, and incests made.
Unto this all-sin-sheltering grove
Whores of the bulk and the alcove,
Great ladies, chambermaids, and drudges,
The ragpicker, and heiress trudges.
Carmen, divines, great lords, and tailors,
Prentices, poets, pimps, and jailers,
Footmen, fine fops do here arrive,
And here promiscuously they swive.

Along these hallowed walks it was
That I beheld Corinna pass.
Whoever had been by to see
The proud disdain she cast on me
Through charming eyes, he would have swore
She dropped from heaven that very hour,
Forsaking the divine abode
In scorn of some despairing god.
But mark what creatures women are:
How infinitely vile, when fair!

Three knights o' the' elbow and the slur
With wriggling tails made up to her.

The first was of your Whitehall baldes,
Near kin t' th' Mother of the Maids;
Graced by whose favor he was able
To bring a friend t' th' Waiters' table,
Where he had heard Sir Edward Sutton
Say how the King loved Banstead mutton;
Since when he'd ne'er be brought to eat
By 's good will any other meat.
In this, as well as all the rest,
He ventures to do like the best,
But wanting common sense, th' ingredient
In choosing well not least expedient,
Converts abortive imitation
To universal affectation.
Thus he not only eats and talks
But feels and smells, sits down and walks,
Nay looks, and lives, and loves by rote,
In an old tawdry birthday coat.

The second was a Grays Inn wit,
A great inhabiter of the pit,
Where critic-like he sits and squints,
Steals pocket handkerchiefs, and hints
From 's neighbor, and the comedy,
To court, and pay, his landlady.

The third, a lady's eldest son
Within few years of twenty-one
Who hopes from his propitious fate,
Against he comes to his estate,
By these two worthies to be made
A most accomplished tearing blade.

One, in a strain 'twixt tune and nonsense,
Cries, "Madam, I have loved you long since.
Permit me your fair hand to kiss";
When at her mouth her **** cries, "Yes!"
In short, without much more ado,
Joyful and pleased, away she flew,
And with these three confounded asses
From park to hackney coach she passes.

So a proud ***** does lead about
Of humble curs the amorous rout,
Who most obsequiously do hunt
The savory scent of salt-swoln ****.
Some power more patient now relate
The sense of this surprising fate.
Gods! that a thing admired by me
Should fall to so much infamy.
Had she picked out, to rub her **** on,
Some stiff-pricked clown or well-hung parson,
Each job of whose spermatic sluice
Had filled her **** with wholesome juice,
I the proceeding should have praised
In hope sh' had quenched a fire I raised.
Such natural freedoms are but just:
There's something generous in mere lust.
But to turn a damned abandoned jade
When neither head nor tail persuade;
To be a whore in understanding,
A passive pot for fools to spend in!
The devil played booty, sure, with thee
To bring a blot on infamy.

But why am I, of all mankind,
To so severe a fate designed?
Ungrateful! Why this treachery
To humble fond, believing me,
Who gave you privilege above
The nice allowances of love?
Did ever I refuse to bear
The meanest part your lust could spare?
When your lewd **** came spewing home
Drenched with the seed of half the town,
My dram of sperm was supped up after
For the digestive surfeit water.
Full gorged at another time
With a vast meal of slime
Which your devouring **** had drawn
From porters' backs and footmen's brawn,
I was content to serve you up
My ballock-full for your grace cup,
Nor ever thought it an abuse
While you had pleasure for excuse -
You that could make my heart away
For noise and color, and betray
The secrets of my tender hours
To such knight-errant paramours,
When, leaning on your faithless breast,
Wrapped in security and rest,
Soft kindness all my powers did move,
And reason lay dissolved in love!

May stinking vapors choke your womb
Such as the men you dote upon
May your depraved appetite,
That could in whiffling fools delight,
Beget such frenzies in your mind
You may go mad for the north wind,
And fixing all your hopes upon't
To have him bluster in your ****,
Turn up your longing **** t' th' air
And perish in a wild despair!
But cowards shall forget to rant,
Schoolboys to frig, old whores to paint;
The Jesuits' fraternity
Shall leave the use of buggery;
Crab-louse, inspired with grace divine,
From earthly cod to heaven shall climb;
Physicians shall believe in Jesus,
And disobedience cease to please us,
Ere I desist with all my power
To plague this woman and undo her.
But my revenge will best be timed
When she is married that is limed.
In that most lamentable state
I'll make her feel my scorn and hate:
Pelt her with scandals, truth or lies,
And her poor cur with jealousied,
Till I have torn him from her breech,
While she whines like a dog-drawn *****;
Loathed and despised, kicked out o' th' Town
Into some dirty hole alone,
To chew the cud of misery
And know she owes it all to me.

And may no woman better thrive 
That dares prophane the **** I swive!
Written by Ezra Pound | Create an image from this poem

Hugh Selwyn Mauberly (Part I)

 "Vocat aestus in umbram" 
Nemesianus Es. IV. 

E. P. Ode pour l'élection de son sépulchre 

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --

No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:

"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.

Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.

II.

The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;

Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!

The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.

III. 

The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.

Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.

All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.

Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.

Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.

All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.

A bright Apollo,

tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?

IV. 

These fought, in any case,
and some believing, pro domo, in any case ..

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later ...

some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" ..

walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;

usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;

fortitude as never before 

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.


V. 

There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.

Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,

For two gross of broken statues,
For a few thousand battered books.

Yeux Glauques

Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.

Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.

The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;

Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.

The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive ....
"Ah, poor Jenny's case" ...

Bewildered that a world
Shows no surprise
At her last maquero's 
Adulteries.

"Siena Mi Fe', Disfecemi Maremma" 

Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.

For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...

But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.

Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",

M. Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.

Brennbaum. 

The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;

The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".

Mr. Nixon 

In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. "Consider
Carefully the reviewer.

"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr. Nixon,
"Follow me, and take a column,
"Even if you have to work free.

"Butter reviewers. From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr. Dundas.

"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure."

And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it."

* * * 

Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion. The "Nineties" tried your game
And died, there's nothing in it.

X. 

Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter

Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.

The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.

XI. 

"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly. But in Ealing
With the most bank-clerkly of Englishmen?

No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.

XII. 

"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively. In the stuffed-satin drawing-room
I await The Lady Valentine's commands,

Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;

Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:

Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;

A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.

* * * 

Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St. where
Dr. Johnson flourished;

Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
Written by James Henry Leigh Hunt | Create an image from this poem

A Thought or Two on Reading Pomfrets

 I have been reading Pomfret's "Choice" this spring, 
A pretty kind of--sort of--kind of thing, 
Not much a verse, and poem none at all, 
Yet, as they say, extremely natural. 
And yet I know not. There's an art in pies, 
In raising crusts as well as galleries; 
And he's the poet, more or less, who knows 
The charm that hallows the least truth from prose, 
And dresses it in its mild singing clothes. 
Not oaks alone are trees, nor roses flowers; 
Much humble wealth makes rich this world of ours. 
Nature from some sweet energy throws up 
Alike the pine-mount and the buttercup; 
And truth she makes so precious, that to paint 
Either, shall shrine an artist like a saint, 
And bring him in his turn the crowds that press 
Round Guido's saints or Titian's goddesses. 

Our trivial poet hit upon a theme 
Which all men love, an old, sweet household dream:-- 
Pray, reader, what is yours?--I know full well 
What sort of home should grace my garden-bell,-- 
No tall, half-furnish'd, gloomy, shivering house, 
That worst of mountains labouring with a mouse; 
Nor should I choose to fill a tawdry niche in 
A Grecian temple, opening to a kitchen. 
The frogs in Homer should have had such boxes, 
Or Aesop's frog, whose heart was like the ox's. 
Such puff about high roads, so grand, so small, 
With wings and what not, portico and all, 
And poor drench'd pillars, which it seems a sin 
Not to mat up at night-time, or take in. 
I'd live in none of those. Nor would I have 
Veranda'd windows to forestall my grave; 
Veranda'd truly, from the northern heat! 
And cut down to the floor to comfort one's cold feet! 
My house should be of brick, more wide than high, 
With sward up to the path, and elm-trees nigh; 
A good old country lodge, half hid with blooms 
Of honied green, and quaint with straggling rooms, 
A few of which, white-bedded and well swept, 
For friends, whose name endear'd them, should be kept. 
The tip-toe traveller, peeping through the boughs 
O'er my low wall, should bless the pleasant house: 
And that my luck might not seem ill-bestow'd, 
A bench and spring should greet him on the road. 

My grounds should not be large. I like to go 
To Nature for a range, and prospect too, 
And cannot fancy she'd comprise for me, 
Even in a park, her all-sufficiency. 
Besides, my thoughts fly far, and when at rest 
Love not a watch-tow'r but a lulling nest. 
A Chiswick or a Chatsworth might, I grant, 
Visit my dreams with an ambitious want; 
But then I should be forc'd to know the weight 
Of splendid cares, new to my former state; 
And these 'twould far more fit me to admire, 
Borne by the graceful ease of noblest Devonshire. 
Such grounds, however, as I had should look 
Like "something" still; have seats, and walks, and brook; 
One spot for flowers, the rest all turf and trees; 
For I'd not grow my own bad lettuces. 
I'd build a cover'd path too against rain, 
Long, peradventure, as my whole domain, 
And so be sure of generous exercise, 
The youth of age and med'cine of the wise. 
And this reminds me, that behind some screen 
About my grounds, I'd have a bowling-green; 
Such as in wits' and merry women's days 
Suckling preferr'd before his walk of bays. 
You may still see them, dead as haunts of fairies, 
By the old seats of Killigrews and Careys, 
Where all, alas! is vanish'd from the ring, 
Wits and black eyes, the skittles and the king! 
Fishing I hate, because I think about it, 
Which makes it right that I should do without it. 
A dinner, or a death, might not be much, 
But cruelty's a rod I dare not touch. 
I own I cannot see my right to feel 
For my own jaws, and tear a trout's with steel; 
To troll him here and there, and spike, and strain, 
And let him loose to jerk him back again. 
Fancy a preacher at this sort of work, 
Not with his trout or gudgeon, but his clerk: 
The clerk leaps gaping at a tempting bit, 
And, hah! an ear-ache with a knife in it! 
That there is pain and evil is no rule 
That I should make it greater, like a fool; 
Or rid me of my rust so vile a way, 
As long as there's a single manly play. 
Nay, "fool"'s a word my pen unjustly writes, 
Knowing what hearts and brains have dozed o'er "bites"; 
But the next inference to be drawn might be, 
That higher beings made a trout of me; 
Which I would rather should not be the case, 
Though Isaak were the saint to tear my face, 
And, stooping from his heaven with rod and line, 
Made the fell sport, with his old dreams divine, 
As pleasant to his taste, as rough to mine. 
Such sophistry, no doubt, saves half the hell, 
But fish would have preferr'd his reasoning well, 
And, if my gills concern'd him, so should I. 
The dog, I grant, is in that "equal sky," 
But, heaven be prais'd, he's not my deity. 
All manly games I'd play at,--golf and quoits, 
And cricket, to set lungs and limbs to rights, 
And make me conscious, with a due respect, 
Of muscles one forgets by long neglect. 
With these, or bowls aforesaid, and a ride, 
Books, music, friends, the day I would divide, 
Most with my family, but when alone, 
Absorb'd in some new poem of my own, 
A task which makes my time so richly pass, 
So like a sunshine cast through painted glass 
(Save where poor Captain Sword crashes the panes), 
That cold my friends live too, and were the gains 
Of toiling men but freed from sordid fears, 
Well could I walk this earth a thousand years.
Written by Ezra Pound | Create an image from this poem

E.P. Ode Pour Lelection De Son Sepulchre

 For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start--

No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;

Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.

Unaffected by "the march of events,"
He passed from men's memory in l'an trentuniesme
de son eage;the case presents
No adjunct to the Muses' diadem.

II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;

Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!

The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.

III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.

Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.

All things are a flowing
Sage Heracleitus say;
But a tawdry cheapness
Shall outlast our days.

Even the Christian beauty
Defects--after Samothrace;
We see to kalon
Decreed in the market place.

Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.

All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an eunuch
To rule over us.

O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!

IV
These fought in any case,
And some believing,
 pro domo, in any case...

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later...
some in fear, learning love of slaughter;

Died some, pro patria,
 non "dulce" not "et decor"...
walked eye-deep in hell
believing old men's lies, then unbelieving
came home, home to a lie, 
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;

fortitude as never before

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.

V
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization,

Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,

For two gross of broken statues,
For a few thousand battered books.


Written by Robert William Service | Create an image from this poem

Pedlar

 Pedlar's coming down the street,
Housewives beat a swift retreat.
Don't you answer to the bell;
Heedless what she has to sell.
Just discreetly go inside.
We must hang a board, I fear:
PEDLARS NOT PERMITTED HERE.

I'm trying to sell what nobody wants to buy;
They turn me away, but still I try and try.
My arms are aching and my feet are sore;
Heartsick and worn I drag from door to door.
I ring bells, meekly knock, hold out my tray,
But no one answers, so I go away.
I am so weary; oh, I want to cry,
Trying to sell what no one wants to buy.

I do not blame them. Maybe in their place
I'd slam the door shut in a pedlar's face.
I don not know; perhaps I'd raise their hopes
By looking at their pens and envelopes,
Their pins and needles, pencils, spools of thread,
Cheap tawdry stuff, before I shake my head
And go back to my cosy kitchen nook
Without another thought or backward look.
I would not see their pain nor hear their sigh,
Trying to sell what no one wants to buy.

I know I am a nuisance. I can see
They only buy because they pity me.
They may . . . I've had a cottage of my own,
A husband, children - now I am alone,
Friendless in all the world. The bitter years
Have crushed me, robbed me of my dears.
All, all I've lost, my only wish to die,
Selling my trash that no one wants to buy.

Pedlar's beating a retreat -
Poor old thing, her face is sweet,
her figure frail, her hair snow-white;
Dogone it! Every door's shut tight. . . .
"Say, Ma, how much for all you've got?
Hell, here's ten bucks . . . I'll take the lot.
Go, get yourself a proper feed,
A little of the rest you need.
I've got a mother looks like you -
I'd hate her doing what you do. . . .
No, don't get sloppy, can the mush,
Praying for me - all that slush;
But please don't come again this way,
Ten bucks is all I draw a day."
Written by Andrew Barton Paterson | Create an image from this poem

The Ballad of G. R. Dibbs

 This is the story of G.R.D., 
Who went on a mission across the sea 
To borrow some money for you and me. 

This G. R. Dibbs was a stalwart man 
Who was built on a most extensive plan, 
And a regular staunch Republican. 

But he fell in the hands of the Tory crew 
Who said, "It's a shame that a man like you 
Should teach Australia this nasty view. 

"From her mother's side she should ne'er be gone, 
And she ought to be glad to be smiled upon, 
And proud to be known as our hanger-on." 

And G. R. Dibbs, he went off his peg 
At the swells who came for his smiles to beg 
And the Prince of Wales -- who was pulling his leg 

And he told them all when the wine had flown, 
"The Australian has got no land of his own, 
His home is England, and there alone." 

So he strutted along with the titled band 
And he sold the pride of his native land 
For a bow and a smile and a shake of the hand. 

And the Tory drummers they sit and call: 
"Send over your leaders great and small; 
For the price is low, and we'll buy them all 

"With a tinsel title, a tawdry star 
Of a lower grade than our titles are, 
And a puff at a prince's big cigar." 

And the Tories laugh till they crack their ribs 
When they think how they purchased G. R. Dibbs.
Written by Rudyard Kipling | Create an image from this poem

The White Mans Burden

 Take up the White man's burden --
 Send forth the best ye breed --
Go bind your sons to exile
 To serve your captives' need;
To wait in heavy harness
 On fluttered folk and wild --
Your new-caught, sullen peoples,
 Half devil and half child.

Take up the White Man's burden --
 In patience to abide,
To veil the threat of terror
 And check the show of pride;
By open speech and simple,
 An hundred times mad plain.
To seek another's profit,
 And work another's gain.

Take up the White Man's burden --
 The savage wars of peace --
Fill full the mouth of Famine
 And bid the sickness cease;
And when your goal is nearest
 The end for others sought,
Watch Sloth and heathen Folly
 Bring all your hope to nought.

Take up the White Man's burden --
 No tawdry rule of kings,
But toil of serf and sweeper --
 The tale of common things.
The ports ye shall not enter,
 The roads ye shall not tread,
Go make them with your living,
 And mark them with your dead!

Take up the White man's burden --
 And reap his old reward:
The blame of those ye better,
 The hate of those ye guard --
The cry of hosts ye humour
 (Ah, slowly!) toward the light: --
"Why brought ye us from bondage,
 "Our loved Egyptian night?"

Take up the White Man's burden --
 Ye dare not stoop to less --
Nor call too loud on freedom
 To cloak your weariness;
By all ye cry or whisper,
 By all ye leave or do,
The silent, sullen peoples
 Shall weigh your Gods and you.

Take up the White Man's burden --
 Have done with childish days --
The lightly proffered laurel,
 The easy, ungrudged praise.
Comes now, to search your manhood
 Through all the thankless years,
Cold-edged with dear-bought wisdom,
 The judgment of your peers!
Written by Bertolt Brecht | Create an image from this poem

Mack The Knife

 Oh, the shark has pretty teeth, dear
And he shows them pearly white.
Just a jack knife has Macheath, dear
And he keeps it out of sight.

When the shark bites with his teeth, dear
Scarlet billows start to spread.
Fancy gloves, though, wears Macheath, dear
So there's not a trace of red.

On the side-walk Sunday morning
Lies a body oozing life;
Someone's sneaking 'round the corner.
Is that someone Mack the Knife?

From a tugboat by the river
A cement bag's dropping down;
The cement's just for the weight, dear.
Bet you Mackie's back in town.

Louie Miller disappeared, dear
After drawing out his cash;
And Macheath spends like a sailor.
Did our boy do something rash?

Sukey Tawdry, Jenny Diver,
Polly Peachum, Lucy Brown
Oh, the line forms on the right, dear
Now that Mackie's back in town.
Written by Victor Hugo | Create an image from this poem

Fact Or Fable?

 (BISMARCK AND NAPOLEON III.) 
 
 ("Un jour, sentant un royal appétit.") 
 
 {Bk. III. iii., Jersey, September, 1852.} 


 One fasting day, itched by his appetite, 
 A monkey took a fallen tiger's hide, 
 And, where the wearer had been savage, tried 
 To overpass his model. Scratch and bite 
 Gave place, however, to mere gnash of teeth and screams, 
 But, as he prowled, he made his hearers fly 
 With crying often: "See the Terror of your dreams!" 
 Till, for too long, none ventured thither nigh. 
 Left undisturbed to snatch, and clog his brambled den, 
 With sleepers' bones and plumes of daunted doves, 
 And other spoil of beasts as timid as the men, 
 Who shrank when he mock-roared, from glens and groves— 
 He begged his fellows view the crannies crammed with pelf 
 Sordid and tawdry, stained and tinselled things, 
 As ample proof he was the Royal Tiger's self! 
 Year in, year out, thus still he purrs and sings 
 Till tramps a butcher by—he risks his head— 
 In darts the hand and crushes out the yell, 
 And plucks the hide—as from a nut the shell— 
 He holds him nude, and sneers: "An ape you dread!" 
 
 H.L.W. 


 A LAMENT. 
 
 ("Sentiers où l'herbe se balance.") 
 
 {Bk. III. xi., July, 1853.} 


 O paths whereon wild grasses wave! 
 O valleys! hillsides! forests hoar! 
 Why are ye silent as the grave? 
 For One, who came, and comes no more! 
 
 Why is thy window closed of late? 
 And why thy garden in its sear? 
 O house! where doth thy master wait? 
 I only know he is not here. 
 
 Good dog! thou watchest; yet no hand 
 Will feed thee. In the house is none. 
 Whom weepest thou? child! My father. And 
 O wife! whom weepest thou? The Gone. 
 
 Where is he gone? Into the dark.— 
 O sad, and ever-plaining surge! 
 Whence art thou? From the convict-bark. 
 And why thy mournful voice? A dirge. 
 
 EDWIN ARNOLD, C.S.I. 


 





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